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  1. Whitman and the Irish
    Autor*in: Krieg, Joann P.
    Erschienen: ©2000
    Verlag:  University of Iowa Press, Iowa City

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0877457298; 0877457301; 1587293412; 9780877457299; 9780877457305; 9781587293412
    Schlagworte: Poètes américains / 19e siècle / Biographies; Américains d'origine irlandaise / Biographies; BIOGRAPHY & AUTOBIOGRAPHY / Literary; LITERARY CRITICISM / Poetry; Art; Friendship; Irish Americans; Poets, American; Kunst; Wissen; Poets, American; Irish Americans
    Weitere Schlagworte: Whitman, Walt / 1819-1892 / Friends and associates / Knowledge / United States / Knowledge / Ireland; Whitman, Walt / 1819-1892 / Amis et relations; Whitman, Walt / 1819-1892 / Et les États-Unis; Whitman, Walt / 1819-1892 / Et l'Irlande; Whitman, Walt / 1819-1892; Whitman, Walt (1819-1892); Whitman, Walt (1819-1892); Whitman, Walt (1819-1892)
    Umfang: 1 Online-Ressource (xvii, 273 pages)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Paralleltitel: Whitman & the Irish

    Includes bibliographical references (pages 239-265) and index

    Historical Background -- Time Line -- New York City -- Boston, 1860 -- Washington, D.C. -- Boston, 1881 -- Camden & Eminent Visitors -- Dublin -- Coda

    Though Walt Whitman created no Irish characters in his early works of fiction, he did include the Irish as part of the democratic portrait of America that he drew in Leaves of Grass. He could hardly have done otherwise. In 1855, when the first edition of Leaves of Grass was published, the Irish made up one of the largest immigrant populations in New York City and, as such, maintained a cultural identity of their own. All of this "Irishnesso swirled about Whitman as he trod the streets of his Mannahatta, ultimately becoming part of him and his poetry

  2. The evolution of Walt Whitman
    Erschienen: c1999 (2012)
    Verlag:  University of Iowa Press, Iowa City

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0877456828; 1609380339; 9780877456827; 9781609380335
    Auflage/Ausgabe: Expanded ed
    Schriftenreihe: UPCC book collections on Project MUSE.
    Schlagworte: LITERARY CRITICISM / Poetry; Poets, American; Poets, American
    Weitere Schlagworte: Whitman, Walt / 1819-1892; Whitman, Walt / 1819-1892; Whitman, Walt (1819-1892); Whitman, Walt (1819-1892)
    Umfang: 1 Online-Ressource (xiv, 392 p.)
    Bemerkung(en):

    OldControl:muse9781609380335. - Originally published: Belknap Press of Harvard University Press, 1960-1962. - "Multi-User"

    Made available online by Project Muse

    Includes bibliographical references (p. [261]-271) and indexes

    The creation of a personality -- The creation of a book

  3. The better angel
    Walt Whitman in the Civil War
    Autor*in: Morris, Roy
    Erschienen: 2000
    Verlag:  Oxford University Press, Oxford [England]

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0195124820; 1280471611; 142376076X; 9780195124828; 9781280471612; 9781423760764
    Schlagworte: Poetry / United States / Biography; Literature, Modern / United States / Biography; War / United States; Poètes américains / 19e siècle / Biographies; BIOGRAPHY & AUTOBIOGRAPHY / Literary; LITERARY CRITICISM / Poetry; Poets, American; War work; Poets, American; Sezessionskrieg <1861-1865>
    Weitere Schlagworte: Whitman, Walt / 1819-1892 / Views on war; Whitman, Walt / 1819-1892; Whitman, Walt / 1819-1892 / Et la guerre; Whitman, Walt / 1819-1892; Whitman, Walt (1819-1892); Whitman, Walt (1819-1892)
    Umfang: 1 Online-Ressource (ix, 270 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 259-262) and index

    On May 26, 1863, Walt Whitman wrote to his mother: "O the sad, sad things I see - the noble young men with legs and arms taken off - the deaths - the sick weakness, sicker than death, that some endure, after amputations ... just flickering alive, and O so deathly weak and sick." For nearly three years, Whitman immersed himself in the devastation of the Civil War, tending to thousands of wounded soldiers and recording his experience with immediacy and compassion. In this book, biographer Roy Morris, Jr. gives us an account of Whitman's profoundly transformative Civil War Years and an historically important examination of the Union's treatment of its sick and wounded. Whitman was mired in depression as the war began, subsisting on journalistic hackwork, wasting his nights in New York's seedy bohemian underground, his "great career" as a poet apparently stalled. But when news came that his brother George had been wounded at Fredericksburg, Whitman rushed south to find him. Though his brother's injury was slight, Whitman was deeply affected by his first view of the war's casualties

  4. The erotic Whitman
    Erschienen: ©2000
    Verlag:  University of California Press, Berkeley

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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  5. A historical guide to Walt Whitman
    Erschienen: 2000
    Verlag:  Oxford University Press, New York

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0199728089; 1280470577; 142376000X; 1602562881; 9780199728084; 9781280470578; 9781423760009; 9781602562882
    RVK Klassifikation: HT 6915
    Schriftenreihe: Historical guides to American authors
    Schlagworte: Literature and history / United States / History / 19th century; Littérature et histoire / États-Unis / Histoire / 19e siècle; LITERARY CRITICISM / Poetry; Literature and history; Geschichte; Literature and history
    Weitere Schlagworte: Whitman, Walt / 1819-1892 / Critique et interprétation; Whitman, Walt / 1819-1892; Whitman, Walt (1819-1892); Whitman, Walt (1819-1892); Whitman, Walt (1819-1892)
    Umfang: 1 Online-Ressource (viii, 280 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 255-259) and index

    Introduction - David S. Reynolds -- - Walt Whitman, 1819-1892: a brief biography - David S. Reynolds -- - Lucifer and Ethiopia: Whitman, race, and poetics before the Civil War and after - Ed Folsom -- - Political roots of Leaves of Grass - Jerome Loving -- - Whitman and the gay American ethos - M. Jimmie Killingsworth -- - Whitman and the visual arts - Roberta K. Tarbell -- - Whitman the democrat - Kenneth Cmiel -- - Illustrated chronology -- - Bibliographical essay - David S. Reynolds

    Few authors are so well suited to historical study as Whitman, who is widely considered America's greatest poet. This Guide combines contemporary cultural studies and historical scholarship to illuminate Whitman's diverse contexts. The essays explore dimensions of Whitman's dynamic relationship to working-class politics, race and slavery, sexual mores, the visual arts, and the idea of democracy. The poet who emerges from this volume is no "solitary singer", distanced from his culture, but what he himself called "the age transfigured", fully enmeshed in his times and addressing issues that are still vital today