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  1. Rural life in eighteenth-century English poetry
    Autor*in: Goodridge, John
    Erschienen: 1995
    Verlag:  Cambridge University Press, Cambridge

    Recent research into a self-taught tradition of English rural poetry has begun to offer a radically new dimension to our view of the role of poetry in the literary culture of the eighteenth century. In this important new study John Goodridge offers a... mehr

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    Recent research into a self-taught tradition of English rural poetry has begun to offer a radically new dimension to our view of the role of poetry in the literary culture of the eighteenth century. In this important new study John Goodridge offers a detailed reading of key rural poems of the period, examines the ways in which eighteenth-century poets adapted Virgilian Georgic models, and reveals an illuminating link between rural poetry and agricultural and folkloric developments. Goodridge compares poetic accounts of rural labour by James Thomson, Stephen Duck, and Mary Collier, and makes a close analysis of one of the largely forgotten didactic epics of the eighteenth century, John Dyer's The Fleece. Through an exploration of the purpose of rural poetry and how it relates to the real world, Goodridge breaks through the often brittle surface of eighteenth-century poetry, to show how it reflects the ideologies and realities of contemporary life

     

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511584909
    Weitere Identifier:
    RVK Klassifikation: FX 178355 ; HK 1091 ; HK 1181
    Schriftenreihe: Cambridge studies in eighteenth-century English literature and thought ; 27
    Schlagworte: Geschichte; English poetry / 18th century / History and criticism; Rural conditions in literature; Literature and society / Great Britain / History / 18th century; Pastoral poetry, English / History and criticism; Agricultural laborers in literature; English poetry / Roman influences; Country life in literature; Agriculture in literature; Farm life in literature; Englisch; Hirtendichtung; Geschichte; Lyrik; Landleben; Landleben <Motiv>; Rezeption
    Weitere Schlagworte: Virgil / Influence; Vergilius Maro, Publius (v70-v19): Georgica; Dyer, John (1699-1758): The fleece
    Umfang: 1 online resource (xiv, 227 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    pt. I. 'Hard labour we most chearfully pursue': three poets on rural work. 1. Thomson, Duck, Collier and rural realism. 2. Initiations and peak times. 3. Three types of labour. 4. Compensations. 5. Homecomings -- pt. II. 'A pastoral convention and a ruminative mind': agricultural prescription in The Fleece, I. 6. Sheep and poetry. 7. 'Soil and clime'. 8. Environment and heredity. 9. The care of sheep. 10. The shepherd's harvest -- Appendix A 'Siluria' -- Appendix B Eighteenth-century sheep breeds

  2. Producing women's poetry, 1600-1730
    text and paratext, manuscript and print
    Autor*in: Wright, Gillian
    Erschienen: 2013
    Verlag:  Cambridge University Press, Cambridge

    Producing Women's Poetry is the first specialist study to consider English-language poetry by women across the seventeenth and early eighteenth centuries. Gillian Wright explores not only the forms and topics favoured by women, but also how their... mehr

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    Producing Women's Poetry is the first specialist study to consider English-language poetry by women across the seventeenth and early eighteenth centuries. Gillian Wright explores not only the forms and topics favoured by women, but also how their verse was enabled and shaped by their textual and biographical circumstances. She combines traditional literary and bibliographical approaches to address women's complex use of manuscript and print and their relationships with the male-generated genres of the traditional literary canon, as well as the role of agents such as scribes, publishers and editors in helping to determine how women's poetry was preserved, circulated and remembered. Wright focuses on key figures in the emerging canon of early modern women's writing, Anne Bradstreet, Katherine Philips and Anne Finch, alongside the work of lesser-known poets Anne Southwell and Mary Monck, to create a new and compelling account of early modern women's literary history

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139795463
    Weitere Identifier:
    RVK Klassifikation: HI 1249 ; HK 1181
    Schlagworte: Geschichte; English poetry / Early modern, 1500-1700 / History and criticism; English poetry / 18th century / History and criticism; English poetry / Women authors / History and criticism; Women and literature / England / History / 17th century; Women and literature / England / History / 18th century; Poetry / Publishing / Great Britain / History / 17th century; Poetry / Publishing / Great Britain / History / 18th century; Englisch; Frauenlyrik
    Umfang: 1 online resource (x, 274 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction -- The resources of manuscript: Anne Southwell, readership and literary property -- The material muse: Anne Bradstreet in manuscript and print -- The extraordinary Katherine Philips -- The anxieties of agency: compilation, publicity and judgement in Anne Finch's poetry -- Publishing Marinda: Robert Molesworth, Mary Monck and Caroline of Ansbach -- Conclusion: producing women's poetry

  3. The Epistolary Moment
    the Poetics of the Eighteenth-Century Verse Epistle
    Erschienen: 2014
    Verlag:  Princeton University Press, Princeton

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400862207; 1400862205
    Schriftenreihe: Princeton legacy library
    Schlagworte: English poetry / 18th century / History and criticism; Epistolary poetry, English / History and criticism; Poetics / History / 18th century; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; POETRY / English, Irish, Scottish, Welsh; English poetry; Epistolary poetry, English; Poetics; Geschichte; English poetry; Epistolary poetry, English; Poetics; Englisch; Briefgedicht; Epistel
    Umfang: 229 pages
    Bemerkung(en):

    Cover

    The eighteenth-century verse epistle, argues William Dowling, was an attempt to solve in literary terms the dilemma of solipsism as raised by Locke and Hume. The focus of The Epistolary Moment is on internal audience in poetry--the audience ""inside"" the poem, created by its discourse and belonging to its world--as this divides in epistolary poetry into a double or simultaneous register of address: the audience directly addressed by the letter-writer, and an epistolary audience listening in on the exchange from a point external to the discourse of the speaker but internal to the discourse

  4. The calamity form
    on poetry and social life
    Erschienen: 2020
    Verlag:  The University of Chicago Press, Chicago ; London

    "The Romantic period in literature coincided with two of the most significant transformations in modern history: the Industrial Revolution and, with it, the inflection point of the Anthropocene. Literary critics have shown that much of Romantic... mehr

    Bayerische Staatsbibliothek
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    "The Romantic period in literature coincided with two of the most significant transformations in modern history: the Industrial Revolution and, with it, the inflection point of the Anthropocene. Literary critics have shown that much of Romantic poetry expresses an uncanny insight into both of these transformations, including the human and ecological costs of what we now call a carbon-based economy. But was art really capable of making sense of the emerging crisis-or of changing the future? In a superbly nuanced work of literary criticism, Anahid Nersessian shows that poets began to disqualify themselves from explaining the train of consequences that industry set in motion. Their form of knowledge-if knowledge it be-was of an order different from science or economics, and could not bear the burden of accounting for environmental calamity. Romanticism, Nersessian argues, is of the Anthropocene but not about it, and she cautions against investing its poetry with a straightforwardly testimonial power. In doing so, she models an approach to criticism that reads within what Charles Olson calls "the shapeful," emphasizing the role of rhetorical figures in fashioning the posture a poem takes on a historical question. While focusing on the Romantics, Nersessian also ranges back to the seventeenth century (e.g., the poetry of Andrew Marvell) and forward to examples of contemporary poetry and conceptual art (e.g., Derek Jarman's poetry, and installations by Agnes Denes and Helen Mirra). Within literary studies, this is a widely anticipated book by one of the most brilliant critics of her generation"--

     

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  5. Climate and the making of worlds
    toward a geohistorical poetics
    Autor*in: Menely, Tobias
    Erschienen: [2021]
    Verlag:  The University of Chicago Press, Chicago ; London

    In this book, Tobias Menely develops a materialist ecocriticism, tracking the imprint of the planetary across a long literary history of poetic rewritings and critical readings which continually engage with the climate as a condition of human world... mehr

    Bayerische Staatsbibliothek
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    In this book, Tobias Menely develops a materialist ecocriticism, tracking the imprint of the planetary across a long literary history of poetic rewritings and critical readings which continually engage with the climate as a condition of human world making. Menely's central archive is English poetry written between John Milton's Paradise Lost (1667) and Charlotte Smith's "Beachy Head" (1807)--a momentous century and a half during which Britain, emerging from a crisis intensified by the Little Ice Age, established the largest empire in world history and instigated the Industrial Revolution. Incorporating new sciences into ancient literary genres, these ambitious poems aspired to encompass what the eighteenth-century author James Thomson called the "system . . . entire." Thus they offer a unique record of geohistory, Britain's epochal transition from an agrarian society, buffeted by climate shocks, to a modern coal-powered nation. Climate and the Making of Worlds is a bracing and sophisticated contribution to ecocriticism, the energy humanities, and the prehistory of the Anthropocene

     

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  6. A literary history of Latin & English poetry
    bilingual verse culture in early modern England
    Autor*in: Moul, Victoria
    Erschienen: 2022
    Verlag:  Cambridge University Press, Cambridge ; New York

    Victoria Moul's groundbreaking study uncovers one of the most important features of early modern English poetry: its bilingualism. The first guide to a forgotten literary landscape, this book considers the vast quantities of poetry that were written... mehr

    Universitätsbibliothek Bamberg
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    Victoria Moul's groundbreaking study uncovers one of the most important features of early modern English poetry: its bilingualism. The first guide to a forgotten literary landscape, this book considers the vast quantities of poetry that were written and read in both Latin and English from the sixteenth to the eighteenth century. Introducing readers to a host of new authors and drawing on hundreds of manuscript as well as print sources, it also reinterprets a series of landmarks in English poetry within a bilingual literary context. Ranging from Tottel's miscellany to the hymns of Isaac Watts, via Shakespeare, Jonson, Herbert, Marvell, Milton and Cowley, this revelatory survey shows how the forms and fashions of contemporary Latin verse informed key developments in English poetry. As the complex, highly creative interactions between the two languages are revealed, the work reshapes our understanding of what 'English' literary history means

     

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  7. Climate and the making of worlds
    toward a geohistorical poetics
    Autor*in: Menely, Tobias
    Erschienen: [2021]
    Verlag:  University of Chicago Press, Chicago

    Frontmatter -- contents -- Introduction: Stratigraphic Criticism -- 1. "Earth Trembled": Paradise Lost, the Little Ice Age, and the Climate of Allegory -- 2. "The Works of Nature": Descriptive Poetry and the History of the Earth in Thomson's The... mehr

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    Universitätsbibliothek der RPTU in Kaiserslautern
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    Frontmatter -- contents -- Introduction: Stratigraphic Criticism -- 1. "Earth Trembled": Paradise Lost, the Little Ice Age, and the Climate of Allegory -- 2. "The Works of Nature": Descriptive Poetry and the History of the Earth in Thomson's The Seasons -- 3. Mine, Factory, and Plantation: The Industrial Georgic and the Crisis of Description -- 4. Uncertain Atmospheres: Romantic Lyricism in the Time of the Anthropocene -- Afterword: The Literary Past and the Planetary Future -- Acknowledgments -- Notes -- Bibliographic Note -- Index In this book, Tobias Menely develops a materialist ecocriticism, tracking the imprint of the planetary across a long literary history of poetic rewritings and critical readings which continually engage with the climate as a condition of human world making. Menely's central archive is English poetry written between John Milton's Paradise Lost (1667) and Charlotte Smith's "Beachy Head" (1807)-a momentous century and a half during which Britain, emerging from a crisis intensified by the Little Ice Age, established the largest empire in world history and instigated the Industrial Revolution. Incorporating new sciences into ancient literary genres, these ambitious poems aspired to encompass what the eighteenth-century author James Thomson called the "system . . . entire." Thus they offer a unique record of geohistory, Britain's epochal transition from an agrarian society, buffeted by climate shocks, to a modern coal-powered nation. Climate and the Making of Worlds is a bracing and sophisticated contribution to ecocriticism, the energy humanities, and the prehistory of the Anthropocene

     

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  8. The Insistence of Horror
    Aspects of the Supernatural in Eighteenth-Century Poetry
    Erschienen: [2014]; ©1962
    Verlag:  Harvard University Press, Cambridge, MA

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  9. Literature and the growth of British nationalism
    the influence of romantic poetry and bardic criticism
    Erschienen: 2014
    Verlag:  McFarland, Jefferson, NC

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780786478477
    RVK Klassifikation: HL 1131 ; HL 1191
    Schlagworte: English poetry / 19th century / History and criticism; English poetry / 18th century / History and criticism; Romanticism / Great Britain; National characteristics, English, in literature
    Umfang: X, 246 S., Ill.
    Bemerkung(en):

    Literaturverz. S. 225-239

  10. Writing romanticism
    Charlotte Smith and William Wordsworth, 1784-1807
    Erschienen: 2011
    Verlag:  Palgrave Macmillan, Basingstoke [u.a.]

