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  1. Multiple encoding in genetic editions: the case of "Faust"
    Erschienen: 08.03.2013

    The aim of the present paper is to show how, and to what extent, the standards of critical genetic editions as applied to Goethe's Faust can be attained within a TEI framework. It proposes and argues for the introduction of two separate transcripts:... mehr

     

    The aim of the present paper is to show how, and to what extent, the standards of critical genetic editions as applied to Goethe's Faust can be attained within a TEI framework. It proposes and argues for the introduction of two separate transcripts: documentary and textual. Despite the apparent disadvantages of multiple encoding, this approach recommends itself for practical reasons (e.g., avoidance of overlapping hierarchies), and it conveniently reflects the idea that any written document must be considered a material object on the one hand and a medium of textual transmission on the other. In the course of the paper, some aspects and problems of chapter 11 of version 2.0.0 of TEI P5 (the definition and use of the elements <line> and <mod> and related issues) will be discussed.

     

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    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Sprache (400); Germanische Sprachen; Deutsch (430); Literaturen germanischer Sprachen; Deutsche Literatur (830)
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    creativecommons.org/licenses/by-nd/3.0/de/

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    info:eu-repo/semantics/openAccess

  2. Present directions of German exile studies in the USA
    Erschienen: 30.12.2012

    This essay considers the present state of U.S. scholarship on German exile Literature, focusing on the recent move from a purely literary toward a social and cultural perspective. This move becomes evident in research projects on refugee children as... mehr

     

    This essay considers the present state of U.S. scholarship on German exile Literature, focusing on the recent move from a purely literary toward a social and cultural perspective. This move becomes evident in research projects on refugee children as well as in the growing interest for women in exile. The article presents the abundant research opportunities in the U.S., but mentions also voices of frustration and fatigue. Perhaps the generational replacement among North-American Germanists contributes to bring forth a different attitude toward the subject of literary exile. In view of political shifts and technological changes, some reorientation in literary exile studies may be inevitable. Este ensaio trata da presente situação dos estudos norte-americanos sobre literatura alemã de exílio, focalizando a volta recente de um enfoque puramente literário a uma percpectiva social e cultural. Essa volta torna-se evidente em projetos de pesquisa sobre filhas de exilados, bem como no interesse crescente em mulheres no exílio. O artigo apresenta as oporhinidades abundantes de pesquisa nos Estados Unidos, mas observa também indícios de frustração e cansaço. Talvez, a troca de gerações entre os germanistas norte-americanos contribua para criar uma atitude diferente em relação ao assunto do exílio literário. Em vista de modificações políticas e mudanças tecnológicas, uma reorientação dos estudos literários do exílio pode ser inevitável.

     

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    Sprache: Englisch
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    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Exilliteratur; Deutsch; Weiblicher Flüchtling; Flüchtlingskind
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    creativecommons.org/licenses/by-nc/3.0/de/deed.de

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  3. German studies in the U.S.: history, theory and practice
    Erschienen: 30.12.2012

    This paper discusses the profile of German Studies in the context of interdisciplinary intercultural area studies, as it has been developed during the last decades at universities in the United States, particularly at the University of California at... mehr

     

    This paper discusses the profile of German Studies in the context of interdisciplinary intercultural area studies, as it has been developed during the last decades at universities in the United States, particularly at the University of California at Berkeley. In its first part, it deals with the institutional history of German Studies, in the second, with the underlying cultural theory, and in the third, with its hermeneutic practice. Este artigo discute o perfil dos German Studies no contexto de estudos interdisciplinares e interculturais, Corno desenvolvidos, especificamente, nas universidades dos Estados Unidos, em particular na Universidade de Califórnia, em Berkeley, nas últimas décadas. A primeira parte trata da história institucional dos Gennon Studies, a segunda, da teoria cultural que lhe serve de base, e a terceira, da prática hermenêutica.

