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1. Introduction : medieval openness

   Autor*in: Gragnolati, Manuele; Suerbaum, Almut

   Erschienen: 15.06.2022

   The essays in this volume seek to understand manifold kinds of medieval openness that become visible when one refrains from modern assumptions, and are also interested in how articulations of openness in the Middle Ages often stand in creative... mehr

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   Volltext:	http://publikationen.ub.uni-frankfurt.de/files/68670/gragnolati-suerbaum_introduction.pdf
   Zitierfähiger Link:	https://nbn-resolving.org/urn:nbn:de:hebis:30:3-686704 https://doi.org/10.37050/ci-23_01

   The essays in this volume seek to understand manifold kinds of medieval openness that become visible when one refrains from modern assumptions, and are also interested in how articulations of openness in the Middle Ages often stand in creative tension with forms of closure and can even be empowered by them. The chapters highlight the complex relationship between author, work, and text, but also explore several, often paradoxical, ways in which medieval culture mobilizes forms, practices, and experiences of openness without having a single abstract concept for it.

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   Quelle:	CompaRe
   Sprache:	Englisch
   Medientyp:	Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
   Format:	Online
   ISBN:	978-3-96558-029-9; 978-3-96558-030-5
   DDC Klassifikation:	Literatur und Rhetorik (800); Geschichte Europas (940)
   Sammlung:	ICI Berlin
   Schlagworte:	Mittelalter; Offenheit
   Lizenz:	creativecommons.org/licenses/by-sa/4.0/ ; info:eu-repo/semantics/openAccess

2. Including the excluded : strategies of opening up in late medieval religious writing

   Autor*in: Suerbaum, Almut

   Erschienen: 27.06.2022

   Practices of rewriting and mouvance are central to medieval culture, but have been neglected by contemporary scholarship. This paper highlights how collaborative forms of writing such as religious song engage with complex theological thought, opening... mehr

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   Volltext:	http://publikationen.ub.uni-frankfurt.de/files/68709/suerbaum_including-the-excluded.pdf
   Zitierfähiger Link:	https://nbn-resolving.org/urn:nbn:de:hebis:30:3-687098 https://doi.org/10.37050/ci-23_10

   Practices of rewriting and mouvance are central to medieval culture, but have been neglected by contemporary scholarship. This paper highlights how collaborative forms of writing such as religious song engage with complex theological thought, opening up a discourse from which the laity had previously been excluded. Using forms which defy conventional author-based aesthetic norms, these songs explore poetic practices which are both collective and inclusive.

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   Hinweise zum Inhalt:

   kostenfrei

   Quelle:	CompaRe
   Sprache:	Englisch
   Medientyp:	Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
   Format:	Online
   ISBN:	978-3-96558-029-9; 978-3-96558-030-5
   DDC Klassifikation:	Literatur und Rhetorik (800); Literaturen germanischer Sprachen; Deutsche Literatur (830)
   Sammlung:	ICI Berlin
   Schlagworte:	Gottfried, von Straßburg; Höfische Literatur; Eckhart, Meister; Mystik; Rezeption; Christliche Literatur; Lyrik; Mittelalter; Geschichte 1250-1500; Ästhetik; Offenheit
   Lizenz:	creativecommons.org/licenses/by-sa/4.0/ ; info:eu-repo/semantics/openAccess