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  1. A Quantitative Literary History of 2,958 Nineteenth-Century British Novels : The Semantic Cohort Method
    Erschienen: 01.05.2012

    The nineteenth century in Britain saw tumultuous changes that reshaped the fabric of society and altered the course of modernization. It also saw the rise of the novel to the height of its cultural power as the most important literary form of the... mehr

     

    The nineteenth century in Britain saw tumultuous changes that reshaped the fabric of society and altered the course of modernization. It also saw the rise of the novel to the height of its cultural power as the most important literary form of the period. This paper reports on a long-term experiment in tracing such macroscopic changes in the novel during this crucial period. Specifically, we present findings on two interrelated transformations in novelistic language that reveal a systemic concretization in language and fundamental change in the social spaces of the novel. We show how these shifts have consequences for setting, characterization, and narration as well as implications for the responsiveness of the novel to the dramatic changes in British society.

    This paper has a second strand as well. This project was simultaneously an experiment in developing quantitative and computational methods for tracing changes in literary language. We wanted to see how far quantifiable features such as word usage could be pushed toward the investigation of literary history. Could we leverage quantitative methods in ways that respect the nuance and complexity we value in the humanities? To this end, we present a second set of results, the techniques and methodological lessons gained in the course of designing and running this project.

     

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    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: Stanford Literary Lab
    Schlagworte: Roman; Englische Literatur; Viktorianisches Zeitalter; Kulturgeschichte; Literaturgeschichte; Digital Humanities; Methodologie; Worthäufigkeit; Quantitative Literaturwissenschaft
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  2. Style at the scale of the sentence

    We would study not style as such, but style 'at the scale of the sentence': the lowest level, it seemed, at which style as a distinct phenomenon became visible. Implicitly, we were defining style as a combination of smaller linguistic units, which... mehr

     

    We would study not style as such, but style 'at the scale of the sentence': the lowest level, it seemed, at which style as a distinct phenomenon became visible. Implicitly, we were defining style as a combination of smaller linguistic units, which made it, in consequence, particularly sensitive to changes in scale—from words to clauses to whole sentences.

     

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    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: Stanford Literary Lab
    Schlagworte: Worthäufigkeit; Stilistik; Satzanalyse; Digital Humanities; Englische Literatur
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  3. "Operationalizing": or, the function of measurement in modern literary theory
    Autor*in: Moretti, Franco
    Erschienen: 01.12.2013

    The concept of length, the concept is synonymous, the concept is nothing more than, the proper definition of a concept ... Forget programs and visions; the operational approach refers specifically to concepts, and in a very specific way: it describes... mehr

     

    The concept of length, the concept is synonymous, the concept is nothing more than, the proper definition of a concept ... Forget programs and visions; the operational approach refers specifically to concepts, and in a very specific way: it describes the process whereby concepts are transformed into a series of operations—which, in their turn, allow to measure all sorts of objects. Operationalizing means building a bridge from concepts to measurement, and then to the world. In our case: from the concepts of literary theory, through some form of quantification, to literary texts.

     

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    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: Stanford Literary Lab
    Schlagworte: Digital Humanities; Literaturtheorie; Tragödie; Dialoganalyse; Quantitative Literaturwissenschaft
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  4. Objects of "empathy" : characters (and other such things) as psycho-poetic effects
    Autor*in: Mellmann, Katja
    Erschienen: 26.03.2013

    In folk theories of art reception, readers and cinema audiences are said to experience fictional worlds vicariously 'through' characters, i.e. they 'identify' themselves with them, they partake in their experiences 'empathetically'. In the first... mehr

     

    In folk theories of art reception, readers and cinema audiences are said to experience fictional worlds vicariously 'through' characters, i.e. they 'identify' themselves with them, they partake in their experiences 'empathetically'. In the first section of my essay, I will argue that it is not character but focalization (point of view) which, on a fundamental level, guides our fictional experience, and I will exemplify several ways that characters (or similar ideas) can then in addition come into play. In the next two sections, I will discuss possible cognitive correlates of both the textual device of focalization and textual clues indicating ›persons‹. The aim is to show that what I call ›psycho-poetic effects‹ (that is, the mental representation of anthropomorphic instances) are best described as byproducts of various cognitive programs involved in the reception of narrative fiction. 'Empathy', as it is understood in the above mentioned folk theory of art reception, can then be analysed into individual algorithms of social cognition. And it can be differentiated, as is done in the last section, from other phenomena often confused with it, like emotional experience proper and emotional contagion. Also, I refer to the idea that mirror neurons provide the means to empathize with others, literary characters included. My general proposition is to revise and refine those concepts with the help of evolutionary theory and, thus, to hypothesize as cognitive correlates for textual features only programs specific enough to be correlated with a specific adaptive function which they may have performed in the process of human evolution.

     

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    ISBN: 978-3-11-023241-7
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Literarische Gestalt; Charakterisierung; Fokalisierung; Einfühlung; Literaturpsychologie
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  5. Delightful horror : urban legends between fact and fiction
    Erschienen: 02.04.2013

    These […] stories are chosen from anthologies with texts called 'urban legends' (sometimes they are also referred to as 'contemporary legends', or 'urban myths'). Bearing this name in mind, we tend to read these texts as 'Iegendary' narratives that... mehr

     

    These […] stories are chosen from anthologies with texts called 'urban legends' (sometimes they are also referred to as 'contemporary legends', or 'urban myths'). Bearing this name in mind, we tend to read these texts as 'Iegendary' narratives that relate ficticious stories of events which never happened. But what if somebody told you these stories as factual accounts of events that really happened to the friend of a friend: wouldn't you believe them to be true – or at least consider seriously the possibility of their truthfulness? Before entering in a discussion of this question, I want to introduce in more detail the kind of narrative I am seeking to analyze.

     

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    ISBN: 978-3-7720-8038-8
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Erzähltheorie; Moderne Sage
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  6. Narratology and theory of fiction: remarks on a complex relationship
    Erschienen: 03.04.2013

    In his book "Fiction and Diction", Gerard Genette bemoans a contradiction between the pretense and the practice of narratological research. Instead of studying all kind of narratives, for Genette, narratological research concentrates de facto on the... mehr

     

    In his book "Fiction and Diction", Gerard Genette bemoans a contradiction between the pretense and the practice of narratological research. Instead of studying all kind of narratives, for Genette, narratological research concentrates de facto on the techniques of fictional narrative. Correspondingly, Genette speaks of a "fictional narratology" in the pejorative sense of a discipline that sets arbitrary limits on its area of study. In his objection, the narratology that literary scholars practice considers fictional narrative to be at least the standard case of any narrative. In other words, what is merely a special case, within a wide field of narratives, is here elevated to narrative par excellence. According to Genette, narratology does not omit the domain of non-fictional narratives from its investigations with any justification, but rather annexes it without addressing its specific elements.

    What are possible ways in which this perspective, which Genette criticizes as truncated, can be set right? Can the problem, as outlined, simply be solved by expanding the area of study in narratological research? Or are there not, perhaps, important differences between fictional and nonfictional narratives which seem to encourage narratological research, understood as a fundamental discipline of literary study, under the heading of "fictional narratology"?

    In order to come to an answer here, we will first discuss the problem of differentiating between fictional and non-fictional narratives, as well as the possibility of a connection between narrative and fictionality theory. Second, we will expand our considerations to encompass pragmatic and historical aspects of narratives in order to delineate the scope of our proposal.

     

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    ISBN: 3-11-017874-5
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Erzählforschung; Erzähltheorie; Fiktion; Nichtfiktionale Prosa
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  7. Narratology beyond literary criticism : mediality, disciplinarity ; introduction
    Erschienen: 09.04.2013

    A glance at the current situation in literary criticism shows that narratology, pronounced dead twenty years ago, is remarkably alive and well. This fact has been noted repeatedly and with understandable self-satisfaction in the recent literature on... mehr

     

    A glance at the current situation in literary criticism shows that narratology, pronounced dead twenty years ago, is remarkably alive and well. This fact has been noted repeatedly and with understandable self-satisfaction in the recent literature on research into narrative theory. Just how astonishing this rebirth is, however, becomes apparent only when we step back from literary criticism and the humanities to take a wider historical view of the developments in academic and theoretical circles that preceded it. The deeply symbolic year of 1968 marked the fall of the academic ancient régime. Partly in anticipation of this and partly in response to it, a number of new leading disciplines were raised to power in western Europe as sources of hope for the future. However much they may have differed from one another in political purpose (in theoretical circles or beyond), linguistics, political economy, psychoanalysis, and structuralist semiology—to name but a few of the superdisciplines of the time—clearly belonged to one and the same paradigm in terms of how they conceived of themselves: throughout, they sought to reveal universal, ahistorical regularities in human thought and action in their respective fields.

