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  1. Prosody and poetics in the early Middle Ages
    essays in honour of C. B. Hieatt
    Erschienen: 1995
    Verlag:  Univ. of Toronto Press, Toronto [u.a.]

    The well-known reference works and analyses of Old English literature show little agreement about the definition and exemplification of style in the poetry of the period. Medieval poetry, particularly its style, is often described as 'complex,'... mehr

    Berlin-Brandenburgische Akademie der Wissenschaften, Akademiebibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The well-known reference works and analyses of Old English literature show little agreement about the definition and exemplification of style in the poetry of the period. Medieval poetry, particularly its style, is often described as 'complex,' 'sophisticated,' 'extraordinarily compressed,' or simply as 'dense and difficult.' This collection of papers, dedicated to medievalist Constance B. Hieatt, considers the prosody and poetics of Old and early Middle English. The contributors concern themselves with the details of how poems and their metre work and employ a variety of approaches, including traditional text analysis, historiographical consideration of the works and responses to them, linguistics-based analysis, application of pragmatic theory, computer analysis, and a comparative-literature perspective The writers suggest both implicitly and explicitly that whatever cultural constructions are relevant to the poetry of Anglo-Saxon and Anglo-Norman England, the poems remain worthy of study in and of themselves

     

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  2. Prosody and poetics in the early Middle Ages
    essays in honour of C. B. Hieatt
    Erschienen: 1995
    Verlag:  Univ. of Toronto Press, Toronto [u.a.]

    The well-known reference works and analyses of Old English literature show little agreement about the definition and exemplification of style in the poetry of the period. Medieval poetry, particularly its style, is often described as 'complex,'... mehr

    Universitätsbibliothek Augsburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The well-known reference works and analyses of Old English literature show little agreement about the definition and exemplification of style in the poetry of the period. Medieval poetry, particularly its style, is often described as 'complex,' 'sophisticated,' 'extraordinarily compressed,' or simply as 'dense and difficult.' This collection of papers, dedicated to medievalist Constance B. Hieatt, considers the prosody and poetics of Old and early Middle English. The contributors concern themselves with the details of how poems and their metre work and employ a variety of approaches, including traditional text analysis, historiographical consideration of the works and responses to them, linguistics-based analysis, application of pragmatic theory, computer analysis, and a comparative-literature perspective The writers suggest both implicitly and explicitly that whatever cultural constructions are relevant to the poetry of Anglo-Saxon and Anglo-Norman England, the poems remain worthy of study in and of themselves

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt