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  1. So long!
    Walt Whitman's poetry of death
    Autor*in: Aspiz, Harold
    Erschienen: ©2004
    Verlag:  University of Alabama Press, Tuscaloosa

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 081731377X; 0817381635; 9780817313777; 9780817381639
    Schlagworte: Whitman, Walt; Mort dans la littérature; LITERARY CRITICISM / Poetry; Leaves of grass (Whitman, Walt); Criticism and interpretation; Death in literature; Gedichten; Literaire thema's; Dood; Lyrik; Death in literature; Tod <Motiv>; Lyrik; Sterblichkeit <Motiv>
    Weitere Schlagworte: Whitman, Walt / 1819-1892 / Critique et interprétation; Whitman, Walt / 1819-1892 / Leaves of grass; Whitman, Walt / 1819-1892 / Prose; Whitman, Walt / 1819-1892; Whitman, Walt (1819-1892); Whitman, Walt (1819-1892): Leaves of grass; Whitman, Walt (1819-1892); Whitman, Walt (1819-1892)
    Umfang: 1 Online-Ressource (xi, 294 pages)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 277-287) and index

    "Triumphal drums for the dead": "song of myself," 1855 -- "Great is death": leaves of grass poems, 1855 -- "The progress of souls": leaves of grass, 1856 -- "So long!": leaves of grass, 1860 -- "Come sweet death!": the drum-taps poems, 1865-1866 -- "Sweet, peaceful, welcome death": leaves of grass, 1867-1892

    Through a close reading of Leaves of Grass, its constituent poems, particularly Song of Myself and Whitman's prose and letters, Aspiz charts how the poet's exuberant celebration of life is a consequence of his central concern: the ever presence of death and the prospect of an afterlife