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  1. Turning Pages: An Annual Creative Writing Journal at Chemnitz University of Technology
    Autor*in: Sandten, Cecile; Beck, Mandy
    Erschienen: 2019
    Verlag:  Universitätsverlag Chemnitz

    TURNING PAGES is an annual journal of bright voices from all over the world in creative and original writing in English in short fiction, creative nonfiction, poetry, and drama, as well as in drawings, art projects and many other related genres by... mehr

     

    TURNING PAGES is an annual journal of bright voices from all over the world in creative and original writing in English in short fiction, creative nonfiction, poetry, and drama, as well as in drawings, art projects and many other related genres by students, academics, and writers. It is a production of the Chair of English Literatures at the English Department at Chemnitz University of Technology, Germany, and the first journal of its kind at the university. TURNING PAGES can be read in both ways, literally and metaphorically, implying that we need to turn the pages, that we need to demonstrate that literature has something to say and that it can also be interventionist as it shows how we can use our own imagination for the better. Therefore, TURNING PAGES will make readers not only literally browse through a variety of texts and turn pages, but it also seeks to reflect situations, events, experiences, or emotions that turn the page for individuals, or groups of people. The first issue of TURNING PAGES features a range of texts and artworks, including first-time writers as well as professional writers, such as Michael Augustin, Sujata Bhatt, Stephen Collis, Ian Watson and the renowned Belfast theatre company Play It By Ear.

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Zeichnung, angewandte Kunst (740); Englische, altenglische Literaturen (820)
    Schlagworte: Creative Writing; Original Writing; Poetry; Prose; Drama; Drawing; Image; Kreatives Schreiben; Lyrik; Prosa; Grafik; Zeichnung
    Lizenz:

    info:eu-repo/semantics/openAccess
  2. Turning Pages: An Annual Creative Writing Journal at Chemnitz University of Technology
    Autor*in: Sandten, Cecile; Beck, Mandy
    Erschienen: 2020
    Verlag:  Universitätsverlag Chemnitz

    TURNING PAGES is an annual journal of bright voices from all over the world in creative and original writing in English in short fiction, creative nonfiction, poetry, and drama, as well as in drawings, art projects and many other related genres by... mehr

     

    TURNING PAGES is an annual journal of bright voices from all over the world in creative and original writing in English in short fiction, creative nonfiction, poetry, and drama, as well as in drawings, art projects and many other related genres by students, academics, and writers. It is a production of the Chair of English Literatures at the English Department at Chemnitz University of Technology, Germany, and the first journal of its kind at the university. TURNING PAGES can be read in both ways, literally and metaphorically, implying that we need to turn the pages, that we need to demonstrate that literature has something to say and that it can also be interventionist as it shows how we can use our own imagination for the better. Therefore, TURNING PAGES will make readers not only literally browse through a variety of texts and turn pages, but it also seeks to reflect situations, events, experiences, or emotions that turn the page for individuals, or groups of people. The second issue of TURNING PAGES includes a variety of foci, ranging from meta-poetic texts and stories, to graphic artworks and illustrations via themes of belonging in an ever-changing world, tracing one’s origins, conquering personal struggles, or dealing with current incidents like COVID-19 and self-isolation. This issue combines students from diverse fields and backgrounds with professional writers from all over the world, such as Srishti Chaudhary, Andreas Gloge, Ogaga Ifowodo, Harald Linke, and Ian Watson.

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Zeichnung, angewandte Kunst (740); Englische, altenglische Literaturen (820)
    Schlagworte: Creative Writing; Original Writing; Poetry; Prose; Drama; Drawing; Image; Kreatives Schreiben; Lyrik; Prosa; Grafik; Zeichnung
    Lizenz:

    info:eu-repo/semantics/openAccess
  3. Turning Pages: An Annual Creative Writing Journal at Chemnitz University of Technology
    Autor*in: Sandten, Cecile; Beck, Mandy
    Erschienen: 2021
    Verlag:  Universitätsverlag Chemnitz

