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  1. The Experientiality of Narrative
    An Enactivist Approach
    Autor*in: Caracciolo, Marco
    Erschienen: 2014

    Main description: How do readers experience literary narrative? Drawing on narrative theory, cognitive science, and the philosophy of mind, this book offers a principled account of the dynamics underlying readers’ responses to narrative. Through its... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Main description: How do readers experience literary narrative? Drawing on narrative theory, cognitive science, and the philosophy of mind, this book offers a principled account of the dynamics underlying readers’ responses to narrative. Through its interdisciplinary approach,this study combines close readings of literary texts and theoretical discussion in ways that shed light on the deep connection between narrative, literary fiction, and human experience. Biographical note: Marco Caracciolo, University of Groningen,Netherlands. How do readers experience literary narrative? Drawing on narrative theory, cognitive science, and the philosophy of mind, this book offers a principled account of the dynamics underlying readers' responses to narrative. Through its interdisciplinary approach, this study combines close readings of literary texts and theoretical discussion in ways that shed light on the deep connection between narrative, literary fiction, and human experience

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110365658
    Weitere Identifier:
    9783110365658
    RVK Klassifikation: EC 4500
    Schriftenreihe: Narratologia ; 43
    Schlagworte: Narrative theory
    Umfang: Online-Ressource (XIII, 231 S.), Ill.
    Bemerkung(en):

    Description based upon print version of record

    Contents; 0 Introduction; 0.1 Out of Which Hat; 0.2 Why Experience, and Why This Book; 0.3 Why This Book Is Not an Empirical Study; 0.4 Cognitive Science: A Thumbnail Sketch; 0.4.1 From Computational Models to Enactivism; 0.4.2 Conceptual Thought and Embodiment; 0.4.3 The Self, Folk Psychology, and Phenomenology; 0.5 Outline of Chapters; Part I: Notes for a Theory of Experientiality; 1 Not So Easy: Representation, Experience, Expression; 1.1 From Representation to Expression; 1.2 On Characters' Experiences; 1.3 Expressive Devices; 2 The Existential Burn: Storytelling and the Background

    2.1 The Network of Experientiality2.2 Focus on the Experiential Background; 2.2.3 Opening Moves; 2.2.3 Mapping the Background; 2.2.3 Narrative and the Background; 3 Experience, Interaction, and Play in Julio Cortázar's Hopscotch; 3.1 Dewey and Winnicott on Experience; 3.2 A Third Possibility; 3.3 Other Paths: Beyond Vertical Transcendence; 3.4 Bringing the Strands Together; Part II: From Experiential Traces to Fictional Consciousnesses; 4 Blind Reading: Bodily and Perceptual Responses to Narrative; 4.1 The Enactivist Theory of Experience; 4.2 Enacting Narrative Space

    4.3 Enacting Characters' Bodily-Perceptual Experiences4.4 Enacting Qualia Through Metaphorical Language; 5 Fictional Consciousnesses: From Attribution to Enactment; 5.1 Consciousness-Attribution; 5.2 Enacting Benjy: A Slow-Motion Analysis; 5.3 Consciousness-Enactment; 5.3.1 What Is Consciousness-Enactment?; 5.3.2 Triggers of Consciousness-Enactment; 5.3.3 Mental Simulation as the Cognitive Basis for Consciousness- Enactment; 6 Fictional Consciousnesses: Self-Narratives and Intersubjectivity; 6.1 Narrative Selves?; 6.2 Focus on Self-Narratives

    6.3 Engaging with Characters: Between Primary and Secondary Intersubjectivity6.4 Readers and Characters in Ian McEwan's On Chesil Beach: A Case Study; Part III: Embodied Engagements and Their Effects; 7 Embodiment, Virtuality, and Meaning in Readers' Reconstruction of Narrative Space; 7.1 From Mental Simulation to Fictionalization; 7.2 Fictional Anchors: Forster's Deputy Focalizor and "Strict" Focalization; 7.3 Virtual Presences: "Empty Center" and Aperspectival Texts; 7.4 A Scale of Fictionalization; 7.5 The Embodied Self and Beckett's Company

    8 Mental Myopia: Narrative Patterns and Experiential Texture in Vladimir Nabokov's The Defense8.1 From Chess Consciousness to Experiential Blindness; 8.2 The Moves of His Life; 8.3 Beyond?; 8.4 Three Functions of Narrative: Overreading The Defense; 9 Conclusion: Where to Go from Here?; Works Cited; Index
  2. The Experientiality of Narrative
    An Enactivist Approach
    Autor*in: Caracciolo, Marco
    Erschienen: 2014

    Main description: How do readers experience literary narrative? Drawing on narrative theory, cognitive science, and the philosophy of mind, this book offers a principled account of the dynamics underlying readers’ responses to narrative. Through its... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

    Standort:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Hildesheim
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Merseburg, Bibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Fernleihe:
    keine Fernleihe

    Standort:
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
    Fernleihe:
    keine Fernleihe
    Standort:
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Elsfleth, Bibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
    Fernleihe:
    keine Fernleihe

     

    Main description: How do readers experience literary narrative? Drawing on narrative theory, cognitive science, and the philosophy of mind, this book offers a principled account of the dynamics underlying readers’ responses to narrative. Through its interdisciplinary approach,this study combines close readings of literary texts and theoretical discussion in ways that shed light on the deep connection between narrative, literary fiction, and human experience. Biographical note: Marco Caracciolo, University of Groningen,Netherlands. How do readers experience literary narrative? Drawing on narrative theory, cognitive science, and the philosophy of mind, this book offers a principled account of the dynamics underlying readers' responses to narrative. Through its interdisciplinary approach, this study combines close readings of literary texts and theoretical discussion in ways that shed light on the deep connection between narrative, literary fiction, and human experience

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110365658
    Weitere Identifier:
    9783110365658
    RVK Klassifikation: EC 4500
    Schriftenreihe: Narratologia ; 43
    Schlagworte: Narrative theory
    Umfang: Online-Ressource (XIII, 231 S.), Ill.
    Bemerkung(en):

    Description based upon print version of record

    Contents; 0 Introduction; 0.1 Out of Which Hat; 0.2 Why Experience, and Why This Book; 0.3 Why This Book Is Not an Empirical Study; 0.4 Cognitive Science: A Thumbnail Sketch; 0.4.1 From Computational Models to Enactivism; 0.4.2 Conceptual Thought and Embodiment; 0.4.3 The Self, Folk Psychology, and Phenomenology; 0.5 Outline of Chapters; Part I: Notes for a Theory of Experientiality; 1 Not So Easy: Representation, Experience, Expression; 1.1 From Representation to Expression; 1.2 On Characters' Experiences; 1.3 Expressive Devices; 2 The Existential Burn: Storytelling and the Background

    2.1 The Network of Experientiality2.2 Focus on the Experiential Background; 2.2.3 Opening Moves; 2.2.3 Mapping the Background; 2.2.3 Narrative and the Background; 3 Experience, Interaction, and Play in Julio Cortázar's Hopscotch; 3.1 Dewey and Winnicott on Experience; 3.2 A Third Possibility; 3.3 Other Paths: Beyond Vertical Transcendence; 3.4 Bringing the Strands Together; Part II: From Experiential Traces to Fictional Consciousnesses; 4 Blind Reading: Bodily and Perceptual Responses to Narrative; 4.1 The Enactivist Theory of Experience; 4.2 Enacting Narrative Space

    4.3 Enacting Characters' Bodily-Perceptual Experiences4.4 Enacting Qualia Through Metaphorical Language; 5 Fictional Consciousnesses: From Attribution to Enactment; 5.1 Consciousness-Attribution; 5.2 Enacting Benjy: A Slow-Motion Analysis; 5.3 Consciousness-Enactment; 5.3.1 What Is Consciousness-Enactment?; 5.3.2 Triggers of Consciousness-Enactment; 5.3.3 Mental Simulation as the Cognitive Basis for Consciousness- Enactment; 6 Fictional Consciousnesses: Self-Narratives and Intersubjectivity; 6.1 Narrative Selves?; 6.2 Focus on Self-Narratives

    6.3 Engaging with Characters: Between Primary and Secondary Intersubjectivity6.4 Readers and Characters in Ian McEwan's On Chesil Beach: A Case Study; Part III: Embodied Engagements and Their Effects; 7 Embodiment, Virtuality, and Meaning in Readers' Reconstruction of Narrative Space; 7.1 From Mental Simulation to Fictionalization; 7.2 Fictional Anchors: Forster's Deputy Focalizor and "Strict" Focalization; 7.3 Virtual Presences: "Empty Center" and Aperspectival Texts; 7.4 A Scale of Fictionalization; 7.5 The Embodied Self and Beckett's Company

    8 Mental Myopia: Narrative Patterns and Experiential Texture in Vladimir Nabokov's The Defense8.1 From Chess Consciousness to Experiential Blindness; 8.2 The Moves of His Life; 8.3 Beyond?; 8.4 Three Functions of Narrative: Overreading The Defense; 9 Conclusion: Where to Go from Here?; Works Cited; Index