     

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    Sprache: Englisch
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    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Germanistik; Interkulturalität; Interdisziplinarität
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    creativecommons.org/licenses/by-nc/3.0/de/deed.de

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  4. Recent developments in phonology
    Autor*in: Vater, Heinz
    Erschienen: 31.12.2012

    Corno quase nenhuma outra disciplina lingüística, a fonologia passou por uma evolução turbulenta nas duas últimas décadas. Ao contrário da abordagem cöássica da Gramática Gerativa, que se concentrou na descrição de cadeias de segmentos fonológicos e... mehr

     

    Corno quase nenhuma outra disciplina lingüística, a fonologia passou por uma evolução turbulenta nas duas últimas décadas. Ao contrário da abordagem cöássica da Gramática Gerativa, que se concentrou na descrição de cadeias de segmentos fonológicos e de suas transformações em virtude de regras fonológicas, a Fonologia Não-linear colocou as relações prosódicas em enunciados em primeiro plano. A sílaba foi redescoberta como unidade prosódica; muitos trabalhos foram dedicados à análise de estruturas silábicas e de relações de sonoridade. Acima da sílaba, o pé a palavra fonológica foram utilizados como unidades prosódicas relevantes para a descrição das estruturas de acento e entonação. Abaixo da sílaba, reabilitou-se a mora já conhecida a partir da Filologia Clássica. No presente artigo, descrevem-se, a partir de exemplos do alemão e de outras línguas, as duas abordagens principais da Fonologia Não-linear, a Fonologia Autosegmental e a Fonologia Métrica. Procura-se mostrar que, com esses modelos, alguns fenômenos prosódico-fonológicos que antes só podiam ser descritos com grandes dificuldades ou eram até mesmo indescritíveis podem ser analisados de maneira adequada e elegante. Wie kaum eine andere linguistische Disziplin hat die Phonologie in den letzten zwei Dekaden eine stürmische Entwicklung durchgemacht. Im Gegensatz zum klassischen Ansatz der Generativen Grammatik, der sich auf die Beschreibung phonologischer Segmentketten und ihrer Veränderungen durch phonologische Regeln. konzentrierte, hat die Nichtlineare Phonologie prosodische Relationen in Äußerungsketten in den Mittelpunkt gestellt. Die Silbe wurde als prosodische Einheit wiederentdeckt; viele Arbeiten widmeten sich der Analyse von Silbenstrukturen und Sonoritärsrelationen. Oberhalb der Silbe wurden der Fuß und das phonologische Wort als relevante prosodische Einheiten zur Beschreibung von Akzent- und Intonationsstrukturen verwendet. Unterhalb der Silbe kam die aus der Klassischen Philologie bekannte Wort zu neuen Ehren. Im vorliegenden Aufsatz werden die beiden Hauptansätze der Nichtlinearen Phonologie, Autosegmentale und Metrische Phonologie, anhand von Beispielen aus dem Deutschen und anderen Sprachen beschrieben. Es wird versucht zu zeigen, des einige vorher nicht oder nur sehr umständlich beschreibbare prosodisch-phonologische Phänomenen ach diesen Ansätzen adäquat und elegant analysierbar sind.

     

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    Sprache: Englisch
    Medientyp: Wissenschaftlicher Artikel
    Format: Online
    DDC Klassifikation: Linguistik (410); Phonologie, Phonetik (414)
    Schlagworte: Autosegmentale Phonologie; Metrische Phonologie; Nichtlineare Phonologie; Prosodie; Silbe; Sonorität
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    creativecommons.org/licenses/by-nc/3.0/de/deed.de

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    info:eu-repo/semantics/openAccess

  5. Dos Passos instead of Goethe! : Some observations on how the history of narratology is and ought to be conceptualized
    Erschienen: 09.04.2013

    Taking as starting point some collective volumes since the year 2000 which aspire to provide new views on narratology, this essay discusses the problem of how to conceive the history of narratology in a way that is more enlightening than the linear... mehr

     

    Taking as starting point some collective volumes since the year 2000 which aspire to provide new views on narratology, this essay discusses the problem of how to conceive the history of narratology in a way that is more enlightening than the linear narrative used so far to tell this story. It lists some aspects which are neglected by the usual narrative and favors a decentered conception of narratology’s development.

     

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    Sprache: Englisch
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    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Erzählforschung; Erzähltheorie; Dos Passos, John; Goethe, Johann Wolfgang von
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    creativecommons.org/licenses/by-nc-nd/3.0/de/deed.de

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  6. The development of translation theories in Europe
    Erschienen: 30.12.2012

    Este artigo trata do desenvolvimento dos estudos da tradução na Europa, no siculo XX. O maior enfoque está na mudança da perspeciiva de pesquisa, da comparação entre línguas para a confrontação de textos e da focalização datradução como atividade... mehr

     

    Este artigo trata do desenvolvimento dos estudos da tradução na Europa, no siculo XX. O maior enfoque está na mudança da perspeciiva de pesquisa, da comparação entre línguas para a confrontação de textos e da focalização datradução como atividade pragmática para a investigação do pensamento do tradutor (perspectiva cognitiva). Paralelamente à discussão dos conceitos teóricos, comenta-se também o desenvolvimento institucional dos estudos da tradução. Der vorliegende Aufsatz behandelt die Entwicklung der europäischen Übersetzungswissenschaft im 20. Jahrhundert. Der Schwerpunkt liegt auf dem Wandel der Forschungsperspektive vom Vergleich einzelner Sprachen hin zur Gegenüberstellung von Texten und von der Betonung des Handlungscharakters der Übersetzung hin zur Untersuchung des übersetzerischen Denkens (kognitive Perspektive). Parallel zur Diskussion theoretischer Konzepte, ist auch die institutionelle Entwicklung der Übersetzungswissenschaft Gegenstand der Untersuchung.

     

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    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Übersetzungswissenschaft; Dekonstruktion; Semiotik; Hermeneutik
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    creativecommons.org/licenses/by-nc/3.0/de/deed.de

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    info:eu-repo/semantics/openAccess

  7. Walter Benjamin: between academic fashion and the avant-garde
    Erschienen: 31.12.2012

    In the present context of the triumph of capitalism over real socialism, this article points out that, despite their ideological differences, both systems are bound to the same conception of history-as-progress. In contrast, it recalls Walter... mehr

     

    In the present context of the triumph of capitalism over real socialism, this article points out that, despite their ideological differences, both systems are bound to the same conception of history-as-progress. In contrast, it recalls Walter Benjamin's philosophy of history, marked by the critique of progress in the name of a revolutionary time, which interrupts history's chronological continuum. Benjamin's perspective is used to study the conflict of temporalities among the Soviet artists in the two decades after the October Revolution: on the one hand, the anarchic, autonomous and critical time of interruption – which is the time of avant-gade –, on the other hand, the synchronization with the ideas of a progressive time as ordered by the Communist Patty; this is the time of vanguard, whose capitalist Counterpart is fashion. Nestes tempos de triunfo do capitalismo sobre o socialismo real, o presente artigo mostra que, apesar de suas diferences ideológicas, ambos os sistemas baseiamse numa concepcão da história como progresso. Contrastivamente, é lembrada a filosofia da história de Walter Benjamin, marcada pela crítica do progresso e a concepção de um tempo revolucionário, que interrompe o continuum histórico. A luz da teoria benjaminiana é estudado o conflito de concepções de tempo entre os artistas soviéticos das duas décadas posteriores à Revolução de Outubro de 1917: de um lado, o tempo da interrupção, anárquico, autônomo e crítico – que é o tempo da avat-garde –, do outro lado, a sincronização com una idéia de um tempo progressivo tal como foi decretado pelo Partido Comunista; este é o tempo das vanguardas, cuja contrapartida capitalista é a moda.

     

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    Sprache: Englisch
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    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Geschichtsphilosophie; Benjamin, Walter; Sowjetunion; Avantgarde
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    creativecommons.org/licenses/by-nc/3.0/de/deed.de

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    info:eu-repo/semantics/openAccess

  8. Witnessing: testimony of linguistic memory : the case of Victor Klemperer
    Erschienen: 31.12.2012

    In view of the tremendous success of Victor Klemperer's diaries testimoning his personal experience as a Jew in Nazi Germany, this article discusses the specific contribution of witness literature to the knowledge of history. During the Holocaust... mehr

     

    In view of the tremendous success of Victor Klemperer's diaries testimoning his personal experience as a Jew in Nazi Germany, this article discusses the specific contribution of witness literature to the knowledge of history. During the Holocaust period, in the face of death, true historical knowledge was essentially reduced to personal experience. Klemperer's clandestine journal exposes how the collective trauma affected everybody through the daily speech patterns, dictated by the Nazis' appropriation of the German language. In this memory of Alltagsgeschichte as a critical history of language can be seen the specific contribution of Literature of testimony. The function of Klemperers chronicle of 'Lingua Tertii Imperii' to develop the readers linguistic sensitivity, in order to enable them to reappropriate their language. Diante da enorme repercussção publica, nos anos 1990, dos diários de Victor Klempercr sobre sua experiência pessoal como judeu na Alemanha nazista, este artigo discute o tipo cspecífico de conhecimento da história proporcionado pela literatura de testemunho. Durante o período do holocausto, no confronto diário com a morte, o conhecimento hlstórico verdadeiro se aguçou nas experiências pessoais. O jornal clandestino de Klemperer expõe como o trauma coletivo afetou a todos por meio dos padrões cotidianos de fala, ditados pela apropriação nazista da língua alemã. Nessa memória da história do cotidiano enquanto história crítica da linguagem pode ser visto o valor específico da literatura de testemunho. A função da crônica de Klemperer da 'lingua Tertii Imperii' consiste em desenvolver nos leitores a sensibilidade

    lingüística, no sentido de poderem se reapropriar de sua língua.

     

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    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Geschichte; Gedächtnis; Zeugnis; Sprachkritik; Nationalsozialismus; Klemperer, Victor / LTI; Judenvernichtung
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    creativecommons.org/licenses/by-nc/3.0/de/deed.de

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  9. Remedy or disease? : Romantic perspectives on music
    Erschienen: 07.03.2012

    Around 1800, aesthetic debate suddenly places music at the very top in the hierarchy of the arts, even superseding poetry: This has become a commonplace not only in scholarly discourse. The protagonists of this re-arrangement of the artistic... mehr

     

    Around 1800, aesthetic debate suddenly places music at the very top in the hierarchy of the arts, even superseding poetry: This has become a commonplace not only in scholarly discourse. The protagonists of this re-arrangement of the artistic disciplines are Wilhelm Heinrich Wackenroder, E.T.A. Hoffmann and Ludwig Tieck. In their programmatic texts, they state that music is to be free and absolute and stress its metaphysical quality and its close relation to the supernatural. Furthermore, music is supposed to be no longer dependent on the other arts, and music releases the listener or the musician from prosaic everyday life. As Wackenroder writes in Die Wunder der Tonkunst, […] [a]ll sickening thoughts which, according to Wackenroder, are the illness of mankind vanish with a piece of music, making our mind sane again. Literary romanticism here recurs to a long tradition that reaches back to the classical ages in Greece and Arabia: Music is used as a remedy for curing illnesses of various kinds. In classical antiquity, Apollo is the god of music, poetry and dancing as well as the god of healing. He was also named “Iatros” (physician) or Apollo Medicus. […] Orpheus as a bard and demigod was also said to be capable of curing diseases by means of his music. […] Thus, music in history is part of treating physical illness on the one hand, but on the other hand is more and more considered to provide a remedy especially for mental deficiencies. Music is meant to improve nervous disorders and sometimes it is even prescribed as a regular medicine. As we will see in Hoffmann’s text Die Genesung, there is a connection between the ritual healing processes in the temples of Aesculapius and the setting of the forest in which the old man regains his health.

     

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    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Wackenroder, Wilhelm Heinrich; Hoffmann, Ernst T. A.; Musikästhetik
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    publikationen.ub.uni-frankfurt.de/home/index/help

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