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Displaying results 1 to 9 of 9.

  1. Word & image in colonial and postcolonial literatures and cultures
    Published: 2009
    Publisher:  Rodopi, Amsterdam

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9042027444; 9789042027442
    Series: Cross/cultures ; 116
    ASNEL papers ; 14
    Subjects: TRAVEL / Special Interest / Literary; LITERARY CRITICISM / General; Postcolonialism and the arts; Visual communication in art; Intercultural communication in literature; Intercultural communication in art; Kolonialismus; Literatur; Bild; Text; Postkoloniale Literatur
    Scope: 1 Online-Ressource (xliii, 379 p.)
    Notes:

    "ASNEL Papers appear under the auspices of the Gesellschaft für die Neuen Englischsprachigen Literaturen e.V. (GNEL)"--Prelim. p

    Includes bibliographical references

    Introduction : word & image--gaze & spectacle - Michael Meyer -- - Colonial representations - Liberating the strange fish : visual representations of Caliban and their successive emancipation from Shakespeare's original text - Daniel Jaczminski - Hogarth and the other - Peter Wagner - "The free treatment of topics usually taboo'd" : glimpses of the harem in eighteenth- and nineteenth-century literature and the fine arts - Patricia Plummer - Tourist places, other gazes : Robert Louis Stevenson's Edinburgh - Cordula Lemke -- - Postcolonial representations - "Picture is a silent talker" (Apagya) : African studio photography in the English classroom - Gisela Feurle - A black and white nation? : the 'new' South Africa in Zapiro's cartoons - Sonja Altnöder - Zakes Mda's representation of South African reality in Ways of dying, The Madonna of Excelsior, and The whale caller - Marita Wenzel

    - Looking out and looking in : the dynamic use of words and images in the oeuvre of Breyten Breytenbach - Heilna du Plooy - Whiteness as a category of literary analysis : racializing markers and race-evasiveness in J.M. Coetzee's Disgrace - Susan Arndt - "Just for show" : visuality in Timothy Mo's The monkey king - Ann Spagenberg - On pickles, pictures, and words : pick-torial preservation and verbal self-regeneration in Salman Rushdie's Midnight's children - Laurence Petit - "Neither united nor separated" : negotiating difference in Ashutosh Gowariker's Lagaan and Ketan Mehta's Mangal Pandey - Lucia Krämer - Transcultural gender interrogations in Bride and prejudice : intertextual encounters of the South Asian diasporic kind - Christine Vogt-William - Missing in act(i)on : Asian-British pop music between resistance and commercialization - Rainer Emig - Vernacular landscape : narrative space in Peter Carey's True history of the Kelly Gang

    - Renate Brosch - Regaining the past and shaping the present : indigenous children's fiction from Aotearoa New Zealand, Canada, and the USA - Michaela Moura-Koçoğlu - Between words and images : negotiating the meaning of home in Ken Lum's There is no place like home - Nicole Schröder - The mass-slaughter of native Americans in Jim Jarmusch's Dead man : a complex interplay of word and image - Jens Martin Gurr
  2. Word and image in colonial and postcolonial literatures and cultures /
    Contributor: Meyer, Michael,
    Published: 2009.
    Publisher:  Rodopi,, Amsterdam ;

    Verbal imagery and visual images as well as the intricate relationships between verbal and visual representations have long shaped the imagination and the practice of intercultural relationships. The contributions to this volume take a fresh look at... more

    Access:

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Verbal imagery and visual images as well as the intricate relationships between verbal and visual representations have long shaped the imagination and the practice of intercultural relationships. The contributions to this volume take a fresh look at the ideology of form, especially the gendered and racial implications of the gaze and the voice in various media and intermedial transformations. Analyses of how culturally specific forms of visual and verbal expression are individually understood and manipulated complement reflections on the potential and limitations of representation. The juxtaposition of visual and verbal signifiers explores the gap between them as a space beyond cultural boundaries. Topics treated include: Caliban; English satirical iconotexts; Oriental travel writing and illustration; expatriate description and picturesque illustration of Edinburgh; ethnographic film; African studio photography; South African cartoons; imagery, ekphrasis, and race in South African art and fiction; face and visuality, representation and memory in Asian fiction; Bollywood; Asian historical film; Asian-British pop music; Australian landscape in painting and fiction; indigenous children's fiction from Aotearoa New Zealand, Canada, and the USA; Canadian photography; Native Americans in film. Writers and artists discussed include: Philip Kwame Apagya; the Asian Dub Foundation; Breyten Breytenbach; Richard Burton; Peter Carey; Gurinder Chadha; Daniel Chodowiecki; J.M. Coetzee; Ashutosh Gowariker; Patricia Grace; W. Greatbatch; Hogarth; Francis K. Honny; Jim Jarmusch; Robyn Kahukiwa; Seydou Keita; Thomas King; Vladyana Krykorka; Alfred Kubin; Michael Arvaarluk Kusugak; Kathleen and Michael Lacapa; László Lakner; George Littlechild; Ken Lum; Franz Marc; Zakes Mda; Ketan Mehta; M.I.A. (Maya Arulpragasam); Timothy Mo; William Kent Monkman; Lady Mary Wortley Montagu; John Hamilton Mortimer; Sidney Nolan; Jean Rouch; Salman Rushdie; William Shakespeare; Robert Louis Stevenson; Richard Van Camp; Zapiro.

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Contributor: Meyer, Michael,
    Media type: Ebook
    Format: Online
    ISBN: 9789042027442
    Other identifier:
    DOI: 10.1163/9789042027442
    Series: Cross/cultures : readings in the post/colonial literatures in English ; ; 116
    ASNEL papers ; ; 14
    Subjects: Postcolonialism and the arts.; Visual communication in art.; Intercultural communication in literature.; Intercultural communication in art.; Intercultural communication in art.; Intercultural communication in literature.; Postcolonialism and the arts.; Visual communication in art.
    Scope: 1 online resource (xliii, 379 pages) :, illustrations.
    Notes:

    "ASNEL Papers appear under the auspices of the Gesellschaft für die Neuen Englischsprachigen Literaturen e.V. (GNEL)"--Series title page.

    Includes bibliographical references.

    Array: Array
  3. Word & image in colonial and postcolonial literatures and cultures
    Contributor: Meyer, Michael (Publisher)
    Published: 2009
    Publisher:  Rodopi, Amsterdam [u.a.]

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Bayreuth
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    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek der LMU München
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Passau
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Regensburg
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Würzburg
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    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Contributor: Meyer, Michael (Publisher)
    Language: English
    Media type: Book
    ISBN: 9789042027435; 9789042027442
    RVK Categories: EC 1878 ; EC 5410 ; HP 1100 ; HP 1120 ; LB 53000
    Series: ASNEL papers ; 14
    Cross cultures ; 116
    Subjects: Intercultural communication in art; Intercultural communication in literature; Postcolonialism and the arts; Visual communication in art; Literatur; Bild; Postkoloniale Literatur; Kolonialismus; Text
    Scope: XLIII, 379 S., Ill.
  4. Word and image in colonial and postcolonial literatures and cultures
    Contributor: Meyer, Michael
    Published: 2009
    Publisher:  Rodopi, Amsterdam ; Brill, New York

    Verbal imagery and visual images as well as the intricate relationships between verbal and visual representations have long shaped the imagination and the practice of intercultural relationships. The contributions to this volume take a fresh look at... more

    Access:

    Location:
    Universität Mainz, Zentralbibliothek
    Inter-library loan:
    No inter-library loan

     