     

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    ISBN: 3-11-018352-8
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Narrativität; Intermedialität
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  8. Dos Passos instead of Goethe! : Some observations on how the history of narratology is and ought to be conceptualized
    Erschienen: 09.04.2013

    Taking as starting point some collective volumes since the year 2000 which aspire to provide new views on narratology, this essay discusses the problem of how to conceive the history of narratology in a way that is more enlightening than the linear... mehr

     

    Taking as starting point some collective volumes since the year 2000 which aspire to provide new views on narratology, this essay discusses the problem of how to conceive the history of narratology in a way that is more enlightening than the linear narrative used so far to tell this story. It lists some aspects which are neglected by the usual narrative and favors a decentered conception of narratology’s development.

     

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    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Erzählforschung; Erzähltheorie; Dos Passos, John; Goethe, Johann Wolfgang von
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  9. Science in Wonderland
    Erschienen: 24.04.2012

    Lewis Carroll's Alice, who first explores Wonderland (1865) and later on the country behind the Looking-Glass (1872), belongs to the most well-known characters in world literature. [...] The scientific reception of Carroll's stories – concerning... mehr

     

    Lewis Carroll's Alice, who first explores Wonderland (1865) and later on the country behind the Looking-Glass (1872), belongs to the most well-known characters in world literature. [...] The scientific reception of Carroll's stories – concerning physics as well as the humanities – has taken place on different levels. On the one hand, […] various Carrollian ideas and episodes obviously correspond to topics, subjects and models that are treated in the contexts of scientific discourses. Therefore, they can be quoted or alluded to in order to represent theories and questions […] – as […] physical models of the world […]or theoretical models of language and communication. […] On a more abstract level of observation, Carroll's stories have been used in order to explain and to discuss the pre-conditions, the procedures, and the limits . of scientific modeling as such. Above all, they make it possible to narrate on the problem of defining and observing an 'object' of research. […] According to Deleuze, the paradox structures of the world that Alice experiences give an idea of all meaning being groundless and all logic being subverted by the illogical. Finally, besides all affinities of Alice's adventures to scientific attempts to explain the world, the absolutely incomprehensible is present in Carroll's books as well. Especially the self proves to be something profoundly incomprehensible […].

     

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    ISBN: 978-3-8260-3719-1; 3-8260-3719-7
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Carroll, Lewis / Through the looking-glass and what Alice found there; Carroll, Lewis / Alice's adventures in wonderland; Naturwissenschaften
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  10. The development of translation theories in Europe
    Erschienen: 30.12.2012

    Este artigo trata do desenvolvimento dos estudos da tradução na Europa, no siculo XX. O maior enfoque está na mudança da perspeciiva de pesquisa, da comparação entre línguas para a confrontação de textos e da focalização datradução como atividade... mehr

     

    Este artigo trata do desenvolvimento dos estudos da tradução na Europa, no siculo XX. O maior enfoque está na mudança da perspeciiva de pesquisa, da comparação entre línguas para a confrontação de textos e da focalização datradução como atividade pragmática para a investigação do pensamento do tradutor (perspectiva cognitiva). Paralelamente à discussão dos conceitos teóricos, comenta-se também o desenvolvimento institucional dos estudos da tradução. Der vorliegende Aufsatz behandelt die Entwicklung der europäischen Übersetzungswissenschaft im 20. Jahrhundert. Der Schwerpunkt liegt auf dem Wandel der Forschungsperspektive vom Vergleich einzelner Sprachen hin zur Gegenüberstellung von Texten und von der Betonung des Handlungscharakters der Übersetzung hin zur Untersuchung des übersetzerischen Denkens (kognitive Perspektive). Parallel zur Diskussion theoretischer Konzepte, ist auch die institutionelle Entwicklung der Übersetzungswissenschaft Gegenstand der Untersuchung.

