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1. Double take : palimpsestic writing and image-character in Benjamin's late prose

   Autor*in: Jennings, Michael W.

   Erschienen: 01.12.2016

   It is no accident that the figuration of rewriting as copying is an image from "One Way Street". This apparently casual assemblage of small, rather belletristic texts - still some of the least explored terrain in all of Benjamin - is in important... mehr

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   Volltext:	http://publikationen.ub.uni-frankfurt.de/files/42409/Benjamin-Studien_2_33-44_jennings.pdf
   Zitierfähiger Link:	https://nbn-resolving.org/urn:nbn:de:hebis:30:3-424094

   It is no accident that the figuration of rewriting as copying is an image from "One Way Street". This apparently casual assemblage of small, rather belletristic texts - still some of the least explored terrain in all of Benjamin - is in important ways the key to all of Benjamin’s later writing, and especially that writing based on the form of the "Denkbild" or figure of thought. In what follows, I will concentrate on one set of paired examples in order to demonstrate in a more focused way the practice of rewriting and its effects: on the relationship between "Berlin Childhood around 1900" and "One Way Street".

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   Quelle:	CompaRe
   Sprache:	Englisch
   Medientyp:	Wissenschaftlicher Artikel
   Format:	Online
   ISBN:	978-3-7705-5071-5
   DDC Klassifikation:	Literatur und Rhetorik (800)
   Sammlung:	Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
   Schlagworte:	Benjamin, Walter; Textproduktion; Literaturproduktion; Berliner Kindheit um neunzehnhundert; Einbahnstraße; Erinnerung
   Lizenz:	publikationen.ub.uni-frankfurt.de/home/index/help ; info:eu-repo/semantics/openAccess

2. Brinkmann's 'Passio' : 'Rom, Blicke' and Conceptual Art

   Autor*in: Jennings, Michael W.

   Erschienen: 12.01.2017

   The three 'Materialienbände' - 'Schnitte'; 'Rom, Blicke'; and 'Erkundungen für die Präzisierung des Gefühls für einen Aufstand' - that Rolf Dieter Brinkmann produced in the early 1970s have, in the last decade, gradually come to be recognized as... mehr

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   Volltext:	http://publikationen.ub.uni-frankfurt.de/files/42600/191-199_jennings.pdf
   Zitierfähiger Link:	https://nbn-resolving.org/urn:nbn:de:hebis:30:3-426007

   The three 'Materialienbände' - 'Schnitte'; 'Rom, Blicke'; and 'Erkundungen für die Präzisierung des Gefühls für einen Aufstand' - that Rolf Dieter Brinkmann produced in the early 1970s have, in the last decade, gradually come to be recognized as central statements of a radically new cultural formation. A peculiar feature of this recognition, though, is the relative puzzlement that lingers over the question as to the 'form' of these volumes. That the three objects resist generic classification is by now a truism of the Brinkmann literature; yet even the construction of a cultural field within which the volumes might be compared to other works has remained elusive. The essay that follows, based largely on a reading of 'Rom, Blicke', is an attempt to construct precisely that cultural field.

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   Quelle:	CompaRe
   Sprache:	Englisch
   Medientyp:	Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
   Format:	Online
   ISBN:	978-3-7705-5006-7
   DDC Klassifikation:	Literatur und Rhetorik (800); Literaturen germanischer Sprachen; Deutsche Literatur (830)
   Sammlung:	Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
   Schlagworte:	Brinkmann, Rolf Dieter; Rom, Blicke; Concept-art; Leid
   Lizenz:	publikationen.ub.uni-frankfurt.de/home/index/help ; info:eu-repo/semantics/openAccess