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  1. We are the machine
    the computer, the internet, and information in contemporary German literature
    Erschienen: 2009
    Verlag:  Camden House, Rochester, NY

    Hochschulbibliothek Friedensau
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1571133925; 9781571133922; 9781571137524
    RVK Klassifikation: GO 12110
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Computers in literature; Internet in literature; Literature and technology; Information technology in literature; German fiction; German fiction; German fiction
    Umfang: XIII, 171 S.
    Bemerkung(en):

    "Despite our embrace of the sheer utility and productivity it has made possible, the revolution in Information Technology has led to unease about its possible misuse, abuse, and even its eventual domination of humankind. That German culture is not immune to this sense of disquiet is reflected in a broad variety of German-language fiction since the 1940s. This first study of the literary reception of IT in German-speaking lands begins with an analysis of a seminal novel from the beginning of the computer age, Heinrich Hauser's Gigant Hirn (1948), then moves to its primary focus, the literature of the past two decades, ranging from Gerd Heidenreich's Die Nacht der Händler (1995) to Daniel Glattauer's novel Gut gegen Nordwind (2006). Along the way, it analyzes eleven works, including Barbara Frischmuth's novel Die Schrift des Freundes (1998), René Pollesch's drama world wide web-slums (2001), and Günter Grass's novella Im Krebsgang (2003). As wildly different in approach as these works are, each has much to offer this investigation of the imaginary border dividing the human from the technological, a lingering, centuries-old construct created to ease the anxiety that technology has given rise to throughout the ages"--Publisher's website

    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    Losing ground to the machine: electronic brains in the works of Heinrich Hauser and Friedrich DürrenmattFearing the machine: two nightmares in the 1990s: Gerd Heindenreich's new riddle of the sphinx and Barbara Frischmuth's hidden meaning -- Becoming the machine: Günther Grass's and Erich Loest's virtual history, René Pollesch's postdramatic imaginings, and "real" cyber-relationships according to Christine Eichel and Daniel Glattauer.