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  1. From Pearl to Gawain
    forme to fynisment
    Autor*in: Blanch, Robert J.; Wasserman, Julian N.
    Erschienen: 1994
    Verlag:  Univ. Press of Florida, Gainesville [u.a.]

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    95 A 16378
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Signatur:
    96/6934
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Thüringer Universitäts- und Landesbibliothek
    Signatur:
    96 NA 17327/1
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Signatur:
    HH 4153 BLA
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0813013488
    Schlagworte: Manuscripts, English (Middle); Arthurian romances; Knights and knighthood in literature; English poetry; English poetry; Rhetoric, Medieval; Closure (Rhetoric)
    Umfang: 207 S, Ill, 24 cm
    Bemerkung(en):

    Literaturverz. S. [177] - 197
  2. From Pearl to Gawain
    forme to fynisment
    Autor*in: Blanch, Robert J.; Wasserman, Julian N.
    Erschienen: 1995
    Verlag:  Univ. Press of Florida, Gainesville [u.a.]

    Despite lip service to the proposition that the Pearl manuscript is the product of a single author, critics usually treat the four poems as isolated entities. The two authors of this work - who individually and together have produced a formidable... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Despite lip service to the proposition that the Pearl manuscript is the product of a single author, critics usually treat the four poems as isolated entities. The two authors of this work - who individually and together have produced a formidable body of research, criticism, and bibliographic study of this anonymous fourteenth-century poet - set forth a different thesis. They assume not only that the works share a common author but that they are connected and intersect in fundamental ways They begin with the observation that the four Cotton Nero poems, taken together, extend from Creation to the Apocalypse and then transcendence to the heavenly Jerusalem. Comprising the entire scope of "History," the poems share a Creator whose active intervention in human affairs bespeaks a providential history that is the product of divine Will. Beginning with this premise, the authors discuss a series of interrelated themes (language, covenants, miracles, the iconography of the hand, and the role of the intrusive narrator) that successively arise from their initial observation. Every discussion treats all four poems, using each individual work to gloss the others While this study builds on centuries of previous scholarship, much of what Blanch and Wassermann explore has never been discussed elsewhere. Some of the material - in particular their reading of the Green Knight's offer of weapons to Arthur's court, and the thematic significance of moral "handiwork" in the Gawain poems - not only breaks new ground but challenges accepted interpretations

     
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  3. From Pearl to Gawain
    forme to fynisment
    Autor*in: Blanch, Robert J.; Wasserman, Julian N.
    Erschienen: 1995
    Verlag:  Univ. Press of Florida, Gainesville, Fa. [u.a.]

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0813013488
    RVK Klassifikation: HH 4153 ; HH 5925
    Schlagworte: Array; Array; Array; Array; Knights and knighthood in literature; Gawain and the Grene Knight; Pearl (Middle English poem); Rhetoric, Medieval; Closure (Rhetoric)
    Umfang: 207 S., Ill.
    Bemerkung(en):

    Literaturverz. S. [177] - 197
  4. From Pearl to Gawain
    forme to fynisment
    Autor*in: Blanch, Robert J.; Wasserman, Julian N.
    Erschienen: 1995
    Verlag:  Univ. Press of Florida, Gainesville [u.a.]

    Despite lip service to the proposition that the Pearl manuscript is the product of a single author, critics usually treat the four poems as isolated entities. The two authors of this work - who individually and together have produced a formidable... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Despite lip service to the proposition that the Pearl manuscript is the product of a single author, critics usually treat the four poems as isolated entities. The two authors of this work - who individually and together have produced a formidable body of research, criticism, and bibliographic study of this anonymous fourteenth-century poet - set forth a different thesis. They assume not only that the works share a common author but that they are connected and intersect in fundamental ways They begin with the observation that the four Cotton Nero poems, taken together, extend from Creation to the Apocalypse and then transcendence to the heavenly Jerusalem. Comprising the entire scope of "History," the poems share a Creator whose active intervention in human affairs bespeaks a providential history that is the product of divine Will. Beginning with this premise, the authors discuss a series of interrelated themes (language, covenants, miracles, the iconography of the hand, and the role of the intrusive narrator) that successively arise from their initial observation. Every discussion treats all four poems, using each individual work to gloss the others While this study builds on centuries of previous scholarship, much of what Blanch and Wassermann explore has never been discussed elsewhere. Some of the material - in particular their reading of the Green Knight's offer of weapons to Arthur's court, and the thematic significance of moral "handiwork" in the Gawain poems - not only breaks new ground but challenges accepted interpretations

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  5. From Pearl to Gawain
    forme to fynisment
    Autor*in: Blanch, Robert J.; Wasserman, Julian N.
    Erschienen: 1994
    Verlag:  Univ. Press of Florida, Gainesville [u.a.]

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0813013488
    Schlagworte: Manuscripts, English (Middle); Arthurian romances; Knights and knighthood in literature; English poetry; English poetry; Rhetoric, Medieval; Closure (Rhetoric)
    Umfang: 207 S, Ill, 24 cm
    Bemerkung(en):

    Literaturverz. S. [177] - 197