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  1. Politics and performance in post-dictatorship Argentine film and theatre
    Autor*in: Page, Philippa J.
    Erschienen: 2011
    Verlag:  Boydell & Brewer, Suffolk

    This comparative study examines the strategies of re-politicization and socialization employed in contemporary Argentine film and theatre produced in the wake of the 1976-83 dictatorship. It focuses on the socio-political facets of performance across... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This comparative study examines the strategies of re-politicization and socialization employed in contemporary Argentine film and theatre produced in the wake of the 1976-83 dictatorship. It focuses on the socio-political facets of performance across a range of films and dramatic compositions. The book highlights the manner in which the trope of performance represents the place in which film and theatre experiment with generic and mediatic hybridization. Each chapter takes as its point of departure a series of politically motivated appropriations made by cinema and theatre from neighboring genres/media. In each case, genre is shown to take on the role of mediator between competing aesthetic forms: between aesthetics and politics; aesthetic performance and social performance; reality and fiction; postmodern heterogeneity and an increasingly present modern anxiety regarding the perceived need to preserve artistic purity/autonomy, thus restoring what is specific to theatre and cinema's type of communication. Philippa Page has managed the cultural programme at the Maison de l'Argentine in the Cité Internationale Universitaire, Paris and continues to research in the field of Argentine performance studies

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781782040064
    Schlagworte: Film; Geschichte; Politik; Motion pictures / Political aspects / Argentina / History; Theater / Political aspects / Argentina / History / 20th century; Politik <Motiv>; Theater; Film
    Umfang: 1 online resource (188 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    'Theatre[s] of cruelty' and politics of performance in the work of 'teatrista' Eduardo Pavlovsky and filmmaker Fernando E. Solanas -- De-mythifying the postmodern 'opium of the people' : theatre and cinema versus television -- 'Metáforas del fracaso' or 'a family romance'? : resuscitating aesthetic lineages -- Biodramas/biography/biopolitics : projects of 'convivencia' in new Argentine cinema and theatre
  2. Politics and performance in post-dictatorship Argentine film and theatre
    Autor*in: Page, Philippa J.
    Erschienen: 2011
    Verlag:  Boydell & Brewer, Suffolk

    This comparative study examines the strategies of re-politicization and socialization employed in contemporary Argentine film and theatre produced in the wake of the 1976-83 dictatorship. It focuses on the socio-political facets of performance across... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This comparative study examines the strategies of re-politicization and socialization employed in contemporary Argentine film and theatre produced in the wake of the 1976-83 dictatorship. It focuses on the socio-political facets of performance across a range of films and dramatic compositions. The book highlights the manner in which the trope of performance represents the place in which film and theatre experiment with generic and mediatic hybridization. Each chapter takes as its point of departure a series of politically motivated appropriations made by cinema and theatre from neighboring genres/media. In each case, genre is shown to take on the role of mediator between competing aesthetic forms: between aesthetics and politics; aesthetic performance and social performance; reality and fiction; postmodern heterogeneity and an increasingly present modern anxiety regarding the perceived need to preserve artistic purity/autonomy, thus restoring what is specific to theatre and cinema's type of communication. Philippa Page has managed the cultural programme at the Maison de l'Argentine in the Cité Internationale Universitaire, Paris and continues to research in the field of Argentine performance studies

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781782040064
    Schlagworte: Film; Geschichte; Politik; Motion pictures / Political aspects / Argentina / History; Theater / Political aspects / Argentina / History / 20th century; Politik <Motiv>; Theater; Film
    Umfang: 1 online resource (188 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    'Theatre[s] of cruelty' and politics of performance in the work of 'teatrista' Eduardo Pavlovsky and filmmaker Fernando E. Solanas -- De-mythifying the postmodern 'opium of the people' : theatre and cinema versus television -- 'Metáforas del fracaso' or 'a family romance'? : resuscitating aesthetic lineages -- Biodramas/biography/biopolitics : projects of 'convivencia' in new Argentine cinema and theatre
  3. Politics and performance in post-dictatorship Argentine film and theatre
    Autor*in: Page, Philippa J.
    Erschienen: 2011
    Verlag:  Tamesis, Woodbridge

    This comparative study examines the strategies of re-politicization and socialization employed in contemporary Argentine film and theater produced in the wake of the 1976-83 dictatorship. It focuses on the socio-political facets of performance across... mehr

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Signatur:
    a hit 686 7x/30
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2012 A 20
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    D hVII 7/2
    Fernleihe:
    keine Fernleihe
    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    Linga A/908199
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Thüringer Universitäts- und Landesbibliothek
    Signatur:
    ROM:PD:530:Arg::2011
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This comparative study examines the strategies of re-politicization and socialization employed in contemporary Argentine film and theater produced in the wake of the 1976-83 dictatorship. It focuses on the socio-political facets of performance across a range of films and dramatic compositions

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781855662049
    Schriftenreihe: Array
    Schlagworte: Motion pictures; Theater
    Umfang: 188 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    'Theatre[s] of cruelty' and politics of performance in the work of 'teatrista' Eduardo Pavlovsky and filmmaker Fernando E. Solanas -- De-mythifying the postmodern 'opium of the people' : theatre and cinema versus television -- 'Metáforas del fracaso' or 'a family romance'? : resuscitating aesthetic lineages -- Biodramas/biography/biopolitics : projects of 'convivencia' in new Argentine cinema and theatre.