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  1. Représentations et conceptions de l’espace dans la culture médiévale
    Colloque Fribourgeois 2009 = Repräsentationsformen und Konzeptionen des Raums in der Kultur des Mittelalters : Freiburger Colloquium 2009
    Beteiligt: Suarez-Nani, Tiziana (Hrsg.); Rohde, Martin (Hrsg.)
    Erschienen: 2011
    Verlag:  De Gruyter, Berlin [u.a.]

    Le présent volume contient les Actes du colloque international sur les " Représentations et conceptions de l'espace dans la culture médiévale " qui s'est déroulé du 19 au 21 octobre 2009 sous les auspices de l'Institut d'Etudes Médiévales de... mehr

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    Standort:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Le présent volume contient les Actes du colloque international sur les " Représentations et conceptions de l'espace dans la culture médiévale " qui s'est déroulé du 19 au 21 octobre 2009 sous les auspices de l'Institut d'Etudes Médiévales de l'Université de Fribourg (Suisse). La participation de spécialistes de rang international à cette rencontre atteste du vif intérêt que suscitent aujourd'hui dans la communauté scientifique la perception et la compréhension médiévales de l'espace. En effet, d'importantes études menées au cours de la dernière décennie auront éclairé sous un nouveau jour la signification complexe de l'espace dans la civilisation du Moyen Age latin, qui se décline sur plusieurs registres : social, économique, politique, culturel et religieux. Loin d'apaiser la curiosité scientifique, les études récentes sur ces diverses facettes de l'espace médiéval ont ouvert de nouveaux horizons, suscité des interrogations nouvelles, mis à jour un vaste chantier d'investigation sur les rapports aux lieux et à l'espace dans la vie et la culture du Moyen Age européen. Le colloque visait donc à explorer davantage quelques pistes de recherche. Il a réuni des chercheurs de pays, de langues, de cultures et de domaines scientifiques différents. Il a ainsi donné lieu à un dialogue animé qui aura permis de confronter et d'enrichir mutuellement les visions de l'espace médiéval des spécialistes de l'histoire, de la philosophie, de l'histoire de l'art et de la littérature This volume contains the records of the international Freiburg Colloquium of the same name which was held by the Medieval Institute of the University of Freiburg from October 19 to 21, 2009. The academic reconstruction of the conception and perception of space in the culture of the Latin Middle Ages requires a differentiated treatment and corresponding competencies - something which can be realized only through an interdisciplinary approach. Each contributor to this volume examines the given theme from the perspective of his or her own specialist field

     
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    Quelle: Verbundkataloge
    Beteiligt: Suarez-Nani, Tiziana (Hrsg.); Rohde, Martin (Hrsg.)
    Sprache: Französisch; Englisch; Deutsch; Mehrere Sprachen
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110259438
    Weitere Identifier:
    RVK Klassifikation: NM 1400
    Schriftenreihe: Scrinium Friburgense ; Bd. 30
    Schlagworte: Cosmology, Medieval; Philosophy, Medieval; Space and time; Space in literature; Space perception; LITERARY CRITICISM / European / General
    Weitere Schlagworte: Literary Studies; Middle Ages/Literature; Middle Ages/Philosophy; Space/in Literature
    Umfang: Online-Ressource (388 S.), Ill., graph. Darst., Kt.
    Bemerkung(en):

    Beitr. teilw. dt., teilw. engl., teilw. franz
  2. Fra plate til plattform : Norsk musikk ut i verden
    Autor*in: Nylund Hagen, Anja; Torvik Heian, Mari; Aulie Jacobsen, Roy; Kleppe, Bård
    Erschienen: 2021
    Verlag:  Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing), Oslo

    Within the last two decades streaming services and digital platforms have come to dominate the distribution of recorded music. What has this transformation meant for the music industry in Norway? From Spinning to Streaming: Norwegian Music Reaching... mehr

     

    Within the last two decades streaming services and digital platforms have come to dominate the distribution of recorded music. What has this transformation meant for the music industry in Norway? From Spinning to Streaming: Norwegian Music Reaching the World presents research on how artists, musicians, composers and other intermediaries within Norway’s music industry are meeting this digital reality.Digitalization has led to new possibilities for producing and distributing music, as well as for exporting music and succeeding on an international level. Yet the route out into the world via the internet can be both steep and unpredictable. By investigating ways of working, types of expertise required, as well as economic and copyright circumstances, the authors demonstrate how digital media are both important tools for creating musical works and a key engine of development in the music industry itself.The authors rely on various theoretical concepts and analytical perspectives to explore the interplay between technological, professional, social and cultural conditions in the music industry’s development. A central finding in the book is the need among several actors in the Norwegian music industry for increased specialized competence and understanding regarding rights issues. In addition, the “platformization” of the industry calls for a greater degree of professionalization and specialized expertise than the Norwegian music industry is equipped with today.From Spinning to Streaming: Norwegian Music Reaching the World will be of interest to researchers, students, politicians, decision-makers and other actors within the music industry.The book’s authors are Anja Nylund Hagen, University of Oslo; Mari Torvik Heian, Telemark Research Institute; Roy Aulie Jacobsen, Telemark Research Institute; and Bård Kleppe, Telemark Research Institute.; De siste ti årene har strømmetjenester og digitale plattformer nærmest overtatt distribusjonen av innspilt musikk. Hva har det gjort med norsk musikkbransje? I boka Fra plate til plattform: Norsk musikk ut i verden presenteres forskning på hvordan artister, musikere, komponister og ulike mellomledd i norsk musikkbransje håndterer den digitale hverdagen.Digitaliseringen har gitt nye muligheter til å produsere og distribuere musikk, drive med musikkeksport og til å lykkes internasjonalt. Samtidig kan veien ut i verden via internett være både uforutsigbar og bratt. Ved å undersøke arbeidsmåter, kompetansebehov og forhold knyttet til økonomi og opphavsrett, viser forfatterne hvordan digitale medier både er viktige verktøy i arbeidet og sentrale drivkrefter for bransjeutviklingen.Forfatterne bruker ulike teoretiske begreper og analytiske perspektiver for å undersøke samspillet mellom teknologiske, profesjonelle, sosiale og kulturelle forhold i musikkbransjens utvikling. Et sentralt funn i boka er at musikkbransjen har behov for økt bransjekunnskap og rettighetsforståelse. Plattformsentreringen inviterer også til større grad av profesjonalisering og spesialisert kompetanse enn det den norske musikkbransjen er rigget for i dag.Boka er relevant for forskere, studenter, politikere, beslutningstakere og aktører i musikkbransjen.Fra plate til plattform: Norsk musikk ut i verden er skrevet av Anja Nylund Hagen, Universitetet i Oslo, Mari Torvik Heian, Telemarksforsking, Roy Aulie Jacobsen, Telemarskforsking og Bård Kleppe, Telemarksforsking.

     
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    Quelle: OAPEN
    Sprache: Norwegisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9788202716219
    Weitere Identifier:
    Schlagworte: Music industry; Impact of science & technology on society; Media studies
    Weitere Schlagworte: Music industry; Norwegian music industry; digital music service; music export; digitalization; Musikkindustri; norsk musikkbransje; strømmetjenester; digitale plattformer; musikkeksport; digitalisering
    Umfang: 1 electronic resource (190 p.)
  3. Reflexive dramaturgy : Études for the (performing)arts in a time of change
    Autor*in: Vagn Lid, Tore
    Erschienen: 2018
    Verlag:  Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing), Oslo

    The fact that you are reading these words means you have already stepped over the threshold of a collection of what the author calls reflexive études. Here, the author is expanding on the word étude as it is used in music’s most ‘classical’... mehr

     

    The fact that you are reading these words means you have already stepped over the threshold of a collection of what the author calls reflexive études. Here, the author is expanding on the word étude as it is used in music’s most ‘classical’ department, where it denotes a practice piece designed to address an isolated problem of musical technique, and transforms it to serve as a practical thought exercise for the (theatre) field as a whole. The reflexive étude therefore serves as a practical-theoretical exercise in trying to think one’s way to freedom from the (often) unconscious or semi-conscious assumptions and obstacles that the art actor constantly has to contend with. Implicit here is the notion that thinking through also constitutes an exercise and that the art of thinking is inextricably associated with art in general. Like musical exercises, the reflexive études are characteristically specific: each focuses on practice relevant to something particular – perhaps one performance, an issue of acting technique, an acute theatre -sociological situation, or the question of what a theatre script can and should look like. The ambition is to develop what I have called a reflexive dramaturgy. This conception of dramaturgy does not limit itself to analyses of the theatrical text, or to the theatre’s arsenal of calculated stage effects, but is capable of expanding its reach to identify other kinds of action that exert a powerful influence, despite their being seemingly inconspicuous. In this sense, reflexive dramaturgy becomes a kind of theoretical practice that seeks to identify and articulate those actions which (reflexively) set the limits for aesthetic experience, but which are often insufficiently covered by the ways that art and theatrical art view themselves. Den som leser disse ordene, befinner seg nå allerede over terskelen til en samling av det forfatteren har kalt refleksive etyder. Ordet etyde utvides her fra musikkens mest ‘klassiske’ avdeling, hvor det betegner et øvelsesstykke innrettet mot å løse et isolert teknisk-musikalsk problem og transformeres til praktiske tankeøvelser for (scenekunst) feltet som helhet. Den refleksive etyden er derfor valgt som en praktisk teoretisk øvelse i å tenke seg løs fra de (ofte) ubevisste eller halv-bevisste forutsetningene og hindringene som en kunstaktør hele tiden arbeider i, og med. I dette ligger en forståelse av at det å tenke over også er en øvelse, og at kunsten å tenke uløselig henger sammen med kunst overhodet. Ambisjonen er å utvikle det forfatteren har kalt for en refleksiv dramaturgi. I dette ligger en dramaturgi som ikke begrenser seg til analyser av sceneteksten, eller av teaterrommets kalkulerte kunstneriske virkemidler, men som i tillegg evner å utvide sitt søk etter andre, og mindre iøynefallende, men ikke desto mindre virksomme, handlinger. Refleksiv dramaturgi blir slik en type teoretisk praksis som forsøker å lokalisere og artikulere de handlingene som (refleksivt) setter grenser for det estetiske, men som ofte selv ikke er tilstrekkelig del av kunstens og scenekunstnerens selvforståelse.

     
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    Quelle: OAPEN
    Sprache: Norwegisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Theory of art; Theatre studies; Theatre: individual actors & directors
    Weitere Schlagworte: reflexive; theatre; performing arts; dramaturgy
    Umfang: 1 electronic resource (377 p.)
  4. Teaterproduksjon : ti produksjonsestetiske innganger
    Beteiligt: Aune, Vigdis (Hrsg.); Haagensen, Cecilie (Hrsg.)
    Erschienen: 2018
    Verlag:  Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing), Oslo

    This anthology presents research in theatre studies developed by a group of colleagues at the Department of Arts and Media Studies at the Norwegian University of Science and Technology. The research is conducted through arts-based research and... mehr

     

    This anthology presents research in theatre studies developed by a group of colleagues at the Department of Arts and Media Studies at the Norwegian University of Science and Technology. The research is conducted through arts-based research and practical-theoretical teaching at the department. Theatre production is a central arts-and knowledge-creating field of work for students and teachers in theatre studies. The work is characterized by a dynamic relationship between body, text, visuality and sound, media methods and techniques and the relationship between professionals and students. Theatre production is a complex learning arena; it is both multimodal and developed in dynamic movements between experience, dissemination, response and reflection. There is a need for a rich range of strategies, methods and techniques. The anthology presents ten different inputs to theatre production. Laboratory with experimental methods is the framework for articles on scenography, sound, the body and text of the actor. Production processes setting the creative and reflective student in the centre is the frame for articles on dramaturgy, text processing, production phases and target group- oriented work. The role and function of the university teacher in supervision and assessment is themed in two closing articles. In discussing the different aesthetical inputs to theatre production the authors use examples, images and audio material. Denne antologien presenterer teatervitenskapelig kunnskap utviklet ved Institutt for kunst- og medievitenskap ved Norges teknisk-naturvitenskapelige universitet. Artiklene er basert på kunstbasert forskning og praktisk-teoretisk undervisning ved instituttet. Teaterproduksjon er et sentralt kunst- og kunnskapsdannende arbeidsfelt for studenter og lærere i drama og teater. Arbeidet preges av et dynamisk forhold mellom kropp, tekst, visualitet og lyd, medienes metoder og teknikker og av relasjonen mellom fagforvaltere og studenter. Teaterproduksjon er en kompleks læringsarena; den er multimodal og den krysser mellom opplevelse, formidling, respons og refleksjon. Det er behov for et rikt utvalg strategier, metoder og teknikker. Antologien presenterer ti ulike innganger til teaterproduksjon. Laboratoriet med eksperimentelle metoder er ramme for artikler om scenografi, lyd, aktørens kropp og tekst. Produksjonsprosessen med den skapende og reflekterende studenten i sentrum er ramme for artikler om dramaturgi, tekstbehandling, produksjonsfaser og målgruppearbeid. Fagforvalterens rolle og funksjon i veiledning og vurdering tematiseres i to avsluttende artikler. De ti produksjonsestetiske inngangene drøftes med eksempler og bilde- og lydmateriale.

