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  1. Class Fictions
    Shame and Resistance in the British Working Class Novel, 1890-1945
    Autor*in: Fox, Pamela
    Erschienen: [1994]; © 1994
    Verlag:  Duke University Press, Durham

    Many recent discussions of working-class culture in literary and cultural studies have tended to present an oversimplified view of resistance. In this groundbreaking work, Pamela Fox offers a far more complex theory of working-class identity,... mehr

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Many recent discussions of working-class culture in literary and cultural studies have tended to present an oversimplified view of resistance. In this groundbreaking work, Pamela Fox offers a far more complex theory of working-class identity, particularly as reflected in British novels of the late nineteenth and early twentieth centuries. Through the concept of class shame, she produces a model of working-class subjectivity that understands resistance in a more accurate and useful way-as a complicated kind of refusal, directed at both dominated and dominant culture.With a focus on certain classics in the working-class literary "canon," such as The Ragged Trousered Philanthropists and Love on the Dole, as well as lesser-known texts by working-class women, Fox uncovers the anxieties that underlie representations of class and consciousness. Shame repeatedly emerges as a powerful counterforce in these works, continually unsettling the surface narrative of protest to reveal an ambivalent relation toward the working-class identities the novels apparently champion.Class Fictions offers an equally rigorous analysis of cultural studies itself, which has historically sought to defend and value the radical difference of working-class culture. Fox also brings to her analysis a strong feminist perspective that devotes considerable attention to the often overlooked role of gender in working-class fiction. She demonstrates that working-class novels not only expose master narratives of middle-class culture that must be resisted, but that they also reveal to us a need to create counter narratives or formulas of working-class life. In doing so, this book provides a more subtle sense of the role of resistance in working class culture. While of interest to scholars of Victorian and working-class fiction, Pamela Fox's argument has far-reaching implications for the way literary and cultural studies will be defined and practiced

     
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    Quelle: Verbundkataloge
    Beteiligt: Fish, Stanley (Hrsg.); Jameson, Fredric (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822382935
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; English fiction; Literature and society; Shame in literature; Working class in literature; Working class writings, English; Working class
    Umfang: 1 online resource (241 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  2. Class Fictions
    Shame and Resistance in the British Working Class Novel, 1890-1945
    Autor*in: Fox, Pamela
    Erschienen: 1994; ©1994
    Verlag:  Duke University Press, Durham ; Walter de Gruyter GmbH, Berlin

    Many recent discussions of working-class culture in literary and cultural studies have tended to present an oversimplified view of resistance. In this groundbreaking work, Pamela Fox offers a far more complex theory of working-class identity,... mehr

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    Many recent discussions of working-class culture in literary and cultural studies have tended to present an oversimplified view of resistance. In this groundbreaking work, Pamela Fox offers a far more complex theory of working-class identity, particularly as reflected in British novels of the late nineteenth and early twentieth centuries. Through the concept of class shame, she produces a model of working-class subjectivity that understands resistance in a more accurate and useful way-as a complicated kind of refusal, directed at both dominated and dominant culture.With a focus on certain classics in the working-class literary "canon," such as The Ragged Trousered Philanthropists and Love on the Dole, as well as lesser-known texts by working-class women, Fox uncovers the anxieties that underlie representations of class and consciousness. Shame repeatedly emerges as a powerful counterforce in these works, continually unsettling the surface narrative of protest to reveal an ambivalent relation toward the working-class identities the novels apparently champion.Class Fictions offers an equally rigorous analysis of cultural studies itself, which has historically sought to defend and value the radical difference of working-class culture. Fox also brings to her analysis a strong feminist perspective that devotes considerable attention to the often overlooked role of gender in working-class fiction. She demonstrates that working-class novels not only expose master narratives of middle-class culture that must be resisted, but that they also reveal to us a need to create counter narratives or formulas of working-class life. In doing so, this book provides a more subtle sense of the role of resistance in working class culture. While of interest to scholars of Victorian and working-class fiction, Pamela Fox's argument has far-reaching implications for the way literary and cultural studies will be defined and practiced.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Fish, Stanley (Herausgeber); Jameson, Fredric (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822382935
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Umfang: 1 Online-Ressource (241 p.)
  3. Class Fictions
    Shame and Resistance in the British Working Class Novel, 1890-1945
    Autor*in: Fox, Pamela
    Erschienen: 1994
    Verlag:  Duke University Press, Durham ; ProQuest, Ann Arbor, Michigan

    Many recent discussions of working-class culture in literary and cultural studies have tended to present an oversimplified view of resistance. In this groundbreaking work, Pamela Fox offers a far more complex theory of working-class identity,... mehr

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    Standort:
    Universitätsbibliothek Gießen
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    Many recent discussions of working-class culture in literary and cultural studies have tended to present an oversimplified view of resistance. In this groundbreaking work, Pamela Fox offers a far more complex theory of working-class identity, particularly as reflected in British novels of the late nineteenth and early twentieth centuries. Through the concept of class shame, she produces a model of working-class subjectivity that understands resistance in a more accurate and useful way-as a complicated kind of refusal, directed at both dominated and dominant culture. With a focus on certain classics in the working-class literary "canon," such as The Ragged Trousered Philanthropists and Love on the Dole, as well as lesser-known texts by working-class women, Fox uncovers the anxieties that underlie representations of class and consciousness. Shame repeatedly emerges as a powerful counterforce in these works, continually unsettling the surface narrative of protest to reveal an ambivalent relation toward the working-class identities the novels apparently champion. Class Fictions offers an equally rigorous analysis of cultural studies itself, which has historically sought to defend and value the radical difference of working-class culture. Fox also brings to her analysis a strong feminist perspective that devotes considerable attention to the often overlooked role of gender in working-class fiction. She demonstrates that working-class novels not only expose master narratives of middle-class culture that must be resisted, but that they also reveal to us a need to create counter narratives or formulas of working-class life. In doing so, this book provides a more subtle sense of the role of resistance in working class culture. While of interest to scholars of Victorian and working-class fiction, Pamela Fox's argument has far-reaching implications for the... way literary and cultural studies will be defined and practiced.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Fish, Stanley; Jameson, Fredric
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822382935
    Auflage/Ausgabe: 1st ed.
    Schriftenreihe: Post-Contemporary Interventions Ser.
    Schlagworte: English fiction -- 20th century -- History and criticism; Working class writings, English -- History and criticism; Literature and society -- Great Britain -- History -- 20th century; Working class -- Great Britain -- Intellectual life; Working class in literature; Shame in literature
    Umfang: 1 Online-Ressource (253 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  4. Class Fictions
    Shame and Resistance in the British Working Class Novel, 1890–1945
    Autor*in: Fox, Pamela
    Erschienen: [1994]
    Verlag:  Duke University Press, Durham

    Frontmatter -- Contents -- Acknowledgments -- Introduction Recovering the "Narrow Plot of Acquisitiveness and Desire": A Methodology for Reading Working-Class Narrative -- 1 Rehabilitating Working-Class Cultural and Literary History: The Critical... mehr

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    Frontmatter -- Contents -- Acknowledgments -- Introduction Recovering the "Narrow Plot of Acquisitiveness and Desire": A Methodology for Reading Working-Class Narrative -- 1 Rehabilitating Working-Class Cultural and Literary History: The Critical Agenda -- 2 The Ragged Trousered Philanthropists and After: Epistemologies of Class, Legacies of Resistance -- 3 On the "Borderland of Tears": Reputation, Exposure, and the Public/Private Dynamic of Working-Class Culture -- 4 The "Revolt of the Gentle": Romance and the Politics of Resistance in Working-Class Writing -- Afterword: Getting Their Own Back Notes -- Notes -- Bibliography -- Index Many recent discussions of working-class culture in literary and cultural studies have tended to present an oversimplified view of resistance. In this groundbreaking work, Pamela Fox offers a far more complex theory of working-class identity, particularly as reflected in British novels of the late nineteenth and early twentieth centuries. Through the concept of class shame, she produces a model of working-class subjectivity that understands resistance in a more accurate and useful way—as a complicated kind of refusal, directed at both dominated and dominant culture.With a focus on certain classics in the working-class literary "canon," such as The Ragged Trousered Philanthropists and Love on the Dole, as well as lesser-known texts by working-class women, Fox uncovers the anxieties that underlie representations of class and consciousness. Shame repeatedly emerges as a powerful counterforce in these works, continually unsettling the surface narrative of protest to reveal an ambivalent relation toward the working-class identities the novels apparently champion.Class Fictions offers an equally rigorous analysis of cultural studies itself, which has historically sought to defend and value the radical difference of working-class culture. Fox also brings to her analysis a strong feminist perspective that devotes considerable attention to the often overlooked role of gender in working-class fiction. She demonstrates that working-class novels not only expose master narratives of middle-class culture that must be resisted, but that they also reveal to us a need to create counter narratives or formulas of working-class life. In doing so, this book provides a more subtle sense of the role of resistance in working class culture. While of interest to scholars of Victorian and working-class fiction, Pamela Fox’s argument has far-reaching implications for the way literary and cultural studies will be defined and practiced

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Fish, Stanley (HerausgeberIn); Jameson, Fredric (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822382935
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: English fiction; Literature and society; Shame in literature; Working class in literature; Working class writings, English; Working class; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Umfang: 1 Online-Ressource (241 p)
  5. Class Fictions
    Shame and Resistance in the British Working Class Novel, 1890-1945
    Autor*in: Fox, Pamela
    Erschienen: [1994]; © 1994
    Verlag:  Duke University Press, Durham

    Many recent discussions of working-class culture in literary and cultural studies have tended to present an oversimplified view of resistance. In this groundbreaking work, Pamela Fox offers a far more complex theory of working-class identity,... mehr

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

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    Many recent discussions of working-class culture in literary and cultural studies have tended to present an oversimplified view of resistance. In this groundbreaking work, Pamela Fox offers a far more complex theory of working-class identity, particularly as reflected in British novels of the late nineteenth and early twentieth centuries. Through the concept of class shame, she produces a model of working-class subjectivity that understands resistance in a more accurate and useful way-as a complicated kind of refusal, directed at both dominated and dominant culture.With a focus on certain classics in the working-class literary "canon," such as The Ragged Trousered Philanthropists and Love on the Dole, as well as lesser-known texts by working-class women, Fox uncovers the anxieties that underlie representations of class and consciousness. Shame repeatedly emerges as a powerful counterforce in these works, continually unsettling the surface narrative of protest to reveal an ambivalent relation toward the working-class identities the novels apparently champion.Class Fictions offers an equally rigorous analysis of cultural studies itself, which has historically sought to defend and value the radical difference of working-class culture. Fox also brings to her analysis a strong feminist perspective that devotes considerable attention to the often overlooked role of gender in working-class fiction. She demonstrates that working-class novels not only expose master narratives of middle-class culture that must be resisted, but that they also reveal to us a need to create counter narratives or formulas of working-class life. In doing so, this book provides a more subtle sense of the role of resistance in working class culture. While of interest to scholars of Victorian and working-class fiction, Pamela Fox's argument has far-reaching implications for the way literary and cultural studies will be defined and practiced

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Fish, Stanley (Hrsg.); Jameson, Fredric (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822382935
    Weitere Identifier:
    Schriftenreihe: Post-Contemporary Interventions
    Schlagworte: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; English fiction; Literature and society; Shame in literature; Working class in literature; Working class writings, English; Working class
    Umfang: 1 online resource (241 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)
  6. Class fictions
    shame and resistance in the British working-class novel, 1890-1945
    Autor*in: Fox, Pamela
    Erschienen: 1994
    Verlag:  Duke University Press, Durham

    Many recent discussions of working-class culture in literary and cultural studies have tended to present an oversimplified view of resistance. In this groundbreaking work, Pamela Fox offers a far more complex theory of working-class identity,... mehr

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    Many recent discussions of working-class culture in literary and cultural studies have tended to present an oversimplified view of resistance. In this groundbreaking work, Pamela Fox offers a far more complex theory of working-class identity, particularly as reflected in British novels of the late nineteenth and early twentieth centuries. Through the concept of class shame, she produces a model of working-class subjectivity that understands resistance in a more accurate and useful way-as a complicated kind of refusal, directed at both dominated and dominant culture.With a focus on cer

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0822315424; 1283062941; 0822382938; 0822315335; 9781283062947; 9780822315421; 9780822382935; 9780822315339
    Schriftenreihe: Post-contemporary interventions
    Schlagworte: Shame in literature; Working class writings, English; Literature and society; Working class; English fiction; Working class in literature; English fiction ; 20th century ; History and criticism..; Working class writings, English ; History and criticism..; Literature and society ; Great Britain ; History ; 20th century..; Working class ; Great Britain ; Intellectual life..; Working class in literature..; Shame in literature; Electronic books
    Umfang: Online-Ressource (viii, 241 p), 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. [225]-234) and index

    Electronic reproduction; Available via World Wide Web

    CONTENTS; Acknowledgments; Introduction Recovering the "Narrow Plot of Acquisitiveness and Desire": A Methodology for Reading Working-Class Narrative; 1 Rehabilitating Working-Class Cultural and Literary History: The Critical Agenda; 2 The Ragged Trousered Philanthropists and After: Epistemologies of Class, Legacies of Resistance; 3 On the "Borderland of Tears": Reputation, Exposure, and the Public/Private Dynamic of Working-Class Culture; 4 The "Revolt of the Gentle": Romance and the Politics of Resistance in Working-Class Writing; Afterword: Getting Their Own Back; Notes; Bibliography

    Index