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1. Le chant des sirènes, ou la langue émue

   Autor*in: Dziub, Nikol

   After studying the way in which various modern interpretations (political, psychoanalytic, traumatological) of Homer analyze the emotions aroused and/or conveyed by the song of the sirens, we will look at the "self-reflexive" interpretation that... mehr

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   Volltext:	http://publikationen.ub.uni-frankfurt.de/files/57462/CH_48_Dziub.pdf
   Zitierfähiger Link:	https://nbn-resolving.org/urn:nbn:de:hebis:30:3-574622

   After studying the way in which various modern interpretations (political, psychoanalytic, traumatological) of Homer analyze the emotions aroused and/or conveyed by the song of the sirens, we will look at the "self-reflexive" interpretation that Maurice Blanchot ("Le Livre à venir", 1959) proposes of "Odyssey's" "Song XII". We will see that this interpretation can provide an excellent reading grid for modern rewritings of the episode, which overinvest one of the emotional aspects of the sirens' song - that is, the emotion of the language that goes out of itself in order to become music (in Joyce - "Ulysses", 1918-1920) or silence (in Kafka - "Das Schweigen der Sirenen", 1917).

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   Quelle:	CompaRe
   Sprache:	Französisch
   Medientyp:	Wissenschaftlicher Artikel
   Format:	Online
   ISBN:	978-3-8498-1647-6; 978-3-8498-1391-8; 978-3-8498-1392-5
   DDC Klassifikation:	Literatur und Rhetorik (800)
   Sammlung:	Aisthesis Verlag
   Schlagworte:	Sirene <Mythologie>; Gesang; Gefühl; Odyssea; Blanchot, Maurice; Joyce, James; Ulysses; Kafka, Franz; Das Schweigen der Sirenen
   Lizenz:	creativecommons.org/licenses/by-sa/3.0/de/deed.de ; info:eu-repo/semantics/openAccess