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The main text in contemporary drama
Osborne, Bernhard, Handke and Bond -
Language and reality: A study of 3 experimental novelists, Peter Handke, John Barth, and Alain Robbe-Grillet
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Nobody's voice
constructions of poetic identity in Celan, Rilke and Bachmann -
From maidens to mephistophela
the transformation of Heinrich Heine's female figures -
Cinepoiesis
the visual poetics of Pier Paolo Pasolini, Michaelangelo and Franco Piavoli -
Life beneath the surface
narration in the early films of Andrei Tarkovsky -
Modern postmodern fiction
toward a formal and historical understanding of postmodern literature -
Die Erzähltechnik in Charles Sealsfields Cajütenbuch: Die epische Integration des Romans
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The epic Hero: Recurring patterns and poetic perspectives in epic poetry
recurring patterns and poetic perspectives in epic poetry -
From despair to irrational faith: A study of Kleist, Byron and Dostoevsky
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The magic if
twentieth-century theatre theory and practice as literary theory and criticism -
Tragedy's queer afterlives
place, time, and theatrical adaptation -
The pious knight
crusading ideals, purgatory, and grail romances -
Modernism and melancholia
history as mourning-work -
The limits of realism
empire, empiricism, and enchantment in Honoré de Balzac, Anthony Trollope, and Theodor Fontane -
Why grotesque?
Transgression and ambiguity in 'posttraumatic' literature -
The syncopated self
crises of historical experience in the modernist 'Bildungsroman' -
Mapping topographies in the Anglo and German narratives of Joseph Conrad, Anna Seghers, James Joyce, and Uwe Johnson
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Future reading
romanticism, aesthetics, politics -
Necr-Ophelia
death, femininity and the making of modern aesthetics -
The modern savage
figures on the fascist 'primitive' in interwar Europe