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  1. Making Girls into Women
    American Women's Writing and the Rise of Lesbian Identity
    Erschienen: [2003]; © 2003
    Verlag:  Duke University Press, Durham

    Making Girls into Women offers an account of the historical emergence of "the lesbian" by looking at late-nineteenth- and early-twentieth-century women's writing. Kathryn R. Kent proposes that modern lesbian identity in the United States has its... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Making Girls into Women offers an account of the historical emergence of "the lesbian" by looking at late-nineteenth- and early-twentieth-century women's writing. Kathryn R. Kent proposes that modern lesbian identity in the United States has its roots not just, or even primarily, in sexology and medical literature, but in white, middle-class women's culture. Kent demonstrates how, as white women's culture shifted more and more from the home to the school, workplace, and boarding house, the boundaries between the public and private spheres began to dissolve. She shows how, within such spaces, women's culture, in attempting to mold girls into proper female citizens, ended up inciting in them other, less normative, desires and identifications, including ones Kent calls "protolesbian" or queer.Kent not only analyzes how texts represent queer erotics, but also theorizes how texts might produce them in readers. She describes the ways postbellum sentimental literature such as that written by Harriet Beecher Stowe, Louisa May Alcott, and Emma D. Kelley eroticizes, reacts against, and even, in its own efforts to shape girls' selves, contributes to the production of queer female identifications and identities. Tracing how these identifications are engaged and critiqued in the early twentieth century, she considers works by Djuna Barnes, Gertrude Stein, Marianne Moore, and Elizabeth Bishop, as well as in the queer subject-forming effects of another modern invention, the Girl Scouts. Making Girls into Women ultimately reveals that modern lesbian identity marks an extension of, rather than a break from, nineteenth-century women's culture

     

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    Beteiligt: Barale, Michèle Aina (Hrsg.); Goldberg, Jonathan (Hrsg.); Moon, Michael (Hrsg.); Sedgwick, Eve Kosofsky (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822384571
    Weitere Identifier:
    Schriftenreihe: Series Q
    Schlagworte: SOCIAL SCIENCE / General; American literature; American literature; Girls in literature; Lesbians in literature; Lesbians' writings, American; Women in literature
    Umfang: 1 online resource (368 pages), 3 illus
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)

  2. Touching Feeling
    Affect, Pedagogy, Performativity
    Erschienen: [2003]; © 2003
    Verlag:  Duke University Press, Durham

    A pioneer in queer theory and literary studies, Eve Kosofsky Sedgwick brings together for the first time in Touching Feeling her most powerful explorations of emotion and expression. In essays that show how her groundbreaking work in queer theory has... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    A pioneer in queer theory and literary studies, Eve Kosofsky Sedgwick brings together for the first time in Touching Feeling her most powerful explorations of emotion and expression. In essays that show how her groundbreaking work in queer theory has developed into a deep interest in affect, Sedgwick offers what she calls "tools and techniques for nondualistic thought," in the process touching and transforming such theoretical discourses as psychoanalysis, speech-act theory, Western Buddhism, and the Foucauldian "hermeneutics of suspicion."In prose sometimes somber, often high-spirited, and always accessible and moving, Touching Feeling interrogates-through virtuoso readings of works by Henry James, J. L. Austin, Judith Butler, the psychologist Silvan Tomkins and others-emotion in many forms. What links the work of teaching to the experience of illness? How can shame become an engine for queer politics, performance, and pleasure? Is sexuality more like an affect or a drive? Is paranoia the only realistic epistemology for modern intellectuals? Ultimately, Sedgwick's unfashionable commitment to the truth of happiness propels a book as open-hearted as it is intellectually daring

     

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    Beteiligt: Barale, Michèle Aina (Hrsg.); Goldberg, Jonathan (Hrsg.); Moon, Michael (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822384786
    Weitere Identifier:
    Schriftenreihe: Series Q
    Schlagworte: LITERARY COLLECTIONS / Essays
    Umfang: 1 online resource (208 pages), 1 figure, 1 photo
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)

  3. The Misfit of the Family
    Balzac and the Social Forms of Sexuality
    Autor*in: Lucey, Michael
    Erschienen: [2003]; © 2003
    Verlag:  Duke University Press, Durham

    In more than ninety novels and novellas, Honoré de Balzac (1799-1850) created a universe teeming with over two thousand characters. The Misfit of the Family reveals how Balzac, in imagining the dense, vividly rendered social world of his novels, used... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In more than ninety novels and novellas, Honoré de Balzac (1799-1850) created a universe teeming with over two thousand characters. The Misfit of the Family reveals how Balzac, in imagining the dense, vividly rendered social world of his novels, used his writing as a powerful means to understand and analyze-as well as represent-a range of forms of sexuality. Moving away from the many psychoanalytic approaches to the novelist's work, Michael Lucey contends that in order to grasp the full complexity with which sexuality was understood by Balzac, it is necessary to appreciate how he conceived of its relation to family, history, economics, law, and all the many structures within which sexualities take form.The Misfit of the Family is a compelling argument that Balzac must be taken seriously as a major inventor and purveyor of new tools for analyzing connections between the sexual and the social. Lucey's account of the novelist's deployment of "sexual misfits" to impel a wide range of his most canonical works-Cousin Pons, Cousin Bette, Eugenie Grandet, Lost Illusions, The Girl with the Golden Eyes-demonstrates how even the flexible umbrella term "queer" barely covers the enormous diversity of erotic and social behaviors of his characters. Lucey draws on the thinking of Michel Foucault and Pierre Bourdieu and engages the work of critics of nineteenth-century French fiction, including Naomi Schor, D. A. Miller, Franco Moretti, and others. His reflections on Proust as Balzac's most cannily attentive reader suggest how the lines of social and erotic force he locates in Balzac's work continued to manifest themselves in twentieth-century writing and society

     

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    Beteiligt: Barale, Michèle Aina (Hrsg.); Goldberg, Jonathan (Hrsg.); Moon, Michael (Hrsg.); Sedgwick, Eve Kosofsky (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822385165
    Weitere Identifier:
    Schriftenreihe: Series Q
    Schlagworte: LITERARY CRITICISM / European / French; Literature and society; Sex in literature
    Umfang: 1 online resource (340 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)

  4. Making Girls into Women
    American Women's Writing and the Rise of Lesbian Identity
    Erschienen: 2003; ©2003
    Verlag:  Duke University Press, Durham ; Walter de Gruyter GmbH, Berlin

    Making Girls into Women offers an account of the historical emergence of "the lesbian" by looking at late-nineteenth- and early-twentieth-century women's writing. Kathryn R. Kent proposes that modern lesbian identity in the United States has its... mehr

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    Making Girls into Women offers an account of the historical emergence of "the lesbian" by looking at late-nineteenth- and early-twentieth-century women's writing. Kathryn R. Kent proposes that modern lesbian identity in the United States has its roots not just, or even primarily, in sexology and medical literature, but in white, middle-class women's culture. Kent demonstrates how, as white women's culture shifted more and more from the home to the school, workplace, and boarding house, the boundaries between the public and private spheres began to dissolve. She shows how, within such spaces, women's culture, in attempting to mold girls into proper female citizens, ended up inciting in them other, less normative, desires and identifications, including ones Kent calls "protolesbian" or queer.Kent not only analyzes how texts represent queer erotics, but also theorizes how texts might produce them in readers. She describes the ways postbellum sentimental literature such as that written by Harriet Beecher Stowe, Louisa May Alcott, and Emma D. Kelley eroticizes, reacts against, and even, in its own efforts to shape girls' selves, contributes to the production of queer female identifications and identities. Tracing how these identifications are engaged and critiqued in the early twentieth century, she considers works by Djuna Barnes, Gertrude Stein, Marianne Moore, and Elizabeth Bishop, as well as in the queer subject-forming effects of another modern invention, the Girl Scouts. Making Girls into Women ultimately reveals that modern lesbian identity marks an extension of, rather than a break from, nineteenth-century women's culture.

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Barale, Michèle Aina (Herausgeber); Goldberg, Jonathan (Herausgeber); Moon, Michael (Herausgeber); Sedgwick, Eve Kosofsky (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822384571
    Weitere Identifier:
    Schriftenreihe: Series Q : 8
    Umfang: 1 Online-Ressource (368 p.), 3 illus
  5. Touching Feeling
    Affect, Pedagogy, Performativity
    Erschienen: 2003; ©2003
    Verlag:  Duke University Press, Durham ; Walter de Gruyter GmbH, Berlin

    A pioneer in queer theory and literary studies, Eve Kosofsky Sedgwick brings together for the first time in Touching Feeling her most powerful explorations of emotion and expression. In essays that show how her groundbreaking work in queer theory has... mehr

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    A pioneer in queer theory and literary studies, Eve Kosofsky Sedgwick brings together for the first time in Touching Feeling her most powerful explorations of emotion and expression. In essays that show how her groundbreaking work in queer theory has developed into a deep interest in affect, Sedgwick offers what she calls "tools and techniques for nondualistic thought," in the process touching and transforming such theoretical discourses as psychoanalysis, speech-act theory, Western Buddhism, and the Foucauldian "hermeneutics of suspicion."In prose sometimes somber, often high-spirited, and always accessible and moving, Touching Feeling interrogates-through virtuoso readings of works by Henry James, J. L. Austin, Judith Butler, the psychologist Silvan Tomkins and others-emotion in many forms. What links the work of teaching to the experience of illness? How can shame become an engine for queer politics, performance, and pleasure? Is sexuality more like an affect or a drive? Is paranoia the only realistic epistemology for modern intellectuals? Ultimately, Sedgwick's unfashionable commitment to the truth of happiness propels a book as open-hearted as it is intellectually daring.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Barale, Michèle Aina (Herausgeber); Goldberg, Jonathan (Herausgeber); Moon, Michael (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822384786
    Weitere Identifier:
    Schriftenreihe: Series Q : 8
    Umfang: 1 Online-Ressource (208 p.), 1 figure, 1 photo
  6. The Misfit of the Family
    Balzac and the Social Forms of Sexuality
    Autor*in: Lucey, Michael
    Erschienen: 2003; ©2003
    Verlag:  Duke University Press, Durham ; Walter de Gruyter GmbH, Berlin

    In more than ninety novels and novellas, Honoré de Balzac (1799-1850) created a universe teeming with over two thousand characters. The Misfit of the Family reveals how Balzac, in imagining the dense, vividly rendered social world of his novels, used... mehr

    Universitätsbibliothek Gießen
    keine Fernleihe
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    keine Fernleihe
    Universität Mainz, Zentralbibliothek
    keine Fernleihe
    Universität Marburg, Universitätsbibliothek
    keine Fernleihe

     

    In more than ninety novels and novellas, Honoré de Balzac (1799-1850) created a universe teeming with over two thousand characters. The Misfit of the Family reveals how Balzac, in imagining the dense, vividly rendered social world of his novels, used his writing as a powerful means to understand and analyze-as well as represent-a range of forms of sexuality. Moving away from the many psychoanalytic approaches to the novelist's work, Michael Lucey contends that in order to grasp the full complexity with which sexuality was understood by Balzac, it is necessary to appreciate how he conceived of its relation to family, history, economics, law, and all the many structures within which sexualities take form.The Misfit of the Family is a compelling argument that Balzac must be taken seriously as a major inventor and purveyor of new tools for analyzing connections between the sexual and the social. Lucey's account of the novelist's deployment of "sexual misfits" to impel a wide range of his most canonical works-Cousin Pons, Cousin Bette, Eugenie Grandet, Lost Illusions, The Girl with the Golden Eyes-demonstrates how even the flexible umbrella term "queer" barely covers the enormous diversity of erotic and social behaviors of his characters. Lucey draws on the thinking of Michel Foucault and Pierre Bourdieu and engages the work of critics of nineteenth-century French fiction, including Naomi Schor, D. A. Miller, Franco Moretti, and others. His reflections on Proust as Balzac's most cannily attentive reader suggest how the lines of social and erotic force he locates in Balzac's work continued to manifest themselves in twentieth-century writing and society.

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Barale, Michèle Aina (Herausgeber); Goldberg, Jonathan (Herausgeber); Moon, Michael (Herausgeber); Sedgwick, Eve Kosofsky (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822385165
    Weitere Identifier:
    Schriftenreihe: Series Q : 8
    Umfang: 1 Online-Ressource (340 p.)
  7. Beautiful Bottom, Beautiful Shame
    Where "Black" Meets "Queer"
    Erschienen: 2006; ©2006
    Verlag:  Duke University Press, Durham ; Walter de Gruyter GmbH, Berlin

    Shame, Kathryn Bond Stockton argues in Beautiful Bottom, Beautiful Shame, has often been a meeting place for the signs "black" and "queer" and for black and queer people-overlapping groups who have been publicly marked as degraded and debased. But... mehr

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    Shame, Kathryn Bond Stockton argues in Beautiful Bottom, Beautiful Shame, has often been a meeting place for the signs "black" and "queer" and for black and queer people-overlapping groups who have been publicly marked as degraded and debased. But when and why have certain forms of shame been embraced by blacks and queers? How does debasement foster attractions? How is it used for aesthetic delight? What does it offer for projects of sorrow and ways of creative historical knowing? How and why is it central to camp?Stockton engages the domains of African American studies, queer theory, psychoanalysis, film theory, photography, semiotics, and gender studies. She brings together thinkers rarely, if ever, read together in a single study-James Baldwin, Radclyffe Hall, Jean Genet, Toni Morrison, Robert Mapplethorpe, Eldridge Cleaver, Todd Haynes, Norman Mailer, Leslie Feinberg, David Fincher, and Quentin Tarantino-and reads them with and against major theorists, including Georges Bataille, Sigmund Freud, Eve Kosofsky Sedgwick, Jacques Lacan, Roland Barthes, and Leo Bersani. Stockton asserts that there is no clear, mirrored relation between the terms "black" and "queer"; rather, seemingly definitive associations attached to each are often taken up or crossed through by the other. Stockton explores dramatic switchpoints between these terms: the stigmatized "skin" of some queers' clothes, the description of blacks as an "economic bottom," the visual force of interracial homosexual rape, the complicated logic of so-called same-sex miscegenation, and the ways in which a famous depiction of slavery (namely, Morrison's Beloved) seems bound up with depictions of AIDS. All of the thinkers Stockton considers scrutinize the social nature of shame as they examine the structures that make debasements possible, bearable, pleasurable, and creative, even in their darkness.

     

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    Quelle: Verbundkataloge
    Beteiligt: Barale, Michèle Aina (Herausgeber); Goldberg, Jonathan (Herausgeber); Moon, Michael (Herausgeber); Sedgwick, Eve Kosofsky (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822387985
    Weitere Identifier:
    Schriftenreihe: Series Q : 8
    Umfang: 1 Online-Ressource (284 p.), 16 b&w photos
  8. Making Girls into Women
    American Women's Writing and the Rise of Lesbian Identity
    Erschienen: 2003
    Verlag:  Duke University Press, North Carolina ; ProQuest, Ann Arbor, Michigan

    Explores the links between the emergence of lesbian and proto-lesbian identities at the turn of the century and the discourses of sentimentality, mass culture, and modernism. mehr

    Universität Frankfurt, Elektronische Ressourcen
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    Explores the links between the emergence of lesbian and proto-lesbian identities at the turn of the century and the discourses of sentimentality, mass culture, and modernism.

     

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    Quelle: Verbundkataloge
    Beteiligt: Barale, Michèle Aina; Goldberg, Jonathan; Moon, Michael; Sedgwick, Eve Kosofsky
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822384571
    Auflage/Ausgabe: 1st ed.
    Schriftenreihe: Series Q Ser.
    Schlagworte: Homosexuality and literature - United States
    Umfang: 1 Online-Ressource (369 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

  9. Beautiful Bottom, Beautiful Shame
    Where Black Meets Queer
    Erschienen: 2006
    Verlag:  Duke University Press, North Carolina ; ProQuest, Ann Arbor, Michigan

    The relationship between black queer subjects and debasement as portrayed within popular culture texts and films. mehr

    Universität Mainz, Zentralbibliothek
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    The relationship between black queer subjects and debasement as portrayed within popular culture texts and films.

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Barale, Michèle Aina; Goldberg, Jonathan; Moon, Michael; Sedgwick, Eve Kosofsky
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822387985
    RVK Klassifikation: EC 1876
    Schriftenreihe: Series Q Ser.
    Umfang: 1 Online-Ressource (285 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

  10. Making Girls into Women
    American Women's Writing and the Rise of Lesbian Identity
    Autor*in: Kent, Kathryn R
    Erschienen: [2003]
    Verlag:  Duke University Press, Durham

    Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION -- 1. “SINGLE WHITE FEMALE”: THE SEXUAL POLITICS OF SPINSTERHOOD IN HARRIET BEECHER STOWE’S OLDTOWN FOLKS -- 2. “TRYING ALL KINDS”: LOUISA MAY ALCOTT’S PEDAGOGIC EROTICS -- 3. “SCOUTING FOR... mehr

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    Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION -- 1. “SINGLE WHITE FEMALE”: THE SEXUAL POLITICS OF SPINSTERHOOD IN HARRIET BEECHER STOWE’S OLDTOWN FOLKS -- 2. “TRYING ALL KINDS”: LOUISA MAY ALCOTT’S PEDAGOGIC EROTICS -- 3. “SCOUTING FOR GIRLS”: READING AND RECRUITMENT -- 4. “EXCREATE A NO SENSE”: THE EROTIC CURRENCY OF GERTRUDE STEIN’S TENDER BUTTONS -- 5. THE M MULTIPLYING: MARIANNE MOORE, ELIZABETH BISHOP, AND THE PLEASURES OF INFLUENCE, PART 1 -- 6. INFLUENCE AND INVITATION: MARIANNE MOORE, ELIZABETH BISHOP, AND THE PLEASURES OF INFLUENCE, PART 2 -- CONCLUSION -- NOTES -- BIBLIOGRAPHY -- INDEX Making Girls into Women offers an account of the historical emergence of "the lesbian" by looking at late-nineteenth- and early-twentieth-century women's writing. Kathryn R. Kent proposes that modern lesbian identity in the United States has its roots not just, or even primarily, in sexology and medical literature, but in white, middle-class women’s culture. Kent demonstrates how, as white women's culture shifted more and more from the home to the school, workplace, and boarding house, the boundaries between the public and private spheres began to dissolve. She shows how, within such spaces, women's culture, in attempting to mold girls into proper female citizens, ended up inciting in them other, less normative, desires and identifications, including ones Kent calls "protolesbian" or queer.Kent not only analyzes how texts represent queer erotics, but also theorizes how texts might produce them in readers. She describes the ways postbellum sentimental literature such as that written by Harriet Beecher Stowe, Louisa May Alcott, and Emma D. Kelley eroticizes, reacts against, and even, in its own efforts to shape girls’ selves, contributes to the production of queer female identifications and identities. Tracing how these identifications are engaged and critiqued in the early twentieth century, she considers works by Djuna Barnes, Gertrude Stein, Marianne Moore, and Elizabeth Bishop, as well as in the queer subject-forming effects of another modern invention, the Girl Scouts. Making Girls into Women ultimately reveals that modern lesbian identity marks an extension of, rather than a break from, nineteenth-century women’s culture

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Barale, Michèle Aina (HerausgeberIn); Goldberg, Jonathan (HerausgeberIn); Moon, Michael (HerausgeberIn); Sedgwick, Eve Kosofsky (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822384571
    Weitere Identifier:
    Schriftenreihe: Series Q
    Schlagworte: American literature; American literature; Girls in literature; Lesbians in literature; Lesbians' writings, American; Women in literature; SOCIAL SCIENCE / General
    Umfang: 1 Online-Ressource (368 p), 3 illus
  11. The Misfit of the Family
    Balzac and the Social Forms of Sexuality
    Autor*in: Lucey, Michael
    Erschienen: [2003]
    Verlag:  Duke University Press, Durham

    Frontmatter -- Contents -- Acknowledgments -- Preface -- Introduction Balzac and Alternative Families -- Chapter one Legal Melancholy: Balzac’s Eugénie Grandet and the Napoleonic Code -- Chapter two On Not Getting Married in a Balzac Novel --... mehr

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    Frontmatter -- Contents -- Acknowledgments -- Preface -- Introduction Balzac and Alternative Families -- Chapter one Legal Melancholy: Balzac’s Eugénie Grandet and the Napoleonic Code -- Chapter two On Not Getting Married in a Balzac Novel -- Interlude Balzac and Same-Sex Relations in the 1830s -- Chapter three Balzac’s Queer Cousins and Their Friends -- Chapter four The Shadow Economy of Queer Social Capital: Lucien de Rubempré and Vautrin -- Epilogue Vautrin’s Progeny -- Notes -- Works Cited -- Index In more than ninety novels and novellas, Honoré de Balzac (1799–1850) created a universe teeming with over two thousand characters. The Misfit of the Family reveals how Balzac, in imagining the dense, vividly rendered social world of his novels, used his writing as a powerful means to understand and analyze—as well as represent—a range of forms of sexuality. Moving away from the many psychoanalytic approaches to the novelist's work, Michael Lucey contends that in order to grasp the full complexity with which sexuality was understood by Balzac, it is necessary to appreciate how he conceived of its relation to family, history, economics, law, and all the many structures within which sexualities take form.The Misfit of the Family is a compelling argument that Balzac must be taken seriously as a major inventor and purveyor of new tools for analyzing connections between the sexual and the social. Lucey’s account of the novelist’s deployment of "sexual misfits" to impel a wide range of his most canonical works—Cousin Pons, Cousin Bette, Eugenie Grandet, Lost Illusions, The Girl with the Golden Eyes—demonstrates how even the flexible umbrella term "queer" barely covers the enormous diversity of erotic and social behaviors of his characters. Lucey draws on the thinking of Michel Foucault and Pierre Bourdieu and engages the work of critics of nineteenth-century French fiction, including Naomi Schor, D. A. Miller, Franco Moretti, and others. His reflections on Proust as Balzac’s most cannily attentive reader suggest how the lines of social and erotic force he locates in Balzac’s work continued to manifest themselves in twentieth-century writing and society

     

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    Beteiligt: Barale, Michèle Aina (HerausgeberIn); Goldberg, Jonathan (HerausgeberIn); Moon, Michael (HerausgeberIn); Sedgwick, Eve Kosofsky (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822385165
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    Schriftenreihe: Series Q
    Schlagworte: Literature and society; Sex in literature; LITERARY CRITICISM / European / French
    Umfang: 1 Online-Ressource (340 p)
  12. Making Girls into Women
    American Women's Writing and the Rise of Lesbian Identity
    Erschienen: [2003]; © 2003
    Verlag:  Duke University Press, Durham

    Making Girls into Women offers an account of the historical emergence of "the lesbian" by looking at late-nineteenth- and early-twentieth-century women's writing. Kathryn R. Kent proposes that modern lesbian identity in the United States has its... mehr

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Making Girls into Women offers an account of the historical emergence of "the lesbian" by looking at late-nineteenth- and early-twentieth-century women's writing. Kathryn R. Kent proposes that modern lesbian identity in the United States has its roots not just, or even primarily, in sexology and medical literature, but in white, middle-class women's culture. Kent demonstrates how, as white women's culture shifted more and more from the home to the school, workplace, and boarding house, the boundaries between the public and private spheres began to dissolve. She shows how, within such spaces, women's culture, in attempting to mold girls into proper female citizens, ended up inciting in them other, less normative, desires and identifications, including ones Kent calls "protolesbian" or queer.Kent not only analyzes how texts represent queer erotics, but also theorizes how texts might produce them in readers. She describes the ways postbellum sentimental literature such as that written by Harriet Beecher Stowe, Louisa May Alcott, and Emma D. Kelley eroticizes, reacts against, and even, in its own efforts to shape girls' selves, contributes to the production of queer female identifications and identities. Tracing how these identifications are engaged and critiqued in the early twentieth century, she considers works by Djuna Barnes, Gertrude Stein, Marianne Moore, and Elizabeth Bishop, as well as in the queer subject-forming effects of another modern invention, the Girl Scouts. Making Girls into Women ultimately reveals that modern lesbian identity marks an extension of, rather than a break from, nineteenth-century women's culture

     

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    Beteiligt: Barale, Michèle Aina (Hrsg.); Goldberg, Jonathan (Hrsg.); Moon, Michael (Hrsg.); Sedgwick, Eve Kosofsky (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
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    ISBN: 9780822384571
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    Schlagworte: SOCIAL SCIENCE / General; American literature; American literature; Girls in literature; Lesbians in literature; Lesbians' writings, American; Women in literature
    Umfang: 1 online resource (368 pages), 3 illus
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  13. Touching Feeling
    Affect, Pedagogy, Performativity
    Erschienen: [2003]; © 2003
    Verlag:  Duke University Press, Durham

    A pioneer in queer theory and literary studies, Eve Kosofsky Sedgwick brings together for the first time in Touching Feeling her most powerful explorations of emotion and expression. In essays that show how her groundbreaking work in queer theory has... mehr

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    A pioneer in queer theory and literary studies, Eve Kosofsky Sedgwick brings together for the first time in Touching Feeling her most powerful explorations of emotion and expression. In essays that show how her groundbreaking work in queer theory has developed into a deep interest in affect, Sedgwick offers what she calls "tools and techniques for nondualistic thought," in the process touching and transforming such theoretical discourses as psychoanalysis, speech-act theory, Western Buddhism, and the Foucauldian "hermeneutics of suspicion."In prose sometimes somber, often high-spirited, and always accessible and moving, Touching Feeling interrogates-through virtuoso readings of works by Henry James, J. L. Austin, Judith Butler, the psychologist Silvan Tomkins and others-emotion in many forms. What links the work of teaching to the experience of illness? How can shame become an engine for queer politics, performance, and pleasure? Is sexuality more like an affect or a drive? Is paranoia the only realistic epistemology for modern intellectuals? Ultimately, Sedgwick's unfashionable commitment to the truth of happiness propels a book as open-hearted as it is intellectually daring

     

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    Sprache: Englisch
    Medientyp: Ebook
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    ISBN: 9780822384786
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    Schlagworte: LITERARY COLLECTIONS / Essays
    Umfang: 1 online resource (208 pages), 1 figure, 1 photo
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  14. The Misfit of the Family
    Balzac and the Social Forms of Sexuality
    Autor*in: Lucey, Michael
    Erschienen: [2003]; © 2003
    Verlag:  Duke University Press, Durham

    In more than ninety novels and novellas, Honoré de Balzac (1799-1850) created a universe teeming with over two thousand characters. The Misfit of the Family reveals how Balzac, in imagining the dense, vividly rendered social world of his novels, used... mehr

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    In more than ninety novels and novellas, Honoré de Balzac (1799-1850) created a universe teeming with over two thousand characters. The Misfit of the Family reveals how Balzac, in imagining the dense, vividly rendered social world of his novels, used his writing as a powerful means to understand and analyze-as well as represent-a range of forms of sexuality. Moving away from the many psychoanalytic approaches to the novelist's work, Michael Lucey contends that in order to grasp the full complexity with which sexuality was understood by Balzac, it is necessary to appreciate how he conceived of its relation to family, history, economics, law, and all the many structures within which sexualities take form.The Misfit of the Family is a compelling argument that Balzac must be taken seriously as a major inventor and purveyor of new tools for analyzing connections between the sexual and the social. Lucey's account of the novelist's deployment of "sexual misfits" to impel a wide range of his most canonical works-Cousin Pons, Cousin Bette, Eugenie Grandet, Lost Illusions, The Girl with the Golden Eyes-demonstrates how even the flexible umbrella term "queer" barely covers the enormous diversity of erotic and social behaviors of his characters. Lucey draws on the thinking of Michel Foucault and Pierre Bourdieu and engages the work of critics of nineteenth-century French fiction, including Naomi Schor, D. A. Miller, Franco Moretti, and others. His reflections on Proust as Balzac's most cannily attentive reader suggest how the lines of social and erotic force he locates in Balzac's work continued to manifest themselves in twentieth-century writing and society

     

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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Barale, Michèle Aina (Hrsg.); Goldberg, Jonathan (Hrsg.); Moon, Michael (Hrsg.); Sedgwick, Eve Kosofsky (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780822385165
    Weitere Identifier:
    Schriftenreihe: Series Q
    Schlagworte: LITERARY CRITICISM / European / French; Literature and society; Sex in literature
    Umfang: 1 online resource (340 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)