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  1. Avant-garde gambits
    1888 - 1893 ; gender and the colour of art history
    Autor*in: Pollock, Griselda
    Erschienen: 1992
    Verlag:  Thames and Hudson, London

    In the late 1880s Gauguin, Van Gogh and Bernard, fledgling members of the subculture we call the avant-garde, abandoned Paris, the capital of modernity, to seek out in rural Brittany, Provence - and later in Tahiti - what Van Gogh called "a purer... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In the late 1880s Gauguin, Van Gogh and Bernard, fledgling members of the subculture we call the avant-garde, abandoned Paris, the capital of modernity, to seek out in rural Brittany, Provence - and later in Tahiti - what Van Gogh called "a purer nature of the countryside." Griselda Pollock challenges art history's usual interpretations of this search in the distant and exotic regions by arguing that these artists were cultural colonizers. They exhibited the modern tourist's attachment to home - modern Paris and its art worlds - while being fascinated by what they imagined was a pre-modern "other." Through a thorough textual and social reading of Gauguin's 1892 painting of his Tahitian wife, Manao Tupapau, the author proposes a new theory about the avant-garde as a series of gambits, a game of reference, deference and difference. This painting refers and defers to Manet's Olympia (1863), a notorious avant-garde image of prostitution in the modern city. Where it was seen to differ was in the color of the nude: critics named it a "brown Olympia." Careful deconstruction of this epithet allows Professor Pollock to explore the ways in which racist discourse structures art and art history, posing questions of cultural, sexual and ethnic difference in order to make us all self-critical, not only in regard to the gender, but also to the color of art history.

     
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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0500550255
    RVK Klassifikation: LH 65810
    Schriftenreihe: Walter Neurath memorial lectures ; 24
    Schlagworte: Beïnvloeding; Schilderkunst; Sekseverschillen; Geschichte; Geschlechtsunterschied; Malerei; Avant-garde (Aesthetics); Women in art; Ikonographie; Ästhetik; Malerei; Erotische Kunst; Farbe; Avantgarde; Frauenkunst; Kunstsoziologie; Frau
    Weitere Schlagworte: Gogh, Vincent van (1853-1890); Gauguin, Paul (1848-1903)
    Umfang: 80 S., zahlr. Ill.
  2. Old mistresses
    women, art and ideology
    Autor*in: Parker, Rozsika; Pollock, Griselda
    Erschienen: 1992
    Verlag:  Pandora Verl., London

    Standort:
    Archiv der Akademie der Künste, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Fachhochschule Potsdam, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Unbestimmt
    Medientyp: Buch (Monographie)
    ISBN: 0863581854
    RVK Klassifikation: LH 60200 ; MS 3000 ; MS 3100
    Schlagworte: Frau <Motiv>; Feminismus; Kunst; Künstlerin; Frau; Soziale Rolle; Kunstsoziologie
    Umfang: XXI, 184 S., zahlr. Ill.
  3. Modernity and the spaces of femininity
    Autor*in: Pollock, Griselda
    Erschienen: 1992

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einem Sammelband
    Übergeordneter Titel:
    The expanding discourse / ed. by Norma Broude and Mary D. Garrard; Boulder [u.a.], 1992; S. 244-267
    Schlagworte: Kunstwissenschaft; Frau <Motiv>; Geschlechterforschung
  4. Avant-garde gambits
    1888 - 1893 ; gender and the colour of art history
    Autor*in: Pollock, Griselda
    Erschienen: 1992
    Verlag:  Thames and Hudson, London

    In the late 1880s Gauguin, Van Gogh and Bernard, fledgling members of the subculture we call the avant-garde, abandoned Paris, the capital of modernity, to seek out in rural Brittany, Provence - and later in Tahiti - what Van Gogh called "a purer... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Deutsches Forum für Kunstgeschichte, Bibliothek

    Standort:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In the late 1880s Gauguin, Van Gogh and Bernard, fledgling members of the subculture we call the avant-garde, abandoned Paris, the capital of modernity, to seek out in rural Brittany, Provence - and later in Tahiti - what Van Gogh called "a purer nature of the countryside." Griselda Pollock challenges art history's usual interpretations of this search in the distant and exotic regions by arguing that these artists were cultural colonizers. They exhibited the modern tourist's attachment to home - modern Paris and its art worlds - while being fascinated by what they imagined was a pre-modern "other." Through a thorough textual and social reading of Gauguin's 1892 painting of his Tahitian wife, Manao Tupapau, the author proposes a new theory about the avant-garde as a series of gambits, a game of reference, deference and difference. This painting refers and defers to Manet's Olympia (1863), a notorious avant-garde image of prostitution in the modern city. Where it was seen to differ was in the color of the nude: critics named it a "brown Olympia." Careful deconstruction of this epithet allows Professor Pollock to explore the ways in which racist discourse structures art and art history, posing questions of cultural, sexual and ethnic difference in order to make us all self-critical, not only in regard to the gender, but also to the color of art history.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0500550255
    RVK Klassifikation: LH 65810
    Schriftenreihe: Walter Neurath memorial lectures ; 24
    Schlagworte: Beïnvloeding; Schilderkunst; Sekseverschillen; Geschichte; Geschlechtsunterschied; Malerei; Avant-garde (Aesthetics); Women in art; Ikonographie; Ästhetik; Malerei; Erotische Kunst; Farbe; Avantgarde; Frauenkunst; Kunstsoziologie; Frau
    Weitere Schlagworte: Gogh, Vincent van (1853-1890); Gauguin, Paul (1848-1903)
    Umfang: 80 S., zahlr. Ill.