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  1. Anomalous states
    Irish writing and the post-colonial moment
    Autor*in: Lloyd, David
    Erschienen: 1993
    Verlag:  Lilliput Press, Dublin, Ireland

    Standort:
    Universität Bonn, Institut für Anglistik, Amerikanistik und Keltologie, Bibliothek
    Signatur:
    HG 290 L793
    Fernleihe:
    keine Fernleihe

    Standort:
    Englisches Seminar I, Bibliothek
    Signatur:
    411/L692/931
    Fernleihe:
    keine Fernleihe

    Standort:
    Englisches Seminar der Universität, Bibliothek
    Signatur:
    PCF 500:5
    Fernleihe:
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    Standort:
    Universitätsbibliothek Wuppertal
    Signatur:
    ZZI8259
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0946640912; 1874675007
    RVK Klassifikation: HN 1071 ; HN 1080 ; HG 290
    Schlagworte: Geschichte; Lyrik; Literatur; Englisch
    Weitere Schlagworte: Joyce, James (1882-1941); Beckett, Samuel (1906-1989); Heaney, Seamus (1939-2013); Yeats, William Butler (1865-1939)
    Umfang: X, 174 S.
  2. Beckett's thing
    painting and theatre
    Autor*in: Lloyd, David
    Erschienen: [2016]
    Verlag:  Edinburgh University Press, Edinburgh

    Throughout his writing career, Beckett was deeply engaged with the visual arts and with individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd, explores what Beckett actually saw in the... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Throughout his writing career, Beckett was deeply engaged with the visual arts and with individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd, explores what Beckett actually saw in the paintings of the painters he wrote most about and, in each case, befriended. He explains what Beckett found in the visual resources of their work rather than in the surrealism of Masson or the abstraction of Kandinsky or Mondrian, all of whose work he mentions. And he traces the common elements and developments in Beckett?s visual imagination, not only in his critical statements, but by actually looking with sustained attention at the paintings he is known to have viewed

     
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    Quelle: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781474415729
    RVK Klassifikation: HN 9990 ; IH 15721
    Schriftenreihe: Other Becketts
    Schlagworte: Kunst; Einfluss
    Weitere Schlagworte: Yeats, Jack Butler (1871-1957); Beckett, Samuel (1906-1989); Arikha, Avigdor (1929-2010); Velde, Bram van (1895-1981)
    Umfang: xiii, 253 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis Seite 237-245
  3. Anomalous states
    Irish writing and the post-colonial moment
    Autor*in: Lloyd, David
    Erschienen: 1993
    Verlag:  Duke Univ. Press, Durham

    Anomalous States is an archaeology of modern Irish writing. David Lloyd commences with recent questioning of Irish identity in the wake of the northern conflict and returns to the complex terrain of nineteenth-century culture in which those questions... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Anomalous States is an archaeology of modern Irish writing. David Lloyd commences with recent questioning of Irish identity in the wake of the northern conflict and returns to the complex terrain of nineteenth-century culture in which those questions of identity were first formed. In five linked essays, he explores modern Irish literature and its political contexts through the work of four Irish writers - Heaney, Beckett, Yeats, and Joyce. Beginning with Heaney and Beckett, Lloyd shows how in these authors the question of identity connects with the dominance of conservative cultural nationalism and argues for the need to understand Irish culture in relation to the wider experience of colonized societies. A central essay reads Yeats's later works as a profound questioning of the founding of the state. Final essays examine the gradual formation of the state and nation's one element in a cultural process that involves conflict between popular cultural forms and emerging political economies of nationalism and the colonial state. Modern Ireland is thus seen as the product of a continuing process in which, Lloyd argues, the passage to national independence that defines Ireland's post-colonial status is no more that a moment in its continuing history. Anomalous States stands at the intersection of two strands of debate: that of culture and politics in contemporary Ireland and that of post-colonialism and cultural politics, for which Irish history furnishes an invaluable example.

     
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  4. Beckett's thing
    painting and theatre
    Autor*in: Lloyd, David
    Erschienen: 2016
    Verlag:  Edinburgh University Press, Edinburgh

    Explores Samuel Beckett's relation to painting and the visual imagination that informs his theatrical work.<p>Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
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    Explores Samuel Beckett's relation to painting and the visual imagination that informs his theatrical work.

    Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings. He explains what visual resources Beckett found in these particular painters rather than in the surrealism of Masson or the abstraction of Kandinsky or Mondrian. The analysis of Beckett's visual imagination is based on his criticism and on close analysis of the paintings he viewed. Lloyd shows how Beckett's fascination with these painters illuminates the 'painterly' qualities of his theatre and the philosophical, political and aesthetic implications of Beckett's highly visual dramatic work.

    Key Features
    • Discusses Beckett's relationship with three painters crucial to his life-long dialogue with the visual arts
    • The first book to examine the paintings that Beckett would have known and on which he based his critical remarks
    • Accounts for the increasing visuality of Beckett's theatre in relation to his evolving appreciation of painting and the formal questions posed by that medium
    • Explores Beckett's anticipation of European phenomenology and psychoanalysis in relation to Heidegger and Lacan

    Introduction: The painted stage - Beckett's visual aesthetics -- Republics of difference: Yeats, MacGreevy, Beckett -- Beckett's thing: Bram van Velde and the gaze -- 'Siege laid again': Arikha's gaze, Beckett's painted stage -- Conclusion: The play's the thing

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474415736
    RVK Klassifikation: HN 9990 ; IH 15721
    Schriftenreihe: Other Becketts
    Schlagworte: Beckett, Samuel ; 1906-1989 ; Criticism and interpretation
    Weitere Schlagworte: Beckett, Samuel (1906-1989)
    Umfang: 1 Online-Ressource (xiii, 253 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Jun 2017)
  5. Beckett's thing
    painting and theatre
    Autor*in: Lloyd, David
    Erschienen: 2016
    Verlag:  Edinburgh University Press, Edinburgh

    Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings Beckett's Thing; Copyright; Contents;... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

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    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings Beckett's Thing; Copyright; Contents; Figures; Acknowledgements; Other Becketts: Series Preface General Editor: S. E. Gontarski, Florida State University; Introduction: The Painted Stage -- Beckett's Visual Aesthetics; 1 Republics of Difference: Yeats, MacGreevy, Beckett; 2 Beckett's Thing: Bram van Velde and the Gaze; 3 'Siege laid again': Arikha's Gaze, Beckett's Painted Stage; Conclusion: The Play's the Thing; Bibliography; Index

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474415736; 1474415733; 1474415725; 9781474415729
    Weitere Identifier:
    9781474415729
    Schriftenreihe: Other Becketts
    Schlagworte: LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; Criticism, interpretation, etc
    Weitere Schlagworte: Beckett, Samuel 1906-1989; Beckett, Samuel (1906-1989); Beckett, Samuel (1906-1989); Beckett, Samuel
    Umfang: Online Ressource
    Bemerkung(en):

    Includes bibliographical references (pages 237-245) and index
  6. Anomalous states
    Irish writing and the post-colonial moment
    Autor*in: Lloyd, David
    Erschienen: 1993
    Verlag:  Duke Univ. Press, Durham

    Anomalous States is an archaeology of modern Irish writing. David Lloyd commences with recent questioning of Irish identity in the wake of the northern conflict and returns to the complex terrain of nineteenth-century culture in which those questions... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Anomalous States is an archaeology of modern Irish writing. David Lloyd commences with recent questioning of Irish identity in the wake of the northern conflict and returns to the complex terrain of nineteenth-century culture in which those questions of identity were first formed. In five linked essays, he explores modern Irish literature and its political contexts through the work of four Irish writers - Heaney, Beckett, Yeats, and Joyce. Beginning with Heaney and Beckett, Lloyd shows how in these authors the question of identity connects with the dominance of conservative cultural nationalism and argues for the need to understand Irish culture in relation to the wider experience of colonized societies. A central essay reads Yeats's later works as a profound questioning of the founding of the state. Final essays examine the gradual formation of the state and nation's one element in a cultural process that involves conflict between popular cultural forms and emerging political economies of nationalism and the colonial state. Modern Ireland is thus seen as the product of a continuing process in which, Lloyd argues, the passage to national independence that defines Ireland's post-colonial status is no more that a moment in its continuing history. Anomalous States stands at the intersection of two strands of debate: that of culture and politics in contemporary Ireland and that of post-colonialism and cultural politics, for which Irish history furnishes an invaluable example.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  7. Beckett's thing
    painting and theatre
    Autor*in: Lloyd, David
    Erschienen: 2016
    Verlag:  Edinburgh University Press, Edinburgh

    Explores Samuel Beckett's relation to painting and the visual imagination that informs his theatrical work.<p>Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Explores Samuel Beckett's relation to painting and the visual imagination that informs his theatrical work.

    Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings. He explains what visual resources Beckett found in these particular painters rather than in the surrealism of Masson or the abstraction of Kandinsky or Mondrian. The analysis of Beckett's visual imagination is based on his criticism and on close analysis of the paintings he viewed. Lloyd shows how Beckett's fascination with these painters illuminates the 'painterly' qualities of his theatre and the philosophical, political and aesthetic implications of Beckett's highly visual dramatic work.

    Key Features
    • Discusses Beckett's relationship with three painters crucial to his life-long dialogue with the visual arts
    • The first book to examine the paintings that Beckett would have known and on which he based his critical remarks
    • Accounts for the increasing visuality of Beckett's theatre in relation to his evolving appreciation of painting and the formal questions posed by that medium
    • Explores Beckett's anticipation of European phenomenology and psychoanalysis in relation to Heidegger and Lacan

    Introduction: The painted stage - Beckett's visual aesthetics -- Republics of difference: Yeats, MacGreevy, Beckett -- Beckett's thing: Bram van Velde and the gaze -- 'Siege laid again': Arikha's gaze, Beckett's painted stage -- Conclusion: The play's the thing

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474415736
    RVK Klassifikation: HN 9990 ; IH 15721
    Schriftenreihe: Other Becketts
    Schlagworte: Beckett, Samuel ; 1906-1989 ; Criticism and interpretation
    Weitere Schlagworte: Beckett, Samuel (1906-1989)
    Umfang: 1 Online-Ressource (xiii, 253 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Jun 2017)
  8. Anomalous states
    Irish writing and the post-colonial moment
    Autor*in: Lloyd, David
    Erschienen: 1993
    Verlag:  Duke Univ. Press, Durham

    Standort:
    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
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    Universität Mainz, Bereichsbibliothek Translations-, Sprach- und Kulturwissenschaft
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 082231326X
    RVK Klassifikation: HG 290 ; HM 1071
    Schlagworte: Englisch; Nationalbewusstsein; Literatur; Politik
    Weitere Schlagworte: Yeats, William Butler (1865-1939); Heaney, Seamus (1939-2013); Joyce, James (1882-1941); Beckett, Samuel (1906-1989)
    Umfang: X, 174 S.
    Bemerkung(en):

    Literaturverz. S. 163 - 168
  9. Beckett's thing
    painting and theatre
    Autor*in: Lloyd, David
    Erschienen: 2016
    Verlag:  Edinburgh University Press, Edinburgh

    Explores Samuel Beckett's relation to painting and the visual imagination that informs his theatrical work.<p>Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Explores Samuel Beckett's relation to painting and the visual imagination that informs his theatrical work.

    Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings. He explains what visual resources Beckett found in these particular painters rather than in the surrealism of Masson or the abstraction of Kandinsky or Mondrian. The analysis of Beckett's visual imagination is based on his criticism and on close analysis of the paintings he viewed. Lloyd shows how Beckett's fascination with these painters illuminates the 'painterly' qualities of his theatre and the philosophical, political and aesthetic implications of Beckett's highly visual dramatic work.

    Key Features
    • Discusses Beckett's relationship with three painters crucial to his life-long dialogue with the visual arts
    • The first book to examine the paintings that Beckett would have known and on which he based his critical remarks
    • Accounts for the increasing visuality of Beckett's theatre in relation to his evolving appreciation of painting and the formal questions posed by that medium
    • Explores Beckett's anticipation of European phenomenology and psychoanalysis in relation to Heidegger and Lacan

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474415736
    RVK Klassifikation: HN 9990 ; IH 15721
    Schriftenreihe: Other Becketts
    Schlagworte: Einfluss; Kunst
    Weitere Schlagworte: Beckett, Samuel / 1906-1989 / Criticism and interpretation; Arikha, Avigdor (1929-2010); Yeats, Jack Butler (1871-1957); Beckett, Samuel (1906-1989); Velde, Bram van (1895-1981)
    Umfang: 1 online resource (xiii, 253 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Jun 2017)

    Introduction: The painted stage - Beckett's visual aesthetics -- Republics of difference: Yeats, MacGreevy, Beckett -- Beckett's thing: Bram van Velde and the gaze -- 'Siege laid again': Arikha's gaze, Beckett's painted stage -- Conclusion: The play's the thing
  10. Beckett's thing
    painting and theatre
    Autor*in: Lloyd, David
    Erschienen: [2016]; © 2016
    Verlag:  Edinburgh University Press, Edinburgh

    Throughout his writing career, Beckett was deeply engaged with the visual arts and with individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd, explores what Beckett actually saw in the... mehr

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    Throughout his writing career, Beckett was deeply engaged with the visual arts and with individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd, explores what Beckett actually saw in the paintings of the painters he wrote most about and, in each case, befriended. He explains what Beckett found in the visual resources of their work rather than in the surrealism of Masson or the abstraction of Kandinsky or Mondrian, all of whose work he mentions. And he traces the common elements and developments in Beckett?s visual imagination, not only in his critical statements, but by actually looking with sustained attention at the paintings he is known to have viewed

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1474415725; 9781474415729
    Weitere Identifier:
    9781474415729
    RVK Klassifikation: HN 9990 ; IH 15721
    Schriftenreihe: Other Becketts
    Schlagworte: Beckett, Samuel; Theater; Malerei; Drama; Bühnenbild;
    Weitere Schlagworte: Beckett, Samuel (1906-1989)
    Umfang: xiii, 253 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 237-245