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1. ‘So clear that one can see the breaks' : colonialism, materiality, and the lyric in Jen Bervin's "The Desert"

   Autor*in: Altman, Toby

   Erschienen: 10.12.2024

   This essay places Jen Bervin's 2008 artist book "The Desert" in conversation with lyric theory. It argues that Bervin disrupts the lyric as it has developed since the nineteenth century, restoring its suppressed materiality and contesting the... mehr

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   Volltext:	http://publikationen.ub.uni-frankfurt.de/files/88147/altman_colonialism-materiality-lyric.pdf
   Zitierfähiger Link:	https://nbn-resolving.org/urn:nbn:de:hebis:30:3-881471 https://doi.org/10.37050/ci-30_09

   This essay places Jen Bervin's 2008 artist book "The Desert" in conversation with lyric theory. It argues that Bervin disrupts the lyric as it has developed since the nineteenth century, restoring its suppressed materiality and contesting the imbrication of the lyric in colonial practices of land use. By doing so, the essay argues, Bervin restores the social world of material production and communal labour on which the lyric depends.

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   Quelle:	CompaRe
   Sprache:	Englisch
   Medientyp:	Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
   Format:	Online
   ISBN:	978-3-96558-078-7; 978-3-96558-079-4; 978-3-96558-077-0
   DDC Klassifikation:	Künste; Bildende und angewandte Kunst (700); Literatur und Rhetorik (800)
   Sammlung:	ICI Berlin
   Schlagworte:	Bervin, Jen; Künstlerbuch; Lyriktheorie; Materialität; Wüste; Kolonialismus; Pike, Zebulon Montgomery
   Lizenz:	creativecommons.org/licenses/by-sa/4.0/deed.de ; info:eu-repo/semantics/openAccess