    Verbal imagery and visual images as well as the intricate relationships between verbal and visual representations have long shaped the imagination and the practice of intercultural relationships. The contributions to this volume take a fresh look at the ideology of form, especially the gendered and racial implications of the gaze and the voice in various media and intermedial transformations. Analyses of how culturally specific forms of visual and verbal expression are individually understood and manipulated complement reflections on the potential and limitations of representation. The juxtaposition of visual and verbal signifiers explores the gap between them as a space beyond cultural boundaries. Topics treated include: Caliban; English satirical iconotexts; Oriental travel writing and illustration; expatriate description and picturesque illustration of Edinburgh; ethnographic film; African studio photography; South African cartoons; imagery, ekphrasis, and race in South African art and fiction; face and visuality, representation and memory in Asian fiction; Bollywood; Asian historical film; Asian-British pop music; Australian landscape in painting and fiction; indigenous children's fiction from Aotearoa New Zealand, Canada, and the USA; Canadian photography; Native Americans in film. Writers and artists discussed include: Philip Kwame Apagya; the Asian Dub Foundation; Breyten Breytenbach; Richard Burton; Peter Carey; Gurinder Chadha; Daniel Chodowiecki; J.M. Coetzee; Ashutosh Gowariker; Patricia Grace; W. Greatbatch; Hogarth; Francis K. Honny; Jim Jarmusch; Robyn Kahukiwa; Seydou Keita; Thomas King; Vladyana Krykorka; Alfred Kubin; Michael Arvaarluk Kusugak; Kathleen and Michael Lacapa; László Lakner; George Littlechild; Ken Lum; Franz Marc; Zakes Mda; Ketan Mehta; M.I.A. (Maya Arulpragasam); Timothy Mo; William Kent Monkman; Lady Mary Wortley Montagu; John Hamilton Mortimer; Sidney Nolan; Jean Rouch; Salman Rushdie; William Shakespeare; Robert Louis Stevenson; Richard Van Camp; Zapiro.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Meyer, Michael
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789042027442
    Other identifier:
    RVK Categories: EC 5410
    Series: Cross/cultures : readings in the post/colonial literatures in English ; 116
    ASNEL papers ; 14
    Subjects: Postkoloniale Literatur; Bild; Sprache; Beziehung
    Scope: 1 Online-Ressource (xliii, 379 pages), illustrations
    Notes:

    "ASNEL Papers appear under the auspices of the Gesellschaft für die Neuen Englischsprachigen Literaturen e.V. (GNEL)"--Series title page

    Includes bibliographical references.
  5. Word & image in colonial and postcolonial literatures and cultures
    Contributor: Meyer, Michael (Publisher)
    Published: 2009
    Publisher:  Rodopi, Amsterdam [u.a.]

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Contributor: Meyer, Michael (Publisher)
    Language: English
    Media type: Book
    ISBN: 9789042027435; 9789042027442
    RVK Categories: EC 1878 ; EC 5410 ; HP 1100 ; HP 1120 ; LB 53000
    Series: ASNEL papers ; 14
    Cross cultures ; 116
    Subjects: Intercultural communication in art; Intercultural communication in literature; Postcolonialism and the arts; Visual communication in art; Literatur; Bild; Postkoloniale Literatur; Kolonialismus; Text
    Scope: XLIII, 379 S., Ill.
  6. Word & image in colonial and postcolonial literatures and cultures
    Published: 2009
    Publisher:  Rodopi, Amsterdam

    Introduction : word & image--gaze & spectacle /Michael Meyer --Colonial representations.Liberating the strange fish : visual representations of Caliban and their successive emancipation from Shakespeare's original text /Daniel Jaczminski ;Hogarth and... more

    Access:
    Aggregator (lizenzpflichtig)

    Location:
    Hochschule Aalen, Bibliothek
    Signature:
    E-Book EBSCO
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Esslingen, Bibliothek
    Signature:
    E-Book Ebsco
    Inter-library loan:
    No inter-library loan

    Location:
    Saarländische Universitäts- und Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Inter-library loan:
    No inter-library loan

     

    Introduction : word & image--gaze & spectacle /Michael Meyer --Colonial representations.Liberating the strange fish : visual representations of Caliban and their successive emancipation from Shakespeare's original text /Daniel Jaczminski ;Hogarth and the other /Peter Wagner ;"The free treatment of topics usually taboo'd" : glimpses of the harem in eighteenth- and nineteenth-century literature and the fine arts /Patricia Plummer ;Tourist places, other gazes : Robert Louis Stevenson's Edinburgh /Cordula Lemke --Postcolonial representations."Picture is a silent talker" (Apagya) : African studio photography in the English classroom /Gisela Feurle ;A black and white nation? : the 'new' South Africa in Zapiro's cartoons /Sonja Altnöder ;Zakes Mda's representation of South African reality in Ways of dying, The Madonna of Excelsior, and The whale caller /Marita Wenzel ;Looking out and looking in : the dynamic use of words and images in the oeuvre of Breyten Breytenbach /Heilna du Plooy ;Whiteness as a category of literary analysis : racializing markers and race-evasiveness in J.M. Coetzee's Disgrace /Susan Arndt ;"Just for show" : visuality in Timothy Mo's The monkey king /Ann Spagenberg ;On pickles, pictures, and words : pick-torial preservation and verbal self-regeneration in Salman Rushdie's Midnight's children /Laurence Petit ;"Neither united nor separated" : negotiating difference in Ashutosh Gowariker's Lagaan and Ketan Mehta's Mangal Pandey /Lucia Krämer ;Transcultural gender interrogations in Bride and prejudice : intertextual encounters of the South Asian diasporic kind /Christine Vogt-William ;Missing in act(i)on : Asian-British pop music between resistance and commercialization /Rainer Emig ;Vernacular landscape : narrative space in Peter Carey's True history of the Kelly Gang /Renate Brosch ;Regaining the past and shaping the present : indigenous children's fiction from Aotearoa New Zealand, Canada, and the USA /Michaela Moura-Koçoğlu ;Between words and images : negotiating the meaning of home in Ken Lum's There is no place like home /Nicole Schröder ;The mass-slaughter of native Americans in Jim Jarmusch's Dead man : a complex interplay of word and image /Jens Martin Gurr. Verbal imagery and visual images as well as the intricate relationships between verbal and visual representations have long shaped the imagination and the practice of intercultural relationships. The contributions to this volume take a fresh look at the ideology of form, especially the gendered and racial implications of the gaze and the voice in various media and intermedial transformations. Analyses of how culturally specific forms of visual and verbal expression are individually understood and manipulated complement reflections on the potential and limitations of representation. The juxtaposition of visual and verbal signifiers explores the gap between them as a space beyond cultural boundaries. Topics treated include: Caliban; English satirical iconotexts; Oriental travel writing and illustration; expatriate description and picturesque illustration of Edinburgh; ethnographic film; African studio photography; South African cartoons; imagery, ekphrasis, and race in South African art and fiction; face and visuality, representation and memory in Asian fiction; Bollywood; Asian historical film; Asian-British pop music; Australian landscape in painting and fiction; indigenous children’s fiction from Aotearoa New Zealand, Canada, and the USA; Canadian photography; Native Americans in film. Writers and artists discussed include: Philip Kwame Apagya; the Asian Dub Foundation; Breyten Breytenbach; Richard Burton; Peter Carey; Gurinder Chadha; Daniel Chodowiecki; J.M. Coetzee; Ashutosh Gowariker; Patricia Grace; W. Greatbatch; Hogarth; Francis K. Honny; Jim Jarmusch; Robyn Kahukiwa; Seydou Keita; Thomas King; Vladyana Krykorka; Alfred Kubin; Michael Arvaarluk Kusugak; Kathleen and Michael Lacapa; László Lakner; George Littlechild; Ken Lum; Franz Marc; Zakes Mda; Ketan Mehta; M.I.A. (Maya Arulpragasam); Timothy Mo; William Kent Monkman; Lady Mary Wortley Montagu; John Hamilton Mortimer; Sidney Nolan; Jean Rouch; Salman Rushdie; William Shakespeare; Robert Louis Stevenson; Richard Van Camp; Zapiro

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789042027442; 9042027444
    Series: Cross / cultures : readings in the post/colonial literatures in English ; 116
    Array ; 116
    ASNEL papers ; 14
    Subjects: Postcolonialism and the arts; Visual communication in art; Intercultural communication in literature; Intercultural communication in art; Postcolonialism and the arts; Intercultural communication in literature; Intercultural communication in art; Visual communication in art; LITERARY CRITICISM ; General; Intercultural communication in art; Intercultural communication in literature; Postcolonialism and the arts; Visual communication in art; TRAVEL ; Special Interest ; Literary
    Scope: Online Ressource (xliii, 379 p.), ill.
    Notes:

    "ASNEL Papers appear under the auspices of the Gesellschaft für die Neuen Englischsprachigen Literaturen e.V. (GNEL)"--Prelim. p. - Includes bibliographical references. - Description based on print version record

    Includes bibliographical references

    Michael Meyer: Introduction : word & image--gaze & spectacle

    Daniel Jaczminski ;Hogarth and the other: Colonial representations.Liberating the strange fish : visual representations of Caliban and their successive emancipation from Shakespeare's original text

    Gisela Feurle ;A black and white nation? : the 'new' South Africa in Zapiro's cartoons: Postcolonial representations."Picture is a silent talker" (Apagya) : African studio photography in the English classroom
  7. Word & image in colonial and postcolonial literatures and cultures
    Contributor: Meyer, Michael
    Published: 2009
    Publisher:  Rodopi, Amsterdam ; EBSCO Industries, Inc., Birmingham, AL, USA

    Location:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Inter-library loan:
    No inter-library loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Meyer, Michael
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789042027442; 9042027444
    RVK Categories: EC 5410
    Series: Cross/cultures : readings in the post/colonial literatures in English ; 116
    ASNEL papers ; 14
    Subjects: Postkoloniale Literatur; Bild; Sprache; Beziehung
    Scope: 1 Online-Ressource (xliii, 379 pages), Illustrations
    Notes:

    "ASNEL Papers appear under the auspices of the Gesellschaft für die Neuen Englischsprachigen Literaturen e.V. (GNEL)"--Preliminary page

    Includes bibliographical references
  8. Word and image in colonial and postcolonial literatures and cultures
    Published: 2009
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- Liberating the Strange Fish: Visual Representations of Caliban and Their Successive Emancipation from Shakespeare’s Original Text /Daniel Jaczminski -- Hogarth and the Other /Peter Wagner -- “The free treatment of topics... more

    Access:

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

     

    Preliminary Material -- Liberating the Strange Fish: Visual Representations of Caliban and Their Successive Emancipation from Shakespeare’s Original Text /Daniel Jaczminski -- Hogarth and the Other /Peter Wagner -- “The free treatment of topics usually taboo’d”: Glimpses of the Harem in Eighteenth- and Nineteenth-Century Literature and the Fine Arts /Patricia Plummer -- Tourist Places, Other Gazes: Robert Louis Stevenson’s Edinburgh /Cordula Lemke -- “Picture is a Silent Talker” (Apagya): African Studio Photography in the English Classroom /Gisela Feurle -- A Black and White Nation?: The ‘New’ South Africa in Zapiro’s Cartoons /Sonja Altnöder -- Zakes Mda’s Representation of South African Reality: in Ways of Dying, The Madonna of Excelsior, and The Whale Caller /Marita Wenzel -- Looking Out and Looking In: The Dynamic Use of Words and Images in the Oeuvre of Breyten Breytenbach /Heilna Du Plooy -- Whiteness as a Category of Literary Analysis: Racializing Markers and Race-Evasiveness in J.M. Coetzee’s Disgrace /Susan Arndt -- “Just for show”: Visuality in Timothy Mo’s The Monkey King /Ann Spangenberg -- On Pickles, Pictures, and Words: Pick-torial Preservation and Verbal Self-Regeneration in Salman Rushdie’s Midnight’s Children /Laurence Petit -- “Neither united nor separated”: Negotiating Difference in Ashutosh Gowariker’s Lagaan and Ketan Mehta’s Mangal Pandey /Lucia Krämer -- Transcultural Gender Interrogations in Bride and Prejudice: Intertextual Encounters of the South Asian Diasporic Kind /Christine Vogt–William -- Missing in Act(i)on: Asian-British Pop Music Between Resistance and Commercialization /Rainer Emig -- Vernacular Landscape: Narrative Space in Peter Carey’s True History of the Kelly Gang /Renate Brosch -- Regaining the Past and Shaping the Present: Indigenous Children’s Fiction from Aotearoa New Zealand, Canada, and the USA /Michaela Moura–Koçoğlu -- Between Words and Images: Negotiating the Meaning of Home in Ken Lum’s There Is No Place Like Home /Nicole Schröder -- The Mass-Slaughter of Native Americans in Jim Jarmusch’s Dead Man: A Complex Interplay of Word and Image /Jens Martin Gurr -- Notes on Contributors. Verbal imagery and visual images as well as the intricate relationships between verbal and visual representations have long shaped the imagination and the practice of intercultural relationships. The contributions to this volume take a fresh look at the ideology of form, especially the gendered and racial implications of the gaze and the voice in various media and intermedial transformations. Analyses of how culturally specific forms of visual and verbal expression are individually understood and manipulated complement reflections on the potential and limitations of representation. The juxtaposition of visual and verbal signifiers explores the gap between them as a space beyond cultural boundaries. Topics treated include: Caliban; English satirical iconotexts; Oriental travel writing and illustration; expatriate description and picturesque illustration of Edinburgh; ethnographic film; African studio photography; South African cartoons; imagery, ekphrasis, and race in South African art and fiction; face and visuality, representation and memory in Asian fiction; Bollywood; Asian historical film; Asian-British pop music; Australian landscape in painting and fiction; indigenous children’s fiction from Aotearoa New Zealand, Canada, and the USA; Canadian photography; Native Americans in film. Writers and artists discussed include: Philip Kwame Apagya; the Asian Dub Foundation; Breyten Breytenbach; Richard Burton; Peter Carey; Gurinder Chadha; Daniel Chodowiecki; J.M. Coetzee; Ashutosh Gowariker; Patricia Grace; W. Greatbatch; Hogarth; Francis K. Honny; Jim Jarmusch; Robyn Kahukiwa; Seydou Keita; Thomas King; Vladyana Krykorka; Alfred Kubin; Michael Arvaarluk Kusugak; Kathleen and Michael Lacapa; László Lakner; George Littlechild; Ken Lum; Franz Marc; Zakes Mda; Ketan Mehta; M.I.A. (Maya Arulpragasam); Timothy Mo; William Kent Monkman; Lady Mary Wortley Montagu; John Hamilton Mortimer; Sidney Nolan; Jean Rouch; Salman Rushdie; William Shakespeare; Robert Louis Stevenson; Richard Van Camp; Zapiro

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789042027442
    Other identifier:
    Series: Array ; 116
    ASNEL papers ; 14
    Subjects: Postcolonialism and the arts; Visual communication in art; Intercultural communication in literature; Intercultural communication in art; Intercultural communication in art; Intercultural communication in literature; Postcolonialism and the arts; Visual communication in art
    Scope: 1 Online-Ressource (xliii, 379 pages), illustrations
    Notes:

    "ASNEL Papers appear under the auspices of the Gesellschaft für die Neuen Englischsprachigen Literaturen e.V. (GNEL)"--Series title page

    Includes bibliographical references
  9. Word and image in colonial and postcolonial literatures and cultures
    Published: 2009
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- Liberating the Strange Fish: Visual Representations of Caliban and Their Successive Emancipation from Shakespeare’s Original Text /Daniel Jaczminski -- Hogarth and the Other /Peter Wagner -- “The free treatment of topics... more

    Access:

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Preliminary Material -- Liberating the Strange Fish: Visual Representations of Caliban and Their Successive Emancipation from Shakespeare’s Original Text /Daniel Jaczminski -- Hogarth and the Other /Peter Wagner -- “The free treatment of topics usually taboo’d”: Glimpses of the Harem in Eighteenth- and Nineteenth-Century Literature and the Fine Arts /Patricia Plummer -- Tourist Places, Other Gazes: Robert Louis Stevenson’s Edinburgh /Cordula Lemke -- “Picture is a Silent Talker” (Apagya): African Studio Photography in the English Classroom /Gisela Feurle -- A Black and White Nation?: The ‘New’ South Africa in Zapiro’s Cartoons /Sonja Altnöder -- Zakes Mda’s Representation of South African Reality: in Ways of Dying, The Madonna of Excelsior, and The Whale Caller /Marita Wenzel -- Looking Out and Looking In: The Dynamic Use of Words and Images in the Oeuvre of Breyten Breytenbach /Heilna Du Plooy -- Whiteness as a Category of Literary Analysis: Racializing Markers and Race-Evasiveness in J.M. Coetzee’s Disgrace /Susan Arndt -- “Just for show”: Visuality in Timothy Mo’s The Monkey King /Ann Spangenberg -- On Pickles, Pictures, and Words: Pick-torial Preservation and Verbal Self-Regeneration in Salman Rushdie’s Midnight’s Children /Laurence Petit -- “Neither united nor separated”: Negotiating Difference in Ashutosh Gowariker’s Lagaan and Ketan Mehta’s Mangal Pandey /Lucia Krämer -- Transcultural Gender Interrogations in Bride and Prejudice: Intertextual Encounters of the South Asian Diasporic Kind /Christine Vogt–William -- Missing in Act(i)on: Asian-British Pop Music Between Resistance and Commercialization /Rainer Emig -- Vernacular Landscape: Narrative Space in Peter Carey’s True History of the Kelly Gang /Renate Brosch -- Regaining the Past and Shaping the Present: Indigenous Children’s Fiction from Aotearoa New Zealand, Canada, and the USA /Michaela Moura–Koçoğlu -- Between Words and Images: Negotiating the Meaning of Home in Ken Lum’s There Is No Place Like Home /Nicole Schröder -- The Mass-Slaughter of Native Americans in Jim Jarmusch’s Dead Man: A Complex Interplay of Word and Image /Jens Martin Gurr -- Notes on Contributors. Verbal imagery and visual images as well as the intricate relationships between verbal and visual representations have long shaped the imagination and the practice of intercultural relationships. The contributions to this volume take a fresh look at the ideology of form, especially the gendered and racial implications of the gaze and the voice in various media and intermedial transformations. Analyses of how culturally specific forms of visual and verbal expression are individually understood and manipulated complement reflections on the potential and limitations of representation. The juxtaposition of visual and verbal signifiers explores the gap between them as a space beyond cultural boundaries. Topics treated include: Caliban; English satirical iconotexts; Oriental travel writing and illustration; expatriate description and picturesque illustration of Edinburgh; ethnographic film; African studio photography; South African cartoons; imagery, ekphrasis, and race in South African art and fiction; face and visuality, representation and memory in Asian fiction; Bollywood; Asian historical film; Asian-British pop music; Australian landscape in painting and fiction; indigenous children’s fiction from Aotearoa New Zealand, Canada, and the USA; Canadian photography; Native Americans in film. Writers and artists discussed include: Philip Kwame Apagya; the Asian Dub Foundation; Breyten Breytenbach; Richard Burton; Peter Carey; Gurinder Chadha; Daniel Chodowiecki; J.M. Coetzee; Ashutosh Gowariker; Patricia Grace; W. Greatbatch; Hogarth; Francis K. Honny; Jim Jarmusch; Robyn Kahukiwa; Seydou Keita; Thomas King; Vladyana Krykorka; Alfred Kubin; Michael Arvaarluk Kusugak; Kathleen and Michael Lacapa; László Lakner; George Littlechild; Ken Lum; Franz Marc; Zakes Mda; Ketan Mehta; M.I.A. (Maya Arulpragasam); Timothy Mo; William Kent Monkman; Lady Mary Wortley Montagu; John Hamilton Mortimer; Sidney Nolan; Jean Rouch; Salman Rushdie; William Shakespeare; Robert Louis Stevenson; Richard Van Camp; Zapiro

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789042027442
    Other identifier:
    Series: Array ; 116
    ASNEL papers ; 14
    Subjects: Postcolonialism and the arts; Visual communication in art; Intercultural communication in literature; Intercultural communication in art; Intercultural communication in art; Intercultural communication in literature; Postcolonialism and the arts; Visual communication in art
    Scope: 1 Online-Ressource (xliii, 379 pages), illustrations
    Notes:

    "ASNEL Papers appear under the auspices of the Gesellschaft für die Neuen Englischsprachigen Literaturen e.V. (GNEL)"--Series title page

    Includes bibliographical references