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  1. Nationality as intersectional storytelling : inventing the 'Parisienne'
    Autor*in: Weilandt, Maria
    Erschienen: 08.04.2024

    Nationality traditionally is one of imagology's key terms. In this article, I propose an intersectional understanding of this category, conceiving nationality as an interdependent dynamic. I thus conclude it to be always internally constructed by... mehr

     

    Nationality traditionally is one of imagology's key terms. In this article, I propose an intersectional understanding of this category, conceiving nationality as an interdependent dynamic. I thus conclude it to be always internally constructed by notions of gender, sexuality, race, class, religion, age, ability, and other identity categories. This complex and multi-layered construct, I argue, is formed narratively. To exemplify this, I analyse practices of stereotyping in Honoré de Balzac's "Illusions perdues" (1843) and Henry James's "The American" (1877) which construct the so-called 'Parisienne' as a synecdoche for nineteenth-century France.

     
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  2. A "Jezebel" or a further "madwoman in the attic" in Caroline Lee Hentz's "The Planter's Northern Bride"
    Autor*in: Andersson, Karin
    Erschienen: 08.04.2024

    This article examines striking similarities between stereotypical characters in Caroline Lee Hentz's US-American plantation novel "The Planter's Northern Bride" (1854), and Charlotte Brontë's classic "Jane Eyre" (1847). Especially, a connection can... mehr

     

    This article examines striking similarities between stereotypical characters in Caroline Lee Hentz's US-American plantation novel "The Planter's Northern Bride" (1854), and Charlotte Brontë's classic "Jane Eyre" (1847). Especially, a connection can be made between Hentz's Italian "Madwoman in the attic" Claudia, and Brontë's transatlantic Caribbean counterpart Bertha. An intersectional methodology performed through a close reading will show how both women are literally and metaphorically trapped within spaces and stereotypes. This article transfers imagology into a global setting while extending its scope beyond investigating national characteristics.

     
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  3. Images of Bosniac women in contemporary antiwar films : an intersectional analysis of victim feminism in "Grbavica" and "In the Land of Blood and Honey"
    Autor*in: Drmić, Ivana
    Erschienen: 08.04.2024

    Visual representations of sexual violence in the Bosnian War in Jasmila Žbanić's "Grbavica" (2006) and Angelina Jolie's "In the Land of Blood and Honey" (2011) reveal different dimensions of victim feminism. Both directors sought to raise awareness... mehr

     

    Visual representations of sexual violence in the Bosnian War in Jasmila Žbanić's "Grbavica" (2006) and Angelina Jolie's "In the Land of Blood and Honey" (2011) reveal different dimensions of victim feminism. Both directors sought to raise awareness of the issue of wartime rape and to direct viewers' attention to the pain of the distant Other. An intersectional analysis of the two productions (one domestic and one US-based) helps convey the impact of national and gender stereotyping both on self-representations and on representations of Otherness. Moreover, the analysis of a cinematic response to the Western gaze encourages rethinking prevalent images of the so-called Balkans.

     
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    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
    Format: Online
    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Klassifikation: Öffentliche Darbietungen, Film, Rundfunk (791); Literatur und Rhetorik (800)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Jolie, Angelina; Film; Balkanbild; Bosnienkrieg <Motiv>; Frau <Motiv>; Sexualisierte Gewalt
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess
  4. National images in visual narratives : the (re)presentation of national characters in the Flemish comic series "Suske en Wiske"
    Autor*in: Hermann, Christine
    Erschienen: 08.04.2024

    In visual narratives such as comics, national images are actually depicted. While Franco-Belgian comics have been the subject of detailed studies regarding the national stereotypes they convey, Flemish comics have been largely ignored. This article... mehr

     

    In visual narratives such as comics, national images are actually depicted. While Franco-Belgian comics have been the subject of detailed studies regarding the national stereotypes they convey, Flemish comics have been largely ignored. This article focuses on three albums of the Flemish comic series "Suske en Wiske", in which the heroes travel to a fictitious Eastern Bloc country, Japan, and China. It will examine how both heteroimages and auto-image are presented (visually, textually, and as part of the plot), and how comic characters may combine contradictory ethnotypes. As it will turn out, in the early album (1945) ethnotypes are perpetuated, whereas in later ones (1984, 2008) they are rather undermined.

     
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    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
    Format: Online
    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Klassifikation: Literatur und Rhetorik (800); 741.5
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Comic; Belgien; Flämisch; Stereotyp; Fremdbild; Selbstbild; Ostblock; Chinabild; Japanbild
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess
  5. #JeSuisAmatrice: identity through a landscape of wounds; toward a geo-imagology
    Autor*in: Brandlechner, Daniel
    Erschienen: 08.04.2024

    Italy has experienced a high number of earthquakes. However, the identity of "the Italians" has not yet been defined by their "landscape of wounds." Referring to an earthquake in central Italy (Amatrice) in August 2016, the French satirical magazine... mehr

     

    Italy has experienced a high number of earthquakes. However, the identity of "the Italians" has not yet been defined by their "landscape of wounds." Referring to an earthquake in central Italy (Amatrice) in August 2016, the French satirical magazine Charlie Hebdo published a controversial caricature of two wounded Italians standing alongside the "Lasagnes," a pile of bodies layered like the well- known Italian pasta dish. By analysing the caricature's text, intertext, and context, while drawing on imagology and geopoetics, this article aims to show how earthquakes are linked to Italian cultural stereotypes and national identity.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
    Format: Online
    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Italienbild; Erdbeben; Geopoetik; Charlie hebdo
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess