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  1. Performative Lyrik und lyrische Performance
    Profilbildung im deutschen Rap
    Author: Gruber, Johannes
    Published: [2016]; ©2016
    Publisher:  transcript-Verlag, Bielefeld

    Rap does not exist on paper - rap must be performed. The individual style of a rapper - their flow - is thus a crucial measure of quality. Johannes Gruber examines this phenomenon for the first time using his own self-developed 'flow analysis'. The... more

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    Rap does not exist on paper - rap must be performed. The individual style of a rapper - their flow - is thus a crucial measure of quality. Johannes Gruber examines this phenomenon for the first time using his own self-developed 'flow analysis'. The usage of this method on over 600 rap tracks and their lyrics delivers astounding results and culminates in a comprehensive "poetics of rap", combining standardised methods of text production and performance and presenting German rap in its complete soundscape. With the use of genre stars Sido and Bushido, the study shows how rappers use these mechanisms and strategies in order to generate a specific image and profile Rap existiert nicht auf dem Papier - Rap muss aufgeführt werden. Entscheidendes Qualitätsmerkmal ist dabei der individuelle Stil eines Rappers, sein »Flow«. Johannes Gruber untersucht dieses Phänomen erstmalig genauer anhand der von ihm entwickelten Flowanalyse. Die Anwendung dieser Methode auf über 600 Raptracks und die zugehörigen Texte liefert erstaunliche Ergebnisse und mündet in eine umfassende »Poetik des Rap«. Diese fasst standardisierte Verfahren der Textproduktion und -aufführung zusammen und zeigt den deutschen Rap in seiner ganzen Klanglichkeit. Wie Rapper diese Mechanismen und Strategien nutzen, um ein spezifisches Image bzw. Profil zu generieren, zeigt die Studie anhand der Genre-Stars Sido und Bushido

     
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  2. Der Begriff "Heimat" in rechter Musik
    Analysen – Hintergründe – Zusammenhänge
    Author: Büchner, Timo
    Published: [2020]; © 2020
    Publisher:  Wochenschau Verlag, Frankfurt/M.

    Der Kampf um die Deutungshoheit des Heimatbegriffs wird nicht nur auf der Straße, im Netz und in den Parlamenten geführt – sondern auch in der Musik. Der Einblick in verschiedene Spektren der rechten Musik zeigt: Die vermeintlich unpolitische... more

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    Der Kampf um die Deutungshoheit des Heimatbegriffs wird nicht nur auf der Straße, im Netz und in den Parlamenten geführt – sondern auch in der Musik. Der Einblick in verschiedene Spektren der rechten Musik zeigt: Die vermeintlich unpolitische Deutschrock-Band "Frei.Wild", die neurechten Rapper "Komplott" und "Chris Ares" sowie der neonazistische Liedermacher "Frank Rennicke" verbreiten ein völkisches Heimatverständnis, das für eine vielfältige Gesellschaft brandgefährlich ist. Das Buch ist ein analytisches Werkzeug für Lehrer*innen und Praktiker*innen in der Jugendarbeit.

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783734409004
    RVK Categories: LR 56600 ; MG 10388 ; MG 15388 ; LR 56608
    DDC Categories: 300
    Subjects: Text; Rockmusik; Lied; Unterhaltungsmusik; Heimat <Motiv>; Rechtsradikalismus
    Other subjects: Book; Fachpublikum/ Wissenschaft; Chris Ares; Frank Rennicke; Frei.Wild; Heimat; Komplott; Neonazismus; Neue Rechte; Rechtsrock; rechte Musik; 1728: Hardcover, Softcover / Soziologie/Politische Soziologie
    Scope: 1 Online-Ressource (173 Seiten)
  3. "Ich bin eine Kanackin"
    decolonizing popfeminism - transcultural perspectives on Lady Bitch Ray
    Author: Tuzcu, Pinar
    Published: [2017]; © 2017
    Publisher:  transcript-Verlag, Bielefeld

    Pinar Tuzcu explores rapper Lady Bitch Ray's performance and particularly her use of the term Kanackin. She combines issues of popfeminism and postmigration through speculative methodology and invites us to forget prescriptive definitions by... more

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    Pinar Tuzcu explores rapper Lady Bitch Ray's performance and particularly her use of the term Kanackin. She combines issues of popfeminism and postmigration through speculative methodology and invites us to forget prescriptive definitions by proposing paradoxicality as a source to diversify our concepts of feminism. By means of Situational Analysis, her study works through the contradictory forms of positioning that occurred in group discussions with Turkish-German university students about Lady Bitch Ray's music videos. In this book, Tuzcu argues that these contradictory forms of positioning bear traces of emergent discourses that reach beyond Western-centric descriptions of feminism in Germany

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783839435724
    Other identifier:
    RVK Categories: LB 44000 ; LB 53000 ; LC 87000 ; LR 56610 ; LS 48650
    Series: Gender Studies
    Subjects: Cultural Studies; Decolonial Approaches; Feminist Art & Performance; Gender Studies; Gender; Popfeminism; Popular Culture; Postcolonialism; Rap; Sociology; Rezeption; Postkolonialismus; Popkultur; Unterhaltungsmusik; Gruppendiskussion; Feminismus; Kulturelle Identität
    Other subjects: Bitch Ray Lady (1981-)
    Scope: 1 Online-Ressource (193 Seiten)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed June 28, 2017)

    Dissertation, University of Kassel, 2015
  4. Popular music and the politics of hope
    queer and feminist interventions
    Contributor: Fast, Susan (Publisher); Jennex, Craig (Publisher)
    Published: 2019
    Publisher:  Routledge, New York

    In today's culture, popular music is a vital site where ideas about gender and sexuality are imagined and disseminated. Popular Music and the Politics of Hope: Queer and Feminist Interventions explores what that means with a wide-ranging collection... more

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    In today's culture, popular music is a vital site where ideas about gender and sexuality are imagined and disseminated. Popular Music and the Politics of Hope: Queer and Feminist Interventions explores what that means with a wide-ranging collection of chapters that consider the many ways in which contemporary pop music performances of gender and sexuality are politically engaged and even radical. With analyses rooted in feminist and queer thought, contributors explore music from different genres and locations, including Beyoncae's Lemonade, A Tribe Called Red's We Are the Halluci Nation, and celebrations of Vera Lynn's 100th Birthday. At a bleak moment in global politics, this collection focuses on the concept of critical hope: the chapters consider making and consuming popular music as activities that encourage individuals to imagine and work toward a better, more just world. Addressing race, class, aging, disability, and colonialism along with gender and sexuality, the authors articulate the diverse ways popular music can contribute to the collective political projects of queerness and feminism. With voices from senior and emerging scholars, this volume offers a snapshot of today's queer and feminist scholarship on popular music that is an essential read for students and scholars of music and cultural studies

     
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    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Contributor: Fast, Susan (Publisher); Jennex, Craig (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781315165677
    Other identifier:
    Subjects: Unterhaltungsmusik; Feminismus; Queer-Theorie; Homosexualität; Geschlechterforschung
    Other subjects: Popular music / Political aspects; Sex and popular music; Homosexuality and popular music; Feminism and music; Feminism and music; Homosexuality and popular music; Popular music / Political aspects; Sex and popular music; MUSIC / Instruction & Study / Theory; MUSIC / General; MUSIC / History & Criticism; Electronic books
    Scope: 1 Online-Ressource (316 Seiten)
    Notes:

    1903

    Visions of wondaland: on Janelle Monaé's afrofuturistic vision / Marquita R. Smith -- Listening to difference : recognition and refusal in queer music diasporas / Craig Jennex -- Who's your daddy? : Beyoncé, the Dixie Chicks, and the art of outlaw protest / Francesca T. Royster -- Brave new ideas begin : disability, gender, and life-writing in twenty-first-century pop / Laurie Stras -- Round my hometown : listening to London in the racial politics of post-millennial British soul / Freya Jarman with Emily Baker -- Born to run and reckless : my life as a Pretender : rewriting the political imaginary of rock music memoir / Pamela Fox -- Sounding the Halluci Nation : decolonizing race, masculinity, and global solidarities with a Tribe Called Red / Alexa Woloshyn -- Addict(ive) sex: toward an intersectional approach to Truth Hurts' Addictive and Afro-South Asian hip hop and R&B / Elliott H. Powell -- Hip hop dialogues : sampling women's hand drum songs and the Canadian popular mainstream / Liz Przybylski -- Electro-pop as Trojan horse : hearing the call to arms in Anohni's Hopelessness / Maria Murphy -- Genders, genres, generations : Jacqueline Warwick and Susan McClary in conversation / Susan McClary and Jacqueline Warwick -- Power in the darkness and angry Atthis : anthems, genres and the queer voice / Jack Halberstam -- Resisting the politics of aging : Madonna and the value of female labor in popular music / Tiffany Naiman ; Vera Lynn 100 : retirement, aging, and legacy for a national treasure / Christina Baade ; Sounding lockdown : singing in administrative segregation at the Louisiana correctional institute for women / Benjamin J. Harbert and Consuela Gaines
  5. No time for losers
    Charts, Listen und andere Kanonisierungen in der populären Musik
    Contributor: Helms, Dietrich; Phleps, Thomas
    Published: 2008
    Publisher:  transcript Verlag, Bielefeld ; UTB GmbH, Stuttgart

    Charts und Airplaylisten, Umfragen und Votings - nirgends sonst wird so öffentlich gemessen und hierarchisiert wie in der populären Musik. Daneben existieren unter Fans und Fachleuten zahlreiche »geheime« Kanones. Das Wissen um den Rang einer Band,... more

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    Charts und Airplaylisten, Umfragen und Votings - nirgends sonst wird so öffentlich gemessen und hierarchisiert wie in der populären Musik. Daneben existieren unter Fans und Fachleuten zahlreiche »geheime« Kanones. Das Wissen um den Rang einer Band, eines Stücks oder einer Einspielung ist Macht- und Distinktionsgewinn. Noch nie sind so viele ratgebende Bücher und Zeitschriften über die »100/50/18/3 besten Platten« erschienen, die »alles, was man wissen muss«, in kompakter Form vorerzählen. Die Definitionsmacht dieser populären Kanones ist unter Fans und Journalisten hart umkämpft.Erstmals für die deutschsprachige Popularmusikforschung beleuchtet dieser Band das Phänomen aus den Perspektiven verschiedener Musiken, Zeiten und Wissenschaftsdisziplinen.

     
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    Source: Union catalogues
    Contributor: Helms, Dietrich; Phleps, Thomas
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839409831
    RVK Categories: LR 54600 ; LS 48000 ; EC 2440
    DDC Categories: 780
    Series: Beiträge zur Popularmusikforschung ; 36
    Subjects: Popmusik; Stadt; Urbanität; Unterhaltungsmusik; Kanon; Musik; Popkultur; Music; Popular Culture; Musikwissenschaft; Musicology; Popmusik; Pop Music; Kanonbildung; Hitlisten; Charts; Bestenlisten
    Scope: 1 Online-Ressource (179 Seiten)
  6. City songs and American life, 1900-1950
    Author: Lasser, Michael
    Published: 2019
    Publisher:  University of Rochester Press, Rochester, NY ; Cambridge University Press, Cambridge, UK

    An insightful look at the urban sensibility that gives the Great American Songbook its pizzazz. Nothing defines the songs of the great American songbook more richly and persuasively than their urban sensibility. During the first half of the twentieth... more

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    An insightful look at the urban sensibility that gives the Great American Songbook its pizzazz. Nothing defines the songs of the great American songbook more richly and persuasively than their urban sensibility. During the first half of the twentieth century, songwriter such as Harold Arlen, Irving Berlin, Dorothy Fields, George and Ira Gershwin, and Thomas 'Fats' Waller flourished in New York City, the home of Tin Pan Alley, Broadway, and Harlem. Many of these remarkably deft and forceful creators were native New Yorkers. Others got to Gotham as fast as they could. Either way, it was as if, from their vantage point on the West Side of Manhattan, these artists were describing America--not its geography of politics, but its heart--to Americans and to the world at large. In City songs and American life, 1900-1950, renowned author and broadcaster Michael Lasser offers an evocative and probing account of the popular songs--including some written originally for the stage or screen--that America heard, and sang, and danced to during the turbulent first half of the twentieth century. Lasser demonstrates how the spirit of the teeming city pervaded these wildly diverse songs. Often that spirit took form overtly in songs that portrayed the glamor of Broadway of the energy and jazz age culture of Harlem. But a city-bred spirit--or even a specifically New York City way of feeling and talking--also infused many other widely known and loved songs, stretching from the early decades of the century to the twenties (the age of the flapper, bathtub gin, and women's right to vote), the Great Depression, and, finally, World War II. Throughout this remarkable book, Lasser emphasizes how the soul of city life, as echoes in the nation's songs, developed and changed in tandem with economic, social, and political currents in America as a whole.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781787444638
    RVK Categories: LS 48050
    Subjects: Unterhaltungsmusik; Song; Stadt <Motiv>
    Scope: 1 Online-Ressource (xi, 303 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 30 Aug 2019)
  7. Methoden der Erforschung populärer Musik
    Author: Hemming, Jan
    Published: [2016]; © 2016
    Publisher:  Springer VS, Wiesbaden

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783658114961
    Other identifier:
    RVK Categories: LR 56400 ; LS 48000
    Series: Systematische Musikwissenschaft
    Subjects: Culture / Study and teaching; Music; Social sciences; Cultural studies; Cultural and Media Studies; Methodology of the Social Sciences; Cultural Studies; Musik; Sozialwissenschaften; Forschungsmethode; Interdisziplinarität; Musikwissenschaft; Unterhaltungsmusik
    Scope: 1 Online Ressource (534 Seiten), Illustrationen
  8. Der Wert der Musik
    Zur Ästhetik des Populären
    Author: Appen, Ralf von
    Published: [2007]; © 2007
    Publisher:  transcript Verlag, Bielefeld

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839407349
    Other identifier:
    Series: texte zur populären musik ; 4
    Subjects: Musik; Musikästhetik; Popular music; Unterhaltungsmusik; Musik; Ästhetik; Music; Popmusik; Popular music; Unterhaltungsmusik; Unterhaltungsmusik; Musikästhetik; Unterhaltungsmusik
    Scope: 1 online resource (344 pages), illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015)

    Was bietet uns Musik, dass wir ihr so viel Zeit und Geld opfern? Wie soll sie beschaffen sein, damit sie die hohen Erwartungen erfüllt? Warum riskieren wir für sie das Gehör, warum gehen wir das Risiko illegaler Downloads ein? Um individuelle Bewertungen von Musik - und damit zusammenhängend: den Wert der Musik für den Menschen - zu verstehen, analysiert die Studie zunächst intensiv »Amazon«-Kundenrezensionen aktueller Alben von Robbie Williams, Eminem, The Strokes, Bob Dylan, Norah Jones u.a., um die gewonnenen Erkenntnisse dann aus der Perspektive gegenwärtiger philosophischer Ästhetik zu interpretieren
  9. Into the groove
    popular music and contemporary German fiction
    Author: Hurley, Andrew Wright
    Published: 2015
    Publisher:  Boydell & Brewer, Suffolk

    In Germany between the mid-1990s and the mid-2000s there was an unprecedented 'confusion of the spheres' of literature and popular music. Popular musicians 'crossed over' into the literary field, editors and writers called for contemporary German... more

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    In Germany between the mid-1990s and the mid-2000s there was an unprecedented 'confusion of the spheres' of literature and popular music. Popular musicians 'crossed over' into the literary field, editors and writers called for contemporary German literature to become more like popular music, writers attempted to borrow structural aspects from music or paid new attention to popular music at the thematic level. Others sought to raise their profiles by means of performance models taken from the popular music field. This book sets out to make sense of this situation. It argues for more inclusive and detailed attention to what it calls 'musico-centric fiction', for which it discerns intellectual precursors going back to the 1960s and also identifies examples written since the turn of the millennium, after the would-be death of 'pop literature'. In doing so, it focuses on fiction and paratextual interventions by authors including Peter Handke, Rolf Dieter Brinkmann, Rainald Goetz, Andreas Neumeister, Thomas Meinecke, Matthias Politycki, Frank Goosen, Benjamin von Stuckrad-Barre, Thomas Brussig, Karen Duve, and Kerstin Grether. Andrew W. Hurley is Senior Lecturer in German and Cultural Studies at the University of Technology, Sydney, Australia

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781782044307
    RVK Categories: GN 1411 ; GN 3700 ; GO 16013 ; LR 57710
    Subjects: German fiction / 21st century / History and criticism; German fiction / 20th century / History and criticism; Music in literature; Music and literature / Germany; Paratext / Germany; Unterhaltungsmusik <Motiv>; Roman; Deutsch
    Scope: 1 online resource (ix, 272 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Preludes and returns: popular music, the '68 generation, and the literarization of the jukebox -- Enter the double agent: the German popular musician as novelist -- Techno-lit: electronica and its impacts on fiction -- Analogue is better: rock- and pop-centric literature -- After the GDR's "musical niche society"? popular music in the literature of Thomas Brussig -- The gendering of popular music in the novels of Karen Duve and Kerstin Grether -- Conclusion: Out of the groove?
  10. Modernism and popular music
    Author: Schleifer, Ronald
    Published: 2011
    Publisher:  Cambridge University Press, Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Tokyo ; Mexico City

    Traditionally, ideas about twentieth-century 'modernism' - whether focused on literature, music or the visual arts - have made a distinction between 'high' art and the 'popular' arts of best-selling fiction, jazz and other forms of popular music, and... more

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    Traditionally, ideas about twentieth-century 'modernism' - whether focused on literature, music or the visual arts - have made a distinction between 'high' art and the 'popular' arts of best-selling fiction, jazz and other forms of popular music, and commercial art of one form or another. In Modernism and Popular Music, Ronald Schleifer instead shows how the music of George and Ira Gershwin, Cole Porter, Thomas 'Fats' Waller and Billie Holiday can be considered as artistic expressions equal to those of the traditional high art practices in music and literature. Combining detailed attention to the language and aesthetics of popular music with an examination of its early twentieth-century performance and dissemination through the new technologies of the radio and phonograph, Schleifer explores the 'popularity' of popular music in order to reconsider received and seeming self-evident truths about the differences between high art and popular art and, indeed, about twentieth-century modernism altogether

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511793295
    Other identifier:
    RVK Categories: LR 54600
    Subjects: Modernism (Music); Popular music / United States / History and criticism; Jazz / History and criticism; Unterhaltungsmusik; Jazz; Modernismus; Ästhetik
    Other subjects: Gershwin, George / 1898-1937 / Criticism and interpretation; Holiday, Billie / 1915-1959 / Criticism and interpretation; Porter, Cole / 1891-1964 / Criticism and interpretation; Waller, Fats / 1904-1943 / Criticism and interpretation; Porter, Cole (1891-1964); Waller, Fats (1904-1943); Gershwin, Ira (1896-1983); Holiday, Billie (1915-1959); Gershwin, George (1898-1937)
    Scope: 1 Online-Ressource (xx, 233 Seiten), Notenbeispiele
    Notes:

    Introduction: popular music and the experience of modernism -- Part I. Musical Modernism: Popular Music in the Time of Jazz: 1. Classical modernity and popular music; 2. Twentieth-century modernism and 'jazz' music -- Part II. Gershwin, Porter, Waller, and Holiday: 3. Melting pot and meeting place: the Gershwin brothers and the arts of quotation; 4. 'What is this thing called love?': Cole Porter and the rhythms of desire; 5. Signifying music: Fats Waller and the time of jazz; 6. Music without composition: Billie Holiday and ensemble performance -- Conclusion: popular music and the revolution of the word
  11. Into the groove
    popular music and contemporary German fiction
    Author: Hurley, Andrew Wright
    Published: 2015
    Publisher:  Boydell & Brewer, Suffolk

    In Germany between the mid-1990s and the mid-2000s there was an unprecedented 'confusion of the spheres' of literature and popular music. Popular musicians 'crossed over' into the literary field, editors and writers called for contemporary German... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    In Germany between the mid-1990s and the mid-2000s there was an unprecedented 'confusion of the spheres' of literature and popular music. Popular musicians 'crossed over' into the literary field, editors and writers called for contemporary German literature to become more like popular music, writers attempted to borrow structural aspects from music or paid new attention to popular music at the thematic level. Others sought to raise their profiles by means of performance models taken from the popular music field. This book sets out to make sense of this situation. It argues for more inclusive and detailed attention to what it calls 'musico-centric fiction', for which it discerns intellectual precursors going back to the 1960s and also identifies examples written since the turn of the millennium, after the would-be death of 'pop literature'. In doing so, it focuses on fiction and paratextual interventions by authors including Peter Handke, Rolf Dieter Brinkmann, Rainald Goetz, Andreas Neumeister, Thomas Meinecke, Matthias Politycki, Frank Goosen, Benjamin von Stuckrad-Barre, Thomas Brussig, Karen Duve, and Kerstin Grether. Andrew W. Hurley is Senior Lecturer in German and Cultural Studies at the University of Technology, Sydney, Australia

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781782044307
    RVK Categories: GN 1411 ; GN 3700 ; GO 16013 ; LR 57710
    Subjects: German fiction / 21st century / History and criticism; German fiction / 20th century / History and criticism; Music in literature; Music and literature / Germany; Paratext / Germany; Roman; Unterhaltungsmusik <Motiv>; Deutsch
    Scope: 1 online resource (ix, 272 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Preludes and returns: popular music, the '68 generation, and the literarization of the jukebox -- Enter the double agent: the German popular musician as novelist -- Techno-lit: electronica and its impacts on fiction -- Analogue is better: rock- and pop-centric literature -- After the GDR's "musical niche society"? popular music in the literature of Thomas Brussig -- The gendering of popular music in the novels of Karen Duve and Kerstin Grether -- Conclusion: Out of the groove?
  12. Performative Lyrik und lyrische Performance
    Profilbildung im deutschen Rap
    Author: Gruber, Johannes
    Published: [2016]; © 2017
    Publisher:  transcript-Verlag, Bielefeld

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839436202
    Other identifier:
    Series: Studien zur Popularmusik
    Subjects: Allgemeine Literaturwissenschaft; Bushido; Flow; Hip-Hop; Image; Jugendsprache; Lyrik; Musik; Musikwissenschaft; Performanz; Poetik; Popkultur; Popmusik; Sido; Unterhaltungsmusik; Sprecherziehung; Forschung; Bushidō; Gestik; Text; Rap; Artikulation; Gesangstechnik; Musik
    Other subjects: Bushido Rapmusiker (1978-); Sido Rapmusiker (1980-)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Dec. 09, 2016)
  13. Into the groove
    popular music and contemporary German fiction
    Author: Hurley, Andrew Wright
    Published: 2015
    Publisher:  Boydell & Brewer, Suffolk

    In Germany between the mid-1990s and the mid-2000s there was an unprecedented 'confusion of the spheres' of literature and popular music. Popular musicians 'crossed over' into the literary field, editors and writers called for contemporary German... more

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    Universitätsbibliothek Bamberg
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    Unlimited inter-library loan, copies and loan

     

    In Germany between the mid-1990s and the mid-2000s there was an unprecedented 'confusion of the spheres' of literature and popular music. Popular musicians 'crossed over' into the literary field, editors and writers called for contemporary German literature to become more like popular music, writers attempted to borrow structural aspects from music or paid new attention to popular music at the thematic level. Others sought to raise their profiles by means of performance models taken from the popular music field. This book sets out to make sense of this situation. It argues for more inclusive and detailed attention to what it calls 'musico-centric fiction', for which it discerns intellectual precursors going back to the 1960s and also identifies examples written since the turn of the millennium, after the would-be death of 'pop literature'. In doing so, it focuses on fiction and paratextual interventions by authors including Peter Handke, Rolf Dieter Brinkmann, Rainald Goetz, Andreas Neumeister, Thomas Meinecke, Matthias Politycki, Frank Goosen, Benjamin von Stuckrad-Barre, Thomas Brussig, Karen Duve, and Kerstin Grether. Andrew W. Hurley is Senior Lecturer in German and Cultural Studies at the University of Technology, Sydney, Australia

