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  1. Chaucer and medieval estates satire
    the literature of social classes and the General Prologue to the Canterbury Tales
    Autor*in: Mann, Jill
    Erschienen: 1973
    Verlag:  Cambridge University Press, Cambridge

    This book is an attempt to discover the origins and significance of the General Prologue-to the Canterbury Tales. The interest of such an inquiry is many-sided. On the one hand, it throws light on the question of whether 'life' or 'literature' was... mehr

    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    This book is an attempt to discover the origins and significance of the General Prologue-to the Canterbury Tales. The interest of such an inquiry is many-sided. On the one hand, it throws light on the question of whether 'life' or 'literature' was Chaucer's model in this work, on the relationship between Chaucer's twenty-odd pilgrims and the structure of medieval society, and on the role of their 'estate' in determining the elements of which Chaucer composes their portraits. On the other hand, it makes suggestions about the ways in which Chaucer convinces us of the individuality of his pilgrims, about the nature of his irony, and the kind of moral standards implicit in the Prologue. This book suggests that Chaucer is ironically substituting for the traditional moral view of social structure a vision of a world where morality becomes as specialised to the individual as his work-life

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511552977
    Weitere Identifier:
    RVK Klassifikation: HH 5083
    Schlagworte: Geschichte; Religion; Sozialgeschichte; Estates (Social orders) / England / History / To 1500; Prologues and epilogues / History and criticism; Christian pilgrims and pilgrimages in literature; Satire, Medieval / History and criticism; Tales, Medieval / History and criticism; Social history / Medieval, 500-1500; Social problems in literature; Social classes in literature; Satire / Religious aspects; Ständesatire; Soziale Klasse <Motiv>; Prolog
    Weitere Schlagworte: Chaucer, Geoffrey / -1400 / Canterbury tales / Prologue; Chaucer, Geoffrey / -1400 / Political and social views; Chaucer, Geoffrey (1343-1400): The Canterbury tales; Chaucer, Geoffrey (1343-1400): The Canterbury tales
    Umfang: 1 online resource (xvii, 330 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction. The estates form ; The estates content and social stereotypes ; The role of work in the Prologue portraits -- The anti-clerical tradition in estates satire. The monk ; The friar -- Estates ideals. The parson ; The ploughman ; The clerk -- The omission of the victim. The sergeant of law ; The doctor of physic ; The merchant ; The guildsmen -- Independent traditions. Chivalry and anti-feminism. The knight ; The squire ; The wife of Bath -- Descriptive traditions : beauty and the beast. The prioress ; The summoner -- 'Scientific' portraits. The pardoner ; The franklin ; The miller ; The reeve -- New creations. The cook ; The shipman ; The yeoman ; The manciple -- Excursus: The 'General Prologue' and the 'descriptio' tradition -- Conclusions -- Appendices: A. Estates lists ; B. Chaucer, Langland and Gower

  2. Chaucer and medieval estates satire
    the literature of social classes and the General Prologue to the Canterbury Tales
    Autor*in: Mann, Jill
    Erschienen: 1973
    Verlag:  Cambridge University Press, Cambridge

    This book is an attempt to discover the origins and significance of the General Prologue-to the Canterbury Tales. The interest of such an inquiry is many-sided. On the one hand, it throws light on the question of whether `life' or 'literature' was... mehr

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    This book is an attempt to discover the origins and significance of the General Prologue-to the Canterbury Tales. The interest of such an inquiry is many-sided. On the one hand, it throws light on the question of whether `life' or 'literature' was Chaucer's model in this work, on the relationship between Chaucer's twenty-odd pilgrims and the structure of medieval society, and on the role of their `estate' in determining the elements of which Chaucer composes their portraits. On the other hand, it makes suggestions about the ways in which Chaucer convinces us of the individuality of his pilgrims, about the nature of his irony, and the kind of moral standards implicit in the Prologue. This book suggests that Chaucer is ironically substituting for the traditional moral view of social structure a vision of a world where morality becomes as specialised to the individual as his work-life Introduction. The estates form ; The estates content and social stereotypes ; The role of work in the Prologue portraits -- The anti-clerical tradition in estates satire. The monk ; The friar -- Estates ideals. The parson ; The ploughman ; The clerk -- The omission of the victim. The sergeant of law ; The doctor of physic ; The merchant ; The guildsmen -- Independent traditions. Chivalry and anti-feminism. The knight ; The squire ; The wife of Bath -- Descriptive traditions : beauty and the beast. The prioress ; The summoner -- 'Scientific' portraits. The pardoner ; The franklin ; The miller ; The reeve -- New creations. The cook ; The shipman ; The yeoman ; The manciple -- Excursus: The 'General Prologue' and the 'descriptio' tradition -- Conclusions -- Appendices: A. Estates lists ; B. Chaucer, Langland and Gower

     

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  3. Chaucer and medieval estates satire
    the literature of social classes and the General Prologue to the Canterbury Tales
    Autor*in: Mann, Jill
    Erschienen: 1973
    Verlag:  Cambridge University Press, Cambridge

    This book is an attempt to discover the origins and significance of the General Prologue-to the Canterbury Tales. The interest of such an inquiry is many-sided. On the one hand, it throws light on the question of whether `life' or 'literature' was... mehr

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    This book is an attempt to discover the origins and significance of the General Prologue-to the Canterbury Tales. The interest of such an inquiry is many-sided. On the one hand, it throws light on the question of whether `life' or 'literature' was Chaucer's model in this work, on the relationship between Chaucer's twenty-odd pilgrims and the structure of medieval society, and on the role of their `estate' in determining the elements of which Chaucer composes their portraits. On the other hand, it makes suggestions about the ways in which Chaucer convinces us of the individuality of his pilgrims, about the nature of his irony, and the kind of moral standards implicit in the Prologue. This book suggests that Chaucer is ironically substituting for the traditional moral view of social structure a vision of a world where morality becomes as specialised to the individual as his work-life.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511552977
    RVK Klassifikation: HH 5083
    Weitere Schlagworte: Chaucer, Geoffrey (1343-1400)
    Umfang: 1 Online-Ressource (xvii, 330 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  4. Chaucer and medieval estates satire
    the literature of social classes and the General Prologue to the Canterbury Tales
    Autor*in: Mann, Jill
    Erschienen: 1973
    Verlag:  Cambridge University Press, Cambridge

    This book is an attempt to discover the origins and significance of the General Prologue-to the Canterbury Tales. The interest of such an inquiry is many-sided. On the one hand, it throws light on the question of whether `life' or 'literature' was... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book is an attempt to discover the origins and significance of the General Prologue-to the Canterbury Tales. The interest of such an inquiry is many-sided. On the one hand, it throws light on the question of whether `life' or 'literature' was Chaucer's model in this work, on the relationship between Chaucer's twenty-odd pilgrims and the structure of medieval society, and on the role of their `estate' in determining the elements of which Chaucer composes their portraits. On the other hand, it makes suggestions about the ways in which Chaucer convinces us of the individuality of his pilgrims, about the nature of his irony, and the kind of moral standards implicit in the Prologue. This book suggests that Chaucer is ironically substituting for the traditional moral view of social structure a vision of a world where morality becomes as specialised to the individual as his work-life Introduction. The estates form ; The estates content and social stereotypes ; The role of work in the Prologue portraits -- The anti-clerical tradition in estates satire. The monk ; The friar -- Estates ideals. The parson ; The ploughman ; The clerk -- The omission of the victim. The sergeant of law ; The doctor of physic ; The merchant ; The guildsmen -- Independent traditions. Chivalry and anti-feminism. The knight ; The squire ; The wife of Bath -- Descriptive traditions : beauty and the beast. The prioress ; The summoner -- 'Scientific' portraits. The pardoner ; The franklin ; The miller ; The reeve -- New creations. The cook ; The shipman ; The yeoman ; The manciple -- Excursus: The 'General Prologue' and the 'descriptio' tradition -- Conclusions -- Appendices: A. Estates lists ; B. Chaucer, Langland and Gower

     

    Export in Literaturverwaltung   RIS-Format
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    Volltext (lizenzpflichtig)