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  1. Deutsch als Sprache der Privilegierten : zur literarischen Darstellung der deutsch-tschechischen Kontroversen unter Přemysl Otakar II. am Beispiel von Franz Grillparzer und Nina Bonhardová ; German as the language of the privileged : on the literary depiction of Czech-German conflicts during the reign of the Přemyslid King Otakar II in the works of Franz Grillparzer and Nina Bonhardová
    Erschienen: 2012

    The Přemyslid King Otakar II is one of the most prominent figures in Czech (and Central European) history. However, he is also a highly controversial figure, primarily due to his unflagging support for the German-speaking communities on his... mehr

     

    The Přemyslid King Otakar II is one of the most prominent figures in Czech (and Central European) history. However, he is also a highly controversial figure, primarily due to his unflagging support for the German-speaking communities on his territory, which figures such as František Palacký considered to be excessive. The theme of German medieval colonization and Czech/German coexistence naturally appears in literary works dealing with Otakar's life. The Austrian dramatist Franz Grillparzer's play "König Ottokars Glück und Ende" is no exception. The topic of German colonization is relatively peripheral within the work, however the brief scene featuring the King and the burghers of Prague (who protest at Prague Castle against the expulsion of the Czechs and the settlement of Germans in their place) so incensed the Czech literary scene that the work has still not yet been translated into Czech. This article aims to analyze the scene in question, comparing Grillparzer's drama with the novel "Královský úděl" by the Czech author Nina Bonhardová.

     

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    Quelle: BASE Fachausschnitt AVL
    Sprache: Deutsch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Sprachpolitik; Otakar; Deutsch; Tschechisch; Grillparzer; Franz / König Ottokars Glück und Ende
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help ; info:eu-repo/semantics/openAccess

  2. Das Problem der "Tschechenfeindlichkeit" in den literarischen Adaptionen der Lebensgeschichte des böhmischen Königs Přemysl Otakar II : am Beispiel von Franz Grillparzer und František Zavřel ; The problem of "anti-Czech sentiment" in literary adaptations of the life story of the Czech Přemyslid King Otakar II : with examples from Franz Grillparzer and František Zavřel
    Erschienen: 2014

    The aim of this study is to present two older literary adaptations of the tragic life story of King Otakar (Ottokar) II – the "classic" play "König Ottokars Glück und Ende" by the Austrian dramatist Franz Grillparzer and the now forgotten drama "Král... mehr

     

    The aim of this study is to present two older literary adaptations of the tragic life story of King Otakar (Ottokar) II – the "classic" play "König Ottokars Glück und Ende" by the Austrian dramatist Franz Grillparzer and the now forgotten drama "Král Přemysl Otakar Druhý" by the Czech author František Zavřel. The article focuses on the controversial depiction of the king and his Czech subjects, which led to a number of angry protests from Czech audiences. The study also explores the causes of the "anti-Czech sentiment" which is said to be found in these plays.

     

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    Quelle: BASE Fachausschnitt AVL
    Sprache: Deutsch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Grillparzer; Franz / König Ottokars Glück und Ende; Tschechen; Fremdenfeindlichkeit
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help ; info:eu-repo/semantics/openAccess

  3. Königin oder Dirne? : zur Darstellung der böhmischen Königin Kunigunde von Halitsch bei Franz Grillparzer und František Zavřel ; Queen or whore? : on the depiction of the Queen of Bohemia Kunigunda of Galicia by Franz Grillparzer and František Zavřel
    Erschienen: 2014

    Kunigunda of Galicia, the second wife of the Bohemian King Otokar II and later the second wife of the powerful nobleman Záviš of Falkenstein, suffers from a very poor reputation due to her depiction in medieval chronicles, especially the Styrian... mehr

     

    Kunigunda of Galicia, the second wife of the Bohemian King Otokar II and later the second wife of the powerful nobleman Záviš of Falkenstein, suffers from a very poor reputation due to her depiction in medieval chronicles, especially the Styrian Rhymed Chronicle written by Ottokar aus der Gaal. Her image as a domineering and morally dubious figure is also echoed in Franz Grillparzer's play "König Ottokars Glück und Ende", which draws partly on the Styrian chronicle as source material. This study attempts to answer the question of what role Kunigunda plays in Grillparzer's drama, and whether she genuinely deserves to be known as a "whore" – a designation which was applied to her immediately after the play's premiere. Grillparzer's version of Kunigunda is also compared with her depiction in the tragedy "Král Přemysl Otakar Druhý" by František Zavřel.

     

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    Quelle: BASE Fachausschnitt AVL
    Sprache: Deutsch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Grillparzer; Franz; König Ottokars Glück und Ende
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help ; info:eu-repo/semantics/openAccess

  4. Der Mantel des Königs : zum symbolischen Gehalt von Ottokars Prunkmantel in Franz Grillparzers Trauerspiel 'König Ottokars Glück und Ende'
    Erschienen: 2021

    Clothing plays an important role in the tragedy 'König Ottokars Glück und Ende' by the Austrian dramatist Franz Grillparzer - however, this role has not yet been adequately explored. Coats, jackets, helmets and garters are not mere props in the play;... mehr

     

    Clothing plays an important role in the tragedy 'König Ottokars Glück und Ende' by the Austrian dramatist Franz Grillparzer - however, this role has not yet been adequately explored. Coats, jackets, helmets and garters are not mere props in the play; sometimes they are elevated to the level of symbols which can (and indeed must) be interpreted. Two types of garment play a particularly important symbolic role: Emperor Rudolf's grey jacket (jerkin) and King Ottokar's gold-embroidered coat. The King's coat is a symbol of his power and authority, yet it also evokes his alienation from his Bohemian subjects. It can also be interpreted as an allusion to the French Emperor Napoleon, whose features are clearly transferred into the figure of Ottokar.

     

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    Quelle: BASE Fachausschnitt AVL
    Sprache: Deutsch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Grillparzer; Franz; König Ottokars Glück und Ende; Mantel; Symbol; Napoleon I.; Frankreich; Kaiser
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/ ; info:eu-repo/semantics/openAccess

  5. Figuren an der Peripherie und im Zentrum der 'neuen Zeit' : Franz Grillparzers König Ottokar und Rudolf von Habsburg
    Erschienen: 2018

    Franz Grillparzers Trauerspiel 'König Ottokars Glück und Ende' wurde lange Zeit als ein patriotisches Festspiel (miss-)verstanden. Ebenso interessant wie die Frage nach der Berechtigung dieses (Miss-)Verständnisses ist jedoch die Frage, wie... mehr

     

    Franz Grillparzers Trauerspiel 'König Ottokars Glück und Ende' wurde lange Zeit als ein patriotisches Festspiel (miss-)verstanden. Ebenso interessant wie die Frage nach der Berechtigung dieses (Miss-)Verständnisses ist jedoch die Frage, wie Grillparzer in diesem Drama den Lauf der Geschichte darstellt. Die zwei rivalisierenden männlichen Hauptfiguren, nämlich Ottokar von Böhmen und Rudolf von Habsburg, lassen sich als Repräsentanten zweier historischer Epochen interpretieren. Während Rudolf eine neue Zeit proklamiert und sich gleich in deren Zentrum stellt, bleibt Ottokar dem Vergehenden verpflichtet und stirbt an der Peripherie einer kommenden Epoche, deren Gebot er zu spät erkennt. ; The tragedy 'The rise and fall of King Ottokar' ('König Ottokars Glück und Ende') by Franz Grillparzer has been (mis)understood for a long time as a patriotic festival production. Nevertheless, the question of how Grillparzer does present the course of history is as fascinating as the question for the justifiability of this (mis)understanding. Both rivalling male protagonists, that is, Ottokar of Bohemia (Ottokar von Böhmen) and Rudolf of Habsburg (Rudolf von Habsburg) may be seen as representatives of two different historical eras. While Rudolf proclaims a new era and at once places himself at its center, Ottokar stays committed to the declining world and dies near the periphery of a modern epoch whose requirements he does not recognize early enough.

     

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    Quelle: BASE Fachausschnitt AVL
    Sprache: Deutsch
    Medientyp: Aufsatz aus einem Sammelband
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Grillparzer; Franz / König Ottokars Glück und Ende; Otakar II.; Rudolf I.; Heiliges Römisches Reich; König
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help ; info:eu-repo/semantics/openAccess

  6. Ehefrau oder Mutter? : zur Darstellung der böhmischen Königin Margarethe von Österreich bei Franz Grillparzer und Vlastimil Vondruška ; Wife or mother? : the representation of the Bohemian Queen Margaret of Austria in the work of Franz Grillparzer and Vlastimil Vondruška
    Erschienen: 2018

    The tragedy 'König Ottokars Glück und Ende' by the Austrian poet Franz Grillparzer is often viewed as an exclusively male drama. Nevertheless, it does contain female characters, including the two wives of the Přemyslid King Otakar I – Margaret of... mehr

     

    The tragedy 'König Ottokars Glück und Ende' by the Austrian poet Franz Grillparzer is often viewed as an exclusively male drama. Nevertheless, it does contain female characters, including the two wives of the Přemyslid King Otakar I – Margaret of Austria and Kunigunda of Galicia. The first of these in particular is a somewhat ambiguous character, whose interpretation raises a number of questions. The aim of this study is to outline the problems associated with interpreting the character of Margaret and to find a character in Czech historical literature who is similar to Grillparzer's Margaret.

     

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    Quelle: BASE Fachausschnitt AVL
    Sprache: Deutsch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Grillparzer; Franz; König Ottokars Glück und Ende; Vondruška; Vlastimil; Margarete <von Österreich>
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help ; info:eu-repo/semantics/openAccess

  7. Wiedergänger und Vorbote : zur Darstellung des böhmischen Königs Přemysl Otakar II. bei Franz Grillparzer und František Zavřel ; Revenant and harbinger : on the depiction of the Bohemian King Otakar II in the work of Franz Grillparzer and František Zavřel
    Erschienen: 2018

    This study compares the dramas König Ottokars Glück und Ende by the Austrian dramatist Franz Grillparzer and Král Přemysl Otakar Druhý by the Czech writer František Zavřel. The focus is on the character of the Bohemian King Otakar II. The king is... mehr

     

    This study compares the dramas König Ottokars Glück und Ende by the Austrian dramatist Franz Grillparzer and Král Přemysl Otakar Druhý by the Czech writer František Zavřel. The focus is on the character of the Bohemian King Otakar II. The king is depicted by both authors as a strong and remarkable figure, but while Grillparzer presents him as an anti-hero who falls victim to his own ruthless politics, Zavřel shows him to be a form of superman, whose downfall is caused by the pettiness of those around him. The study explores these differences and seeks to explain their origins

     

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    Quelle: BASE Fachausschnitt AVL
    Sprache: Deutsch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Grillparzer; Franz; König Ottokars Glück und Ende; Otakar II.; Böhmen; König; Zavřel; František
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help ; info:eu-repo/semantics/openAccess

  8. Der König und der Usurpator : die Figuren von Franz Grillparzers Primislaus Ottokar und Jaroslav Hilberts Záviš z Falkenštejna im Vergleich ; The king and the usurper : comparing the characters of Franz Grillparzer's Primislaus Ottokar und Jaroslav Hilbert's Záviš z Falkenštejna
    Erschienen: 2018

    King Ottokar II and Záviš z Falkenštejna are often depicted in literary fiction as rivals – both in politics and in love. A similar representation can be found in the work of Franz Grillparzer, whose Zawisch incorporates both demonic and comic... mehr

     

    King Ottokar II and Záviš z Falkenštejna are often depicted in literary fiction as rivals – both in politics and in love. A similar representation can be found in the work of Franz Grillparzer, whose Zawisch incorporates both demonic and comic elements. He can be interpreted in various ways: as a sophisticated plotter of intrigues, a malicious poisoner, an arrogant figure who betrays his king and his country due to his wounded pride, or a seducer who eventually becomes subservient to an Amazon whom he had originally envisaged as his own puppet. Directors, viewers and readers usually do not see him as a great statesman. However, Jaroslav Hilbert depicted him in an entirely different manner. His Falkenštejn is a violent conspirator and usurper - but also a patriot, a statesman and a modern thinker. In Grillparzers work, the character of Zawisch is more reminiscent of his traditional rival Ottakar than of Hilbert's depiction. This study presents a comparison of both characters.

     

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    Quelle: BASE Fachausschnitt AVL
    Sprache: Deutsch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Grillparzer; Franz; König Ottokars Glück und Ende; Zavřel; František; Hilbert; Jaroslav; Záviš; z Falkenštejna; Literarische Gestalt
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help ; info:eu-repo/semantics/openAccess

  9. Des Kaisers grauer Rock : zur Herausstellung des Deutschtums Kaiser Rudolfs in Franz Grillparzers Trauerspiel 'König Ottokars Glück und Ende'
    Erschienen: 2020

    The Austrian poet Franz Grillparzer is often presented in scholarly literature as an opponent of nationalism. Indeed, Grillparzer did oppose nationally motivated separatist tendencies, which he viewed as a threat to the existence of the supranational... mehr

     

    The Austrian poet Franz Grillparzer is often presented in scholarly literature as an opponent of nationalism. Indeed, Grillparzer did oppose nationally motivated separatist tendencies, which he viewed as a threat to the existence of the supranational Habsburg Monarchy. However, his tragedy 'König Ottokars Glück und Ende' includes clear examples of the early Habsburg ideology which emerged along with the Austrian Empire during the Napoleonic Wars (a time of nationalist tensions) and which - at least initially - was imbued with a form of German Romantic nationalism. This ideology is displayed by the character of Rudolf von Habsburg, who - in the spirit of Romantic nationalism - is depicted as the embodiment of Germany. Rudolf's fervent Germanness - which appears to have been one of the reasons behind Grillparzer's problems with censorship under the Metternich regime - is not only evident in the character's words, but also in the clothes he wears. The grey coat that is one of Rudolf's most distinctive features may be a reference to what was known as an 'Old German' folk costume ('Altdeutsche Tracht'); after the Napoleonic Wars, this garment became a symbol used by the German nationalist student movement known as the 'Burschenschaftler'.

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Deutsch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Grillparzer; Franz; König Ottokars Glück und Ende; Deutschland; Nationalismus
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help ; info:eu-repo/semantics/openAccess