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"Der Lebende, Sohn des Wachen: Über die Geheimnisse der orientalischen Weisheit" - Literatur und Religion in einem philosophisch-allegorischen Roman des klassischen muslimischen Gelehrten Ibn Tufail
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The Bad Mothers: Medea-Myths and National Discourse in Texts from Elisabeth Langgässer and Christa Wolf
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Medea, meine Schwester? ; Medea-Texte von Autorinnen im 20. Jahrhundert
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Diskussion [1]
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Voicing Criticism in Eighteenth-Century Novels by Women: Narrative Attempts at Claiming Authority
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Genre and Environmentalism: Octavia Butler’s Parable of the Sower, Speculative Fiction, and the African American Slave Narrative
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Introduction
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Exploring the Empty Plinth: The Aesthetics of Authenticity
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Grenzgänger: Serielle Figuren im Medienwechsel
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Beyond Indifference: New Departures in British Fiction at the Turn of the 21st Century
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Literatur – Erzählen – ZusammenLeben
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The (In)Visibility of War in British Novels of the Twentieth Century
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Discursive Contamination: Terrorism, The Body Politic, and the Virus as Trope
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Locating the Other/Self: Memory and Self in Michelle Cliff’s Abeng
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Replaying Trauma with a Difference: Zoë Wicomb’s Dialogic Aesthetics
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The Fictions of Diaspora and Caryl Phillips’s Diasporic Fiction
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Henry Morton Stanley's ‘Cannibalism’
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William Beckford’s Real and Imaginary Travels
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An African’s Trouble with His Master’s Voices
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Individualism, W. H. Auden’s The Age of Anxiety, and the Group
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Transnational Identities in Michael Ondaatje's Fiction
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Introduction
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Lord Byron’s Descendants: The Byronic Hero in Lady Caroline Lamb, Charlotte Brontë, and Ellen Wood as a Feminine Critique of Constricting Gender Roles in the Nineteenth Century
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Indian Diamonds in Victorian Fiction: Wilkie Collins’ 'The Moonstone', Anthony Trollope’s 'The Eustace Diamonds', R. L. Stevenson’s 'The Rajah’s Diamond' and Arthur Conan Doyle’s 'The Sign of Four'
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The Construction of Identity in Northern Ireland: Hybrid States, Nationalism, and Images of Violence in Contemporary Northern Irish Novels