     

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    Schlagworte: Übersetzungswissenschaft; Dekonstruktion; Semiotik; Hermeneutik
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  11. Walter Benjamin: between academic fashion and the avant-garde
    Erschienen: 31.12.2012

    In the present context of the triumph of capitalism over real socialism, this article points out that, despite their ideological differences, both systems are bound to the same conception of history-as-progress. In contrast, it recalls Walter... mehr

     

    In the present context of the triumph of capitalism over real socialism, this article points out that, despite their ideological differences, both systems are bound to the same conception of history-as-progress. In contrast, it recalls Walter Benjamin's philosophy of history, marked by the critique of progress in the name of a revolutionary time, which interrupts history's chronological continuum. Benjamin's perspective is used to study the conflict of temporalities among the Soviet artists in the two decades after the October Revolution: on the one hand, the anarchic, autonomous and critical time of interruption – which is the time of avant-gade –, on the other hand, the synchronization with the ideas of a progressive time as ordered by the Communist Patty; this is the time of vanguard, whose capitalist Counterpart is fashion. Nestes tempos de triunfo do capitalismo sobre o socialismo real, o presente artigo mostra que, apesar de suas diferences ideológicas, ambos os sistemas baseiamse numa concepcão da história como progresso. Contrastivamente, é lembrada a filosofia da história de Walter Benjamin, marcada pela crítica do progresso e a concepção de um tempo revolucionário, que interrompe o continuum histórico. A luz da teoria benjaminiana é estudado o conflito de concepções de tempo entre os artistas soviéticos das duas décadas posteriores à Revolução de Outubro de 1917: de um lado, o tempo da interrupção, anárquico, autônomo e crítico – que é o tempo da avat-garde –, do outro lado, a sincronização com una idéia de um tempo progressivo tal como foi decretado pelo Partido Comunista; este é o tempo das vanguardas, cuja contrapartida capitalista é a moda.

     

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    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Geschichtsphilosophie; Benjamin, Walter; Sowjetunion; Avantgarde
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  12. Witnessing: testimony of linguistic memory : the case of Victor Klemperer
    Erschienen: 31.12.2012

    In view of the tremendous success of Victor Klemperer's diaries testimoning his personal experience as a Jew in Nazi Germany, this article discusses the specific contribution of witness literature to the knowledge of history. During the Holocaust... mehr

     

    In view of the tremendous success of Victor Klemperer's diaries testimoning his personal experience as a Jew in Nazi Germany, this article discusses the specific contribution of witness literature to the knowledge of history. During the Holocaust period, in the face of death, true historical knowledge was essentially reduced to personal experience. Klemperer's clandestine journal exposes how the collective trauma affected everybody through the daily speech patterns, dictated by the Nazis' appropriation of the German language. In this memory of Alltagsgeschichte as a critical history of language can be seen the specific contribution of Literature of testimony. The function of Klemperers chronicle of 'Lingua Tertii Imperii' to develop the readers linguistic sensitivity, in order to enable them to reappropriate their language. Diante da enorme repercussção publica, nos anos 1990, dos diários de Victor Klempercr sobre sua experiência pessoal como judeu na Alemanha nazista, este artigo discute o tipo cspecífico de conhecimento da história proporcionado pela literatura de testemunho. Durante o período do holocausto, no confronto diário com a morte, o conhecimento hlstórico verdadeiro se aguçou nas experiências pessoais. O jornal clandestino de Klemperer expõe como o trauma coletivo afetou a todos por meio dos padrões cotidianos de fala, ditados pela apropriação nazista da língua alemã. Nessa memória da história do cotidiano enquanto história crítica da linguagem pode ser visto o valor específico da literatura de testemunho. A função da crônica de Klemperer da 'lingua Tertii Imperii' consiste em desenvolver nos leitores a sensibilidade

    lingüística, no sentido de poderem se reapropriar de sua língua.

     

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    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Geschichte; Gedächtnis; Zeugnis; Sprachkritik; Nationalsozialismus; Klemperer, Victor / LTI; Judenvernichtung
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  13. Remedy or disease? : Romantic perspectives on music
    Erschienen: 07.03.2012

    Around 1800, aesthetic debate suddenly places music at the very top in the hierarchy of the arts, even superseding poetry: This has become a commonplace not only in scholarly discourse. The protagonists of this re-arrangement of the artistic... mehr

     

    Around 1800, aesthetic debate suddenly places music at the very top in the hierarchy of the arts, even superseding poetry: This has become a commonplace not only in scholarly discourse. The protagonists of this re-arrangement of the artistic disciplines are Wilhelm Heinrich Wackenroder, E.T.A. Hoffmann and Ludwig Tieck. In their programmatic texts, they state that music is to be free and absolute and stress its metaphysical quality and its close relation to the supernatural. Furthermore, music is supposed to be no longer dependent on the other arts, and music releases the listener or the musician from prosaic everyday life. As Wackenroder writes in Die Wunder der Tonkunst, […] [a]ll sickening thoughts which, according to Wackenroder, are the illness of mankind vanish with a piece of music, making our mind sane again. Literary romanticism here recurs to a long tradition that reaches back to the classical ages in Greece and Arabia: Music is used as a remedy for curing illnesses of various kinds. In classical antiquity, Apollo is the god of music, poetry and dancing as well as the god of healing. He was also named “Iatros” (physician) or Apollo Medicus. […] Orpheus as a bard and demigod was also said to be capable of curing diseases by means of his music. […] Thus, music in history is part of treating physical illness on the one hand, but on the other hand is more and more considered to provide a remedy especially for mental deficiencies. Music is meant to improve nervous disorders and sometimes it is even prescribed as a regular medicine. As we will see in Hoffmann’s text Die Genesung, there is a connection between the ritual healing processes in the temples of Aesculapius and the setting of the forest in which the old man regains his health.

     

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    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Wackenroder, Wilhelm Heinrich; Hoffmann, Ernst T. A.; Musikästhetik
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  14. Bakhtin’s theory of the literary chronotope: reflections, applications, perspectives

    This edited volume is the first scholarly tome exclusively dedicated to Mikhail Bakhtin’s theory of the literary chronotope. This concept, initially developed in the 1930s and used as a frame of reference throughout Bakhtin’s own writings, has been... mehr

     

    This edited volume is the first scholarly tome exclusively dedicated to Mikhail Bakhtin’s theory of the literary chronotope. This concept, initially developed in the 1930s and used as a frame of reference throughout Bakhtin’s own writings, has been highly influential in literary studies. After an extensive introduction that serves as a ‘state of the art’, the volume is divided into four main parts: Philosophical Reflections, Relevance of the Chronotope for Literary History, Chronotopical Readings and Some Perspectives for Literary Theory. These thematic categories contain contributions by well-established Bakhtin specialists such as Gary Saul Morson and Michael Holquist, as well as a number of essays by scholars who have published on this subject before. Together the papers in this volume explore the implications of Bakhtin’s concept of the chronotope for a variety of theoretical topics such as literary imagination, polysystem theory and literary adaptation; for modern views on literary history ranging from the hellenistic romance to nineteenth-century realism; and for analyses of well-known novelists and poets as diverse as Milton, Fielding, Dickinson, Dostoevsky, Papadiamandis and DeLillo

     

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    ISBN: 978-90-382-1563-1
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Bachtin, Michail M.; Raum; Zeit; Erzähltheorie
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  15. The dual economy of medieval life
    Erschienen: 13.01.2012

    The works of the author who called himself “der stricker“ (“the weaver“) are generally assigned to the reign of Emperor Frederick II (1212-1250). He wrote in a German of southern Franconian coloring, and his main area of activity is thought to have... mehr

     

    The works of the author who called himself “der stricker“ (“the weaver“) are generally assigned to the reign of Emperor Frederick II (1212-1250). He wrote in a German of southern Franconian coloring, and his main area of activity is thought to have been the duchy of Austria.

     

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    ISBN: 0-674-01503-7
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Mittelhochdeutsch; Friedrich <Preußen, König, II.>
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  16. Arthur in the Tristan Tradition
    Erschienen: 26.10.2012

    The bringing together of the two realms, that of Tristan and Isolde and that of Arthur, thus has a mutually corrosive effect. However, in the further course of the action Tristan and Isolde’s love regains some of its absoluteness: for instance... mehr

     

    The bringing together of the two realms, that of Tristan and Isolde and that of Arthur, thus has a mutually corrosive effect. However, in the further course of the action Tristan and Isolde’s love regains some of its absoluteness: for instance Heinrich refrains from taking over the quarrel of lovers from Eilhart. He plays a double game, on the one hand reducing the absoluteness and self-sufficiency of love, on the other hand building it up again and thus preventing the establishment of a firm doctrine in the course of the narrative (…), as neither the Arthurian court nor the love of Tristan and Isolde provides an absolute norm. Heinrich wrote his romance for the Bohemian noble Raimund von Lichtenburg, and the account of the foundation of the Round Table and the self-directed activities of the knights have belonged (…). The initial Arthurian ideal has become a confirmatory ritual for an exclusive body of noblemen – that matches the spirit of the knightly societies.

