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  1. Ironie, parodie et discours obliques dans trois œuvres du cycle de senectute de Lope de Vega, La Dorotea, La Gatomaquia et Las Rimas de Burguillos
    Autor*in: Martial, Isabela
    Erschienen: 2011
    Verlag:  [Verlag nicht ermittelbar], [Frankreich]

    We have studied the different uses of irony, parody and oblique speeches in Lope de Vega’s La Dorotea, La Gatomaquia and Las Rimas de Burguillos. Lope produces these works at the dusk of his life when he understands that he will not receive any... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 F 47999
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    We have studied the different uses of irony, parody and oblique speeches in Lope de Vega’s La Dorotea, La Gatomaquia and Las Rimas de Burguillos. Lope produces these works at the dusk of his life when he understands that he will not receive any official recognition and he wants to offer writings that will give evidence of his genius. The critical reception of these works confirms that they are Lope’s literary testaments. In them Lope adopts a profoundly reflexive and analytical posture. Oblique speeches are the main instrument of the author’s contemplation. Through them Lope studies the contemporary literary production, the way his age relates to the past and the status of a classical imagery (petrarquism, pastoral poetry and epic literature are the subjects of his analysis). Lope indicates that traditional representation systems have become fossilized and he questions the role of imitation in art. Through irony and parody he also tackles the ongoing debate on fiction; he reflects on the nature of the relationship that links literature to reality. He eventually points out the literary dimension of his writings and designates them as works of fiction. Lope therefore is answering back to Gongora and Cervantes in his testaments. Like them, he shows that it is no longer posible to imitate the classical models. He also reflects on the status of books like Cervantes in the Quichotte and ends up accepting the artistic and subjective nature of his work. Lope and his rivals express a breakdown; recent discoveries and religious events have changed the apprehension of the past. Creation can no longer rely on the imitation of models and the status of literature is the subject of many controversies. Through oblique speeches, Lope represents this crisis

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Couderc, Christophe (AkademischeR BetreuerIn)
    Sprache: Französisch
    Medientyp: Dissertation; Datenträger; Mikrofilm, Mikrofiche etc.
    Schriftenreihe: Lille-thèses
    Schlagworte: Ironie; Parodie (littérature); Thèses et écrits académiques
    Umfang: 437 Blätter, 105 x 148 mm
    Bemerkung(en):

    Die ursprüngliche Ausgabe ist eine mehrteilige Monografie

    Dissertation, Université Paris Nanterre, 2010
  2. Ironie, parodie et discours obliques dans trois œuvres du cycle de senectute de Lope de Vega, La Dorotea, La Gatomaquia et Las Rimas de Burguillos
    Autor*in: Martial, Isabela
    Erschienen: 2011
    Verlag:  [Verlag nicht ermittelbar], [Frankreich]

    We have studied the different uses of irony, parody and oblique speeches in Lope de Vega’s La Dorotea, La Gatomaquia and Las Rimas de Burguillos. Lope produces these works at the dusk of his life when he understands that he will not receive any... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    We have studied the different uses of irony, parody and oblique speeches in Lope de Vega’s La Dorotea, La Gatomaquia and Las Rimas de Burguillos. Lope produces these works at the dusk of his life when he understands that he will not receive any official recognition and he wants to offer writings that will give evidence of his genius. The critical reception of these works confirms that they are Lope’s literary testaments. In them Lope adopts a profoundly reflexive and analytical posture. Oblique speeches are the main instrument of the author’s contemplation. Through them Lope studies the contemporary literary production, the way his age relates to the past and the status of a classical imagery (petrarquism, pastoral poetry and epic literature are the subjects of his analysis). Lope indicates that traditional representation systems have become fossilized and he questions the role of imitation in art. Through irony and parody he also tackles the ongoing debate on fiction; he reflects on the nature of the relationship that links literature to reality. He eventually points out the literary dimension of his writings and designates them as works of fiction. Lope therefore is answering back to Gongora and Cervantes in his testaments. Like them, he shows that it is no longer posible to imitate the classical models. He also reflects on the status of books like Cervantes in the Quichotte and ends up accepting the artistic and subjective nature of his work. Lope and his rivals express a breakdown; recent discoveries and religious events have changed the apprehension of the past. Creation can no longer rely on the imitation of models and the status of literature is the subject of many controversies. Through oblique speeches, Lope represents this crisis

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Couderc, Christophe (AkademischeR BetreuerIn)
    Sprache: Französisch
    Medientyp: Dissertation; Datenträger; Mikrofilm, Mikrofiche etc.
    Schriftenreihe: Lille-thèses
    Schlagworte: Ironie; Parodie (littérature); Thèses et écrits académiques
    Umfang: 437 Blätter, 105 x 148 mm
    Bemerkung(en):

    Die ursprüngliche Ausgabe ist eine mehrteilige Monografie

    Dissertation, Université Paris Nanterre, 2010