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  1. Women, literature, and the arts of the countryside in early twentieth-century England
    Autor*in: Page, Judith W.; Smith, Elise Lawton
    Erschienen: 2021
    Verlag:  Cambridge University Press, Cambridge

    "Focusing on eight writers and artists, this book examines the centrality of the countryside to women's work, creativity, and aspirations in early twentieth-century England. The authors introduce us to figures who should be better known today:... mehr

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    Universitätsbibliothek Freiburg
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    FX 2021/454
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    Universitätsbibliothek Heidelberg
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    2022 A 7033
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Standort:
    Otto-von-Guericke-Universität, Universitätsbibliothek
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    2021.01259:1
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    Universitätsbibliothek Mannheim
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    500 HM 1101 P132
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    Brechtbau-Bibliothek
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    NJ 550.136
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    "Focusing on eight writers and artists, this book examines the centrality of the countryside to women's work, creativity, and aspirations in early twentieth-century England. The authors introduce us to figures who should be better known today: educators, artists, novelists, poets, and memoirists. Divided into four sections, with foci on professions and education, the transformation of the countryside, arts and crafts, and dislocation and loss, this book by a literature scholar and an art historian brings an interdisciplinary perspective, providing a unique view of women's responses to such major issues of the twentieth century as war, industrialization, modernist ideology, and gender. From Mary Watts's remarkable pottery to Beatrix Potter's work as a children's author and environmentalist to Dora Carrington's haunting paintings and Vita Sackville-West's Sissinghurst Castle Garden, this book challenges readers to rethink the early twentieth century through the lens of their work"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781108491150; 9781108811644
    RVK Klassifikation: HM 1101
    Schlagworte: English literature; English literature; Art, English; Women artists; Gardens in literature; Gardens in art; Gardens; Gardening in literature
    Umfang: xiv, 261 Seiten, Illustrationen, 26 cm
    Bemerkung(en):

    Literaturverzeichnis: Seite 247-258
  2. The enclosed garden and the medieval religious imaginary
    Autor*in: Herbert McAvoy, Liz
    Erschienen: 2021
    Verlag:  D.S. Brewer, Cambridge ; Cambridge University Press, Rochester, NY

    During the Middle Ages, the arresting motif of the walled garden - especially in its manifestation as a sacred or love-inflected hortus conclusus - was a common literary device. Usually associated with the Virgin Mary or the Lady of popular... mehr

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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Standort:
    Universität Frankfurt, Elektronische Ressourcen
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    /
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    Standort:
    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    During the Middle Ages, the arresting motif of the walled garden - especially in its manifestation as a sacred or love-inflected hortus conclusus - was a common literary device. Usually associated with the Virgin Mary or the Lady of popular romance, it appeared in myriad literary and iconographic forms, largely for its aesthetic, decorative and symbolic qualities. This study focuses on the more complex metaphysical functions and meanings attached to it between 1100 and 1400 - and, in particular, those associated with the gardens of Eden and the Song of Songs. Drawing on contemporary theories of gender, gardens, landscape and space, it traces specifically the resurfacing and reworking of the idea and image of the enclosed garden within the writings of medieval holy women and other female-coded texts. In so doing, it presents the enclosed garden as generator of a powerfully gendered hermeneutic imprint within the medieval religious imaginary - indeed, as an alternative "language" used to articulate those highly complex female-coded approaches to God that came to dominate late-medieval religiosity. The book also responds to the "eco-turn" in our own troubled times that attempts to return the non-human to the centre of public and private discourse. The texts under scrutiny therefore invite responses as both literary and "garden" spaces where form often reflects content, and where their authors are also diligent "gardeners": the apocryphal Lives of Adam and Eve, for example; the horticulturally-inflected Hortus Deliciarum of Herrad of Hohenburg and the "green" philosophies of Hildegard of Bingen's Scivias; the visionary writings of Gertrude the Great and Mechthild of Hackeborn collaborating within their Helfta nunnery; the Middle English poem, Pearl; and multiple reworkings of the deeply problematic and increasingly sexualized garden enclosing the biblical figure of Susanna.

     
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  3. The Tale of Peter Rabbit in Koine Greek
    Beteiligt: McCollum, Joey (Hrsg.); Niedergall, Brent (Hrsg.)
    Erschienen: 2021
    Verlag:  Gorgias Press, Piscataway, NJ

    When Beatrix Potter wrote The Tale of Peter Rabbit at the turn of the twentieth century, a Koine Greek translation of her work would never have crossed her mind. Almost no one writes anything, especially works of fiction, in the language of the New... mehr

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Bayerische Staatsbibliothek
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    When Beatrix Potter wrote The Tale of Peter Rabbit at the turn of the twentieth century, a Koine Greek translation of her work would never have crossed her mind. Almost no one writes anything, especially works of fiction, in the language of the New Testament anymore. Almost no one has for centuries. This is why students of Koine Greek are largely limited in their selection of reading material to the New Testament, Septuagint, and Apostolic Fathers. But wouldn't it be nice if Greek students could immerse themselves more fully in the language? If students had access to a wide variety of reading materials, ancient and modern, they would have even more opportunities to read and learn how the language works. They might even read for pleasure. Beatrix Potter would surely have supported such an enterprise. Because of our purpose and intended audience, this translation is written in Koine style and only uses vocabulary found in the Greek New Testament and Septuagint (including the Apocrypha). Because students of biblical Greek typically learn all the words that appear in the New Testament fifty times and more, translational glosses for all words appearing fifty times and fewer are included at the bottom of each page. English equivalents for proper names are only given at their first occurrence in the book. We have also included an English translation of the Greek text in the back of the book

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: McCollum, Joey (Hrsg.); Niedergall, Brent (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781463242947
    Weitere Identifier:
    Schriftenreihe: Gorgias Handbooks ; 51
    Schlagworte: Catalogues; Reference; FOREIGN LANGUAGE STUDY / Ancient Languages (see also Latin); Brothers and sisters; Gardens; Greek language, Biblical; Obedience; Rabbits; Übersetzung; Koine
    Weitere Schlagworte: Potter, Beatrix (1866-1943): Peter Rabbit
    Umfang: 1 Online-Ressource (46 Seiten), Illustrationen
  4. Women, literature, and the arts of the countryside in early twentieth-century England
    Autor*in: Page, Judith W.; Smith, Elise Lawton
    Erschienen: 2021
    Verlag:  Cambridge University Press, Cambridge

    Standort:
    Universitätsbibliothek Bielefeld
    Signatur:
    WI177 P132
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    Universitäts- und Landesbibliothek Düsseldorf
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    angg890.p132
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    Standort:
    Universitäts- und Landesbibliothek Münster
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    3K 90357
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  5. The enclosed garden and the medieval religious imaginary
    Autor*in: Herbert McAvoy, Liz
    Erschienen: 2021
    Verlag:  D.S. Brewer, Cambridge, UK

    During the Middle Ages, the arresting motif of the walled garden - especially in its manifestation as a sacred or love-inflected hortus conclusus - was a common literary device. Usually associated with the Virgin Mary or the Lady of popular romance,... mehr

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek Rostock
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    Württembergische Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    During the Middle Ages, the arresting motif of the walled garden - especially in its manifestation as a sacred or love-inflected hortus conclusus - was a common literary device. Usually associated with the Virgin Mary or the Lady of popular romance, it appeared in myriad literary and iconographic forms, largely for its aesthetic, decorative and symbolic qualities. This study focuses on the more complex metaphysical functions and meanings attached to it between 1100 and 1400 - and, in particular, those associated with the gardens of Eden and the Song of Songs. Drawing on contemporary theories of gender, gardens, landscape and space, it traces specifically the resurfacing and reworking of the idea and image of the enclosed garden within the writings of medieval holy women and other female-coded texts. In so doing, it presents the enclosed garden as generator of a powerfully gendered hermeneutic imprint within the medieval religious imaginary - indeed, as an alternative "language" used to articulate those highly complex female-coded approaches to God that came to dominate late-medieval religiosity. The book also responds to the "eco-turn" in our own troubled times that attempts to return the non-human to the centre of public and private discourse. The texts under scrutiny therefore invite responses as both literary and "garden" spaces where form often reflects content, and where their authors are also diligent "gardeners": the apocryphal Lives of Adam and Eve, for example; the horticulturally-inflected Hortus Deliciarum of Herrad of Hohenburg and the "green" philosophies of Hildegard of Bingen's Scivias; the visionary writings of Gertrude the Great and Mechthild of Hackeborn collaborating within their Helfta nunnery; the Middle English poem, Pearl; and multiple reworkings of the deeply problematic and increasingly sexualized garden enclosing the biblical figure of Susanna.

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781800103078; 9781843845980
    Schriftenreihe: Nature and environment in the Middle Ages ; 4
    Schlagworte: Literature, Medieval; Literature, Medieval; Women in literature; Gardens in literature; Christianity in literature; Enclosed garden (Allegory); Christian art and symbolism; Gardens
    Umfang: 1 online resource (xiii, 385 pages), Illustrationen.
  6. The enclosed garden and the medieval religious imaginary
    Autor*in: Herbert McAvoy, Liz
    Erschienen: 2021
    Verlag:  D.S. Brewer, Cambridge, UK

    During the Middle Ages, the arresting motif of the walled garden - especially in its manifestation as a sacred or love-inflected hortus conclusus - was a common literary device. Usually associated with the Virgin Mary or the Lady of popular romance,... mehr

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    Verlag (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    During the Middle Ages, the arresting motif of the walled garden - especially in its manifestation as a sacred or love-inflected hortus conclusus - was a common literary device. Usually associated with the Virgin Mary or the Lady of popular romance, it appeared in myriad literary and iconographic forms, largely for its aesthetic, decorative and symbolic qualities. This study focuses on the more complex metaphysical functions and meanings attached to it between 1100 and 1400 - and, in particular, those associated with the gardens of Eden and the Song of Songs. Drawing on contemporary theories of gender, gardens, landscape and space, it traces specifically the resurfacing and reworking of the idea and image of the enclosed garden within the writings of medieval holy women and other female-coded texts. In so doing, it presents the enclosed garden as generator of a powerfully gendered hermeneutic imprint within the medieval religious imaginary - indeed, as an alternative "language" used to articulate those highly complex female-coded approaches to God that came to dominate late-medieval religiosity. The book also responds to the "eco-turn" in our own troubled times that attempts to return the non-human to the centre of public and private discourse. The texts under scrutiny therefore invite responses as both literary and "garden" spaces where form often reflects content, and where their authors are also diligent "gardeners": the apocryphal Lives of Adam and Eve, for example; the horticulturally-inflected Hortus Deliciarum of Herrad of Hohenburg and the "green" philosophies of Hildegard of Bingen's Scivias; the visionary writings of Gertrude the Great and Mechthild of Hackeborn collaborating within their Helfta nunnery; the Middle English poem, Pearl; and multiple reworkings of the deeply problematic and increasingly sexualized garden enclosing the biblical figure of Susanna.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781800103078; 9781843845980
    Schriftenreihe: Nature and environment in the Middle Ages ; 4
    Schlagworte: Literature, Medieval; Literature, Medieval; Women in literature; Gardens in literature; Christianity in literature; Enclosed garden (Allegory); Christian art and symbolism; Gardens
    Umfang: 1 online resource (xiii, 385 pages), Illustrationen.
  7. Women, literature, and the arts of the countryside in early twentieth-century England
    Autor*in: Page, Judith W.; Smith, Elise Lawton
    Erschienen: 2021
    Verlag:  Cambridge University Press, Cambridge

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    Europa-Universität Viadrina, Universitätsbibliothek
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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781108491150; 9781108811644
    RVK Klassifikation: HM 1101
    Schlagworte: English literature; English literature; Art, English; Women artists; Gardens in literature; Gardens in art; Gardens; Natur <Motiv>; Autorin; Kunst; Frauenliteratur; Garten <Motiv>; Gartenarbeit <Motiv>; Literatur; Englisch
    Umfang: xiv, 261 Seiten, Illustrationen
  8. Women, literature, and the arts of the countryside in early twentieth-century England
    Autor*in: Page, Judith W; Smith, Elise Lawton
    Erschienen: 2021
    Verlag:  Cambridge University Press, Cambridge

    Standort:
    Universitätsbibliothek Bielefeld
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781108491150; 9781108811644
    Schlagworte: English literature; English literature; Art, English; Women artists; Gardens in literature; Gardens in art; Gardens
    Umfang: xiv, 261 Seiten, Illustrationen