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  1. The portrait in fiction of the Romantic period
    Autor*in: Bray, Joe
    Erschienen: 2016; © 2016
    Verlag:  Routledge, London, [England] ; New York, [New York]

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781409470397; 9781317019787
    Schlagworte: English fiction; Portraits in literature; Subjectivity in literature; Romanticism; Bildnis; Literatur; Englisch; Romantik; Literarisches Porträt
    Umfang: 1 online resource (204 pages)
    Bemerkung(en):

    Description based on print version record
  2. The portrait in fiction of the Romantic period
    Autor*in: Bray, Joe
    Erschienen: 2016
    Verlag:  Routledge, London ; New York

    "Beginning with the premise that the portrait was undergoing a shift in both form and function during the Romantic age, Joe Bray examines how these changes are reflected in the fiction of writers such as Maria Edgeworth, Jane Austen, Sir Walter... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Beginning with the premise that the portrait was undergoing a shift in both form and function during the Romantic age, Joe Bray examines how these changes are reflected in the fiction of writers such as Maria Edgeworth, Jane Austen, Sir Walter Scott, Elizabeth Hamilton and Amelia Opie. Bray considers portraiture in a broad sense as encompassing caricature and the miniature, as well as the classic portraits of Sir Joshua Reynolds and others. He argues that the portrait in fiction often functions not as a transparent index to character or as a means of producing a straightforward likeness, but rather as a cue for misreading and a sign of the slipperiness and subjectivity of interpretation. The book is concerned with more than simply the appearance of portraits in Romantic fiction however. More broadly, The Portrait in Fiction of the Romantic Period investigates how the language of portraiture pervades the novel in this period and how the two art forms exert mutual stylistic influence on each other" ...

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781409470397; 9781409470410
    RVK Klassifikation: HL 1101
    Schlagworte: English fiction; Portraits in literature; Subjectivity in literature; Romanticism; Romantik; Bildnis; Literatur; Englisch; Literarisches Porträt
    Umfang: 195 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  3. The portrait in fiction of the Romantic period
    Autor*in: Bray, Joe
    Erschienen: 2016
    Verlag:  Routledge, Taylor & Francis Goup, London

    "Beginning with the premise that the portrait was undergoing a shift in both form and function during the Romantic age, Joe Bray examines how these changes are reflected in the fiction of writers such as Maria Edgeworth, Jane Austen, Sir Walter... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Beginning with the premise that the portrait was undergoing a shift in both form and function during the Romantic age, Joe Bray examines how these changes are reflected in the fiction of writers such as Maria Edgeworth, Jane Austen, Sir Walter Scott, Elizabeth Hamilton and Amelia Opie. Bray considers portraiture in a broad sense as encompassing caricature and the miniature, as well as the classic portraits of Sir Joshua Reynolds and others. He argues that the portrait in fiction often functions not as a transparent index to character or as a means of producing a straightforward likeness, but rather as a cue for misreading and a sign of the slipperiness and subjectivity of interpretation. The book is concerned with more than simply the appearance of portraits in Romantic fiction however. More broadly, The Portrait in Fiction of the Romantic Period investigates how the language of portraiture pervades the novel in this period and how the two art forms exert mutual stylistic influence on each other" -- Introduction. the portrait and the novel -- The portrait in public -- Exchanging "dear self": the miniature portrait in the novel of sensibility and the gothic -- Visual and verbal caricature -- Jane Austen: the subjectivity of "likeness" -- Sir Walter Scott: reworking the gothic portrait -- Conclusion. "the very thing itself

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781409470397
    RVK Klassifikation: HL 1101
    Schlagworte: English fiction; Portraits in literature; Subjectivity in literature; Romanticism
    Umfang: 195 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Literaturverzeichnis: Seite 184-191
  4. The portrait in fiction of the Romantic period
    Autor*in: Bray, Joe
    Erschienen: 2016
    Verlag:  Routledge, Taylor & Francis Goup, London

    "Beginning with the premise that the portrait was undergoing a shift in both form and function during the Romantic age, Joe Bray examines how these changes are reflected in the fiction of writers such as Maria Edgeworth, Jane Austen, Sir Walter... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 997346
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Thüringer Universitäts- und Landesbibliothek
    Signatur:
    ANG:HH:767:Bra::2016
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Signatur:
    269030 - A
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Beginning with the premise that the portrait was undergoing a shift in both form and function during the Romantic age, Joe Bray examines how these changes are reflected in the fiction of writers such as Maria Edgeworth, Jane Austen, Sir Walter Scott, Elizabeth Hamilton and Amelia Opie. Bray considers portraiture in a broad sense as encompassing caricature and the miniature, as well as the classic portraits of Sir Joshua Reynolds and others. He argues that the portrait in fiction often functions not as a transparent index to character or as a means of producing a straightforward likeness, but rather as a cue for misreading and a sign of the slipperiness and subjectivity of interpretation. The book is concerned with more than simply the appearance of portraits in Romantic fiction however. More broadly, The Portrait in Fiction of the Romantic Period investigates how the language of portraiture pervades the novel in this period and how the two art forms exert mutual stylistic influence on each other" -- Introduction. the portrait and the novel -- The portrait in public -- Exchanging "dear self": the miniature portrait in the novel of sensibility and the gothic -- Visual and verbal caricature -- Jane Austen: the subjectivity of "likeness" -- Sir Walter Scott: reworking the gothic portrait -- Conclusion. "the very thing itself

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781409470397
    RVK Klassifikation: HL 1101
    Schlagworte: English fiction; Portraits in literature; Subjectivity in literature; Romanticism
    Umfang: 195 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Literaturverzeichnis: Seite 184-191