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Museums after modernism
strategies of engagement -
Encounters in the virtual feminist museum
time, space and the archive -
Vision and difference
femininity, feminism and histories of art -
Vision and difference
femininity, feminism and histories of art -
Mary Cassatt
painter of modern women -
Vision and difference
femininity, feminism and histories of art -
Matrixial subjectivity, aesthetics, ethics
Volume 1, 1990-2000 -
Concentrationary art
Jean Cayrol, the Lazarean and the everyday in post-war film, literature, music and the visual arts -
Work and the image
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After-affects - after-images
trauma and aesthetic transformation in the virtual feminist museum -
Encounters in the virtual feminist museum
time, space and the archive -
Concentrationary cinema
aesthetics as political resistance in Alain Resnais's Night and fog (1955) -
Old mistresses
women, art and ideology -
Mary Cassatt
painter of modern women -
Woman in art - Helen Rosenau's 'little book' of 1944
with a personal memoir by Adrian Rifkin and biographical essay on Helen Rosenau by Rachel Dickson -
Conceptual odysseys
passages to cultural analysis -
Concentrationary cinema
aesthetics as political resistance in Alain Resnais's night and fog (1955) -
Killing Men and Dying Women
Gesture and Sexual Difference -
Julia Kristeva 1966 - 96
aesthetics, politics, ethics -
Modernity and the spaces of femininity
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Femininity, modernity and representation
the maternal image, sexual difference and the disjunctive temporality of the dissident avant-garde -
Moderne und die Räume von Weiblichkeit
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Femininity / Modernity
Inscriptions / Representations / Transformation -
Art History and Visual Studies in Great Britain and Ireland
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'Gasping at violence'
der Klang des Subjektiven/der Atem des Körpers in Berninis 'Daphne und Apollon'