    TURNING PAGES is an annual journal of bright voices from all over the world in creative and original writing in English in short fiction, creative nonfiction, poetry, and drama, as well as in drawings, art projects and many other related genres by... mehr

     

    TURNING PAGES is an annual journal of bright voices from all over the world in creative and original writing in English in short fiction, creative nonfiction, poetry, and drama, as well as in drawings, art projects and many other related genres by students, academics, and writers. It is a production of the Chair of English Literatures at the English Department at Chemnitz University of Technology, Germany, and the first journal of its kind at the university. TURNING PAGES can be read in both ways, literally and metaphorically, implying that we need to turn the pages, that we need to demonstrate that literature has something to say and that it can also be interventionist as it shows how we can use our own imagination for the better. Therefore, TURNING PAGES will make readers not only literally browse through a variety of texts and turn pages, but it also seeks to reflect situations, events, experiences, or emotions that turn the page for individuals, or groups of people. The third issue of TURNING PAGES is about facing and overcoming personal struggles as well as the challenges of the present time by venturing out into public life again, after months of isolation and standstill. A range of contributions by professional and published authors such as Shanta Acharya, Ranu Uniyal, Andreas Gloge and Tobias Schlosser, but also a selection of pictures by photographers such as Natalie Bleyl and Martina Gloge enhances and complements the multifaceted textual and graphic pieces by students and first-time writers.

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Zeichnung, angewandte Kunst (740); Englische, altenglische Literaturen (820)
    Schlagworte: Creative Writing; Original Writing; Poetry; Prose; Drama; Drawing; Image; Kreatives Schreiben; Lyrik; Prosa; Grafik; Zeichnung
    Lizenz:

    info:eu-repo/semantics/openAccess
  4. A Sudden Silence - Not Golden
    Autor*in: Schocker- von Ditfurth, Marita
    Erschienen: 2009

    Es handelt sich hierbei um ein Gedicht in dem der Erzähler (aus Deutschland kommend) seine Eindrücke von einem Besuch in den Vereinigten Staaten verarbeitet. mehr

     

    Es handelt sich hierbei um ein Gedicht in dem der Erzähler (aus Deutschland kommend) seine Eindrücke von einem Besuch in den Vereinigten Staaten verarbeitet.

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Amerikanische Literatur in in Englisch (810)
    Schlagworte: Lyrik; Amerika
    Lizenz:

    creativecommons.org/licenses/by-nc-nd/3.0/de/deed.de ; info:eu-repo/semantics/openAccess
  5. Writing sound : ekphrasis and elemental media
    Autor*in: Kramer, Lawrence
    Erschienen: 2019

    Contrairement à sa contrepartie visuelle, qui est ancienne, l’ekphrasis acoustique - la description littéraire d'un son - ne date que de la fin du XVIIIe siècle, moment où l'ekphrasis spécifiquement musicale commence à apparaître comme base pour... mehr

     

    Contrairement à sa contrepartie visuelle, qui est ancienne, l’ekphrasis acoustique - la description littéraire d'un son - ne date que de la fin du XVIIIe siècle, moment où l'ekphrasis spécifiquement musicale commence à apparaître comme base pour l'analyse et le jugement esthétique. Son émergence est liée au développement du concept de média. De nombreux cas d'ekphrasis acoustiques dépendent de la possibilité de rendre perceptible le medium par lequel le son, et en particulier le son musical, parvient à l'auditeur. Ces mêmes descriptions ekphrastiques tendent fortement à répéter le processus qu'elles décrivent. Ce qui signifie qu'elles rendent également perceptible le medium par lequel la littérature parvient au lecteur. Ce médium littéraire, cependant, n'est pas l'écriture, du moins pas en premier lieu : il s'agit plutôt d'une condition de résonance que l'écriture partage avec le son qu'elle décrit - une condition à la fois matérielle et émotive. Le mouvement de perception conduisant des phénomènes auditifs et littéraires vers leurs médias permet d'attribuer une signification ontologique à l'esthétique du son et de sa représentation. Deux poèmes issus de mondes culturels différents, de même que leurs mises en musique, serviront à illustrer les dimensions formelles et affectives de ces relations : "Meeresstille", poème de Goethe (1787) et sa mise en musique par Schubert (1815), puis "Far--Far--Away", poème de Tennyson (1893) et sa mise en musique par Ned Rorem (1963).

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Musik (780); Literatur und Rhetorik (800)
    Schlagworte: Ekphrasis; Musik; Goethe; Johann Wolfgang von; Meeresstille; Schubert; Franz; Tennyson; Alfred; Rorem; Ned; Lyrik; Vertonung
    Lizenz:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de ; info:eu-repo/semantics/openAccess
  6. The emotional power of poetry: neural circuitry, psychophysiology and compositional principles
    Autor*in: Wassiliwizky, Eugen; Koelsch, Stefan; Wagner, Valentin; Jacobsen, Thomas; Menninghaus, Winfried
    Erschienen: 2017

    It is a common experience—and well established experimentally—that music can engage us emotionally in a compelling manner. The mechanisms underlying these experiences are receiving increasing scrutiny. However, the extent to which other domains of... mehr

     

    It is a common experience—and well established experimentally—that music can engage us emotionally in a compelling manner. The mechanisms underlying these experiences are receiving increasing scrutiny. However, the extent to which other domains of aesthetic experience can similarly elicit strong emotions is unknown. Using psychophysiology, neuroimaging and behavioral responses, we show that recited poetry can act as a powerful stimulus for eliciting peak emotional responses, including chills and objectively measurable goosebumps that engage the primary reward circuitry. Importantly, while these responses to poetry are largely analogous to those found for music, their neural underpinnings show important differences, specifically with regard to the crucial role of the nucleus accumbens. We also go beyond replicating previous music-related studies by showing that peak aesthetic pleasure can co-occur with physiological markers of negative affect. Finally, the distribution of chills across the trajectory of poems provides insight into compositional principles of poetry.

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Neuroästhetik; Nucleus accumbens; Lyrik; Ästhetik; Musikästhetik
    Lizenz:

    creativecommons.org/licenses/by/4.0/ ; info:eu-repo/semantics/openAccess
  7. Giuseppe Bonaviri's "Book of Stone" (1984-2009) : a blueprint for literary glocalization
    Autor*in: Reichardt, Dagmar
    Erschienen: 2023

    Der sizilianische Dichter und Romanautor Giuseppe Bonaviri - 1924 in Mineo bei Catania geboren und 2009 in Frosinone nahe Rom verstorben - gründete 1984 den öffentlichen Gedichtpark "Il libro di pietra" (dt. "Das Buch aus Stein") in Arpino, dem... mehr

     

    Der sizilianische Dichter und Romanautor Giuseppe Bonaviri - 1924 in Mineo bei Catania geboren und 2009 in Frosinone nahe Rom verstorben - gründete 1984 den öffentlichen Gedichtpark "Il libro di pietra" (dt. "Das Buch aus Stein") in Arpino, dem Geburtsort des berühmten Staatsmannes, Redners und Rhetorikers Marcus Tullius Cicero. Zu diesem Anlass schenkte der seit 1980 wiederholt für den Nobelpreis vorgeschlagene, sein Leben lang auch als Arzt tätige und schon früh nach Mittelitalien ausgewanderte Schriftsteller der Stadt Arpino das Gedicht "Il bianchissimo vento" (1984, dt. "Der weißeste Wind"), das dort noch heute als Gründungsgedicht in Stein gemeißelt im öffentlichen Raum permanent ausgestellt ist. Der vorliegende Beitrag untersucht Bonaviris europäisches, kollaborativ angelegtes Kulturprojekt als Blaupause eines literarischen Glokalisierungsformats unter den Aspekten seiner Transkulturalität, dekolonialisierten Literarizität, weltliterarischen Parametern und kommunikativen Transmedialität. Bonaviris lokal verwurzeltes und zugleich kosmopolitisch ausgerichtetes, postmodernes Kulturkonzept verweist durch seine vielfältigen Synergieeffekte nicht nur auf die zeitlose Relevanz von Literatur und Lyrik, sondern auch auf die Schlüsselrolle einer transkulturell wirkungsmächtigen Kreativität und zukunftsorientierten 'humanitas'.

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800); Italienische, rumänische, rätoromanische Literaturen (850)
    Schlagworte: Bonaviri; Giuseppe; Arpino; Lyrik; Inschrift; Skulpturenpark
    Lizenz:

    creativecommons.org/licenses/by-sa/4.0/deed.de ; info:eu-repo/semantics/openAccess
  8. Introduction to Anglo-Canadian Poetry
    Autor*in: Korte, Barbara
    Erschienen: 1991

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    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    Übergeordneter Titel: Neusprachliche Mitteilungen aus Wissenschaft und Praxis 44 (1991), S. 217-226, ISSN: 0028-3983
    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Schlagworte: Kanada; Englisch; Lyrik; Einführung; Online-Ressource
    Lizenz:

    free
  9. Sonic Others in Early Sound Studies and the Poetry of Edward Sapir: A Salvage Operation
    Autor*in: Reichel, A. Elisabeth
    Erschienen: 2021

    Characteristically, early research in soundscapes is suffused with a sense of sonophilia; that is, a fascination with auditory perception and sound as the inferiorized Other of sight. Soundscape scholars have thus often conceived of their work as a... mehr

     

    Characteristically, early research in soundscapes is suffused with a sense of sonophilia; that is, a fascination with auditory perception and sound as the inferiorized Other of sight. Soundscape scholars have thus often conceived of their work as a salvage operation, which is conducted to save what would otherwise be irretrievably lost to a visual regime. This moral impetus to redeem the “sonic Other” is at the center of this article, in which I investigate how notions of sonic alterity interweave with treatments of social and cultural alterity. To explore and interrogate the nexus of social, cultural, and sonic alterity for its political and ethical ramifications, I analyze the acoustics of the poetry of Edward Sapir. Sapir played a key role in the formation of cultural anthropology and the early development of linguistic anthropology. What is far less known is that he is also the author of over six hundred poems, some of which were published in such renowned magazines as Poetry and The Dial. Focusing on the poems “To a Street Violinist” and “Harvest,” I probe the dynamics of an anthropo-literary project that sets out to salvage both non-visual sense perceptions and other-than-modern, Western ways of life.

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Amerikanische Literatur in in Englisch (810)
    Schlagworte: Lyrik; Edward Sapir; Anthropologie; Sound Studies
    Lizenz:

    rightsstatements.org/vocab/InC/1.0/
  10. “For you have given me speech!”—Gifted Ethnographers, Illiterate Primitives, and Media Epistemologies in the Poetry and Plurimedial Writing of Margaret Mead
    Autor*in: Reichel, A. Elisabeth
    Erschienen: 2021

    This article centers on the role of the medium of alphabetic writing in the poetry and scholarship of Margaret Mead (1901–1978), one of the most prolific writers of 20th-century U.S.-American anthropology. I argue that Mead’s writing about and with... mehr

     

    This article centers on the role of the medium of alphabetic writing in the poetry and scholarship of Margaret Mead (1901–1978), one of the most prolific writers of 20th-century U.S.-American anthropology. I argue that Mead’s writing about and with words is continuous with the Eurocentric cultural evolutionist understanding of phonetic writing as a marker of ultimate human advancement. Mead’s demarcation of her subjects’ alterity by their lack of and failure to use the medium of script extends the process of epistemic colonization well into the 20th century, a process that denies the people that anthropologists study the ability to become involved with the very discourses that cast them in this position of objects of study. I first focus on Mead’s largely unexplored poetic writing and then consider the plurimedial work that grew out of her fieldwork in Bali.

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Amerikanische Literatur in in Englisch (810)
    Schlagworte: Margaret Mead; Anthropologie; Lyrik; Intermedialität; Fotografie
    Lizenz:

    rightsstatements.org/vocab/InC/1.0/