     

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    ISBN: 0-7083-1595-X
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Artusepik; Gottfried <von Straßburg> / Tristan und Isolde; Eilhart <von Oberg> / Tristrant
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  17. The morphological and semantic classification of 'evidentials' and modal verbs in German : the perfect(ive) catalyst
    Autor*in: Abraham, Werner
    Erschienen: 01.10.2013

    This paper draws a link between the typological phenomenon of the paradigmatically supported evidentiality evoked by perfect and/or perfectivity and the equally epistemic system of modal verbs in German. The assumption is that, if perfect(ivity) is... mehr

     

    This paper draws a link between the typological phenomenon of the paradigmatically supported evidentiality evoked by perfect and/or perfectivity and the equally epistemic system of modal verbs in German. The assumption is that, if perfect(ivity) is at the bottom of evidentiality in a wide number of unrelated languages, then it will not be an arbitrary fact that systematic epistemic readings occur also for the modal verbs in German, which were preterite presents originally. It will be demonstrated, for one, how exactly modal verbs in Modem German still betray sensitivity to perfect and perfective contexts, and, second, how perfect(ivity) is prone to evincing epistemic meaning. Although the expectation cannot be satisfied due to a lack of respective data from the older stages of German, a research path is sketched narrowing down the linguistic questions to be asked and dating results to be reached.

     

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    DDC Klassifikation: Linguistik (410)
    Schlagworte: Morphologie; Semantik; Evidentialität; Modalverb; Perfekt; Deutsch
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  18. Are there correlations in the acquisition of definite pronouns and finite verbs in German?
    Autor*in: Bittner, Dagmar
    Erschienen: 17.10.2013

    The study presents a first investigation of two different processes in the L1-acquisition of German: The acquisition of definite pronominal forms and the occurence of finite verbs. The aim of the study is to find out if there are inherent relations... mehr

     

    The study presents a first investigation of two different processes in the L1-acquisition of German: The acquisition of definite pronominal forms and the occurence of finite verbs. The aim of the study is to find out if there are inherent relations between both processes. Inherent relations are understood as developmental relations based on the structural properties which demand a correlated emergence of the finite verb and definite pronominal forms.

     

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    DDC Klassifikation: Germanische Sprachen; Deutsch (430)
    Schlagworte: Deutsch; Pronomen; Finite Verbform; Morphologie <Linguistik>; Spracherwerb
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  19. Position and interpretation of adjuncts : process, event and 'wieder' 'again'
    Autor*in: Pittner, Karin
    Erschienen: 14.11.2013

    This paper deals with restitutive and repetitive 'wieder'. Proceeding from the assumption that adverbial adjuncts have base positions which reflect their semantic relations to the rest of the sentence, it is shown that repetitive 'wieder' belongs to... mehr

     

    This paper deals with restitutive and repetitive 'wieder'. Proceeding from the assumption that adverbial adjuncts have base positions which reflect their semantic relations to the rest of the sentence, it is shown that repetitive 'wieder' belongs to the class of event adverbs minimally c-commanding the base positions of all arguments whereas restitutive 'wieder' has many properties in common with process adjuncts, minimally c-commanding the final verb.

     

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    DDC Klassifikation: Germanische Sprachen; Deutsch (430)
    Schlagworte: Adverb; Adjunkt <Linguistik>; Argument <Linguistik>
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  20. German participle II constructions as adjuncts
    Erschienen: 14.11.2013

    The present investigation is concerned with German participles II (past participles) as lexical heads of adjuncts. Within a minimalist framework of sound-meaning correlation, the analysis presupposes a lexicalist conception of morphology and the... mehr

     

    The present investigation is concerned with German participles II (past participles) as lexical heads of adjuncts.

    Within a minimalist framework of sound-meaning correlation, the analysis presupposes a lexicalist conception of morphology and the differentiation of Semantic Form and Conceptual Structure. It is argued that participles II have the same argument structure as the underlying verbs and can undergo passivization, perfectivization and conversion to adjectives. As for the potential of participles to function as modifiers, it is shown that attributive and adverbial participle constructions involve further operations of conversion. Participle constructions are considered as reduced sentences. They do not have a syntactic position for the subject, for an operator (comparable to the relative pronoun in relative clauses) or for an adverbial relator (as in adverbial clauses). The pertinent components are present only in the semantic structure.

