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  1. The limits of illusion
    a critical study of Calderón
    Autor*in: Cascardi, Anthony J.
    Erschienen: 1984
    Verlag:  Cambridge University Press, Cambridge

    This is the first thorough study of Calderón in comparison with other important dramatists of the period: Lope de Vega and Tirso de Molina in Spain, Racine and Corneille in France, and Shakespeare and Marlowe in England. Cascardi studies Calderón's... mehr

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    This is the first thorough study of Calderón in comparison with other important dramatists of the period: Lope de Vega and Tirso de Molina in Spain, Racine and Corneille in France, and Shakespeare and Marlowe in England. Cascardi studies Calderón's paradoxical engagement with illusion in its philosophical guise as scepticism. He shows on the one hand Calderón's moral will to reject illusion and on the other his theatrical need to embrace it. Cascardi discusses plays from every period to show how in Calderón's best work illusion is not rejected; instead, scepticism is absorbed. Calderón is placed in and defined against the philosophical line of Vives, Descartes, and Spinoza. Of central importance to this argument is Calderón's idea of theatre and the various transformations of that idea. This emphasis will give the book an additional interest to students, readers in philosophy and comparative literature.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
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    Format: Online
    ISBN: 9780511659416
    RVK Klassifikation: IO 3505
    Schriftenreihe: Cambridge Iberian and Latin American studies
    Weitere Schlagworte: Calderón de la Barca, Pedro (1600-1681)
    Umfang: 1 Online-Ressource (xvii, 181 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  2. The limits of illusion
    a critical study of Calderón
    Autor*in: Cascardi, Anthony J.
    Erschienen: 1984
    Verlag:  Cambridge University Press, Cambridge

    This is the first thorough study of Calderón in comparison with other important dramatists of the period: Lope de Vega and Tirso de Molina in Spain, Racine and Corneille in France, and Shakespeare and Marlowe in England. Cascardi studies Calderón's... mehr

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    Bayerische Staatsbibliothek
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    This is the first thorough study of Calderón in comparison with other important dramatists of the period: Lope de Vega and Tirso de Molina in Spain, Racine and Corneille in France, and Shakespeare and Marlowe in England. Cascardi studies Calderón's paradoxical engagement with illusion in its philosophical guise as scepticism. He shows on the one hand Calderón's moral will to reject illusion and on the other his theatrical need to embrace it. Cascardi discusses plays from every period to show how in Calderón's best work illusion is not rejected; instead, scepticism is absorbed. Calderón is placed in and defined against the philosophical line of Vives, Descartes, and Spinoza. Of central importance to this argument is Calderón's idea of theatre and the various transformations of that idea. This emphasis will give the book an additional interest to students, readers in philosophy and comparative literature

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511659416
    Weitere Identifier:
    RVK Klassifikation: IO 3505
    Schriftenreihe: Cambridge Iberian and Latin American studies
    Schlagworte: Illusion in literature
    Weitere Schlagworte: Calderón de la Barca, Pedro / 1600-1681 / Criticism and interpretation; Calderón de la Barca, Pedro (1600-1681)
    Umfang: 1 online resource (xvii, 181 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    La vida es sueno: Calderon's idea of a theatre -- La dama duende -- Calderon and Tirso: El galan fantasma -- El secreto a voces: language and social illusion -- Toward tragedy -- El medico de su honra -- Herod and Hercules: theatrical space and the body -- El magico prodigioso and the theatre of alchemy -- The illusions of history -- Authority and illusion: En la vida todo es verdad y todo mentira -- The use of myth: Eco y Narciso -- Prometheus and the theatre of the mind -- Calderon's last play: the comedia as technology and romance
  3. The limits of illusion
    a critical study of Calderón
    Autor*in: Cascardi, Anthony J.
    Erschienen: 1984
    Verlag:  Cambridge University Press, Cambridge

    This is the first thorough study of Calderón in comparison with other important dramatists of the period: Lope de Vega and Tirso de Molina in Spain, Racine and Corneille in France, and Shakespeare and Marlowe in England. Cascardi studies Calderón's... mehr

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    This is the first thorough study of Calderón in comparison with other important dramatists of the period: Lope de Vega and Tirso de Molina in Spain, Racine and Corneille in France, and Shakespeare and Marlowe in England. Cascardi studies Calderón's paradoxical engagement with illusion in its philosophical guise as scepticism. He shows on the one hand Calderón's moral will to reject illusion and on the other his theatrical need to embrace it. Cascardi discusses plays from every period to show how in Calderón's best work illusion is not rejected; instead, scepticism is absorbed. Calderón is placed in and defined against the philosophical line of Vives, Descartes, and Spinoza. Of central importance to this argument is Calderón's idea of theatre and the various transformations of that idea. This emphasis will give the book an additional interest to students, readers in philosophy and comparative literature La vida es sueno: Calderon's idea of a theatre -- La dama duende -- Calderon and Tirso: El galan fantasma -- El secreto a voces: language and social illusion -- Toward tragedy -- El medico de su honra -- Herod and Hercules: theatrical space and the body -- El magico prodigioso and the theatre of alchemy -- The illusions of history -- Authority and illusion: En la vida todo es verdad y todo mentira -- The use of myth: Eco y Narciso -- Prometheus and the theatre of the mind -- Calderon's last play: the comedia as technology and romance

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511659416
    Weitere Identifier:
    Schriftenreihe: Cambridge Iberian and Latin American studies
    Schlagworte: Illusion in literature; Calderón de la Barca, Pedro ; 1600-1681 ; Criticism and interpretation; Illusion in literature
    Weitere Schlagworte: Calderón de la Barca, Pedro (1600-1681)
    Umfang: 1 Online-Ressource (xvii, 181 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  4. The limits of illusion
    a critical study of Calderón
    Autor*in: Cascardi, Anthony J.
    Erschienen: 1984
    Verlag:  Cambridge University Press, Cambridge

    This is the first thorough study of Calderón in comparison with other important dramatists of the period: Lope de Vega and Tirso de Molina in Spain, Racine and Corneille in France, and Shakespeare and Marlowe in England. Cascardi studies Calderón's... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This is the first thorough study of Calderón in comparison with other important dramatists of the period: Lope de Vega and Tirso de Molina in Spain, Racine and Corneille in France, and Shakespeare and Marlowe in England. Cascardi studies Calderón's paradoxical engagement with illusion in its philosophical guise as scepticism. He shows on the one hand Calderón's moral will to reject illusion and on the other his theatrical need to embrace it. Cascardi discusses plays from every period to show how in Calderón's best work illusion is not rejected; instead, scepticism is absorbed. Calderón is placed in and defined against the philosophical line of Vives, Descartes, and Spinoza. Of central importance to this argument is Calderón's idea of theatre and the various transformations of that idea. This emphasis will give the book an additional interest to students, readers in philosophy and comparative literature La vida es sueno: Calderon's idea of a theatre -- La dama duende -- Calderon and Tirso: El galan fantasma -- El secreto a voces: language and social illusion -- Toward tragedy -- El medico de su honra -- Herod and Hercules: theatrical space and the body -- El magico prodigioso and the theatre of alchemy -- The illusions of history -- Authority and illusion: En la vida todo es verdad y todo mentira -- The use of myth: Eco y Narciso -- Prometheus and the theatre of the mind -- Calderon's last play: the comedia as technology and romance

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511659416
    Weitere Identifier:
    Schriftenreihe: Cambridge Iberian and Latin American studies
    Schlagworte: Illusion in literature; Calderón de la Barca, Pedro ; 1600-1681 ; Criticism and interpretation; Illusion in literature
    Weitere Schlagworte: Calderón de la Barca, Pedro (1600-1681)
    Umfang: 1 Online-Ressource (xvii, 181 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)