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  1. Aemilia Lanyer
    gender, genre, and the canon
    Beteiligt: Grossman, Marshall (Hrsg.)
    Erschienen: 2009
    Verlag:  The University Press of Kentucky, Lexington, Kentucky

    Aemilia Lanyer was a Londoner of Jewish-Italian descent and the mistress of Queen Elizabeth's Lord Chamberlain. But in 1611 she did something extraordinary for a middle-class woman of the seventeenth century: she published a volume of original poems.... mehr

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    Aemilia Lanyer was a Londoner of Jewish-Italian descent and the mistress of Queen Elizabeth's Lord Chamberlain. But in 1611 she did something extraordinary for a middle-class woman of the seventeenth century: she published a volume of original poems. Using standard genres to address distinctly feminine concerns, Lanyer's work is varied, subtle, provocative, and witty. Her religious poem ""Salve Deus Rex Judaeorum"" repeatedly projects a female subject for a female reader and casts the Passion in terms of gender conflict. Lanyer also carried this concern with gender into the very structure of th

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Grossman, Marshall (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780813149370; 0813149371
    Schriftenreihe: Studies in the English Renaissance
    Schlagworte: Christian poetry, English; Women and literature; Literary form; Canon (Literature); Christian poetry, English; Lanyer, Aemilia; Lanyer, Aemilia. Salve Deus Rex Judaeorum; Literary form; Women and literature; Canon (Literature); Christian poetry, English; Literary form; Women and literature
    Weitere Schlagworte: Lanyer, Aemilia; Lanyer, Aemilia; Lanyer, Aemilia; Lanyer, Aemilia
    Umfang: Online Ressource (273 pages)
    Bemerkung(en):

    Includes bibliographical references and index. - Print version record

    Print version record
  2. Aemilia Lanyer
    gender, genre, and the canon
    Beteiligt: Grossman, Marshall (Hrsg.)
    Erschienen: 2009; © 1998
    Verlag:  The University Press of Kentucky, Lexington, Kentucky

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Grossman, Marshall (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0813149371; 9780813120492; 9780813149370
    Schriftenreihe: Studies in the English Renaissance
    Schlagworte: Canon (Literature); Christian poetry, English / History and criticism; Lanyer, Aemilia / Criticism and interpretation; Lanyer, Aemilia. Salve Deus Rex Judaeorum; Literary form; Women and literature / England / History / 17th century; POETRY / English, Irish, Scottish, Welsh; Salve Deus Rex Judaeorum (Lanyer, Aemilia); Canon (Literature); Christian poetry, English / Early modern; Literary form; Women and literature; LITERARY CRITICISM / Women Authors; Geschichte; Christian poetry, English; Women and literature; Literary form; Canon (Literature)
    Weitere Schlagworte: Lanyer, Aemilia; Lanyer, Aemilia; Lanyer, Aemilia: Salve Deus Rex Judaeorum; Lanier, Emilia (1569-1645)
    Umfang: 1 online resource (273 pages)
    Bemerkung(en):

    Print version record

    Cover; Title; Copyright; Contents; Preface; Introduction; 1. A.L. Rowse's Dark Lady; 2. Looking for Patrons; 3. Seizing Discourses and Reinventing Genres; 4. Sacred Celebration: The Patronage Poems; 5. Vocation and Authority: Born to Write; 6. The Feminist Poetics of ""Salve Deus Rex Judaeorum""; 7. The Gendering of Genre: Literary History and the Canon; 8. (M)other Tongues: Maternity and Subjectivity; 9. The Love of Other Women: Rich Chains and Sweet Kisses; 10. The Gospel According to Aemilia: Women and the Sacred

    11. ""Pardon ... though I have digrest"": Digression as Style in ""Salve Deus Rex Judaeorum""12. Annotated Bibliography: Texts and Criticism of Aemilia Bassano Lanyer; List of Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W.

    Aemilia Lanyer was a Londoner of Jewish-Italian descent and the mistress of Queen Elizabeth's Lord Chamberlain. But in 1611 she did something extraordinary for a middle-class woman of the seventeenth century: she published a volume of original poems. Using standard genres to address distinctly feminine concerns, Lanyer's work is varied, subtle, provocative, and witty. Her religious poem ""Salve Deus Rex Judaeorum"" repeatedly projects a female subject for a female reader and casts the Passion in terms of gender conflict. Lanyer also carried this concern with gender into the very structure of th