  11. Imperial affliction
    eighteenth-century British poets and their twentieth-century lives
    Autor*in: Simmons, Thomas
    Erschienen: c2010
    Verlag:  P. Lang, New York

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781453900703; 1453900705
    Schriftenreihe: Postcolonial studies ; v. 11
    Schlagworte: English poetry / 18th century / History and criticism; English poetry / 18th century / Appreciation; Imperialism in literature; Subjectivity in literature; Identity (Psychology) in literature; Social change in literature; Literature and society / England / History / 18th century; POETRY / English, Irish, Scottish, Welsh; English poetry / (OCoLC)fst00912278; English poetry / Appreciation / (OCoLC)fst00912280; Identity (Psychology) in literature / (OCoLC)fst00966910; Imperialism in literature / (OCoLC)fst00968142; Literature and society / (OCoLC)fst01000096; Social change in literature / (OCoLC)fst01122335; Subjectivity in literature / (OCoLC)fst01136579
    Umfang: 1 online resource (xiii, 182 p.)
    Bemerkung(en):

    Includes bibliographical references and index

    TABLE OF CONTENTS; ACKNOWLEDGMENTS ix; INTRODUCTION 1; CHAPTER ONE; INTERTEXTUALITY AND SUBJECTIVITY IN THE ABSENT WILLIAM COLLINS 11; CHAPTER TWO; THE TEXT OF THE MISSED ENCOUNTER: MENTORSHIP AS ABSENCE IN SMART, JOHNSON, BATE, AND TRILLING 45; CHAPTER THREE; THE EXILE AS OTHER: COWPER AND DAVIE UNHOUSED 79; CHAPTER FOUR; JAMES COOK, THE SENTIMENT OF LOSS, AND THE SENTIMENT OF THE SUBLIME: THE PROBLEM OF FIXITY IN IMPERIAL BRITAIN 115; CHAPTER FIVE; PURITY AND DANGER IN THE ARCHITECTONICS OF JOHN NEWTON AND CHRISTOPHER SMART 151; BIBLIOGRAPHY 171; INDEX 181

  12. The calamity form
    on poetry and social life
    Erschienen: 2020
    Verlag:  The University of Chicago Press, Chicago ; London

    "The Romantic period in literature coincided with two of the most significant transformations in modern history: the Industrial Revolution and, with it, the inflection point of the Anthropocene. Literary critics have shown that much of Romantic... mehr

    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "The Romantic period in literature coincided with two of the most significant transformations in modern history: the Industrial Revolution and, with it, the inflection point of the Anthropocene. Literary critics have shown that much of Romantic poetry expresses an uncanny insight into both of these transformations, including the human and ecological costs of what we now call a carbon-based economy. But was art really capable of making sense of the emerging crisis-or of changing the future? In a superbly nuanced work of literary criticism, Anahid Nersessian shows that poets began to disqualify themselves from explaining the train of consequences that industry set in motion. Their form of knowledge-if knowledge it be-was of an order different from science or economics, and could not bear the burden of accounting for environmental calamity. Romanticism, Nersessian argues, is of the Anthropocene but not about it, and she cautions against investing its poetry with a straightforwardly testimonial power. In doing so, she models an approach to criticism that reads within what Charles Olson calls "the shapeful," emphasizing the role of rhetorical figures in fashioning the posture a poem takes on a historical question. While focusing on the Romantics, Nersessian also ranges back to the seventeenth century (e.g., the poetry of Andrew Marvell) and forward to examples of contemporary poetry and conceptual art (e.g., Derek Jarman's poetry, and installations by Agnes Denes and Helen Mirra). Within literary studies, this is a widely anticipated book by one of the most brilliant critics of her generation"--

     

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  13. Organising poetry
    the Coleridge Circle, 1790 - 1798
    Autor*in: Fairer, David
    Erschienen: 2009
    Verlag:  Oxford Univ. Press, Oxford [u.a.]

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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  14. The eighteenth-century mock-heroic poem
    Autor*in: Broich, Ulrich
    Erschienen: 2010
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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  15. The making of poetry
    Coleridge, the Wordsworths and their year of marvels
    Autor*in: Nicolson, Adam
    Erschienen: 2019
    Verlag:  William Collins, London

    June 1797 to September 1798 is the most famous year in English poetry. Out of it came Samuel Taylor Coleridge's The Rime of the Ancient Mariner and "Kubla Khan," as well as his unmatched hymns to friendship and fatherhood, and William Wordsworth’s... mehr

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    June 1797 to September 1798 is the most famous year in English poetry. Out of it came Samuel Taylor Coleridge's The Rime of the Ancient Mariner and "Kubla Khan," as well as his unmatched hymns to friendship and fatherhood, and William Wordsworth’s revolutionary songs in Lyrical Ballads along with "Tintern Abbey," Wordsworth's paean to the unity of soul and cosmos, love and understanding. In The Making of Poetry, Adam Nicolson embeds himself in the reality of this unique moment, exploring the idea that these poems came from this particular place and time, and that only by experiencing the physical circumstances of the year, in all weathers and all seasons, at night and at dawn, in sunlit reverie and moonlit walks, can the genesis of the poetry start to be understood

     

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  16. Graveyard poetry
    religion, aesthetics and the mid-eighteenth-century poetic condition
    Autor*in: Parisot, Eric
    Erschienen: 2013
    Verlag:  Ashgate, Farnham [u.a.]

    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Quelle: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781409434733
    RVK Klassifikation: HK 1181
    Schriftenreihe: British literature in context in the long eighteenth century
    Schlagworte: English poetry / 18th century / History and criticism; Elegiac poetry, English / History and criticism; Religion and poetry / Great Britain / History / 18th century; Poetry / Therapeutic use / Great Britain / History / 18th century; Death in literature; Mortality in literature; Salvation in literature; Sentimentalism in literature; Geschichte; Religion; Englisch; Leseverhalten; Gräberpoesie
    Umfang: 184 S., Ill.
  17. The Cambridge introduction to eighteenth-century poetry
    Autor*in: Sitter, John
    Erschienen: 2011
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780521848244; 9780521612784
    RVK Klassifikation: HK 1150
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Cambridge introductions to literature
    Schlagworte: Lyrik; Englisch
    Weitere Schlagworte: English poetry / 18th century / History and criticism
    Umfang: XII, 246 S.
  18. <<The>> calamity form
    on poetry and social life
    Erschienen: 2020
    Verlag:  The University of Chicago Press, Chicago ; London

    "The Romantic period in literature coincided with two of the most significant transformations in modern history: the Industrial Revolution and, with it, the inflection point of the Anthropocene. Literary critics have shown that much of Romantic... mehr

    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    "The Romantic period in literature coincided with two of the most significant transformations in modern history: the Industrial Revolution and, with it, the inflection point of the Anthropocene. Literary critics have shown that much of Romantic poetry expresses an uncanny insight into both of these transformations, including the human and ecological costs of what we now call a carbon-based economy. But was art really capable of making sense of the emerging crisis-or of changing the future? In a superbly nuanced work of literary criticism, Anahid Nersessian shows that poets began to disqualify themselves from explaining the train of consequences that industry set in motion. Their form of knowledge-if knowledge it be-was of an order different from science or economics, and could not bear the burden of accounting for environmental calamity. Romanticism, Nersessian argues, is of the Anthropocene but not about it, and she cautions against investing its poetry with a straightforwardly testimonial power. In doing so, she models an approach to criticism that reads within what Charles Olson calls "the shapeful," emphasizing the role of rhetorical figures in fashioning the posture a poem takes on a historical question. While focusing on the Romantics, Nersessian also ranges back to the seventeenth century (e.g., the poetry of Andrew Marvell) and forward to examples of contemporary poetry and conceptual art (e.g., Derek Jarman's poetry, and installations by Agnes Denes and Helen Mirra). Within literary studies, this is a widely anticipated book by one of the most brilliant critics of her generation"--

     

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  19. <<The>> making of poetry
    Coleridge, the Wordsworths and their year of marvels
    Autor*in: Nicolson, Adam
    Erschienen: 2019
    Verlag:  William Collins, an imprint of HarperCollinsPublishers, London

    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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  20. Pre-Romantic poetry
    Autor*in: Quinn, Vincent
    Erschienen: 2012
    Verlag:  Northcote House Publishers, Tavistock

    Focusing on poets such as Thomas Gray and William Cowper, Pre-Romantic Poetry investigates pastoral poetry and literary patronage in ways that shift prevailing notions of Eighteenth-Century and Romantic poetry mehr

    Universitätsbibliothek Bamberg
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    Focusing on poets such as Thomas Gray and William Cowper, Pre-Romantic Poetry investigates pastoral poetry and literary patronage in ways that shift prevailing notions of Eighteenth-Century and Romantic poetry

     

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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781786945914
    RVK Klassifikation: HK 1150
    Schriftenreihe: Writers and their work
    Schlagworte: Pastoral poetry, English / History and criticism; English poetry / 18th century / History and criticism; Lyrik; Englisch
    Umfang: 1 Online-Ressource (xiv, 125 Seiten)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 15 Jan 2020)

  21. William Gilbert and esoteric Romanticism
    a contextual study and annotated edition of The hurricane
    Erschienen: 2018
    Verlag:  Liverpool University Press, Liverpool

    William Gilbert, poet, theosophist and astrologer, published <i>The Hurricane: A Theosophical and Western Eclogue</i> in Bristol in 1796, while he was on intimate terms with key members of Bristol literary culture: Coleridge published an extract from... mehr

    Universitätsbibliothek Bamberg
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    William Gilbert, poet, theosophist and astrologer, published The Hurricane: A Theosophical and Western Eclogue in Bristol in 1796, while he was on intimate terms with key members of Bristol literary culture: Coleridge published an extract from The Hurricane in his radical periodical The Watchman; Robert Southey wrote of the poem’s ‘passages of exquisite Beauty’; and William Wordsworth praised and quoted a long passage from Gilbert’s poem in The Excursion. The Hurricane is a copiously annotated 450 line blank verse visionary poem set on the island of Antigua where, in 1763, Gilbert was born into a slave-owning Methodist family. The poem can be grouped with other apocalyptic poems of the 1790s—Blake’s Continental Prophecies, Coleridge's Religious Musings, Southey's Joan of Arc —all of which gave a spiritual interpretation to the dramatic political upheavals of their time. William Gilbert and Esoteric Romanticism presents the untold story of Gilbert’s progress from the radical occultist circles of 1790s London to his engagement with the first generation Romantics in Bristol. At the heart of the book is the first modern edition of The Hurricane, fully annotated to reveal the esoteric metaphysics at its core, followed by close interpretative analysis of this strange elusive poem

     

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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781786948724
    RVK Klassifikation: HL 4990
    Schlagworte: Poets, English / Antigua and Barbuda / Antigua / Biography; English poetry / 18th century / History and criticism; Romanticism / Great Britain / History / 18th century
    Weitere Schlagworte: Gilbert, William / 1763- / Criticism and interpretation; Gilbert, William (1763-1824): The hurricane
    Umfang: 1 Online-Ressource (xiii, 254 Seiten)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 04 Dec 2019)

  22. Organising poetry
    the Coleridge Circle, 1790 - 1798
    Autor*in: Fairer, David
    Erschienen: 2009
    Verlag:  Oxford Univ. Press, Oxford [u.a.]

    Universitätsbibliothek Bayreuth
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  23. The eighteenth-century mock-heroic poem
    Autor*in: Broich, Ulrich
    Erschienen: 2010
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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  24. Graveyard poetry
    religion, aesthetics and the mid-eighteenth-century poetic condition
    Autor*in: Parisot, Eric
    Erschienen: 2013
    Verlag:  Ashgate, Farnham [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1409434737; 9781409434733
    RVK Klassifikation: HK 1181
    Schriftenreihe: British literature in context in the long eighteenth century
    Schlagworte: English poetry; Death in literature; Religion and literature; English poetry / 18th century / History and criticism
    Umfang: 184 S.
    Bemerkung(en):

    Literaturverz. S. [163] - 175

  25. The Insistence of Horror
    Aspects of the Supernatural in Eighteenth-Century Poetry
    Erschienen: [2014]; ©1962
    Verlag:  Harvard University Press, Cambridge, MA

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