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781782044307
    Other identifier:
    RVK Categories: GN 1411 ; GN 3700 ; GO 16013 ; LR 57710
    Subjects: German fiction / 21st century / History and criticism; German fiction / 20th century / History and criticism; Music in literature; Music and literature / Germany; Paratext / Germany; Unterhaltungsmusik <Motiv>; Deutsch; Roman
    Scope: 1 online resource (ix, 272 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Preludes and returns: popular music, the '68 generation, and the literarization of the jukebox -- Enter the double agent: the German popular musician as novelist -- Techno-lit: electronica and its impacts on fiction -- Analogue is better: rock- and pop-centric literature -- After the GDR's "musical niche society"? popular music in the literature of Thomas Brussig -- The gendering of popular music in the novels of Karen Duve and Kerstin Grether -- Conclusion: Out of the groove?
  14. Der Wert der Musik
    Zur Ästhetik des Populären
    Author: Appen, Ralf von
    Published: [2015]; ©2007
    Publisher:  transcript Verlag, Bielefeld

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    Content information
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839407349
    Other identifier:
    Edition: 1. Aufl
    Series: texte zur populären musik ; 4
    Subjects: Ästhetik; Music; Popmusik; Popular music; Unterhaltungsmusik; Unterhaltungsmusik; Musik; Musikkritik; Musikphilosophie; Musikwissenschaft; Popkultur; Popmusik; Rezeptionsforschung; Ästhetik; MUSIC / History & Criticism
    Other subjects: Music; Musicology; Pop Music; Popular Culture
    Scope: 1 online resource (344 p.)
  15. Bezugnahmen auf den Nationalsozialismus in der populären Musik
    Lesarten zu Laibach, Death In June, Feindflug, Rammstein und Marduk
    Author: Kopanski, Reinhard
    Published: 2022
    Publisher:  Waxmann, Münster ; New York

    Bezugnahmen auf den Nationalsozialismus haben in der populären Musik auch jenseits der extremen Rechten eine lange Geschichte: Bands wie Throbbing Gristle, Joy Division, Christian Death, Ministry, Saltatio Mortis, Cradle of Filth - sie alle haben in... more

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    Hochschule Kempten, Hochschulbibliothek
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    Bezugnahmen auf den Nationalsozialismus haben in der populären Musik auch jenseits der extremen Rechten eine lange Geschichte: Bands wie Throbbing Gristle, Joy Division, Christian Death, Ministry, Saltatio Mortis, Cradle of Filth - sie alle haben in ihren Arbeiten auf den Nationalsozialismus oder dessen populärkulturelle Repräsentationsformen verwiesen. Spätestens mit Rammsteins (neuerlichem) Tabubruch im Videoclip Deutschland sind kontroverse künstlerische Bezugnahmen auf die NS-Zeit im musikalischen ,Mainstream' angekommen. Wie können derartige Inszenierungen gedeutet werden und wie kann unsere Gesellschaft damit umgehen? Reinhard Kopanski entwirft ein Modell zur Beschreibung komplexer NS-Bezüge in populärer Musik und bietet dadurch eine differenzierte Alternative jenseits von (gewollten) Empörungsautomatismen. In fünf Fallstudien zeigt er auf Grundlage detaillierter Analysen von Songs, Artworks und Videoclips jeweils unterschiedliche Deutungsmöglichkeiten auf. Die musikwissenschaftliche Studie trägt zur Sensibilisierung gegenüber NS-Bezügen bei, leistet einen Beitrag zur Erinnerungskultur und fördert zugleich Souveränität im Umgang mit provokanter Kunst

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783830992523
    Other identifier:
    RVK Categories: AP 14900 ; LR 57727
    Series: Populäre Kultur und Musik ; Band 35
    Subjects: Populäre Musik; Nationalsozialismus; NS-Bezug; Lesarten; Ironie; Songs; Videoclips; Inszenierungen; Metal; Metal-Musik; Rammstein; Marduk; Feindflug; Death in June; Laibach; Alltagskultur; Unterhaltungsmusik; Nationalsozialismus <Motiv>
    Scope: 1 Online-Ressource (528 Seiten), Illustrationen
    Notes:

    Dissertation, Universität Siegen, 2019
  16. Playing it Queer
    Popular music, identity and queer world-making
    Author: Taylor, Jodie
    Published: 2012
    Publisher:  Peter Lang AG, Internationaler Verlag der Wissenschaften, Bern

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783035104202
    Other identifier:
    9783035104202
    RVK Categories: LR 54600 ; LR 56618 ; MS 2870 ; MS 8020
    Edition: 1st, New ed
    Subjects: Unterhaltungsmusik; Geschlechterrolle; Queer-Theorie
    Scope: 1 Online-Ressource (266 Seiten)
    Notes:

