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  1. Theatre of chaos
    beyond absurdism, into orderly disorder
    Autor*in: Demastes, William W.
    Erschienen: 1998
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    In this study, chaos theory and quantum mechanics are employed as the basis for a clearer understanding of the often confusing contemporary theatre world. Examining numerous antecedents to contemporary thought on chaos and the cultural roots of the... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In this study, chaos theory and quantum mechanics are employed as the basis for a clearer understanding of the often confusing contemporary theatre world. Examining numerous antecedents to contemporary thought on chaos and the cultural roots of the notion of chaos, William Demastes suggests links to playwrights ranging from Shakespeare and Ibsen to Tom Stoppard, Sam Shepard, and Tony Kushner. The author investigates parallel developments across the arts and sciences: connections between the dramatic naturalism of the late nineteenth century and Newtonian thought, for example, and theatre of the absurd and chaos theory. After centuries of isolation and increased specialization, Demastes contends, it may once again be time to consider the "arts" and "sciences" together and to acknowledge their interrelations. These intersections confirm that "orderly disorder" is displacing a far more rigid and less viable system of knowing our world, and ushering in a rich, varied, and forward-looking theory of existence for contemporary society.

     
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  2. Theatre of chaos
    beyond absurdism, into orderly disorder
    Autor*in: Demastes, William W.
    Erschienen: 1998
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0521582458
    RVK Klassifikation: EC 7500 ; HG 620 ; HN 1221 ; AP 66000 ; AP 67000 ; CC 6320 ; CC 6900
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Drama; Chaostheorie; ; Drama; Quantenphysik; ; Englisch; Drama; Chaostheorie;
    Umfang: XVII, 190 S., 23cm
    Bemerkung(en):

    Literaturverz. S. 180 - 184
  3. Theatre of chaos
    beyond absurdism, into orderly disorder
    Autor*in: Demastes, William W.
    Erschienen: 1998
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    In this study, chaos theory and quantum mechanics are employed as the basis for a clearer understanding of the often confusing contemporary theatre world. Examining numerous antecedents to contemporary thought on chaos and the cultural roots of the... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In this study, chaos theory and quantum mechanics are employed as the basis for a clearer understanding of the often confusing contemporary theatre world. Examining numerous antecedents to contemporary thought on chaos and the cultural roots of the notion of chaos, William Demastes suggests links to playwrights ranging from Shakespeare and Ibsen to Tom Stoppard, Sam Shepard, and Tony Kushner. The author investigates parallel developments across the arts and sciences: connections between the dramatic naturalism of the late nineteenth century and Newtonian thought, for example, and theatre of the absurd and chaos theory. After centuries of isolation and increased specialization, Demastes contends, it may once again be time to consider the "arts" and "sciences" together and to acknowledge their interrelations. These intersections confirm that "orderly disorder" is displacing a far more rigid and less viable system of knowing our world, and ushering in a rich, varied, and forward-looking theory of existence for contemporary society.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt