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  1. The matter of Black living
    the aesthetic experiment of racial data, 1880-1930
    Published: 2022
    Publisher:  University of Chicago Press, Chicago

    "What did the "Negro problem," as it was called at the turn of the twentieth century, look like? Autumn Womack's study examines efforts to visualize Black social life through new technologies and disciplines-from photography and film to statistics-in... more

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    "What did the "Negro problem," as it was called at the turn of the twentieth century, look like? Autumn Womack's study examines efforts to visualize Black social life through new technologies and disciplines-from photography and film to statistics-in the decades between 1880 and 1930. Womack describes nothing less than a "racial data revolution," one in which social scientists, reformers, and theorists rendered Black life an inanimate object of inquiry. At the very same time, Black cultural producers staged their own kind of revolution, undisciplining racial data in ways that challenged normative visual regimes and capturing the dynamism of Black social life. Womack focuses on figures like W.E.B DuBois, Kelly Miller, Sutton Griggs, and Zora Neale Hurston, as well as lesser-known editors, social reformers, and performers. She shows how they harnessed media as diverse as the social survey, the novel, the stage, and early motion pictures to reform visual practices and recalibrate the relationship between data and black life"--

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226806884
    RVK Categories: MS 3450 ; HU 1728
    Subjects: Fotografie; Schwarze <Motiv>; Film; Literatur
    Other subjects: African Americans in literature; African Americans in motion pictures; African Americans in art; American literature / 20th century / History and criticism; Motion pictures / United States / History / 20th century; Photography / United States / History / 20th century; African Americans / Social life and customs / 19th century; African Americans / Social life and customs / 20th century; Social surveys / United States; African Americans in art; African Americans in literature; African Americans in motion pictures; African Americans / Social life and customs; American literature; Motion pictures; Photography; Social surveys; United States; 1800-1999; Criticism, interpretation, etc; History
    Scope: 1 Online-Ressource (270 Seiten, 7 ungezählte Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index.

    Introduction: data and the matter of Black life -- The social survey: the survey spirit -- Photography: looking out -- Film: overexposure -- Coda: racial datas afterlives

  2. Race,war, and the cinematic myth of America
    dust that never settles
    Published: [2022]
    Publisher:  Lexington Books, Lanham

    Universitäts- und Landesbibliothek Bonn
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781793647528
    Other identifier:
    9781793647528
    Subjects: History of the Americas; HISTORY / United States / General; SOCIAL SCIENCE / Race & Ethnic Relations; Whites in motion pictures; African Americans in motion pictures; Race in motion pictures; Race relations in motion pictures; Motion pictures - Social aspects - United States; Motion pictures in propaganda - History - United States
    Other subjects: Film, TV & Radio
    Scope: xiii, 165 Seiten, Illustrationen (schwarz-weiß), 230 gr
    Notes:

    Acknowledgments; Author's Note; Chapter 1: From Spurs To Capes; Chapter 2: A Myth Of America; Chapter 3: The Myth Made Flesh - John Wayne; Chapter 4: The Segregationist Blockbusters; Chapter 5: The New Western Frontier; Chapter 6: Birth of a Genre; Chapter 7: The Post-September 11th Comic Book Movie; Chapter 8: Theories of Conspiracy; Chapter 9: World War without End; Bibliography; Appendix; List of Illustrations; About the Author

  3. The matter of Black living
    the aesthetic experiment of racial data, 1880-1930
    Published: 2022
    Publisher:  University of Chicago Press, Chicago ; London

    "What did the "Negro problem," as it was called at the turn of the twentieth century, look like? Autumn Womack's study examines efforts to visualize Black social life through new technologies and disciplines-from photography and film to statistics-in... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Regensburg
    Unlimited inter-library loan, copies and loan
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
    Universitätsbibliothek Würzburg
    Unlimited inter-library loan, copies and loan

     

    "What did the "Negro problem," as it was called at the turn of the twentieth century, look like? Autumn Womack's study examines efforts to visualize Black social life through new technologies and disciplines-from photography and film to statistics-in the decades between 1880 and 1930. Womack describes nothing less than a "racial data revolution," one in which social scientists, reformers, and theorists rendered Black life an inanimate object of inquiry. At the very same time, Black cultural producers staged their own kind of revolution, undisciplining racial data in ways that challenged normative visual regimes and capturing the dynamism of Black social life. Womack focuses on figures like W.E.B DuBois, Kelly Miller, Sutton Griggs, and Zora Neale Hurston, as well as lesser-known editors, social reformers, and performers. She shows how they harnessed media as diverse as the social survey, the novel, the stage, and early motion pictures to reform visual practices and recalibrate the relationship between data and black life"--

     

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  4. The matter of Black living
    the aesthetic experiment of racial data, 1880-1930
    Published: 2022
    Publisher:  The University of Chicago Press, Chicago ; Oxford University Press, Oxford

    As the 19th century came to a close and questions concerning the future of African American life reached a fever pitch, many social scientists and reformers approached post-emancipation Black life as an empirical problem that could be systematically... more

    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    No inter-library loan

     

    As the 19th century came to a close and questions concerning the future of African American life reached a fever pitch, many social scientists and reformers approached post-emancipation Black life as an empirical problem that could be systematically solved with the help of new technologies like the social survey, photography and film. What ensued was nothing other than a 'racial data revolution', one which rendered African American life an inanimate object of inquiry in the name of social order and racial regulation. At the very same time, African American cultural producers and intellectuals such as W.E.B. Du Bois, Kelly Miller, Sutton Griggs and Zora Neale Hurston staged their own kind of revolution, un-disciplining racial data in ways that captured the dynamism of Black social life. This book excavates the dynamic interplay between racial data and Black aesthetic production.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226806884
    Other identifier:
    Series: Chicago scholarship online
    Subjects: Film; Literatur; Fotografie; Schwarze <Motiv>; American literature; African Americans in literature; African Americans in motion pictures; African Americans in art; Motion pictures; Photography; African Americans; African Americans; Social surveys
    Scope: 1 Online-Ressource (270 pages), Illustrations (black and white).
    Notes:

    Also issued in print: 2022

    Includes bibliographical references and index

  5. Cinema, black suffering, and theodicy
    modern God
    Author: Lee, Shayne
    Published: [2022]
    Publisher:  Lexington Books, Lanham ; Boulder ; New York ; London

    "This book analyzes how films depict God when black characters experience suffering and tragedy to elucidate how cinema often portrays a God that is considered supportive, yet who does little to mitigate suffering. This sparks theodical contemplation... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    "This book analyzes how films depict God when black characters experience suffering and tragedy to elucidate how cinema often portrays a God that is considered supportive, yet who does little to mitigate suffering. This sparks theodical contemplation on the role of divinity in protecting people from the consequences of human depravity"--

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781666904215
    Subjects: Schwarze <Motiv>; Leid <Motiv>; Film; Gott
    Other subjects: African Americans in motion pictures; God in motion pictures; Theodicy in motion pictures; Race in motion pictures; Motion pictures / United States / History and criticism; African Americans in motion pictures; God in motion pictures; Motion pictures; Race in motion pictures; United States; Criticism, interpretation, etc
    Scope: v, 235 Seiten, 24 cm
    Notes:

    Theodical secularity -- Tactical deists: Black liberation theology and cinema -- Cinema and American slavery -- Ousmane Sembène: toward a new and modern Africa -- Contemporary African-American films -- Epilogue: Africa the new cinematic holocaust

  6. Race, war, and the cinematic myth of America
    dust that never settles
  7. The Matter of Black Living
    The Aesthetic Experiment of Racial Data, 1880-1930
    Published: 2022; ©2021
    Publisher:  University of Chicago Press, Chicago

    Intro -- Contents -- Introduction: Data and the Matter of Black Life -- Undisciplining Data -- The Social Life of Racial Data -- Racial Data, Visual Revolutions -- The Aesthetics of Data -- Undisciplining as Method -- Overview -- 1. The Social... more

    Access:
    Aggregator (lizenzpflichtig)
    Technische Universität Chemnitz, Universitätsbibliothek
    No inter-library loan
    Hochschulbibliothek Friedensau
    Online-Ressource
    No inter-library loan

     

    Intro -- Contents -- Introduction: Data and the Matter of Black Life -- Undisciplining Data -- The Social Life of Racial Data -- Racial Data, Visual Revolutions -- The Aesthetics of Data -- Undisciplining as Method -- Overview -- 1. The Social Survey: The Survey Spirit -- "The Survey Spirit": Origins, Evolution, and the Radical Operations of the Social Survey -- "Ugly Facts" and (Anti)Social Data: Kelly Miller, the American Negro Academy, and the Call for the Social Survey -- A Book to Do Some Good: Kelly Miller, Sutt on Griggs, and the Emergence of Social Document Fiction -- Faulty Surfaces, Unruly Eyes -- Everywhere and Nowhere: The Social Survey's Nongeography -- 2. Photography: Looking Out -- Seeing Survival -- Deep Black Mourning: Lynching's (Anti)Photographic Logic -- "Let Them See": Photography, Performance, and Reform -- Looking Out: Toward a New Visual Epistemology of Survival -- Photographically Hesitant: The Visual Politics of W. E. B. Du Bois's "Jesus Christ in Georgia" -- 3. Film: Overexposure -- Beyond the Frame: Overexposure and Zora Hurston's Filmic Practice -- "Drenched in Light" -- Recording Racial Feeling -- Contraband Flesh -- Cinematics of Negro Expression -- Coda: Racial Data's Afterlives -- Acknowledgments -- Notes -- Index -- Plates.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226806884
    Subjects: African Americans in literature; African Americans in motion pictures; African Americans in art; Electronic books
    Scope: 1 online resource (287 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

  8. Race, war, and the cinematic myth of America
    dust that never settles
    Published: [2022]
    Publisher:  Lexington Books, Lanham

    From spurs to capes -- A myth of America -- The myth made flesh-John Wayne -- The segregationist blockbusters -- The new Western Frontier -- Birth of a genre -- The post-September 11th comic book movie --Theories of conspiracy -- World War without... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 146211
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Heidelberg
    2024 A 3558
    Unlimited inter-library loan, copies and loan

     

    From spurs to capes -- A myth of America -- The myth made flesh-John Wayne -- The segregationist blockbusters -- The new Western Frontier -- Birth of a genre -- The post-September 11th comic book movie --Theories of conspiracy -- World War without end. "This book examines how Hollywood has promoted the myth of the American White male savior and the way in which this myth has negatively affected people of color throughout U.S. history"--

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781793647504
    Subjects: Whites in motion pictures; African Americans in motion pictures; Race in motion pictures; Race relations in motion pictures; Motion pictures; Motion pictures in propaganda
    Scope: xiii, 165 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

  9. The matter of Black living :
    the aesthetic experiment of racial data, 1880-1930 /
    Published: 2022.
    Publisher:  University of Chicago Press,, Chicago :

    "What did the "Negro problem," as it was called at the turn of the twentieth century, look like? Autumn Womack's study examines efforts to visualize Black social life through new technologies and disciplines-from photography and film to statistics-in... more

    Access:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Unlimited inter-library loan, copies and loan
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan

     

    "What did the "Negro problem," as it was called at the turn of the twentieth century, look like? Autumn Womack's study examines efforts to visualize Black social life through new technologies and disciplines-from photography and film to statistics-in the decades between 1880 and 1930. Womack describes nothing less than a "racial data revolution," one in which social scientists, reformers, and theorists rendered Black life an inanimate object of inquiry. At the very same time, Black cultural producers staged their own kind of revolution, undisciplining racial data in ways that challenged normative visual regimes and capturing the dynamism of Black social life. Womack focuses on figures like W.E.B DuBois, Kelly Miller, Sutton Griggs, and Zora Neale Hurston, as well as lesser-known editors, social reformers, and performers. She shows how they harnessed media as diverse as the social survey, the novel, the stage, and early motion pictures to reform visual practices and recalibrate the relationship between data and black life"--

     

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 978-0-226-80688-4
    RVK Categories: MS 3450 ; HU 1728
    Subjects: African Americans in literature; African Americans in motion pictures; African Americans in art; American literature / 20th century / History and criticism; Motion pictures / United States / History / 20th century; Photography / United States / History / 20th century; African Americans / Social life and customs / 19th century; African Americans / Social life and customs / 20th century; Social surveys / United States; African Americans / Social life and customs; American literature; Motion pictures; Photography; Social surveys; Film; Literatur; Fotografie; Schwarze <Motiv>
    Scope: 1 Online-Ressource (270 Seiten, 7 ungezählte Seiten) :, Illustrationen.
    Notes:

    Includes bibliographical references and index.

    Introduction: data and the matter of Black life -- The social survey: the survey spirit -- Photography: looking out -- Film: overexposure -- Coda: racial datas afterlives

  10. Race, war, and the cinematic myth of America
    dust that never settles
    Published: [2022]
    Publisher:  Lexington Books, Lanham

    From spurs to capes -- A myth of America -- The myth made flesh-John Wayne -- The segregationist blockbusters -- The new Western Frontier -- Birth of a genre -- The post-September 11th comic book movie --Theories of conspiracy -- World War without... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    From spurs to capes -- A myth of America -- The myth made flesh-John Wayne -- The segregationist blockbusters -- The new Western Frontier -- Birth of a genre -- The post-September 11th comic book movie --Theories of conspiracy -- World War without end. "This book examines how Hollywood has promoted the myth of the American White male savior and the way in which this myth has negatively affected people of color throughout U.S. history"--

     

    Export to reference management software   RIS file
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781793647504
    Subjects: Whites in motion pictures; African Americans in motion pictures; Race in motion pictures; Race relations in motion pictures; Motion pictures; Motion pictures in propaganda
    Scope: xiii, 165 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index