Foreword : Totems without taboos : the exquisite corpse / Paul D. Miller aka DJ Spooky -- Introduction : The algorhythms of the exquisite corpse / Kanta Kochhar-Lindgren, Davis Schneiderman, and Tom Denlinger -- From one exquisite corpse (in)to...
mehr
Niedersächsische Staats- und Universitätsbibliothek Göttingen
Signatur:
2020 A 3114
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
Foreword : Totems without taboos : the exquisite corpse / Paul D. Miller aka DJ Spooky -- Introduction : The algorhythms of the exquisite corpse / Kanta Kochhar-Lindgren, Davis Schneiderman, and Tom Denlinger -- From one exquisite corpse (in)to another : influences and transformations from early to late surrealist games / Anne M. Kern -- "This is not a drawing" / Susan Laxton -- Events and the exquisite corpse / Ken Friedman -- Cutting up the corpse / Oliver Harris -- The corpse encore/apres exquis / Ingrid Schaffner (with a contribution by Elizabeth Finch) -- The exquisite corpse is alive and well and living in Montréal / Ray Ellenwood -- An anatomy of Alfred Chester's Exquisite corpse / Allen Hibbard -- "together in their dis-harmony" : internet collaboration and Le cadavre exquis / Michael Joyce -- Academia's exquisite corpse : an ethnography of the application process / Craig Saper -- Dead men don't wear pixels : the online exquisite corpse and process-based institutional critique / Davis Schneiderman and Tom Denlinger -- Exquisite theater / Kimberly Jannarone -- Howling : the exquisite corpse, Butoh, and the disarticulation of trauma / Kanta Kochhar-Lindgren -- "You make such an exquisite corpse" : surrealist collaboration and the transcendence of gender in Hedwig and the angry inch / Don Dingledine. This collection is the first to address both historical and contemporary works that employ the ritual of the cadavre exquis. It offers a unique overview of the efforts of scholars and artists to articulate new notions of crossing temporal and spatial boundaries and to experience in a new way the body's mutability through visual, auditory, tactile, and kinesthetic frames. Bringing together diverse writers from across disciplinary boundaries, this volume continues the cultural and methodological innovations that have unfolded since the first days of the "Exquisite Corpse."--Jacket