     
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    Quelle: OAPEN
    Beteiligt: Aune, Vigdis (Hrsg.); Haagensen, Cecilie (Hrsg.)
    Sprache: Norwegisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Theory of art; Theatre studies; Theatre: individual actors & directors
    Weitere Schlagworte: theatre; education; scenography; production processes; theatre production; teater; teaterutdanning; teaterproduksjon
    Umfang: 1 electronic resource (267 p.)
  5. Fritid, frihet og fellesskap : Kunnskap og løsninger i lokalt kulturarbeid blant barn og unge
    Autor*in: Hylland, Ole Marius; Dahl Haugsevje, Åsne
    Erschienen: 2019
    Verlag:  Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing), Oslo

    This book is about possibilities for, challenges for and knowledge about local cultural work among young people. It describes cultural work at a municipal level but shows also how this work is aiming to reach goals that it has in common with national... mehr

     

    This book is about possibilities for, challenges for and knowledge about local cultural work among young people. It describes cultural work at a municipal level but shows also how this work is aiming to reach goals that it has in common with national cultural policy: quality, participation, inclusion, diversity and democracy. Using the municipality and town of Drammen as a vantage point, the book investigates how different parameters effect local cultural work, and how cultural policy at a municipal level is, by necessity, pragmatic, practical and sometimes prosaic. This topic is dealt with through a combination of qualitative and quantitative analysis. The empirical data presented and discussed in the book is a combination of qualitative case studies and quantitative survey data. The survey data shows variations and patterns in the cultural consumption of an age cohort in the municipality, and the case studies show different ways of effectuating and organizing cultural work at this level. Finally, the book discusses the complex interplay between means and ends when a municipality is working to make culture matter for young people. Denne boken handler om muligheter, utfordringer og kunnskap i lokalt kulturarbeid blant barn og unge. Den beskriver kulturarbeid på kommunalt nivå, men viser også hvordan dette arbeidet tar sikte på å nå nasjonale kulturpolitiske mål som kvalitet, deltakelse, inkludering, mangfold og demokrati. Med Drammen som et utsiktspunkt, undersøker boken hvordan ulike faktorer påvirker lokalt kulturarbeid, og hvordan kulturpolitikken på kommunalt nivå nødvendigvis er både pragmatisk og prinsipiell, praktisk og prosaisk. De empiriske dataene som presenteres og diskuteres i boken er en kombinasjon av kvalitative casestudier og kvantitative surveydata. Surveydataene viser variasjoner og mønstre i det kulturelle forbruket blant en hel aldersgruppe, og case-studiene viser ulike måter å gjennomføre og organisere kulturarbeid på dette området. Boken drøfter også det komplekse samspillet mellom midler og mål som er involvert når en kommune arbeider for å gjøre kultur betydningsfullt for unge mennesker.

     
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    Quelle: OAPEN
    Sprache: Norwegisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Cultural studies
    Weitere Schlagworte: cultural work; Drammen; cultural policy; youth; barn og unge; kulturarbeid; Drammen
    Umfang: 1 electronic resource (189 p.)
  6. Harpe og sverd : Litteraturhistoriske essay om den norske balladen
    Autor*in: Solberg, Olav
    Erschienen: 2020
    Verlag:  Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing), Oslo

    " This is a collection of essays about the Norwegian ballade, but it also includes ballads from the other Nordic countries. Many perceive the Norwegian ballad as something very close to what is considered the Norwegian soul, however the genre of the... mehr

     

    " This is a collection of essays about the Norwegian ballade, but it also includes ballads from the other Nordic countries. Many perceive the Norwegian ballad as something very close to what is considered the Norwegian soul, however the genre of the ballad dates back to the 1100 century in Europe. In the first essay the author will shed light on the duality of the origin of the ballad. In the second essay, the author writes about the Norwegian ballade, where they arose, how they lived on and looks into what kind of tradition they represent. Trolls and ballads are topics of the third essay, and in the fourth essay the author takes a closer look at two Danish song- and ballad books, namely Hundreviserboka by Anders Sørensen Vedel and the sequel, Tohundreviserboka, by Peder Syvs.

    The fifth essay is about ballads and identity. A central question being asked here, is how both poets and tradition help establish the identity of the actors in the ballade. Furthermore, sixth essay focuses on mythical nature in ballads. The so-called jester ballads (Skjemteballadar), have long been invalidated by researchers. In the seventh essay, however, the author presents these ballades in relation to theories of comedy and laughter. Finally, the eighth essay the author presents some central European ballads." "Denne boka er ei essaysamling om den norske balladen, men handlar også om balladar (folkeviser) frå andre nordiske land. Mange oppfattar den norske balladen som noko av det norskaste som finst, nærmast eit uttrykk for folkesjela. Men balladesjangeren har europeiske røter, dei går attende til 1200-talet. Denne problemstillinga drøfter forfattaren særleg i det første essayet.

     

    I det andre essayet skriv forfattaren om dei norske balladesongarane, kvar dei kom frå, korleis dei levde, kva for tradisjon dei representerte. Det tredje essayet handlar om troll og balladar, og i det fjerde essayet ser forfattaren nærmare på to danske vise-og balladebøker, den såkalla Hundreviseboka, utgjeven av Anders Sørensen Vedel (1591) og Peder Syvs oppfølgjar Tohundreviseboka (1695).

     

    Det femte essayet handlar om identitet og balladedikting. Eit sentralt spørsmål her er korleis balladediktarane og tradisjonen byggjer opp identiteten til aktørane i balladen. Vidare i det sjette essayet skriv forfattaren om naturmytiske balladar. Det sjuande essayet handlar om ei gruppe viser som lenge vart underkjende av forskinga, skjemteballadane. Her trekker forfattaren fram nokre representative skjemteballadar og skjemteeventyr, desse tekstane blir drøfta på bakgrunn av teoriar om komikk og latter. I siste del av 1700-talet vart dei gamle folkevisene gjenoppdaga av eit nytt litterært publikum, og det vart i mange land dikta kunstballadar som bygde på den gamle tradisjonsdiktinga. I det åttande essayet drøfter forfattaren nokre sentrale kunstballadar frå fleire europeiske land, blant dei viser som ettertida har forvist til skillingsvisekategorien."

     
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    Quelle: OAPEN
    Sprache: Norwegisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9788202705930; 9788202705909; 9788202705916; 9788202705923
    Weitere Identifier:
    Schlagworte: Literature & literary studies
    Weitere Schlagworte: Ballads; Norway; Nordic countries
    Umfang: 1 electronic resource (347 p.)
  7. Det usikre sangerlivet : En livshistoriestudie på langs og på tvers i klassiske sangeres sosiale praksis
    Autor*in: Vesterlid Strøm, Regine
    Erschienen: 2021
    Verlag:  Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing), Oslo

    Uncertainty at many levels in classical singers’ career trajectories and professional practice is a fulcrum in this book. Produced through life history interviews with 14 professional Scandinavian singers, born between 1945 and 1978, the study... mehr

     

    Uncertainty at many levels in classical singers’ career trajectories and professional practice is a fulcrum in this book. Produced through life history interviews with 14 professional Scandinavian singers, born between 1945 and 1978, the study follows the participants’ experiences of possibilities and limitations of action through their life course. It obtains some of the prerequisites that underpin the practical knowledge of the singer considering the cultural traditions of classical singing and the hierarchical field of music the singers aim for and act within. The overarching theoretical framework is founded in Pierre Bourdieu’s theory of practice, but the study has an interdisciplinary approach. Here, the pluralistic life course perspective forms the basis for understanding processes and changes over time. The study shows how singers’ choices and strategies, reflections, opinions and preferences, can be understood in relation to their backgrounds, and their social positions in the classical music field where music is the interconnecting element. A comprehensive feature of the research material is how uncertainties are expressed as assessments as an answer to the uncertainty that characterizes singers as well as singing education, singing performance and the singing profession. This dominant practice of assessment is interpreted as a circular phenomenon, where the assessment culture becomes a consequence of uncertainty, while increasing uncertainty. "Hvordan konstitueres klassiske sangeres løpebaner og sosiale praksis? Med utgangspunkt i livshistorieintervju med 14 profesjonelle skandinaviske sangere født mellom 1945 og 1978, søker denne studien en mer nyansert og helhetlig forståelse av denne kunstnergruppens mulighetsbetingelser. I boka ser forfatteren nærmere på sangernes oppvekstår, studietid og yrkesliv, samt overgangen mellom disse. I denne sammenheng gjøres usikkerhet til et omdreiningspunkt. Gjennom den komplekse relasjonen mellom det individuelle og kollektive, analyseres sangeres erfaringer i lys av historiske, sosiale og kulturelle mønstre som former løpebanene og strukturerer praksisen på bestemte måter. Her legger den klassiske sangens tradisjon sterke føringer. Den overordnede teoretiske rammen er fundert i Pierre Bourdieus praksisteori. Det pluralistiske livsløpsperspektivet utgjør grunnlaget for forståelsen av prosesser og endring over tid.

     

    Det konkurransepregede og uforutsigbare arbeidsmarkedet som omgir sangerne medfører høy grad av risiko og usikkerhet. Boka belyser hvordan sangere legitimerer eget yrke og hvordan handlinger, valg, strategier, refleksjoner, meninger og preferanser kan forstås i relasjon til deres bakgrunn og til posisjoner i det klassiske musikkfeltet der musikken er det bindende element. Et gjennomgående trekk i forskningsmaterialet er hvordan usikkerhet kommer til uttrykk som vurderinger. Slik oppstår et sirkulært fenomen, hvor vurderingskulturen blir en konsekvens av usikkerhet, samtidig som den forsterker usikkerheten som preger sangerne så vel som sangopplæringen, sangutøvelsen og sangeryrket."

     
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  8. Musikkfilosofiske tekster : Tanker om musikk – og språk, tolkning, erfaring, tid, klang, stillhet m.m.
    Beteiligt: Varkøy, Øivind (Hrsg.); Holm, Henrik (Hrsg.)
    Erschienen: 2020
    Verlag:  Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing), Oslo

    "To pursue the philosophy of music is to contemplate music’s nature, essence, purpose, value, and function in our lives. While the aesthetics of music looks at music’s content, quality, meaning and importance, music philosophy often goes one step... mehr

     

    "To pursue the philosophy of music is to contemplate music’s nature, essence, purpose, value, and function in our lives. While the aesthetics of music looks at music’s content, quality, meaning and importance, music philosophy often goes one step further. Ideas about something one perhaps believes is ‘purely aesthetical’ will of course always require consideration in relation to ideas about humanity, the world, politics and religion. In this sense, music aesthetics and music philosophy are two sides of the same coin.

     

    This is reflected in the texts presented in this collection, which provides a broad view of the current state of ideas about music in Norway. The authors, from PhD fellows to emeriti, represent different higher educational music institutions in Norway as well as different fields within music and philosophy. Their texts are on topics ranging from musical experience, music and language, meaning and interpretation of music, music and view of life, and others.

     

    The anthology’s editors Øivind Varkøy and Henrik Holm are, respectively, professor of music education and director of the PhD program at the Norwegian Academy of Music and adjunct professor of music at Oslo Metropolitan University, and professor of philosophy and head of research at Rudolf Steiner University College in Oslo." "Å bedrive musikkfilosofi er å tenke omkring musikkens natur, vesen, hensikt, verdi, og funksjon i menneskelivet. Mens musikkestetikken arbeider med spørsmål om musikkens innhold, kvalitet, mening og betydning, går musikkfilosofien ofte ett skritt lenger. Tenkning om noe man muligens innbiller seg er «rent estetisk», vil nemlig alltid måtte vurderes i relasjon til forestillinger om mennesket, verden, politikk og religion. Slik sett blir musikkestetikk og musikkfilosofi to sider av samme sak.

     

    Dette avspeiles i denne samlingen av tekster – som gir et bredt bilde av norsk musikktenkning anno 2020. Forfatterne er tilknyttet forskjellige høyere musikkutdanningsinstitusjoner i Norge som alt fra ph.d.-stipendiater til fast ansatte og emeriti, og de representerer ulike musikalske og filosofiske fagfelt. Her finnes tekster om musikalsk erfaring, musikk og språk, musikalsk mening og tolkning, musikk og livsanskuelse m.m.

     

    Redaktørene Øivind Varkøy og Henrik Holm er henholdsvis professor i musikkpedagogikk og leder av ph.d.-programmet ved Norges musikkhøgskole, samt professor II i musikk ved OsloMet - Storbyuniversitetet, og professor i filosofi og forskningsleder ved Steinerhøyskolen i Oslo."

     
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  9. Den russiske togmyten : En kulturfilologisk tilnærming til russiskspråklig jernbanefiksjon
    Autor*in: Lotsberg Bryn, Brita
    Erschienen: 2018
    Verlag:  Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing), Oslo

    "How are languages and cultures affected not only by the landscapes we live in, but also by the ways in which we make our way through them? Can railway fiction contribute to illuminating questions related to a nation’s history and identity? And what... mehr

     

    "How are languages and cultures affected not only by the landscapes we live in, but also by the ways in which we make our way through them? Can railway fiction contribute to illuminating questions related to a nation’s history and identity? And what makes the stories about Russian, Soviet and post-Soviet trains different from railway literature with origins in other railway nations?

     

    Outside the country’s borders Russian and Soviet trains are likely to be associated with exotic journeys, particularly by the Trans-Siberian railway. This book explores other aspects of this vast empire’s railways. Through philological and cultural analyses, primarily of literary fiction, but also of popular cultural and documentary texts, the author demonstrates how and why the railway gradually became part of the Russian and Soviet peoples’ culture and national consciousness. She describes how metaphors and aphorisms related to trains were applied in propaganda, and subsequently became subject to linguistic play and literary deconstruction. And last, but not least this monograph shows how the railway forms a dark backdrop for literary representations of deportations, forced labour and prison camps.

     

    The book addresses specialists and students of Russian, as well as readers with a general interest in Russia, languages, literature and cultural theory." "Hvordan påvirkes språk og kulturer, ikke bare av de landskapene vi lever i, men også av måtene vi beveger oss gjennom dem på? Kan jernbanefiksjon bidra til å belyse spørsmål knyttet til en nasjons historie og identitet? Og hva er det som gjør fortellinger om russiske, sovjetiske og postsovjetiske tog til noe annet enn toglitteratur med opphav i andre jernbanenasjoner?

     

    Utenfor landets grenser assosieres russiske og sovjetiske tog gjerne med eksotiske reiser, spesielt med Den transsibirske jernbanen. Denne boken undersøker andre aspekter av dette vidstrakte imperiets jernbane. Gjennom filologiske og kulturfaglige analyser, primært av skjønnlitterære kilder, men også av populærkulturelle og dokumentariske tekster, drøfter forfatteren hvordan og hvorfor jernbanen gradvis ble en del av den russiske og sovjetiske befolkningens kultur og nasjonale bevissthet. Hun beskriver hvordan metaforer og aforismer relatert til tog ble anvendt i propaganda, og følgelig gjort til gjenstand for språklek og litterær dekonstruksjon. Og sist, men ikke minst viser denne monografien hvordan jernbanen danner et mørkt bakteppe for litterære representasjoner av deportasjoner, tvangsarbeid og fangeleirer.

     

    Boken henvender seg både til spesialister, russiskstudenter og lesere med allmenn interesse for Russland, språk, litteratur og kulturteori."

     
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    Quelle: OAPEN
    Sprache: Norwegisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Literary studies: c 1800 to c 1900; Literary studies: from c 1900 -; Literary studies: fiction, novelists & prose writers
    Weitere Schlagworte: russian litterature; trains; myths; Soviet; Russia; tog; russisk litteratur; myter; Sovjet; russisk kultur
    Umfang: 1 electronic resource (411 p.)
  10. Mot bedre vitende i norsk matsektor
    Beteiligt: Steen, Frode (Hrsg.); Pettersen, Ivar (Hrsg.)
    Erschienen: 2020
    Verlag:  Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing), Oslo

    "The Norwegian food market engenders strong opinions and substantial media attention, with questions regarding agricultural regulations, competition between retail food chains, and the relationship between chains and their suppliers fueling debate.... mehr

     

    "The Norwegian food market engenders strong opinions and substantial media attention, with questions regarding agricultural regulations, competition between retail food chains, and the relationship between chains and their suppliers fueling debate. Meanwhile the country’s politicians call for greater intervention.

     

    Much of the debate can seem to be happening “against our better judgment”. Vague assumptions about the state of the food sector, paired with a strong political will to apply initiatives, is reason enough to look closer at the situation.

     

    This anthology provides an up-to-date factual assessment of the entire value chain in the food market. Central topics include development of productivity in the various segments of the food chain, price differences between different countries, and effects of Norway’s tariff system. The book presents new contributions concerning the structure of the market, access to food stores and the significance of brand names, and especially to the kind of bargaining tactics employed between food chains and suppliers, with an overview of how their negotiations are carried out and possibilities for regulatory measures afforded under existing laws.

     

    Against Better Judgment in the Norwegian Food Sector confirms existing knowledge and presents new findings that deserve attention from the sector itself, the media and public authorities. The book will be of interest to everyone seeking to understand the Norwegian food sector and take part in its further development.

     

    The book’s chapters have been written by seven researchers with lengthy experience in the field, and edited by Frode Steen, a professor in the Department of Economics at the Norwegian School of Economics, and Ivar Pettersen, a senior advisor at the Norwegian Institute of Bioeconomy Research." "Det norske matmarkedet er preget av sterke meninger og stor medieoppmerksomhet. Spørsmål som reguleringer i jordbruket, konkurranse mellom dagligvarekjeder og forholdet mellom kjeder og leverandører skaper debatt. Samtidig etterlyser landets politikere en mer intensiv bruk av virkemidler.

     

    Mye av debatten kan synes å skje «mot bedre vitende». Uklare oppfatninger om tilstanden i matsektoren, koblet med en sterk politisk vilje til å gjøre tiltak, gir grunn til å se nærmere på situasjonsbeskrivelsen.

     

    Denne boken gir et oppdatert faktagrunnlag om hele verdikjeden i matmarkedet. Sentrale tema er produktivitetsutvikling i de ulike leddene i matkjeden, prisforskjeller mellom ulike land og effekter av det norske tollvernet. Boken presenterer nye bidrag rundt markedsstruktur, butikktilgjengelighet og merkevarens betydning. Forhandlingsspillet mellom kjeder og leverandører vies stor plass, med innføring i hvordan forhandlingene foregår samt hvilke muligheter eksisterende lovverk gir for regulerende tiltak.

     

    Mot bedre vitende i norsk matsektor bekrefter eksisterende kunnskap og frembringer nye funn som fortjener oppmerksomhet fra bransje, medier og myndigheter. Boken vil være nyttig for alle som ønsker å forstå norsk matsektor og delta i den videre utformingen av denne.

     

    Boken inneholder bidrag fra syv forskere med lang fartstid på feltet. Den er redigert av Frode Steen, professor ved Institutt for samfunnsøkonomi ved Norges Handelshøyskole, og Ivar Pettersen, seniorrådgiver ved Norsk institutt for bioøkonomi."

     
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    Quelle: OAPEN
    Beteiligt: Steen, Frode (Hrsg.); Pettersen, Ivar (Hrsg.)
    Sprache: Norwegisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Food & society; Economics
    Weitere Schlagworte: Norwegian food market; food chain; market structure; Norwegian food sector; Det norske matmarkedet; verdikjede; dagligvarehandel; matkjeden; norsk matsektor
    Umfang: 1 electronic resource (268 p.)
  11. Norge etter 22. juli : Forhandlinger om verdier, identiteter og et motstandsdyktig samfunn
    Autor*in: Bakkevig, Trond; Bivand Erdal, Marta; Tordhol Ezzati, Rojan; Ustad Figenschou, Tine; Hughes, Glenn; Kaufmann, Mareile; Kolås, Åshild; Lysaker, Odin; Magalong, Abigail; Witsø Rafoss, Tore; Steen, Francis; Thorbjørnsrud, Kjersti; Weisæth, Lars
    Erschienen: 2018
    Verlag:  Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing), Oslo

    "At the time of this book’s publication, almost seven years have passed since the dramatic and brutal terror attacks at Norway’s Government Headquarters in Oslo and the island of Utøya on 22 July 2011. How have we coped during this time? Which values... mehr

     

    "At the time of this book’s publication, almost seven years have passed since the dramatic and brutal terror attacks at Norway’s Government Headquarters in Oslo and the island of Utøya on 22 July 2011. How have we coped during this time? Which values have been important? Have we managed to protect the ideals of democracy, openness and humanity? And not least: Who is this ""we"" that we are referring to?

     

    This scholarly anthology includes articles from researchers associated with the project NECORE (Negotiating Values: Collective Identities and Resilience after 22 July) and other researchers whose work is closely associated with the project. They give us insights, opinions and sharp perspectives on not just 22 July, but also about Norway today, about values, identities and resilience in Norwegian society in the wake of the terror attacks. An important backdrop for the book and the project is the assertion that, as the events themselves recede into the past, it is even more important to focus on what the terror events have led to and how we can learn from them. In a world where terrorism has become an all too common part of political reality, it is crucial that we understand how we ought to think about terror, and how we as a society encounter it."

     
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  12. Ung medvirkning : Kreativitet og konflikt i planlegging
    Beteiligt: Hagen, Aina Landsverk (Hrsg.); Andersen, Bengt (Hrsg.)
    Erschienen: 2021
    Verlag:  Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing), Oslo

    How should we go about collaborating with children and adolescents? Young Participation: Creativity and Conflict in Planning explores how youth participation work in practical terms, in the context of urban development processes at the municipal... mehr

     

    How should we go about collaborating with children and adolescents? Young Participation: Creativity and Conflict in Planning explores how youth participation work in practical terms, in the context of urban development processes at the municipal level in Norway.

     

    From their unique perspectives, several social scientists, artists, an architect, and a young contributor discuss experiences and dilemmas of including children, teens, and young adults as contributing stakeholders on various projects. The reader will find concrete examples of participation processes and tools developed in cooperation with young people, architects, and public employees.

     

    The chapters reveal how good intentions regarding inclusion can obscure power hierarchies, friction, and conflicts of interest. Yet they also demonstrate that the potential for creativity and innovation are great when young people are invited to contribute their input in planning and developing everything from youth community centers and school grounds to parks and other outdoor spaces in local neighborhoods.

     

    This anthology will provide inspiration to researchers, students, municipal employees, urban planners, and others working collaboratively in urban and community development. Among the topics covered are participation as co-research, social entrepreneurship and participation as part of school curricula and in socio-cultural place analyses, the power of the hand in creative practices, co-location as a trend, digital and hybrid participation processes, and power plays in planning. By introducing a new model for ‘thick participation’, the anthology attempts to ensure that young citizens are not just seen and heard but are also given the opportunity to become lasting resources within their local communities.

     

    The book’s editors, senior researcher Aina Landsverk Hagen and research professor Bengt Andersen, are both based at the Work Research Institute (AFI), Oslo Metropolitan University. Hvordan gjør vi medvirkning med barn og unge? Ung medvirkning: Kreativitet og konflikt i planlegging tar for seg hvordan medvirkning med barn og unge utspiller seg i praksis, i steds- og byutviklingsprosesser i norske kommuner.

     

    Fra sine ulike ståsteder diskuterer samfunnsforskere, kunstnere, en arkitekt og en ung medvirker erfaringer og dilemmaer med å inkludere barn, ungdom og unge voksne som medvirkere. Leseren får konkrete eksempler fra medvirkningsprosesser og presentasjon av verktøy som er utviklet i samarbeid med ungdom, arkitekter og offentlig ansatte.

     

    Bidragene viser hvordan gode intensjoner om inkludering kan skjule makthierarkier, konflikter og interessemotsetninger. Samtidig peker boken på hvordan muligheten for kreativitet og nytenking er stor når unge inviteres inn til å medvirke i planleggingen av alt fra ungdomshus og skolegårder til parker og uteområder i nabolaget.

     

    Antologien gir inspirasjon til forskere, studenter, kommunalt ansatte, planleggere og andre praktikere som jobber med medvirkning i by- og stedsutvikling. Blant temaene som tas opp er medvirkning som medforsking, sosialt entreprenørskap og medvirkning i skolefag og i sosiokulturelle stedsanalyser, håndens kraft i kreative praksiser, samlokalisering som trend, digital og hybrid medvirkning og medvirkningens maktspill. Ved å introdusere en ny modell for «tykk medvirkning», søker antologien å sikre at unge innbyggere ikke bare blir hørt og sett, men også får mulighet til å være vedvarende ressurser i sine nærmiljøer.

     

    Bokens redaktører, Aina Landsverk Hagen og Bengt Andersen, er begge seniorforskere ved Arbeidsforskningsinstituttet, OsloMet – storbyuniversitetet.

     

    Forfatterne av antologien har også utviklet en digital ressurs for alle som er interessert i ungdomsmedvirkning: unghus.oslomet.no

     
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  13. Samisk kunst og norsk kunsthistorie : Delvise forbindelser
    Autor*in: Monica Grini
    Erschienen: 2021
    Verlag:  Stockholm University Press, Stockholm

    Sápmi, the Sámi area, is transnational; it transcends four nation states, Norway, Sweden, Finland, and Russia. Art and art history has been considered natural parts of a nation state’s inventory at least since the 19th century and has contributed to... mehr

     

    Sápmi, the Sámi area, is transnational; it transcends four nation states, Norway, Sweden, Finland, and Russia. Art and art history has been considered natural parts of a nation state’s inventory at least since the 19th century and has contributed to the production and maintenance of national identities and narratives. What is the role of the nation state in art history, and how has the national paradigm affected the presentation of Sámi art, historically and today? Focusing on the discipline of art history in Norway, the volume exposes the prevailing representation of Sámi art, duodji, and dáidda as ethnographic material and relates it to the politics of nation building in the nineteenth and early twentieth century. The book examines the representation of Sámi art, artefacts, practices, materialites, actors, concepts, and themes in Norwegian Art History, to uncover some of the established disciplinary mechanisms and narratives. The central method is historiography in combination with fieldwork in archives and museums, aimed at doing art historiography in the expanded field – to move beyond the traditional textual focus and question naturalized institutional and disciplinary boundaries. This is one of very few historiographical studies of the art historical discipline in Norway, and the only one that does this by centring on Sámi traditions, items, actors, and conceptualizations.

     
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    Quelle: OAPEN
    Sprache: Norwegisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789176351529; 9789176351536; 9789176351543; 9789176351550
    Weitere Identifier:
    Schlagworte: Philosophy: aesthetics; History of art: pre-history; Cultural studies; History of ideas; Indigenous peoples; Museology & heritage studies
    Weitere Schlagworte: Norwegian art; Sámi art; Representation; Reception; Historiography; Art History
    Umfang: 1 electronic resource (284 p.)
  14. Res Slavica
    Festschrift für Hans Rothe zum 65. Geburtstag
    Beteiligt: Thiergen, Peter; Rothe, Hans
    Erschienen: 1994
    Verlag:  Schöningh, Paderborn [u.a.]

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    Hessisches BibliotheksInformationsSystem hebis
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    Titel im lokalen Katalog:
    https://hds.hebis.de/ubffm/Record/HEB314149724
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    Hessisches BibliotheksInformationsSystem (HeBIS)
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    Quelle: Digi20
    Beteiligt: Thiergen, Peter; Rothe, Hans
    Sprache: Mehrere Sprachen
    Medientyp: Ebook
    Format: Online
    ISBN: 3506791494
    Weitere Identifier:
    RVK Klassifikation: KD 1005
    Schlagworte: Slawistik; Bibliografie; Slawische Sprachen; Literatur
    Weitere Schlagworte: Rothe, Hans (1928-); Rothe, Hans (1894-1963)
    Umfang: XXXI, 671 S. : Ill.
    Bemerkung(en):

    Beitr. teilw. dt., teilw. engl., teilw. russ., teilw. ital., teilw. poln., teilw. tschech., teilw. ukrain.

    Online-Ausg.:
  15. Visuelle Kompetenz
    Beiträge des Interfakultären Forums Innsbruck Media Studies
    Beteiligt: Hug, Theo (Hrsg.); Kriwak, Andreas (Hrsg.)
    Erschienen: 2011
    Verlag:  Innsbruck Univ. Press, Innsbruck

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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Hug, Theo (Hrsg.); Kriwak, Andreas (Hrsg.)
    Sprache: Mehrere Sprachen
    Medientyp: Ebook
    Format: Online; Druck
    ISBN: 9783902719850
    Weitere Identifier:
    RVK Klassifikation: AP 14800 ; CP 2500
    Auflage/Ausgabe: 1. Aufl.
    Schriftenreihe: Conference series
    Schlagworte: Visuelle Wahrnehmung; Medienkompetenz; Aufsatzsammlung; ; Bildwissenschaft; Medienpädagogik; Aufsatzsammlung;
    Umfang: 355 S., Ill., graph. Darst., 22 cm
    Bemerkung(en):

    Literaturangaben
  16. Geography, topography, landscape
    configurations of space in Greek and Roman epic
    Beteiligt: Skempis, Marios (Hrsg.)
    Erschienen: 2014
    Verlag:  <<de>> Gruyter, Berlin [u.a.]

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    Hinweise zum Inhalt
    Volltext (Inhaltsverzeichnis)
    Quelle: Verbundkataloge
    Beteiligt: Skempis, Marios (Hrsg.)
    Sprache: Mehrere Sprachen
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110314731; 3110314738
    Weitere Identifier:
    9783110314731
    RVK Klassifikation: FB 5875
    DDC Klassifikation: Geschichte des Altertums bis ca. 499, Archäologie (930)
    Schriftenreihe: Trends in classics : Supplementary volumes ; 22
    Schlagworte: Latein; Griechisch; Epos; Geografie <Motiv>; Landschaft <Motiv>; Topografie <Motiv>; Aufsatzsammlung; Online-Publikation
    Umfang: VIII, 559 S., Kt., 230 mm x 155 mm
    Bemerkung(en):

    Literaturverz. S. [487] - 518

    Online-Ausg.
  17. Scheitern
    organisations- und wirtschaftssoziologische Analysen
    Beteiligt: Bergmann, Jens (Hrsg.)
    Erschienen: 2014
    Verlag:  Springer VS, Wiesbaden

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    Quelle: Verbundkataloge
    Beteiligt: Bergmann, Jens (Hrsg.)
    Sprache: Mehrere Sprachen
    Medientyp: Ebook
    Format: Online
    ISBN: 9783658016517; 3658016515
    RVK Klassifikation: MS 4800 ; MS 5650
    DDC Klassifikation: Sozialwissenschaften (300)
    Schlagworte: Scheitern; Organisationssoziologie; Wirtschaftssoziologie; Aufsatzsammlung; Online-Publikation;
    Umfang: 314 S., graph. Darst.
    Bemerkung(en):

    Literaturangaben

    Online-Ausg.
  18. Lexikon der romanistischen Linguistik
    (LRL) – 8, Indices - Literaturverzeichnis
    Beteiligt: Holtus, Günter (Hrsg.)
    Erschienen: 2005
    Verlag:  Niemeyer, Tübingen

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    Quelle: Verbundkataloge
    Beteiligt: Holtus, Günter (Hrsg.)
    Sprache: Mehrere Sprachen
    Medientyp: Ebook
    Format: Online
    ISBN: 9783484502383; 348450238X; 9783111860596
    Weitere Identifier:
    Übergeordneter Titel:
    RVK Klassifikation: IB 1100
    Schlagworte: Romanistik; Linguistik; Bibliographie; Romanistik; Linguistik; Verzeichnis
    Umfang: VI, 638 S.
    Bemerkung(en):

    Literaturverz. S. [98] - 356

    Online-Ausg.
  19. Lemmata
    Beiträge zum Gedenken an Christos Theodoridis
    Beteiligt: Tziatzi-Papagianni, Maria (Hrsg.); Theodōridēs, Christos
    Erschienen: 2015
    Verlag:  De Gruyter, Berlin ; Boston

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Tziatzi-Papagianni, Maria (Hrsg.); Theodōridēs, Christos
    Sprache: Mehrere Sprachen
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110354348; 9783110354287; 3110354284; 9783110387674
    Weitere Identifier:
    9783110354287
    DDC Klassifikation: Hellenische Literaturen; Klassische griechische Literatur (880); Hellenische Sprachen; klassisches Griechisch (480)
    Schlagworte: Griechisch; Latein; Literatur
    Weitere Schlagworte: Classical philology, lexicography, grammarians, manuscript studies
    Umfang: 1 Online-Ressource (XVI, 575 S.), Ill.
    Bemerkung(en):

    Beitr. teilw. dt., teilw. engl., teilw. ital., teilw. griech. - Teilw. in griech. Schr.
  20. Der frankokanadische Roman der dreissiger Jahre
    eine ideologieanalytische Darstellung
    Autor*in: Ertler, Klaus-Dieter
    Erschienen: 2000
    Verlag:  Niemeyer, T&#x8A;ubingen

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Mehrere Sprachen
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110943030; 9783484560147
    Weitere Identifier:
    Schriftenreihe: Canadiana Romanica ; 14
    Canadiana Romanica ; v. 14
    Schlagworte: Germanic Languages; Grammatiken; Linguistics, Communication Studies; French-Canadian fiction; Französisch; Ideologie; Roman
    Umfang: 1 Online-Ressource (x, 436 p.)
    Bemerkung(en):

    Based on the author's thesis (doctoral)--Karl-Franzens-UniversitŠat, Graz, 1999

    Includes bibliographical references (p. [399]-413) and indexes
  21. Português em Contato
    Beteiligt: Carvalho, Ana M. (Hrsg.)
    Erschienen: [2009]; © 2009
    Verlag:  Vervuert Verlagsgesellschaft, Frankfurt am Main

    Descrição dos contextos nos quais o português está (ou esteve) em contato com outras línguas mehr

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    Resolving-System (lizenzpflichtig)

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    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Descrição dos contextos nos quais o português está (ou esteve) em contato com outras línguas

     
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Carvalho, Ana M. (Hrsg.)
    Sprache: Mehrere Sprachen
    Medientyp: Ebook
    Format: Online
    ISBN: 9783964563002
    Weitere Identifier:
    Schriftenreihe: Lingüística luso-brasileira ; 2
    Schlagworte: Hispanic Literature, general; Literary Studies; LITERARY CRITICISM / American / General; Soziolinguistik; Mehrsprachigkeit; Sprachkontakt; Portugiesisch; Sprachwandel
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Apr 2019)
  22. A Vanguarda Literária no Brasil
    Bibliografia e Antologia crítica
    Autor*in: Jackson, K. David
    Erschienen: [1998]; © 1998
    Verlag:  Vervuert Verlagsgesellschaft, Frankfurt am Main

    Contém informações sobre as obras mais experimentais e ousadas da vanguarda histórica dos anos 20. Com uma extensa antologia de ensaios críticos colecionados e reproduzidos pela primeira vez mehr

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    Resolving-System (lizenzpflichtig)

    Standort:
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Contém informações sobre as obras mais experimentais e ousadas da vanguarda histórica dos anos 20. Com uma extensa antologia de ensaios críticos colecionados e reproduzidos pela primeira vez

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Mehrere Sprachen
    Medientyp: Ebook
    Format: Online
    ISBN: 9783964560070
    Weitere Identifier:
    Schriftenreihe: Bibliografía y Antología Crítica de las Vanguardias en el Mundo Ibérico ; 1
    Schlagworte: Hispanic Literature, general; Literary Studies; LITERARY CRITICISM / American / General; Avantgardeliteratur
    Umfang: 1 online resource
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Apr 2019)
  23. Worlding Sei Shônagon
    the pillow book in translation
    Autor*in: Henitiuk, Valerie
    Erschienen: ©2012
    Verlag:  University of Ottawa Press, Ottawa, ON

    "The Makura no Sôshi, or The Pillow Book as it is generally known in English, is a collection of personal reflections and anecdotes about life in the Japanese royal court composed around the turn of the eleventh century by a woman known as Sei... mehr

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    "The Makura no Sôshi, or The Pillow Book as it is generally known in English, is a collection of personal reflections and anecdotes about life in the Japanese royal court composed around the turn of the eleventh century by a woman known as Sei Shônagon. Its opening section, which begins haru wa akebono, or "spring, dawn," is arguably the single most famous passage in Japanese literature. Throughout its long life, The Pillow Book has been translated countless times. It has captured the European imagination with its lyrical style, compelling images and the striking personal voice of its author. Worlding Sei Shônagon guides the reader through the remarkable translation history of The Pillow Book in the West, gathering almost fifty translations of the "spring, dawn" passage, which span one-hundred-and-thirty-five years and sixteen languages. Many of the translations are made readily available for the first time in this study. The versions collected in Worlding Sei Shônagon are an enlightening example of the many ways in which translations can differ from their source text, undermining the idea of translation as the straightforward transfer of meaning from one language to another, one culture to another. By tracing the often convoluted trajectory through which a once wholly foreign literary work becomes domesticated--or resists domestication--this compilation also exposes the various historical, ideological or other forces that inevitably shape our experience of literature, for better or for worse."--Project Muse The Pillow Book is a collection of anecdotes and personal reflections on life in the Japanese royal court composed around the turn of the 11th century by a woman known as Sei Shônagon. Its lyrical style and compelling images have captured the imagination of readers worldwide

     
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    Quelle: Verbundkataloge
    Sprache: Englisch; Mehrere Sprachen
    Medientyp: Ebook
    Format: Online
    ISBN: 9780776619781; 0776619780; 9780776619798; 0776619799; 9780776607283
    Schriftenreihe: Perspectives on translation 1487-6396
    Schlagworte: Japanese literature; Women authors, Japanese; East and West in literature; Translating and interpreting
    Weitere Schlagworte: Sei Shōnagon approximately 967-; Sei Shōnagon approximately 967-
    Umfang: Online Ressource (ix, 312 pages), color illustrations.
    Bemerkung(en):

    Includes bibliographical references (pages 293-312). - Includes text in multiple languages. - Print version record

    Cover Page; Title Page; Copyright Page; Table of Contents; Preface; Acknowledgements; Introduction; The Author, Sei Shônagon; Makura no Sôshi, or The Pillow Book; Syntactical and Lexical Points of Interest; Western Translation of The Pillow Book; Adaptations, Imitations and Other Forms of Homage; Japanese Modernizations and Imitations; How to Use This Book; Sei Shônagon - Classical Japanese; The First Generation of Western Translators; August Pfizmaier; The Late Dr. T. A. Purcell and W. G. Aston; Koumé Kéitchirau; W. G. Aston; Henry-D. Davray; Karl Florenz; Takéshi Ishikawa; Michel Revon

    Paul AdlerSecond Generation; Kuni Matsuo and Steinilber-Oberlin; Arthur Waley; Nobuko Kobayashi; André Beaujard; E. M. Kolpakchi; Helmut Bode; Gerhart Haug; Mamoru Watanabe; Zhou Zuoren; Ryôzô Matsumoto; Unity Evans; André Beaujard; Third Generation; Ivan Morris; Lydia Origlia; Kazuya Sakai; Marcello Muccioli; Nelly and Wolfram Naumann; Stanca Cionca; Vera Markova; Miroslav Novák; Tzvetana Kristeva; Paul Heijman; Anita Kontrec; Lin Wenyue; Charlotte Rohde and Lone Takeuchi; Helen Craig McCullough; Javier Sologuren; Fourth Generation; Mark Jewel; David Greer; Mercè Comes; Amalia Sato

    Translation Studies, GeneralTranslation, East-West; Comparative Translation; Pillow Book Adaptations, Imitations and Homages;

    Iván Augusto Pinto Román, Oswaldo Gavidia Cannon, and Hiroko Izumi ShimonoKenneth L. Richard; Simon Cozens; Jorge Luis Borges and María Kodama; Tuncay Birkan; Meredith McKinney; Valerio Alberizzi; Xavier Roca-Ferrer; Jos Vos; Appendix I; Appendix II; Appendix III; Tanabe Seiko; Hashimoto Osamu; Ôba Minako; Munakata Kazu; Bibliographies; Sei Shônagon, works by; Pillow Book Translations; The Pillow Book Translators, selected works by and about; Additional Resources; Classical Japanese Literature, General Reference; Classical Japanese Literature, Selected Works; Sei Shônagon and The Pillow Book

    Also available in print version.
  24. Die wilden Schwäne – جنگلی ہنس (Deutsch – Urdu)
    Zweisprachiges Kinderbuch nach einem Märchen von Hans Christian Andersen
    Autor*in: Renz, Ulrich
    Erschienen: 2022
    Verlag:  Sefa Verlag, Lübeck

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  25. Historiens største felttog
    Autor*in: Historie, All Verdens
    Erschienen: 2021
    Verlag:  SAGA Egmont, Copenhagen