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  1. Private property
    Charles Brockden Brown's gendered economics of virtue
    Autor*in: Hinds, Elizabeth Jane Wall
    Erschienen: 1997
    Verlag:  Univ. of Delaware Press, Newark, Del. ; Assoc. Univ. Press, London

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0874136032
    RVK Klassifikation: HS 3365
    Schlagworte: Array; Array; Array; Array; Economics in literature; Sex role in literature; Virtue in literature
    Umfang: 190 S.
    Bemerkung(en):

    Literaturverz. S. 181 - 187
  2. Private property
    Charles Brockden Brown's gendered economics of virtue
    Autor*in: Hinds, Elizabeth Jane Wall
    Erschienen: 1997
    Verlag:  Univ. of Delaware Press [u.a.], Newark [u.a.]

    Private Property explores Charles Brockden Brown's novels Wieland, Ormond, Arthur Mervyn, and Edgar Huntly; his dialogue on women's rights, Alcuin; and a few less well-known works such as "The Man at Home" series of essays and "Carwin, the... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Private Property explores Charles Brockden Brown's novels Wieland, Ormond, Arthur Mervyn, and Edgar Huntly; his dialogue on women's rights, Alcuin; and a few less well-known works such as "The Man at Home" series of essays and "Carwin, the Biloquist," with attention to Brown's differentiation of gender in economic matters. Author Elizabeth Jane Wall Hinds takes on the terms of economic positioning in these works, suggesting that Brown's fictional women look nothing at all like his men within the republicanism that was growing to embrace an emerging capitalism during the American 1780s and 1790s. The new economic realities of this era contained the seeds of a changing definition of virtue, a definition suited to an economically defined and specifically capitalist male citizen operating in an increasingly large public space of activity. At the same time, an emerging "cult of domesticity" came to define the virtue of women within the growing U.S. capitalist economy.

     
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    Quelle: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0874136032
    RVK Klassifikation: HS 3365
    Schlagworte: Geschichte; Wirtschaft; Wissen; Didactic fiction, American; Economics in literature; Literature and society; Sex role in literature; Virtue in literature; Prosa
    Weitere Schlagworte: Brown, Charles Brockden <1771-1810>; Brown, Charles Brockden <1771-1810>; Brown, Charles Brockden (1771-1810)
    Umfang: 190 S.
  3. Private property
    Charles Brockden Brown's gendered economics of virtue
    Autor*in: Hinds, Elizabeth Jane Wall
    Erschienen: 1997
    Verlag:  Univ. of Delaware Press [u.a.], Newark [u.a.]

    Private Property explores Charles Brockden Brown's novels Wieland, Ormond, Arthur Mervyn, and Edgar Huntly; his dialogue on women's rights, Alcuin; and a few less well-known works such as "The Man at Home" series of essays and "Carwin, the... mehr

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Private Property explores Charles Brockden Brown's novels Wieland, Ormond, Arthur Mervyn, and Edgar Huntly; his dialogue on women's rights, Alcuin; and a few less well-known works such as "The Man at Home" series of essays and "Carwin, the Biloquist," with attention to Brown's differentiation of gender in economic matters. Author Elizabeth Jane Wall Hinds takes on the terms of economic positioning in these works, suggesting that Brown's fictional women look nothing at all like his men within the republicanism that was growing to embrace an emerging capitalism during the American 1780s and 1790s. The new economic realities of this era contained the seeds of a changing definition of virtue, a definition suited to an economically defined and specifically capitalist male citizen operating in an increasingly large public space of activity. At the same time, an emerging "cult of domesticity" came to define the virtue of women within the growing U.S. capitalist economy.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format