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  1. Die "Odyssee" in der Spätantike
    bildliche und literarische Rezeption
    Autor*in: Moraw, Susanne
    Erschienen: [2020]; © 2020
    Verlag:  Brepols, Turnhout, Belgium

    Homer's 'Odyssey' is one of the most fascinating and popular texts of all time, inspiring not only artists and poets but also generating a massive amount of research. This book focuses for the first time on the 'Odyssey''s reception in late... mehr

    Universität Bonn, Institut für Archäologie und Kulturanthropologie / Abt. Klassische Archäologie, Bibliothek
    T Kg Moraw
    keine Fernleihe
    Universitäts- und Landesbibliothek Düsseldorf
    antd42332.m831
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    Erzbischöfliche Diözesan- und Dombibliothek
    Fc 9387
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    Bibliotheken im Fürstenberghaus 1
    XVII Mo 6708
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    Wissenschaftliche Bibliothek der Stadt Trier
    700 22 Aq 170
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Wuppertal
    GTVV1402
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    Homer's 'Odyssey' is one of the most fascinating and popular texts of all time, inspiring not only artists and poets but also generating a massive amount of research. This book focuses for the first time on the 'Odyssey''s reception in late antiquity, the period that witnesses the transformation of classical culture into the world of the middle ages. The epic?s late antique pictorial reception was a selective one. Artists represented but a small canon of topics: Odysseus? encounter with the terrifying one-eyed Cyclops, with the dangerous sorceress Circe, with the bewitching song of the Sirens, and with Scylla the man-eater; a handful of iconographically diverse depictions can be related to the hero?s return to Ithaca that never attracted as much attention as Odysseus' adventures in the course of the wandering. In all cases, the book stresses the close relation between viewer, or context of reception, and specific form of artistic rendering. Depending on context and intended viewer, Odysseus e.g. can be characterized as a person with whom the man in the street can identify, as a problematic and ridiculous figure, or as an example of virtue. Almost all late antique depictions of Odysseus? wanderings have been found - and produced - in the Western provinces of the Roman Empire. In the course of Roman antiquity, the Greek hero and his wanderings had become what they are still: a part of Western cultural identity.00The 'Odyssey''s late antique literary reception was much more multifaceted than the artistic one, as regards topics and geography. In this book, though, the focus will be on those topics that were dealt with in the visual arts, too. Contrasting the late antique pictorial reception with the literary one, and contrasting both with the Homeric epic, reveals the originality of late antiquity's artists and writers.

     

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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Dissertation
    ISBN: 9782503583792
    Schriftenreihe: Studies in classical archaeology ; volume 7
    Schlagworte: Kunst; Rezeption; Literatur
    Weitere Schlagworte: Homerus (ca. v8. Jh.): Odyssea
    Umfang: x, 359 Seiten, Illustrationen
    Bemerkung(en):

    Habilitationsschrift, Friedrich-Schiller-Universität Jena, 2015

  2. Die Odyssee in der Spätantike
    bildliche und literarische Rezeption
    Autor*in: Moraw, Susanne
    Erschienen: [2014]

    Universitäts- und Landesbibliothek Münster
    DB 22595-1
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Dissertation
    DDC Klassifikation: Künste; Bildende und angewandte Kunst (700); Hellenische Literaturen; Klassische griechische Literatur (880)
    Schlagworte: Kunst; Rezeption; Literatur
    Weitere Schlagworte: Homerus (ca. v8. Jh.): Odyssea
    Umfang: 457 Seiten
    Bemerkung(en):

    Habilitationsschrift, Friedrich-Schiller-Universität Jena, 2015

  3. Die Odyssee in der Spätantike
    bildliche und literarische Rezeption
    Autor*in: Moraw, Susanne
    Erschienen: [2020]; © 2020
    Verlag:  Brepols, Turnhout, Belgium

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Q 91.289.84
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Gießen
    000 FH 20038 M831
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    LEIZA - Leibniz-Zentrum für Archäologie, Bibliothek
    G 20/221
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    Universität Mainz, Bereichsbibliothek Philosophicum, Standort Klassische Archäologie
    B Moraw 2
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    Universität Marburg, Universitätsbibliothek
    001 FH 20038 M831
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9782503583792; 2503583792
    RVK Klassifikation: FH 20038
    DDC Klassifikation: Künste; Bildende und angewandte Kunst (700); Literatur und Rhetorik (800)
    Schriftenreihe: Studies in classical archaeology ; volume 7
    Schlagworte: Rezeption; Spätantike; Kunst; Literatur
    Weitere Schlagworte: Homerus (v8. Jh.): Odyssea
    Umfang: x, 359 Seiten, Illustrationen
    Bemerkung(en):

    Habilitationsschrift, Friedrich-Schiller-Universität Jena, 2015

  4. Der "miles Christianus" als Sirenen- und Skyllatöter
    die "Odyssee" in den monastischen Diskursen des Mittelalters
    Autor*in: Moraw, Susanne
    Erschienen: [2018]

    Zentralinstitut für Kunstgeschichte, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Aufsatz aus einem Sammelband
    Übergeordneter Titel: Mittelalterliche Mythenrezeption / Ulrich Rehm (Hg.); Wien ; Köln ; Weimar, [2018]; Seite 105-125, Farbabb. 21-22
    Schlagworte: Sirene <Mythologie>; Motiv; Miles christianus; Charybdis; Buchmalerei; Rezeption; Wandmalerei
    Weitere Schlagworte: Herrad von Landsberg (1125-1195): Hortus deliciarum; Skylla Fiktive Gestalt; Homerus (ca. v8. Jh.): Odyssea
    Umfang: Illustrationen
  5. Die "Odyssee" in der Spätantike
    bildliche und literarische Rezeption
    Autor*in: Moraw, Susanne
    Erschienen: [2020]; © 2020
    Verlag:  Brepols, Turnhout, Belgium

    Homer's 'Odyssey' is one of the most fascinating and popular texts of all time, inspiring not only artists and poets but also generating a massive amount of research. This book focuses for the first time on the 'Odyssey''s reception in late... mehr

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Homer's 'Odyssey' is one of the most fascinating and popular texts of all time, inspiring not only artists and poets but also generating a massive amount of research. This book focuses for the first time on the 'Odyssey''s reception in late antiquity, the period that witnesses the transformation of classical culture into the world of the middle ages. The epic?s late antique pictorial reception was a selective one. Artists represented but a small canon of topics: Odysseus? encounter with the terrifying one-eyed Cyclops, with the dangerous sorceress Circe, with the bewitching song of the Sirens, and with Scylla the man-eater; a handful of iconographically diverse depictions can be related to the hero?s return to Ithaca that never attracted as much attention as Odysseus' adventures in the course of the wandering. In all cases, the book stresses the close relation between viewer, or context of reception, and specific form of artistic rendering. Depending on context and intended viewer, Odysseus e.g. can be characterized as a person with whom the man in the street can identify, as a problematic and ridiculous figure, or as an example of virtue. Almost all late antique depictions of Odysseus? wanderings have been found - and produced - in the Western provinces of the Roman Empire. In the course of Roman antiquity, the Greek hero and his wanderings had become what they are still: a part of Western cultural identity.00The 'Odyssey''s late antique literary reception was much more multifaceted than the artistic one, as regards topics and geography. In this book, though, the focus will be on those topics that were dealt with in the visual arts, too. Contrasting the late antique pictorial reception with the literary one, and contrasting both with the Homeric epic, reveals the originality of late antiquity's artists and writers.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Deutsch
    Medientyp: Dissertation
    ISBN: 9782503583792
    RVK Klassifikation: FH 20038 ; LG 6700 ; LG 9300
    Schriftenreihe: Studies in classical archaeology ; volume 7
    Schlagworte: Spätantike; Rezeption
    Weitere Schlagworte: Homerus (ca. v8. Jh.): Odyssea
    Umfang: x, 359 Seiten, Illustrationen
    Bemerkung(en):

    Habilitationsschrift, Friedrich-Schiller-Universität Jena, 2015

  6. Die Odyssee in der Spätantike
    bildliche und literarische Rezeption
    Autor*in: Moraw, Susanne
    Erschienen: [2020]
    Verlag:  Brepols, Turnhout, Belgium

    Homer?s 'Odyssey' is one of the most fascinating and popular texts of all time, inspiring not only artists and poets but also generating a massive amount of research. This book focuses for the first time on the 'Odyssey''s reception in late... mehr

     

    Homer?s 'Odyssey' is one of the most fascinating and popular texts of all time, inspiring not only artists and poets but also generating a massive amount of research. This book focuses for the first time on the 'Odyssey''s reception in late antiquity, the period that witnesses the transformation of classical culture into the world of the middle ages. The epic?s late antique pictorial reception was a selective one. Artists represented but a small canon of topics: Odysseus? encounter with the terrifying one-eyed Cyclops, with the dangerous sorceress Circe, with the bewitching song of the Sirens, and with Scylla the man-eater; a handful of iconographically diverse depictions can be related to the hero?s return to Ithaca that never attracted as much attention as Odysseus? adventures in the course of the wandering. In all cases, the book stresses the close relation between viewer, or context of reception, and specific form of artistic rendering. Depending on context and intended viewer, Odysseus e.g. can be characterized as a person with whom the man in the street can identify, as a problematic and ridiculous figure, or as an example of virtue. Almost all late antique depictions of Odysseus? wanderings have been found - and produced - in the Western provinces of the Roman Empire. In the course of Roman antiquity, the Greek hero and his wanderings had become what they are still: a part of Western cultural identity.00The 'Odyssey''s late antique literary reception was much more multifaceted than the artistic one, as regards topics and geography. In this book, though, the focus will be on those topics that were dealt with in the visual arts, too. Contrasting the late antique pictorial reception with the literary one, and contrasting both with the Homeric epic, reveals the originality of late antiquity?s artists and writers.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt