Letzte Suchanfragen

Ergebnisse für *

Zeige Ergebnisse 1 bis 7 von 7.

  1. Picturing the apocalypse
    the book of revelation in the arts over two millennia
    Erschienen: 2015
    Verlag:  Oxford University Press, Oxford

    The book of Revelation has been a source of continual fascination for nearly two thousand years. Concepts such as the Lamb of God, the Four Horsemen, the Seventh Seal, the Beasts and Antichrist, the Whore of Babylon, Armageddon, the Millennium, the... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The book of Revelation has been a source of continual fascination for nearly two thousand years. Concepts such as the Lamb of God, the Four Horsemen, the Seventh Seal, the Beasts and Antichrist, the Whore of Babylon, Armageddon, the Millennium, the Last Judgement, the New Jerusalem, and the ubiquitous angels of the Apocalypse have captured the popular imagination. One can hardly open a newspaper or click on a news site without reading about impending financial or climate-change Armageddon, while the concept of the Four Horsemen pervades popular music, gaming, and satire. Yet few people know much about either the basic meaning or original context of these concepts or the multiplicity of different ways in which they have been interpreted by visual artists in particular. The visual history of this most widely illustrated of all the biblical books deserves greater attention. This book fills these gaps in a striking and original way by means of ten concise thematic chapters which explain the origins of these concepts from the book of Revelation in an accessible way. These explanations are augmented and developed via a carefully selected sample of the ways in which the concepts have been treated by artists through the centuries. The 120 visual examples are drawn from a wide range of time periods and media including the ninth-century Trier Apocalypse, thirteenth-century Anglo-Norman Apocalypse Manuscripts such as the Lambeth and Trinity Apocalypses, the fourteenth-century Angers Apocalypse Tapestry, fifteenth-century Apocalypse altarpieces by Van Eyck and Memling, Dürer and Cranach's sixteenth-century Apocalypse woodcuts, and more recently a range of works by William Blake, J.M.W. Turner, Max Beckmann, as well as film posters and film stills, cartoons, and children's book illustrations. The final chapter demonstrates the continuing resonance of all the themes in contemporary religious, political, and popular thinking, while throughout the book a contrast will be drawn between those readers of Revelation who have seen it in terms of earthly revolutions in the here and now, and those who have adopted a more spiritual, other-worldly approach-- 1. The Angel of the Apocalypse: John's Journey and his Angelic Guides -- 2. The Lamb -- 3. The Four Horsemen -- 4. The Seven Seals: Angelic Destruction -- 5. The Woman Clothed with the Sun -- 6. The Satanic Trinity -- 7. The Whore of Babylon -- 8. Armageddon, the Millennium, and the Last Judgement -- 9. The New Jerusalem -- 10. The Apocalypse in the Twentieth and Twenty-First Centuries: A Survey of Different Approaches to Revelation in the Arts and Popular Culture

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780199689019
    RVK Klassifikation: LH 82930 ; BC 7390 ; EC 2440 ; EC 2600 ; EC 5410 ; LH 65020
    Auflage/Ausgabe: First edition
    Schlagworte: Apocalypse in art
    Umfang: XX, 333 Seiten, 32 ungezählte Seiten, Illustrationen
  2. Picturing the apocalypse
    the book of Revelation in the arts over two millennia
    Erschienen: 2015
    Verlag:  Oxford Univ. Press, Oxford [u.a.]

    Metropolitankapitel Bamberg, Bibliothek
    keine Fernleihe
    Universitätsbibliothek Eichstätt-Ingolstadt
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Zentralinstitut für Kunstgeschichte, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Universitätsbibliothek Regensburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780199689019; 9780198779278
    RVK Klassifikation: EC 2440 ; EC 2600 ; EC 5410 ; LH 65020 ; LH 82930
    Auflage/Ausgabe: 1. ed., 1. impr.
    Schlagworte: Kunst; Weltuntergang <Motiv>; Rezeption
    Umfang: XX, 333 S., [16] Bl., Ill.
    Bemerkung(en):

    Hier auch später erschienene, unveränderte Nachdrucke

  3. Picturing the apocalypse
    the book of revelation in the arts over two millennia
    Erschienen: 2015
    Verlag:  Oxford University Press, Oxford, England

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780191002953
    RVK Klassifikation: EC 2440 ; EC 2600 ; EC 5410 ; LH 65020 ; LH 82930
    Auflage/Ausgabe: First edition
    Schlagworte: Apocalypse in art; Weltuntergang <Motiv>; Rezeption; Kunst
    Umfang: 1 Online-Ressource (388 pages), illustrations (some color)
    Bemerkung(en):

    Description based on print version record

  4. Picturing the apocalypse
    the book of revelation in the arts over two millennia
    Erschienen: 2015
    Verlag:  Oxford University Press, Oxford

    The book of Revelation has been a source of continual fascination for nearly two thousand years. Concepts such as the Lamb of God, the Four Horsemen, the Seventh Seal, the Beasts and Antichrist, the Whore of Babylon, Armageddon, the Millennium, the... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2015:5182:
    keine Fernleihe
    Staats- und Universitätsbibliothek Bremen
    a kun 076.8/345
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    A 2015/4844
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    2018/4453
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Hildesheim
    KUN 243:F : O31
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Thüringer Universitäts- und Landesbibliothek
    KUN:EG:6200:::2015
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Herzog August Bibliothek Wolfenbüttel
    68.629
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The book of Revelation has been a source of continual fascination for nearly two thousand years. Concepts such as the Lamb of God, the Four Horsemen, the Seventh Seal, the Beasts and Antichrist, the Whore of Babylon, Armageddon, the Millennium, the Last Judgement, the New Jerusalem, and the ubiquitous angels of the Apocalypse have captured the popular imagination. One can hardly open a newspaper or click on a news site without reading about impending financial or climate-change Armageddon, while the concept of the Four Horsemen pervades popular music, gaming, and satire. Yet few people know much about either the basic meaning or original context of these concepts or the multiplicity of different ways in which they have been interpreted by visual artists in particular. The visual history of this most widely illustrated of all the biblical books deserves greater attention. This book fills these gaps in a striking and original way by means of ten concise thematic chapters which explain the origins of these concepts from the book of Revelation in an accessible way. These explanations are augmented and developed via a carefully selected sample of the ways in which the concepts have been treated by artists through the centuries. The 120 visual examples are drawn from a wide range of time periods and media including the ninth-century Trier Apocalypse, thirteenth-century Anglo-Norman Apocalypse Manuscripts such as the Lambeth and Trinity Apocalypses, the fourteenth-century Angers Apocalypse Tapestry, fifteenth-century Apocalypse altarpieces by Van Eyck and Memling, Dürer and Cranach's sixteenth-century Apocalypse woodcuts, and more recently a range of works by William Blake, J.M.W. Turner, Max Beckmann, as well as film posters and film stills, cartoons, and children's book illustrations. The final chapter demonstrates the continuing resonance of all the themes in contemporary religious, political, and popular thinking, while throughout the book a contrast will be drawn between those readers of Revelation who have seen it in terms of earthly revolutions in the here and now, and those who have adopted a more spiritual, other-worldly approach-- 1. The Angel of the Apocalypse: John's Journey and his Angelic Guides -- 2. The Lamb -- 3. The Four Horsemen -- 4. The Seven Seals: Angelic Destruction -- 5. The Woman Clothed with the Sun -- 6. The Satanic Trinity -- 7. The Whore of Babylon -- 8. Armageddon, the Millennium, and the Last Judgement -- 9. The New Jerusalem -- 10. The Apocalypse in the Twentieth and Twenty-First Centuries: A Survey of Different Approaches to Revelation in the Arts and Popular Culture

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780199689019
    RVK Klassifikation: LH 82930 ; BC 7390 ; EC 2440 ; EC 2600 ; EC 5410 ; LH 65020
    Auflage/Ausgabe: First edition
    Schlagworte: Apocalypse in art
    Umfang: XX, 333 Seiten, 32 ungezählte Seiten, Illustrationen
  5. Picturing the apocalypse
    the book of revelation in the arts over two millennia
    Erschienen: 2015
    Verlag:  Oxford University Press, Oxford

    The book of Revelation has been a source of continual fascination for nearly two thousand years. Concepts such as the Lamb of God, the Four Horsemen, the Seventh Seal, the Beasts and Antichrist, the Whore of Babylon, Armageddon, the Millennium, the... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The book of Revelation has been a source of continual fascination for nearly two thousand years. Concepts such as the Lamb of God, the Four Horsemen, the Seventh Seal, the Beasts and Antichrist, the Whore of Babylon, Armageddon, the Millennium, the Last Judgement, the New Jerusalem, and the ubiquitous angels of the Apocalypse have captured the popular imagination. One can hardly open a newspaper or click on a news site without reading about impending financial or climate-change Armageddon, while the concept of the Four Horsemen pervades popular music, gaming, and satire. Yet few people know much about either the basic meaning or original context of these concepts or the multiplicity of different ways in which they have been interpreted by visual artists in particular. The visual history of this most widely illustrated of all the biblical books deserves greater attention. This book fills these gaps in a striking and original way by means of ten concise thematic chapters which explain the origins of these concepts from the book of Revelation in an accessible way. These explanations are augmented and developed via a carefully selected sample of the ways in which the concepts have been treated by artists through the centuries. The 120 visual examples are drawn from a wide range of time periods and media including the ninth-century Trier Apocalypse, thirteenth-century Anglo-Norman Apocalypse Manuscripts such as the Lambeth and Trinity Apocalypses, the fourteenth-century Angers Apocalypse Tapestry, fifteenth-century Apocalypse altarpieces by Van Eyck and Memling, Dürer and Cranach's sixteenth-century Apocalypse woodcuts, and more recently a range of works by William Blake, J.M.W. Turner, Max Beckmann, as well as film posters and film stills, cartoons, and children's book illustrations. The final chapter demonstrates the continuing resonance of all the themes in contemporary religious, political, and popular thinking, while throughout the book a contrast will be drawn between those readers of Revelation who have seen it in terms of earthly revolutions in the here and now, and those who have adopted a more spiritual, other-worldly approach-- 1. The Angel of the Apocalypse: John's Journey and his Angelic Guides -- 2. The Lamb -- 3. The Four Horsemen -- 4. The Seven Seals: Angelic Destruction -- 5. The Woman Clothed with the Sun -- 6. The Satanic Trinity -- 7. The Whore of Babylon -- 8. Armageddon, the Millennium, and the Last Judgement -- 9. The New Jerusalem -- 10. The Apocalypse in the Twentieth and Twenty-First Centuries: A Survey of Different Approaches to Revelation in the Arts and Popular Culture

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780199689019
    RVK Klassifikation: LH 82930 ; BC 7390 ; EC 2440 ; EC 2600 ; EC 5410 ; LH 65020
    Auflage/Ausgabe: First edition
    Schlagworte: Apocalypse in art
    Umfang: XX, 333 Seiten, 32 ungezählte Seiten, Illustrationen
  6. Picturing the apocalypse
    the book of Revelation in the arts over two millennia
    Erschienen: 2015
    Verlag:  Oxford Univ. Press, Oxford [u.a.]

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780199689019; 9780198779278
    RVK Klassifikation: EC 2440 ; EC 2600 ; EC 5410 ; LH 65020 ; LH 82930
    Auflage/Ausgabe: 1. ed., 1. impr.
    Schlagworte: Kunst; Weltuntergang <Motiv>; Rezeption
    Umfang: XX, 333 S., [16] Bl., Ill.
    Bemerkung(en):

    Hier auch später erschienene, unveränderte Nachdrucke

  7. Picturing the apocalypse
    the book of revelation in the arts over two millennia
    Erschienen: 2015
    Verlag:  Oxford University Press, Oxford

    The book of Revelation has been a source of continual fascination for nearly two thousand years. Concepts such as the Lamb of God, the Four Horsemen, the Seventh Seal, the Beasts and Antichrist, the Whore of Babylon, Armageddon, the Millennium, the... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2015:5182:
    keine Fernleihe
    Staats- und Universitätsbibliothek Bremen
    a kun 076.8/345
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    A 2015/4844
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    2018/4453
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Heidelberg
    2015 C 4182
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Hildesheim
    KUN 243:F : O31
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Thüringer Universitäts- und Landesbibliothek
    KUN:EG:6200:::2015
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Germanisches Nationalmuseum, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Württembergische Landesbibliothek
    65/12876
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Herzog August Bibliothek Wolfenbüttel
    68.629
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The book of Revelation has been a source of continual fascination for nearly two thousand years. Concepts such as the Lamb of God, the Four Horsemen, the Seventh Seal, the Beasts and Antichrist, the Whore of Babylon, Armageddon, the Millennium, the Last Judgement, the New Jerusalem, and the ubiquitous angels of the Apocalypse have captured the popular imagination. One can hardly open a newspaper or click on a news site without reading about impending financial or climate-change Armageddon, while the concept of the Four Horsemen pervades popular music, gaming, and satire. Yet few people know much about either the basic meaning or original context of these concepts or the multiplicity of different ways in which they have been interpreted by visual artists in particular. The visual history of this most widely illustrated of all the biblical books deserves greater attention. This book fills these gaps in a striking and original way by means of ten concise thematic chapters which explain the origins of these concepts from the book of Revelation in an accessible way. These explanations are augmented and developed via a carefully selected sample of the ways in which the concepts have been treated by artists through the centuries. The 120 visual examples are drawn from a wide range of time periods and media including the ninth-century Trier Apocalypse, thirteenth-century Anglo-Norman Apocalypse Manuscripts such as the Lambeth and Trinity Apocalypses, the fourteenth-century Angers Apocalypse Tapestry, fifteenth-century Apocalypse altarpieces by Van Eyck and Memling, Dürer and Cranach's sixteenth-century Apocalypse woodcuts, and more recently a range of works by William Blake, J.M.W. Turner, Max Beckmann, as well as film posters and film stills, cartoons, and children's book illustrations. The final chapter demonstrates the continuing resonance of all the themes in contemporary religious, political, and popular thinking, while throughout the book a contrast will be drawn between those readers of Revelation who have seen it in terms of earthly revolutions in the here and now, and those who have adopted a more spiritual, other-worldly approach-- 1. The Angel of the Apocalypse: John's Journey and his Angelic Guides -- 2. The Lamb -- 3. The Four Horsemen -- 4. The Seven Seals: Angelic Destruction -- 5. The Woman Clothed with the Sun -- 6. The Satanic Trinity -- 7. The Whore of Babylon -- 8. Armageddon, the Millennium, and the Last Judgement -- 9. The New Jerusalem -- 10. The Apocalypse in the Twentieth and Twenty-First Centuries: A Survey of Different Approaches to Revelation in the Arts and Popular Culture

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780199689019
    RVK Klassifikation: LH 82930 ; BC 7390 ; EC 2440 ; EC 2600 ; EC 5410 ; LH 65020
    Auflage/Ausgabe: First edition
    Schlagworte: Apocalypse in art
    Umfang: XX, 333 Seiten, 32 ungezählte Seiten, Illustrationen