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  1. Savage sight/constructed noise
    poetic adaptations of painterly techniques in the French and American avant-gardes
    Autor*in: Sweet, David LeHardy
    Erschienen: 2010
    Verlag:  U.N.C. Dept. of Romance Languages, Chapel Hill, N.C

    "This book examines poetic adaptations of painterly techniques in works by writers such as Guillaume Apollinaire, Pierre Reverdy, Andre Breton, Frank O'Hara, and John Ashbery - all chosen for the experimentalism of their poetry as well as for the... mehr

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
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    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
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    "This book examines poetic adaptations of painterly techniques in works by writers such as Guillaume Apollinaire, Pierre Reverdy, Andre Breton, Frank O'Hara, and John Ashbery - all chosen for the experimentalism of their poetry as well as for the quality of their critical writings on art. Close attention is paid to essays on painters identified with Cubism, Futurism, and Dada-Surrealism in France and with Abstract Expressionism and New Realism in the United States "Selected poems are examined in light of the critical essays and are taken either as illustrations of a new plastic poetic or as novel hybrids of plastic and literary strategies. Although the parallels between modern poetry and painting go beyond avant-garde techniques, this book emphasizes such innovations as collage, chance operations, and automatism to demonstrate the shift in aesthetic attention from finished products to creative processes."--Jacket

     
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    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781469638522; 1469638525
    Schriftenreihe: North Carolina studies in the Romance languages and literatures ; number 276
    Schlagworte: French poetry; Art and literature; Art and literature; Avant-garde (Aesthetics); Avant-garde (Aesthetics); Poésie française; Art et littérature; Art et littérature; Avant-garde (Art); Avant-garde (Art); Art and literature; Art and literature; Avant-garde (Aesthetics); Avant-garde (Aesthetics); French poetry; POETRY / Continental European; Art and literature; Avant-garde (Aesthetics); French poetry; Malerei; Avantgardeliteratur; Ekphrasis; Französisch; Poetik; Gedichten; Avant-garde; Schilderkunst; Art; Criticism, interpretation, etc; History
    Weitere Schlagworte: Apollinaire, Guillaume 1880-1918; Reverdy, Pierre 1889-1960; Breton, André 1896-1966; O'Hara, Frank 1926-1966; Ashbery, John 1927-2017; Apollinaire, Guillaume 1880-1918; Reverdy, Pierre 1889-1960; Breton, André 1896-1966; O'Hara, Frank 1926-1966; Ashbery, John; Apollinaire, Guillaume (1880-1918); Reverdy, Pierre (1889-1960); Breton, André (1896-1966); O'Hara, Frank (1926-1966); Ashbery, John (1927-2017); Apollinaire, Guillaume; Ashbery, John; Breton, André; O'Hara, Frank; Reverdy, Pierre; Apollinaire, Guillaume; Ashbery, John; Breton, André; O'Hara, Frank; Reverdy, Pierre; Apollinaire, Guillaume; Reverdy, Pierre; Breton, André; O'Hara, Frank; Ashbery, John
    Umfang: Online Ressource (318 pages), illustrations.
    Bemerkung(en):

    Includes bibliographical references (pages 283-291). - Print version record