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  1. The better angel
    Walt Whitman in the Civil War
    Autor*in: Morris, Roy
    Erschienen: 2000
    Verlag:  Oxford Univ. Press, Oxford [u.a.]

    "Of the Civil War's many stories of heroism, few are so unlikely, or so moving, as that of Walt Whitman. For nearly three years, Whitman tended to legions of sick and wounded soldiers, immersing himself in the devastation of the war and recording his... mehr

    Universitätsbibliothek Bayreuth
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatliche Bibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Regensburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Würzburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Of the Civil War's many stories of heroism, few are so unlikely, or so moving, as that of Walt Whitman. For nearly three years, Whitman tended to legions of sick and wounded soldiers, immersing himself in the devastation of the war and recording his experience with an immediacy and compassion unequaled in wartime literature anywhere in the world." "In The Better Angel, acclaimed biographer Roy Morris, Jr. gives us the fullest account yet published of Whitman's Civil War years, which transformed him both as a poet and as a person. As the war began, Whitman was mired in depression, subsisting on journalistic hackwork and wasting his nights in New York's seedy bohemian underground. But when the news came that his brother George had been wounded at Fredricksburg, Whitman rushed south to find him. Though his brother's injury was slight, the poet was deeply affected by his first view of the war's casualties. He began visiting the camp's wounded and, almost by accident, found his calling for the duration of the war." "The wounded, he wrote, 'opened a new world for me... bursting the petty bonds of art.' He visited them daily, bringing gifts of ice cream, tobacco, or books; wrote letters for them; and offered to all the healing influence of his sympathy and affection. Indeed, several soldiers later said that Whitman had saved their lives. But if Whitman gave much to the soldiers, they in turn gave much to him. In witnessing their stoic suffering, in listening to their understated speech, and in being always in the presence of death, Whitman evolved the new and more direct poetic style that culminated in his masterpiece, 'When Lilacs Last in the Dooryard Bloom'd.'"--BOOK JACKET.

     

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  2. The better angel
    Walt Whitman in the Civil War
    Autor*in: Morris, Roy
    Erschienen: 2000
    Verlag:  Oxford Univ. Press, Oxford [u.a.]

    "Of the Civil War's many stories of heroism, few are so unlikely, or so moving, as that of Walt Whitman. For nearly three years, Whitman tended to legions of sick and wounded soldiers, immersing himself in the devastation of the war and recording his... mehr

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Of the Civil War's many stories of heroism, few are so unlikely, or so moving, as that of Walt Whitman. For nearly three years, Whitman tended to legions of sick and wounded soldiers, immersing himself in the devastation of the war and recording his experience with an immediacy and compassion unequaled in wartime literature anywhere in the world." "In The Better Angel, acclaimed biographer Roy Morris, Jr. gives us the fullest account yet published of Whitman's Civil War years, which transformed him both as a poet and as a person. As the war began, Whitman was mired in depression, subsisting on journalistic hackwork and wasting his nights in New York's seedy bohemian underground. But when the news came that his brother George had been wounded at Fredricksburg, Whitman rushed south to find him. Though his brother's injury was slight, the poet was deeply affected by his first view of the war's casualties. He began visiting the camp's wounded and, almost by accident, found his calling for the duration of the war." "The wounded, he wrote, 'opened a new world for me... bursting the petty bonds of art.' He visited them daily, bringing gifts of ice cream, tobacco, or books; wrote letters for them; and offered to all the healing influence of his sympathy and affection. Indeed, several soldiers later said that Whitman had saved their lives. But if Whitman gave much to the soldiers, they in turn gave much to him. In witnessing their stoic suffering, in listening to their understated speech, and in being always in the presence of death, Whitman evolved the new and more direct poetic style that culminated in his masterpiece, 'When Lilacs Last in the Dooryard Bloom'd.'"--BOOK JACKET.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format