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  1. "Art and defects" in the eye of a beholder : conference report
    Autor*in: Muilwijk, Bob
    Erschienen: 13.01.2021

    The conference "Kunst und Gebrechen" ("Art and Defects"), which was scheduled from March 19th to March 21st and then postponed due to Covid-19, finally took place from November 5th through to November 7th. [...] The conference had a clear... mehr

     

    The conference "Kunst und Gebrechen" ("Art and Defects"), which was scheduled from March 19th to March 21st and then postponed due to Covid-19, finally took place from November 5th through to November 7th. [...] The conference had a clear biographical focus: Most of the fourteen presentations sought to disentangle the influence any clear "defects" artists might have had on their work or their reception. Of course, this already poses a problem that many of the speakers addressed: the idea of "defects" presupposes a teleological norm, be it physical, mental or concerning age or gender, from which it is possible to deviate. A defect is a defect first and foremost in the eye of the beholder and, as Manfred Kern mentioned in his introduction, it can be seen not just as an impediment, but as a catalyst for artistic expression, too.

     
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    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Teile des Periodikums; Teile des Periodikums
    Format: Online
    DDC Klassifikation: Künste; Bildende und angewandte Kunst (700); Literatur und Rhetorik (800)
    Sammlung: Figurationen des Übergangs
    Schlagworte: Kunst; Kreativität; Disability Studies; Krankheit; Darstellende Kunst; Musik
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess
  2. 'We are gathering experience' : restaging the history of art education
    Autor*in: Rockwell, Alethea
    Erschienen: 25.04.2022

    In recent years, critics and art historians have pointed to an 'educational turn', a rise in participatory pedagogical art projects and artist-led experimental schools. This essay considers artist-led projects and museum programmes that restage or... mehr

     

    In recent years, critics and art historians have pointed to an 'educational turn', a rise in participatory pedagogical art projects and artist-led experimental schools. This essay considers artist-led projects and museum programmes that restage or reenact educational experiments from the past, analysing their limits and possibilities in the study and presentation of modern art history. Much like performance art, pedagogy is ephemeral and contingent, and yet it differs in that it does not establish a fixed spectatorial role. To be understood it must be participated in, for, as Josef Albers described his teaching, 'we are gathering experience'.

     
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    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
    Format: Online
    ISBN: 978-3-96558-029-9; 978-3-96558-028-2
    DDC Klassifikation: Bildung und Erziehung (370); Künste; Bildende und angewandte Kunst (700); Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Kunst; Pädagogik; Museumspädagogik; Albers, Josef
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess
  3. A list of fears : Eva Kot'átková's "Asylum"
    Autor*in: Peppel, Claudia
    Erschienen: 06.03.2023

    Usually, fears and phobias range under anxiety disorders, and are listed in psychiatric manuals. Their variety seems infinite, and their severity varies from a slight uneasiness or tension to a condition in which a state of great panic is induced by... mehr

     

    Usually, fears and phobias range under anxiety disorders, and are listed in psychiatric manuals. Their variety seems infinite, and their severity varies from a slight uneasiness or tension to a condition in which a state of great panic is induced by the specific stimulus, which can be an object, an animal, a number, people, spaces, ideas, or a particular situation. The list of fears by Czech artist Eva Kot'átková is part of the installation "Asylum" that was presented at the Venice Biennale in 2013. Kot'átková's works often reflect on the processes that restrict and manipulate people within institutions such as psychiatric hospitals or schools.

     
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    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
    Format: Online
    ISBN: 978-3-96558-041-1; 978-3-96558-040-4
    DDC Klassifikation: Künste; Bildende und angewandte Kunst (700); Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Koťátková, Eva; Installation <Kunst>; Liste; Collage; Phobie; Furcht <Motiv>
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess
  4. Black box allegories of Gulf Futurism : the irreducible other of computational capital
    Autor*in: İşcen, Özgün Eylül
    Erschienen: 01.03.2023

    Given the prospect of post-oil futures, this chapter historically situates contemporary Gulf Futurism within cybernetic and logistical aspirations underlying the current global trend of the smartness mandate. Working through the complex visuality... mehr

     

    Given the prospect of post-oil futures, this chapter historically situates contemporary Gulf Futurism within cybernetic and logistical aspirations underlying the current global trend of the smartness mandate. Working through the complex visuality that the cybernetic black box animates, the chapter revisits Fredric Jameson's cognitive mapping as an allegorical model for the inherent frictions of computational capital. To this end, it discusses Kuwaiti artist Monira Al Qadiri's artistic practice that reclaims a right to speculate while condensing material reality and imaginative threads, thereby going beyond a mere gesture of unveiling or mapping.

     
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    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
    Format: Online
    ISBN: 978-3-96558-041-1; 978-3-96558-040-4
    DDC Klassifikation: Künste; Bildende und angewandte Kunst (700); Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Qadiri, Monira al-; Golfstaaten; Futurismus; Ubiquitous Computing; Blackbox
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/

    ;

    info:eu-repo/semantics/openAccess
  5. Climbing aboard : Havana apartment-galleries and international art circuits
    Autor*in: Álvarez Hernández, Analays
    Erschienen: 06.03.2024

    Havana's apartment-galleries have been vital venues for the city's art scene since the 1990s, hosting art exhibitions, workshops, and conferences. In the context of Cuba's limited art market and dearth of cultural institutions with international... mehr

     

    Havana's apartment-galleries have been vital venues for the city's art scene since the 1990s, hosting art exhibitions, workshops, and conferences. In the context of Cuba's limited art market and dearth of cultural institutions with international reach, these residential spaces have offered artists a unique opportunity to display their work and to connect with international art circuits. Focusing on the histories of three specific apartment-galleries - El Apartamento, Estudio Figueroa-Vives, and Avecez Art Space - this chapbook reflects on the complex interplay of the local and the global in the 'worlding' of cultural institutions.

     
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    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    ISBN: 978-3-96558-064-0; 978-3-96558-065-7; 978-3-96558-063-3
    DDC Klassifikation: Künste; Bildende und angewandte Kunst (700); Literatur und Rhetorik (800)
    Sammlung: ICI Berlin
    Schlagworte: Kuba; Kunst; Havanna; Kunstbetrieb; Kunstgalerie; Ausstellung; Kunstmarkt
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess