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  1. Aesthetic science
    representing nature in the Royal Society of London, 1650-1720
    Autor*in: Wragge-Morley, Alexander
    Erschienen: [2020]
    Verlag:  The University of Chicago Press, Chicago ; London

    "The scientists affiliated with the early Royal Society of London have long been regarded as forerunners of modern empiricism, rejecting the symbolic and moral goals of Renaissance natural history in favor of plainly representing the world as it... mehr

    Standort:
    Universitätsbibliothek Wuppertal
    Signatur:
    AHLE1020
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "The scientists affiliated with the early Royal Society of London have long been regarded as forerunners of modern empiricism, rejecting the symbolic and moral goals of Renaissance natural history in favor of plainly representing the world as it really was. Alexander Wragge-Morley challenges this interpretation by arguing that key figures such as John Ray, Robert Boyle, Nehemiah Grew, Robert Hooke, and Thomas Willis saw the study of nature as an aesthetic project. In fact, they practiced a science that depended on harnessing the embodied pleasures and pains that arise from sensory experience. Aesthetic Science reveals how judgments of taste and pleasures played a central role in the formation of consensus in scientific communities and the emergence of what we now understand as scientific objectivity"--

     
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  2. Aesthetic science
    representing nature in the Royal Society of London, 1650-1720
    Autor*in: Wragge-Morley, Alexander
    Erschienen: 2020
    Verlag:  The University of Chicago Press, Chicago ; London

    "The scientists affiliated with the early Royal Society of London have long been regarded as forerunners of modern empiricism, rejecting the symbolic and moral goals of Renaissance natural history in favor of plainly representing the world as it... mehr

    Standort:
    Universität der Bundeswehr München, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Deutsches Forum für Kunstgeschichte, Bibliothek

     

    "The scientists affiliated with the early Royal Society of London have long been regarded as forerunners of modern empiricism, rejecting the symbolic and moral goals of Renaissance natural history in favor of plainly representing the world as it really was. Alexander Wragge-Morley challenges this interpretation by arguing that key figures such as John Ray, Robert Boyle, Nehemiah Grew, Robert Hooke, and Thomas Willis saw the study of nature as an aesthetic project. In fact, they practiced a science that depended on harnessing the embodied pleasures and pains that arise from sensory experience. Aesthetic Science reveals how judgments of taste and pleasures played a central role in the formation of consensus in scientific communities and the emergence of what we now understand as scientific objectivity"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780226681054
    Weitere Identifier:
    RVK Klassifikation: AK 18400 ; AK 34510 ; AK 53900 ; TB 6200
    Schlagworte: Wissenschaft; Ästhetik
    Weitere Schlagworte: Ray, John / 1627-1705; Boyle, Robert / 1627-1691; Grew, Nehemiah / 1641-1712; Hooke, Robert / 1635-1703; Willis, Thomas / 1621-1675; Royal Society (Great Britain); Science / Great Britain / History / 17th century; Science / Aesthetics; Knowledge, Theory of; Senses and sensation / Great Britain; Boyle, Robert / 1627-1691; Grew, Nehemiah / 1641-1712; Hooke, Robert / 1635-1703; Ray, John / 1627-1705; Willis, Thomas / 1621-1675; Royal Society (Great Britain); Knowledge, Theory of; Science; Science / Aesthetics; Senses and sensation; Great Britain; 1600-1699; History
    Umfang: 1 Online-Ressource (243 Seiten), Illustrationen
    Bemerkung(en):

    Introduction -- Physico-theology, natural philosophy, and sensory experience -- An empiricism of imperceptible entities -- In search of lost designs -- Verbal picturing -- Natural philosophy and the cultivation of taste -- Conclusion : embodied aesthetics
  3. Aesthetic science
    representing nature in the Royal Society of London, 1650-1720
    Autor*in: Wragge-Morley, Alexander
    Erschienen: 2020
    Verlag:  The University of Chicago Press, Chicago ; London

    "The scientists affiliated with the early Royal Society of London have long been regarded as forerunners of modern empiricism, rejecting the symbolic and moral goals of Renaissance natural history in favor of plainly representing the world as it... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "The scientists affiliated with the early Royal Society of London have long been regarded as forerunners of modern empiricism, rejecting the symbolic and moral goals of Renaissance natural history in favor of plainly representing the world as it really was. Alexander Wragge-Morley challenges this interpretation by arguing that key figures such as John Ray, Robert Boyle, Nehemiah Grew, Robert Hooke, and Thomas Willis saw the study of nature as an aesthetic project. In fact, they practiced a science that depended on harnessing the embodied pleasures and pains that arise from sensory experience. Aesthetic Science reveals how judgments of taste and pleasures played a central role in the formation of consensus in scientific communities and the emergence of what we now understand as scientific objectivity"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780226681054
    Weitere Identifier:
    RVK Klassifikation: AK 18400 ; AK 34510 ; AK 53900 ; TB 6200
    Schlagworte: Wissenschaft; Ästhetik
    Weitere Schlagworte: Ray, John / 1627-1705; Boyle, Robert / 1627-1691; Grew, Nehemiah / 1641-1712; Hooke, Robert / 1635-1703; Willis, Thomas / 1621-1675; Royal Society (Great Britain); Science / Great Britain / History / 17th century; Science / Aesthetics; Knowledge, Theory of; Senses and sensation / Great Britain; Boyle, Robert / 1627-1691; Grew, Nehemiah / 1641-1712; Hooke, Robert / 1635-1703; Ray, John / 1627-1705; Willis, Thomas / 1621-1675; Royal Society (Great Britain); Knowledge, Theory of; Science; Science / Aesthetics; Senses and sensation; Great Britain; 1600-1699; History
    Umfang: 1 Online-Ressource (243 Seiten), Illustrationen
    Bemerkung(en):

    Introduction -- Physico-theology, natural philosophy, and sensory experience -- An empiricism of imperceptible entities -- In search of lost designs -- Verbal picturing -- Natural philosophy and the cultivation of taste -- Conclusion : embodied aesthetics
  4. Aesthetic science
    representing nature in the Royal Society of London, 1650-1720
    Autor*in: Wragge-Morley, Alexander
    Erschienen: 2020
    Verlag:  The University of Chicago Press, Chicago ; London

    "The scientists affiliated with the early Royal Society of London have long been regarded as forerunners of modern empiricism, rejecting the symbolic and moral goals of Renaissance natural history in favor of plainly representing the world as it... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    TU Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "The scientists affiliated with the early Royal Society of London have long been regarded as forerunners of modern empiricism, rejecting the symbolic and moral goals of Renaissance natural history in favor of plainly representing the world as it really was. Alexander Wragge-Morley challenges this interpretation by arguing that key figures such as John Ray, Robert Boyle, Nehemiah Grew, Robert Hooke, and Thomas Willis saw the study of nature as an aesthetic project. In fact, they practiced a science that depended on harnessing the embodied pleasures and pains that arise from sensory experience. Aesthetic Science reveals how judgments of taste and pleasures played a central role in the formation of consensus in scientific communities and the emergence of what we now understand as scientific objectivity"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780226680729; 9780226680866; 022668086X
    RVK Klassifikation: AK 18400 ; AK 53900 ; AK 34510 ; TB 6200
    Schlagworte: Ästhetik; Wissenschaft
    Weitere Schlagworte: Ray, John / 1627-1705; Boyle, Robert / 1627-1691; Grew, Nehemiah / 1641-1712; Hooke, Robert / 1635-1703; Willis, Thomas / 1621-1675; Royal Society (Great Britain); Science / Great Britain / History / 17th century; Science / Aesthetics; Knowledge, Theory of; Senses and sensation / Great Britain; Boyle, Robert / 1627-1691; Grew, Nehemiah / 1641-1712; Hooke, Robert / 1635-1703; Ray, John / 1627-1705; Willis, Thomas / 1621-1675; Royal Society (Great Britain); Knowledge, Theory of; Science; Science / Aesthetics; Senses and sensation; Great Britain; 1600-1699; History
    Umfang: 243 Seiten, Illustrationen
    Bemerkung(en):

    Introduction -- Physico-theology, natural philosophy, and sensory experience -- An empiricism of imperceptible entities -- In search of lost designs -- Verbal picturing -- Natural philosophy and the cultivation of taste -- Conclusion : embodied aesthetics
  5. Aesthetic science
    representing nature in the Royal Society of London, 1650-1720
    Autor*in: Wragge-Morley, Alexander
    Erschienen: [2020]
    Verlag:  The University of Chicago Press, Chicago ; London

    "The scientists affiliated with the early Royal Society of London have long been regarded as forerunners of modern empiricism, rejecting the symbolic and moral goals of Renaissance natural history in favor of plainly representing the world as it... mehr

    Standort:
    Universitätsbibliothek Wuppertal
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "The scientists affiliated with the early Royal Society of London have long been regarded as forerunners of modern empiricism, rejecting the symbolic and moral goals of Renaissance natural history in favor of plainly representing the world as it really was. Alexander Wragge-Morley challenges this interpretation by arguing that key figures such as John Ray, Robert Boyle, Nehemiah Grew, Robert Hooke, and Thomas Willis saw the study of nature as an aesthetic project. In fact, they practiced a science that depended on harnessing the embodied pleasures and pains that arise from sensory experience. Aesthetic Science reveals how judgments of taste and pleasures played a central role in the formation of consensus in scientific communities and the emergence of what we now understand as scientific objectivity"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  6. Aesthetic science
    representing nature in the Royal Society of London, 1650-1720
    Autor*in: Wragge-Morley, Alexander
    Erschienen: 2020
    Verlag:  The University of Chicago Press, Chicago ; London

    "The scientists affiliated with the early Royal Society of London have long been regarded as forerunners of modern empiricism, rejecting the symbolic and moral goals of Renaissance natural history in favor of plainly representing the world as it... mehr

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Deutsches Museum, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "The scientists affiliated with the early Royal Society of London have long been regarded as forerunners of modern empiricism, rejecting the symbolic and moral goals of Renaissance natural history in favor of plainly representing the world as it really was. Alexander Wragge-Morley challenges this interpretation by arguing that key figures such as John Ray, Robert Boyle, Nehemiah Grew, Robert Hooke, and Thomas Willis saw the study of nature as an aesthetic project. In fact, they practiced a science that depended on harnessing the embodied pleasures and pains that arise from sensory experience. Aesthetic Science reveals how judgments of taste and pleasures played a central role in the formation of consensus in scientific communities and the emergence of what we now understand as scientific objectivity"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780226680729; 9780226680866; 022668086X
    RVK Klassifikation: AK 18400 ; AK 53900 ; AK 34510 ; TB 6200
    Schlagworte: Ästhetik; Wissenschaft
    Weitere Schlagworte: Ray, John / 1627-1705; Boyle, Robert / 1627-1691; Grew, Nehemiah / 1641-1712; Hooke, Robert / 1635-1703; Willis, Thomas / 1621-1675; Royal Society (Great Britain); Science / Great Britain / History / 17th century; Science / Aesthetics; Knowledge, Theory of; Senses and sensation / Great Britain; Boyle, Robert / 1627-1691; Grew, Nehemiah / 1641-1712; Hooke, Robert / 1635-1703; Ray, John / 1627-1705; Willis, Thomas / 1621-1675; Royal Society (Great Britain); Knowledge, Theory of; Science; Science / Aesthetics; Senses and sensation; Great Britain; 1600-1699; History
    Umfang: 243 Seiten, Illustrationen
    Bemerkung(en):

    Introduction -- Physico-theology, natural philosophy, and sensory experience -- An empiricism of imperceptible entities -- In search of lost designs -- Verbal picturing -- Natural philosophy and the cultivation of taste -- Conclusion : embodied aesthetics