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  1. The problem of American habitus
    Autor*in: Mennell, Stephen
    Erschienen: 06.09.2019

    How is it possible to write about "American" habitus in general, when the United States is socially, geographically, ethically and politically so diverse? "The USA", it has been observed, "is not a country, it is a continent". The social forces and... mehr

     

    How is it possible to write about "American" habitus in general, when the United States is socially, geographically, ethically and politically so diverse? "The USA", it has been observed, "is not a country, it is a continent". The social forces and social processes shaping the habitus of Americans are multifarious. There has not, for example, ever been a single elite in the USA as a whole that has succeeded in monopolising the social "model-setting" function to the extent that was common in the history of many Western European countries. For the development of American habitus, Stephen Mennell advances a central proposition: His thesis is that the central historic experience shaping the social habitus of Americans is that of their country constantly becoming more powerful relative to its neighbours. This has had long-term and all-pervasive effects on the way Americans see themselves, on how they perceive the rest of the world, and how others see them.

     
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    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Sozialwissenschaften (300); Literatur und Rhetorik (800)
    Sammlung: LiTheS. Zeitschrift für Literatur- und Theatersoziologie
    Schlagworte: Habitus; USA; Gesellschaft
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/

    ;

    info:eu-repo/semantics/openAccess
  2. Tension on tension : some considerations that might help to produce an increasingly precise understanding of a problem which has no specific object
    Autor*in: Besana, Bruno
    Erschienen: 14.10.2019

    This article shows that 'tension' cannot be conceived as a specific object of an analysis for which one could determine a precise field of enquiry. Instead, it establishes tension as a specific mode or angle of approach with which any given... mehr

     

    This article shows that 'tension' cannot be conceived as a specific object of an analysis for which one could determine a precise field of enquiry. Instead, it establishes tension as a specific mode or angle of approach with which any given contingent object or set of objects can be explored. The wideness of its applicability and the specificity of its angle suggest that research on tension can help to unfold a better understanding of a classical ontological question concerning the essential value of actions and relations in the definition of what a thing is. The text follows this line of argumentation by pairing contemporary philosophical sources and specific aesthetic and political examples. Suggesting the possibility of an open classification of different modes of tension, it clarifies the extent to which the essential definition of a thing is bound to the contingent analysis of its transformations.

     
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    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
    Format: Online
    ISBN: 978-3-85132-616-1
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Spannung; Harmonie; Zeit; Philosophie; Dauer; Raum; Klee, Paul; Film
    Lizenz:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  3. Oblique gazes : the "je ne sais quoi" and the uncanny as forms of undecidability in post-Enlightenment aesthetics
    Autor*in: Camilletti, Fabio
    Erschienen: 14.10.2019

    The article compares the aesthetic notions of the "je ne sais quoi" (as it emerges in the Renaissance and is widely debated in the eighteenth century) and of the 'uncanny' as theorized by Ernst Jentsch and Sigmund Freud in the early twentieth... mehr

     

    The article compares the aesthetic notions of the "je ne sais quoi" (as it emerges in the Renaissance and is widely debated in the eighteenth century) and of the 'uncanny' as theorized by Ernst Jentsch and Sigmund Freud in the early twentieth century. Its hypothesis is that both notions, in situating aesthetic experience in a liminal space between pleasure and trouble, can be considered after-images of non-aesthetical notions - notions that belong to the domain of the sacred and have metamorphosed as forms of aesthetic undecidability through the paradigmatic fracture of early modernity. The article focuses on depictions of female figures directing their gaze upward - in the iconography of Sade's Justine, in popular imagery connected with Lourdes apparitions (1858), in medium photography, and in the images taken by Charcot of his hysterical patients at the Salpêtrière - and argues that they become a Warburgian Pathosformel indicating a space of undecidability and 'nonsense' between the subject and otherness.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
    Format: Online
    ISBN: 978-3-85132-616-1
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Das Unheimliche; Ästhetik; Maria; Lourdes; Freud, Sigmund; Hysterie <Motiv>
    Lizenz:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  4. The topoi of utopia : a topology of political tensions
    Autor*in: Doll, Martin
    Erschienen: 15.10.2019

    Writing a positive account of utopias has always been a difficult and risky task. Utopias have always already been out of fashion and outside of time. Since 1989 at the latest, visions of utopia appear to have come to an end. Twenty years after... mehr

     

    Writing a positive account of utopias has always been a difficult and risky task. Utopias have always already been out of fashion and outside of time. Since 1989 at the latest, visions of utopia appear to have come to an end. Twenty years after Fukayama's 'end of history', this article re-assesses the potentially fruitful roles for utopia’s out-of-timeness. Focusing on the critical potential of utopias through the concept of tension, it argues that utopian thought must be conceptualized through its tensile connections both to the status quo of a given society and to its possible futures.

     
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    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
    Format: Online
    ISBN: 978-3-85132-616-1
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Utopie; Owen, Robert; Heterotopie; Brecht, Bertolt; Marx, Karl; Engels, Friedrich
    Lizenz:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  5. Desiring tension : towards a queer politics of paradox
    Autor*in: Engel, Antke
    Erschienen: 15.10.2019

    The article provides a close reading of the video "Sometimes you fight for the world, sometimes you fight for yourself", dir. by Pauline Boudry/Renate Lorenz (2004, 5'). It reads the video as promoting what it calls a 'queer politics of paradox',... mehr

     

    The article provides a close reading of the video "Sometimes you fight for the world, sometimes you fight for yourself", dir. by Pauline Boudry/Renate Lorenz (2004, 5'). It reads the video as promoting what it calls a 'queer politics of paradox', that is, a politics that acknowledges desire as a constitutive moment of the political and at the same time challenges the political via a queer understanding of desire in order to make room for the political articulation of the Other. The article argues that a reworking of the political - one that aims at de-centring its hegemonic dynamic and creating space for Otherness - becomes possible if one invites paradox as a specific, anti-identitarian, and agonistic mode of tension to function as a constitutive moment of desire and of the political.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
    Format: Online
    ISBN: 978-3-85132-616-1
    DDC Klassifikation: Öffentliche Darbietungen, Film, Rundfunk (791); Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Boudry, Pauline; Lorenz, Renate; Queer-Theorie; Paradoxon; Kurzfilm
    Lizenz:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess