This book presents a lively philosophical exchange between the philosophy of art and the core areas of philosophy. The standard way of thinking about non-repeatable (single-instance) artworks such as paintings, drawings, and non-cast sculpture is...
mehr
Universität Stuttgart, Institut für Philosophie, Bibliothek
Signatur:
Ä Sa Mag 1
Fernleihe:
keine Ausleihe von Bänden, nur Papierkopien werden versandt
This book presents a lively philosophical exchange between the philosophy of art and the core areas of philosophy. The standard way of thinking about non-repeatable (single-instance) artworks such as paintings, drawings, and non-cast sculpture is that they are concrete (i.e., material, causally efficacious, located in space and time). This volume examines how philosophical enquiry into art might itself productively inform or be productively informed by enquiry into abstracta taking place within not just metaphysics but also the philosophy of mathematics, epistemology, philosophy of science, and philosophy of mind and language. While the contributors chiefly focus on the relationship between philosophy of art and contemporary metaphysics with respect to the overlap issue of abstracta, they provide a methodological blueprint from which scholars working both within and beyond philosophy of art can begin building responsible, mutually informative, and productive relationships between their respective fields
Christy Mag Uidhir[part] I. General ontological issues. Must ontological pragmatism be self-defeating? / Guy Rohrbaugh: Introduction : art, metaphysics, and the paradox of standards
Jerrold Levinson: Indication, abstraction, and individuation
Marcus Rossberg: Destroying artworks
Roy T. Cook: [part] II. Informative comparisons. Art, open-endedness, and indefinite extensibility
P.D. Magnus: Historical individuals like Anas platyrhynchos and 'classical gas'
Shieva Kłeinshcmidt and Jacob Ross: Repeatable artwork sentences and generics
Allan Hazlett: [part] III. Arguments against and alternatives to. Against repeatable artworks
Ross P. Cameron: How to be a nominalist and a fictional realist
Andrew Kania --[part] IV. Abstracta across the arts. Reflections on the metaphysics of sculpture / Hud Hudson: Platonism vs. nominalism in contemporary musical ontology
Sherri Irvin: Installation art and performance : a shared ontology
This book presents a lively philosophical exchange between the philosophy of art and the core areas of philosophy. The standard way of thinking about non-repeatable (single-instance) artworks such as paintings, drawings, and non-cast sculpture is...
mehr
Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
This book presents a lively philosophical exchange between the philosophy of art and the core areas of philosophy. The standard way of thinking about non-repeatable (single-instance) artworks such as paintings, drawings, and non-cast sculpture is that they are concrete (i.e., material, causally efficacious, located in space and time). This volume examines how philosophical enquiry into art might itself productively inform or be productively informed by enquiry into abstracta taking place within not just metaphysics but also the philosophy of mathematics, epistemology, philosophy of science, and philosophy of mind and language. While the contributors chiefly focus on the relationship between philosophy of art and contemporary metaphysics with respect to the overlap issue of abstracta, they provide a methodological blueprint from which scholars working both within and beyond philosophy of art can begin building responsible, mutually informative, and productive relationships between their respective fields
Christy Mag Uidhir[part] I. General ontological issues. Must ontological pragmatism be self-defeating? / Guy Rohrbaugh: Introduction : art, metaphysics, and the paradox of standards
Jerrold Levinson: Indication, abstraction, and individuation
Marcus Rossberg: Destroying artworks
Roy T. Cook: [part] II. Informative comparisons. Art, open-endedness, and indefinite extensibility
P.D. Magnus: Historical individuals like Anas platyrhynchos and 'classical gas'
Shieva Kłeinshcmidt and Jacob Ross: Repeatable artwork sentences and generics
Allan Hazlett: [part] III. Arguments against and alternatives to. Against repeatable artworks
Ross P. Cameron: How to be a nominalist and a fictional realist
Andrew Kania --[part] IV. Abstracta across the arts. Reflections on the metaphysics of sculpture / Hud Hudson: Platonism vs. nominalism in contemporary musical ontology
Sherri Irvin: Installation art and performance : a shared ontology
