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  1. Art, politics, and Rancière
    broken perceptions
    Autor*in: Chanter, Tina
    Erschienen: 2018
    Verlag:  Bloomsbury Academic, London, England

    Standort:
    Technische Universität Chemnitz, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    RVK Klassifikation: CC 6900 ; CK 3158
    Schlagworte: Rancière, Jacques; Aesthetics; Art; Perception; Political science; Electronic books
    Umfang: 1 online resource (184 pages)
  2. Art, politics, and Rancière
    broken perceptions
    Autor*in: Chanter, Tina
    Erschienen: 2018
    Verlag:  Bloomsbury Academic, London ; New York

    Even those who take themselves to be breaking from tradition-from the metaphysical tradition of philosophy, from grand narratives, neoliberalism or Eurocentrism-can remain blindly attached to them. Art, Politics and Rancière: Broken Perspectives... mehr

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Deutsches Forum für Kunstgeschichte, Bibliothek

     

    Even those who take themselves to be breaking from tradition-from the metaphysical tradition of philosophy, from grand narratives, neoliberalism or Eurocentrism-can remain blindly attached to them. Art, Politics and Rancière: Broken Perspectives provides an account of how works of art can, but do not necessarily, interrupt dominant narratives. Inspired by Jacques Rancière, Tina Chanter assumes his work as a starting point. She presents a rigorous and appreciative critique of Rancière's story of aesthetics, paying close attention to gender and race. Along with the relationship between the unconscious and the political, perception is a key theme throughout, used to address questions such as 'How do some things become visible, while other things remain invisible?' 'What does it take for something to be seen, and why do other things elude visibility?' Alongside illuminating discussions of Rancière, Heidegger and Levinas are informed accounts of artists Ingrid Mwangi, Phillip Noyce, Ingrid Pollard, and Gillian Wearing. Outlining the basis of a new political aesthetic, Art, Politics and Rancière develops an original philosophical consideration that is sensitive to race and gender, yet not reducible to these concerns.

     
    Export in Literaturverwaltung   RIS-Format
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781350044173; 9781472511676; 9781472510945
    Weitere Identifier:
    RVK Klassifikation: CK 3158
    Schlagworte: Ästhetik; Politische Philosophie
    Weitere Schlagworte: Lévinas, Emmanuel (1906-1995); Rancière, Jacques (1940-); Heidegger, Martin (1889-1976); Pollard, Ingrid (1953-); Wearing, Gillian (1963-); Noyce, Phillip (1950-); Mwangi, Ingrid (1975-); Rancière, Jacques; Aesthetics; Art / Philosophy; Perception; Political science / Philosophy
    Umfang: 1 Online-Ressource (XV, 184 Seiten), Illustrationen
    Bemerkung(en):

    Redistributing the sensible: the art of borders, maps, territories and bodies
    Politics as the interruption of inequality, and the police as the miscount
    Art as dissensus: moving beyond the ethical and representative regimes with the help of Kant and Hegel
    Framing and reframing Rancière's critical intervention: Foucault and Kant
    Form and matter
    Feminist art: disrupting and consolidating the police order
  3. Art, politics, and Rancière
    broken perceptions
    Autor*in: Chanter, Tina
    Erschienen: 2018
    Verlag:  Bloomsbury Academic, London ; Oxford ; New York ; New Delhi ; Sydney

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
  4. Art, politics, and Rancière
    broken perceptions
    Autor*in: Chanter, Tina
    Erschienen: 2018
    Verlag:  Bloomsbury Academic, London ; New York

    Even those who take themselves to be breaking from tradition-from the metaphysical tradition of philosophy, from grand narratives, neoliberalism or Eurocentrism-can remain blindly attached to them. Art, Politics and Rancière: Broken Perspectives... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Even those who take themselves to be breaking from tradition-from the metaphysical tradition of philosophy, from grand narratives, neoliberalism or Eurocentrism-can remain blindly attached to them. Art, Politics and Rancière: Broken Perspectives provides an account of how works of art can, but do not necessarily, interrupt dominant narratives. Inspired by Jacques Rancière, Tina Chanter assumes his work as a starting point. She presents a rigorous and appreciative critique of Rancière's story of aesthetics, paying close attention to gender and race. Along with the relationship between the unconscious and the political, perception is a key theme throughout, used to address questions such as 'How do some things become visible, while other things remain invisible?' 'What does it take for something to be seen, and why do other things elude visibility?' Alongside illuminating discussions of Rancière, Heidegger and Levinas are informed accounts of artists Ingrid Mwangi, Phillip Noyce, Ingrid Pollard, and Gillian Wearing. Outlining the basis of a new political aesthetic, Art, Politics and Rancière develops an original philosophical consideration that is sensitive to race and gender, yet not reducible to these concerns.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781350044173; 9781472511676; 9781472510945
    Weitere Identifier:
    RVK Klassifikation: CK 3158
    Schlagworte: Ästhetik; Politische Philosophie
    Weitere Schlagworte: Lévinas, Emmanuel (1906-1995); Rancière, Jacques (1940-); Heidegger, Martin (1889-1976); Pollard, Ingrid (1953-); Wearing, Gillian (1963-); Noyce, Phillip (1950-); Mwangi, Ingrid (1975-); Rancière, Jacques; Aesthetics; Art / Philosophy; Perception; Political science / Philosophy
    Umfang: 1 Online-Ressource (XV, 184 Seiten), Illustrationen
    Bemerkung(en):

    Redistributing the sensible: the art of borders, maps, territories and bodies
    Politics as the interruption of inequality, and the police as the miscount
    Art as dissensus: moving beyond the ethical and representative regimes with the help of Kant and Hegel
    Framing and reframing Rancière's critical intervention: Foucault and Kant
    Form and matter
    Feminist art: disrupting and consolidating the police order
  5. Art, politics, and Rancière
    broken perceptions
    Autor*in: Chanter, Tina
    Erschienen: 2018
    Verlag:  Bloomsbury Academic, London ; Oxford ; New York ; New Delhi ; Sydney

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781472510563
    RVK Klassifikation: CK 3158
    Schlagworte: Aesthetics; Art; Perception; Political science; Ästhetik; Politische Philosophie
    Weitere Schlagworte: Rancière, Jacques; Rancière, Jacques; Wearing, Gillian (1963-); Pollard, Ingrid (1953-); Lévinas, Emmanuel (1906-1995); Noyce, Phillip (1950-); Mwangi, Ingrid (1975-); Rancière, Jacques (1940-); Heidegger, Martin (1889-1976)
    Umfang: xv, 180 Seiten, Illustrationen
  6. Art, politics, and Rancière
    broken perceptions
    Autor*in: Chanter, Tina
    Erschienen: 2018
    Verlag:  Bloomsbury Academic, An imprint of Bloomsbury Publishing Plc, London

    Redistributing the sensible: the art of borders, maps, territories and bodies -- Politics as the interruption of inequality, and the police as the miscount -- Art as dissensus: moving beyond the ethical and representative regimes with the help of... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2018:1163:
    Fernleihe:
    keine Fernleihe

     

    Redistributing the sensible: the art of borders, maps, territories and bodies -- Politics as the interruption of inequality, and the police as the miscount -- Art as dissensus: moving beyond the ethical and representative regimes with the help of Kant and Hegel -- Framing and reframing Rancière's critical intervention: Foucault and Kant -- Form and matter -- Feminist art: disrupting and consolidating the police order

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781472510563
    RVK Klassifikation: CC 6900 ; CK 3158
    Schlagworte: Art; Perception; Political science; Aesthetics
    Weitere Schlagworte: Rancière, Jacques; Rancière, Jacques
    Umfang: xvi, 180 Seiten
    Bemerkung(en):

    Includes bibliographical references and index
  7. Art, politics, and Rancière
    broken perceptions
    Autor*in: Chanter, Tina
    Erschienen: 2018
    Verlag:  Bloomsbury Academic, An imprint of Bloomsbury Publishing Plc, London

    Redistributing the sensible: the art of borders, maps, territories and bodies -- Politics as the interruption of inequality, and the police as the miscount -- Art as dissensus: moving beyond the ethical and representative regimes with the help of... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2018:1163:
    Fernleihe:
    keine Fernleihe

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Leipzig
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Redistributing the sensible: the art of borders, maps, territories and bodies -- Politics as the interruption of inequality, and the police as the miscount -- Art as dissensus: moving beyond the ethical and representative regimes with the help of Kant and Hegel -- Framing and reframing Rancière's critical intervention: Foucault and Kant -- Form and matter -- Feminist art: disrupting and consolidating the police order

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781472510563
    RVK Klassifikation: CC 6900 ; CK 3158
    Schlagworte: Aesthetics; Art; Perception; Political science; Aesthetics; Art; Perception; Political science; Art; Perception; Political science; Aesthetics
    Weitere Schlagworte: Rancière, Jacques; Rancière, Jacques; Rancière, Jacques
    Umfang: xv, 180 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  8. Art, politics and Rancière
    broken perceptions
    Autor*in: Chanter, Tina
    Erschienen: 2017
    Verlag:  Bloomsbury Academic, New York ; Bloomsbury Publishing, London

    Redistributing the sensible: the art of borders, maps, territories and bodies -- Politics as the interruption of inequality, and the police as the miscount -- Art as dissensus: moving beyond the ethical and representative regimes with the help of... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Redistributing the sensible: the art of borders, maps, territories and bodies -- Politics as the interruption of inequality, and the police as the miscount -- Art as dissensus: moving beyond the ethical and representative regimes with the help of Kant and Hegel -- Framing and reframing Rancière's critical intervention: Foucault and Kant -- Form and matter -- Feminist art: disrupting and consolidating the police order

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781350044173; 9781472511676
    Weitere Identifier:
    RVK Klassifikation: CC 6900 ; CK 3158
    Schlagworte: Political science; Aesthetics; Art; Perception; Aesthetics; Perception; Political science; Art
    Weitere Schlagworte: Rancière, Jacques; Rancière, Jacques; Rancière, Jacques; Rancière, Jacques
    Umfang: 1 Online-Ressource (xvi, 181 pages), Illustration
    Bemerkung(en):

    Includes bibliographical references and index
  9. Art, politics and Rancière
    broken perceptions
    Autor*in: Chanter, Tina
    Erschienen: 2017
    Verlag:  Bloomsbury Academic, New York ; Bloomsbury Publishing, London

    Redistributing the sensible: the art of borders, maps, territories and bodies -- Politics as the interruption of inequality, and the police as the miscount -- Art as dissensus: moving beyond the ethical and representative regimes with the help of... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Leipzig
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

     

    Redistributing the sensible: the art of borders, maps, territories and bodies -- Politics as the interruption of inequality, and the police as the miscount -- Art as dissensus: moving beyond the ethical and representative regimes with the help of Kant and Hegel -- Framing and reframing Rancière's critical intervention: Foucault and Kant -- Form and matter -- Feminist art: disrupting and consolidating the police order

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781350044173; 9781472511676
    Weitere Identifier:
    RVK Klassifikation: CC 6900 ; CK 3158
    Schlagworte: Political science; Aesthetics; Art; Perception; Aesthetics; Perception; Political science; Art
    Weitere Schlagworte: Rancière, Jacques; Rancière, Jacques; Rancière, Jacques; Rancière, Jacques
    Umfang: 1 Online-Ressource (xvi, 181 pages), Illustration
    Bemerkung(en):

    Includes bibliographical references and index