    Online resource; title from title screen (viewed June 10, 2019)

    Popular music has always been a dynamic mediator of gender and sexuality, and a productive site of rebellion, oddity and queerness. The transformative capacity of music-making, performance and consumption helps us to make sense of identity and allows us to glimpse otherworldliness, arousing the political imagination. With an activist voice that is impassioned yet adherent to scholarly rigour, Playing it Queer provides an original and compelling ethnographic account of the relationship between popular music, queer self-fashioning and (sub)cultural world-making. This book begins with a comprehensive survey and critical evaluation of relevant literatures on queer identity and political debates as well as popular music, identity and (sub)cultural style. Contextualised within a detailed history of queer sensibilities and creative practices, including camp, drag, genderfuck, queercore, feminist music and club cultures, the author's rich empirical studies of local performers and translocal scenes intimately capture the meaning and value of popular musics and (sub)cultural style in everyday queer lives

    «This is an exemplary study of queer music-making. An engrossing read, it covers a range of topics many scholars in popular music, as well as queer and gender studies, will find eminently useful and insightful. [...] Taylor's book provides us with an inspiring and invigorating model of scholarship, bringing together a range of concepts, terms and approaches to develop a rich and provocative theoretical matrix. This aligns very usefully with a methodology that is both reflexive as well as marked by a depth of participant observation that is admirable, giving the entire book a richness that comes through in Taylor's theoretical musings as well as in the voices of all those involved in the study.» (Geoff Stahl, Media International Australia 148, 2013)
  17. The Routledge research companion to popular music and gender
    Contributor: Hawkins, Stan (Publisher)
    Published: 2017
    Publisher:  Routledge, London ; New York

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    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Hawkins, Stan (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781317042044; 9781315613437
    RVK Categories: LR 56610 ; LR 56600 ; MS 3010
    Edition: First published
    Subjects: Popular music; Sex role in music; Gender identity in music; Geschlechterrolle; Unterhaltungsmusik; Geschlechterforschung
    Scope: 1 Online-Ressource (xvii, 382 Seiten), Illustrationen
  18. Beiträge zur Jahrestagung der Gesellschaft für Musikforschung in Kassel 2017 :
    das Populäre in der Musik und das Musikverlagswesen /
    Contributor: Dyck-Hemming, Annette van (Publisher); Hemming, Jan (Publisher)
    Published: [2019].; © 2019.
    Publisher:  Springer VS,, Wiesbaden :

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    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin
    Contributor: Dyck-Hemming, Annette van (Publisher); Hemming, Jan (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 978-3-658-23767-7
    Other identifier:
    RVK Categories: LP 16000
    Series: Systematische Musikwissenschaft
    Subjects: Cultural Studies; Music; Media Research; Music; Musikverlag; Interdisziplinarität; Unterhaltungsmusik
    Scope: 1 Online-Ressource (XII, 405 Seiten).
  19. Der Wert der Musik
    Zur Ästhetik des Populären
    Author: Appen, Ralf von
    Published: [2007]; © 2007
    Publisher:  transcript Verlag, Bielefeld

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839407349
    Other identifier:
    Series: texte zur populären musik ; 4
    Subjects: Musik; Musikästhetik; Popular music; Unterhaltungsmusik; Musik; Ästhetik; Music; Popmusik; Popular music; Unterhaltungsmusik; Unterhaltungsmusik; Musikästhetik; Unterhaltungsmusik
    Scope: 1 online resource (344 pages), illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015)

    :
  20. Performative Lyrik und lyrische Performance
    Profilbildung im deutschen Rap
    Author: Gruber, Johannes
    Published: [2016]; © 2017
    Publisher:  transcript-Verlag, Bielefeld

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839436202
    Other identifier:
    Series: Studien zur Popularmusik
    Subjects: Allgemeine Literaturwissenschaft; Bushido; Flow; Hip-Hop; Image; Jugendsprache; Lyrik; Musik; Musikwissenschaft; Performanz; Poetik; Popkultur; Popmusik; Sido; Unterhaltungsmusik; Sprecherziehung; Forschung; Bushidō; Gestik; Text; Rap; Artikulation; Gesangstechnik; Musik
    Other subjects: Bushido Rapmusiker (1978-); Sido Rapmusiker (1980-)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Dec. 09, 2016)
  21. Phonographic Memories
    Popular Music and the Contemporary Caribbean Novel
    Author: Hamilton, Njelle W.
    Published: [2019]; © 2019
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Phonographic Memories is the first book to perform a sustained analysis of the narrative and thematic influence of Caribbean popular music on the Caribbean novel. Tracing a region-wide attention to the deep connections between music and memory in the... more

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    Phonographic Memories is the first book to perform a sustained analysis of the narrative and thematic influence of Caribbean popular music on the Caribbean novel. Tracing a region-wide attention to the deep connections between music and memory in the work of Lawrence Scott, Oscar Hijuelos, Colin Channer, Daniel Maximin, and Ramabai Espinet, Njelle Hamilton tunes in to each novel’s soundtrack while considering the broader listening cultures that sustain collective memory and situate Caribbean subjects in specific localities. These "musical fictions" depict Caribbean people turning to calypso, bolero, reggae, gwoka, and dub to record, retrieve, and replay personal and cultural memories. Offering a fresh perspective on musical nationalism and nostalgic memory in the era of globalization, Phonographic Memories affirms the continued importance of Caribbean music in providing contemporary novelists ethical narrative models for sounding marginalized memories and voices. Njelle W. Hamilton's Spotify playlist to accompany Phonotgraphic Memories: spoti.fi/2tCQRm8

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813596631
    Other identifier:
    Series: Critical Caribbean Studies
    Subjects: LITERARY CRITICISM / General; Unterhaltungsmusik <Motiv>; Englisch; Literatur
    Scope: 1 online resource (250 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Okt 2019)
  22. The Routledge research companion to popular music and gender
    Contributor: Hawkins, Stan (Herausgeber)
    Published: 2017
    Publisher:  Routledge, London and New York

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    Hochschule für Musik und Tanz Köln, Bibliothek
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Source: Union catalogues
    Contributor: Hawkins, Stan (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781317042044
    RVK Categories: LR 56610
    Edition: First published
    Subjects: Unterhaltungsmusik; Geschlechterforschung
    Scope: 1 Online-Ressource (xvii, 382 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index
  23. Playing it queer
    popular music, identity and queer world-making
    Author: Taylor, Jodie
    Published: 2012
    Publisher:  Lang, Bern [u.a.]

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    Universitätsbibliothek Paderborn
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783035104202
    DDC Categories: 780; 300
    Subjects: Unterhaltungsmusik; Geschlechterrolle; Queer-Theorie
    Scope: XII, 254 S., Ill.
  24. Populäre Musik und Ästhetik
    Die historisch-philosophische Rekonstruktion einer Geringschätzung
    Author: Fuhr, Michael
    Published: [2015]; ©2007
    Publisher:  transcript-Verlag, Bielefeld

    Ob im Fernsehen oder Radio, im Kaufhaus, in Cafés, Clubs oder zu Hause - Popmusik ist heute allgegenwärtig. Umso auffälliger erscheint ihre geringe akademische Akzeptanz. Die Studie sucht hierfür Gründe und geht dabei den historisch-philosophischen... more

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    Ob im Fernsehen oder Radio, im Kaufhaus, in Cafés, Clubs oder zu Hause - Popmusik ist heute allgegenwärtig. Umso auffälliger erscheint ihre geringe akademische Akzeptanz. Die Studie sucht hierfür Gründe und geht dabei den historisch-philosophischen Bedingungen nach, die das Forschungsfeld zu populärer Musik bestimmen. Von der Ausgrenzung aus der klassischen Ästhetik bis hin zu Alltags- und Körperästhetiken werden Zusammenhänge aufgezeigt, die eine kritische Sicht auf die strukturbildenden Prinzipien musikwissenschaftlicher Forschung eröffnen und zugleich als Grundlagen für eine wissenschaftliche Auseinandersetzung mit populärer Musik dienen

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839406755
    Other identifier:
    RVK Categories: LR 56970
    Edition: 1. Aufl
    Series: texte zur populären musik ; 3
    Other subjects: Music / Philosophy and aesthetics; Cultural Studies; Music; Musicology; Musik; Musikwissenschaft; Pop Music; Pop(ular)musikforschung; Popkultur; Popmusik; Popular Culture; Ästhetik; Unterhaltungsmusik; Musikästhetik; MUSIC / History & Criticism
    Scope: 1 online resource
  25. Der Wert der Musik
    Zur Ästhetik des Populären
    Author: Appen, Ralf von
    Published: [2015]; ©2007
    Publisher:  transcript-Verlag, Bielefeld

    Was bietet uns Musik, dass wir ihr so viel Zeit und Geld opfern? Wie soll sie beschaffen sein, damit sie die hohen Erwartungen erfüllt? Warum riskieren wir für sie das Gehör, warum gehen wir das Risiko illegaler Downloads ein?Um individuelle... more

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    Was bietet uns Musik, dass wir ihr so viel Zeit und Geld opfern? Wie soll sie beschaffen sein, damit sie die hohen Erwartungen erfüllt? Warum riskieren wir für sie das Gehör, warum gehen wir das Risiko illegaler Downloads ein?Um individuelle Bewertungen von Musik - und damit zusammenhängend: den Wert der Musik für den Menschen - zu verstehen, analysiert die Studie zunächst intensiv »Amazon«-Kundenrezensionen aktueller Alben von Robbie Williams, Eminem, The Strokes, Bob Dylan, Norah Jones u.a., um die gewonnenen Erkenntnisse dann aus der Perspektive gegenwärtiger philosophischer Ästhetik zu interpretieren

     
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