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Martinus Th. Houtsma
1851 - 1943 ; een bijdrage aan de geschiedenis van de orie͏̈ntalistiek in Nederland en Europa -
Resisting narratives: reading Abdulhamid Suleymon Cho'lpan from a postcolonial perspective
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Peasants and the Ethiopian state
agricultural producers' cooperatives and their reflections in Amharic oral poetry ; a case study in Yetnora, East Gojjam, 1975-1991 -
In de schaduw van Scheherazade
oosterse vertellingen in achttiende-eeuws Nederland -
The politics of writing in Iran
a history of modern Persian literature -
The voice of Jesus in the social rhetoric of James
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Beloved communities
solidarity and difference in fiction by Michael Ondaatje, Toni Morrison, and Joy Kogawa -
Poetry and painting in Song China
the subtle art of dissent -
Misreading the Chinese character
images of the Chinese in Euroamerican drama to 1925 -
Zhou Zuoren and an alternative Chinese response to modernity
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Veils of irony
the development of narrative technique in women's novels of the 1790s -
Towards a hermeneutics of Aegean Bronze Age ship imagery
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Collocations in science writing
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Kinderliterarische Komparatistik
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Das System der ländlichen Märkte in der Volksrepublik China
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Grundriß zur kognitiven Theorie der Figurenrezeption am Beispiel des viktorianischen Romans
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Mikhail Zoshchenko and the poetics of skaz
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The architectural setting of the cult of saints in the early Christian West c. 300 - 1200
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Freedom as liberating power
a socio-political reading of the exusia texts in the Gospel of Mark -
Changes in the Russian terminology of economic law since "Perestroika"
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Myths of speculation
the south sea bubble and 18th-century English literature -
Babylonische Spiele
William Beckford und das Erwachen der modernen Imagination -
The controversy stories in the Gospel of Matthew
their redaction, form und relevance for the relationship between the Matthean community and formative Judaism -
Victorian women in Kate Chopin's "The Awakening" and Edith Wharton's "The House of Mirth"
Victims or Heroines? -
<<A>> study of D. H. Lawrence's uses of historical mythological material with special emphasis on his works "The ladybird", "St. Mawr", "The plumed serpent" and "The escaped cock", with a tentative outlook on a personal Lawrentian mythology