    Two templates serve the composition of modifiers - including participle constructions - with the modificandum. It is necessary to differentiate between modification which unifies two predicates relating to participants or to situations and frame setting modification where the modifier is given the status of a propositional operator.

    The proposed analysis shows that the high degree of semantic underspecification and interpretative flexibility of German participle II constructions resides in the indeterminacy of participles II with respect to voice and perfect, in the absence of certain constituents in the syntactic structure and in the presence of corresponding parameters in the Semantic Form of the participle phrases.

     

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    DDC Klassifikation: Germanische Sprachen; Deutsch (430)
    Schlagworte: Deutsch; Partizip Perfekt; Adjunkt <Linguistik>; Semantik; Syntax
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  21. Early verb development in one austrian child
    Erschienen: 14.11.2013

    The purpose of this paper is to trace the early development of verbs (first 50 verb lemmas) in one Austrian child. The paper focusses on verb morphology, and especially on the emergence of first verb paradigms. mehr

     

    The purpose of this paper is to trace the early development of verbs (first 50 verb lemmas) in one Austrian child. The paper focusses on verb morphology, and especially on the emergence of first verb paradigms.

     

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    DDC Klassifikation: Germanische Sprachen; Deutsch (430)
    Schlagworte: Spracherwerb; Morphologie; Verb; Österreichisches Deutsch
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  22. Early verb development in one german-speaking child
    Autor*in: Bittner, Dagmar
    Erschienen: 14.11.2013

    This paper deals with the emergence of verb morphology in one German child up to the time mini-paradigms occur in the data. I will focus on the role of protomorphology as a transitional stage between rote learning and the productive use of... mehr

     

    This paper deals with the emergence of verb morphology in one German child up to the time mini-paradigms occur in the data. I will focus on the role of protomorphology as a transitional stage between rote learning and the productive use of morphological distinctions.

     

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    DDC Klassifikation: Germanische Sprachen; Deutsch (430)
    Schlagworte: Spracherwerb; Morphologie; Verb; Deutsch
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  23. The distribution of trimoraic syllables in German and English as evidence for the phonological word
    Autor*in: Hall, Tracy A.
    Erschienen: 14.11.2013

    In the present article I discuss the distribution of trimoraic syllables in German and English. The reason I have chosen to analyze these two languages together is that the data in both languages are strikingly similar. However, although the basic... mehr

     

    In the present article I discuss the distribution of trimoraic syllables in German and English. The reason I have chosen to analyze these two languages together is that the data in both languages are strikingly similar. However, although the basic generalization in (1) holds for both German and English, we will see below that trimoraic syllabIes do not have an identical distribution in both languages.

    In the present study I make the following theoretical claims. First, I argue that the three environments in (1) have a property in common: they all describe the right edge of a phonological word (or prosodic word; henceforth pword). From a formal point of view, I argue that a constraint I dub the THIRD MORA RESTRICTION (henceforth TMR), which ensures that trimoraic syllables surface at the end of a pword, is active in German and English. According to my proposal trimoraic syllables cannot occur morpheme-internally because monomorphemic grammatical words like garden are parsed as single pwords. Second, I argue that the TMR refers crucially to moraic structure. In particular, underlined strings like the ones in (1) will be shown to be trimoraic; neither skeletal positions nor the subsyllabic constituent rhyme are necessary. Third, the TMR will be shown to be violated in certain (predictable) pword-internal cases, as in Monde and chamber; I account for such facts in an OptimalityTheoretic analysis (henceforth OT; Prince & Smolensky 1993) by ranking various markedness constraints among themselves or by ranking them ahead of the TMR. Fourth, I hold that the TMR describes a concrete level of grammar, which I refer to below as the 'surface' representation. In this respect, my treatment differs significantly from the one proposed for English by Borowsky (1986, 1989), in which the English facts are captured in a Lexical Phonology model by ordering the relevant constraint at level 1 in the lexicon.

     

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    DDC Klassifikation: Phonologie, Phonetik (414)
    Schlagworte: Phonologie; Prosodie; More <Linguistik>; Silbe; Deutsch; Englisch; Kontrastive Linguistik; Optimalitätstheorie
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  24. The contribution of sentence position : The word 'also' in spoken german
    Autor*in: Alm, Maria
    Erschienen: 14.11.2013

    The German word also, similar to English so, is traditionally considered to be a sentence adverb with a consecutive meaning, i.e. it indicates that the propositional content of the clause containing it is some kind of consequence of what has... mehr

     

    The German word also, similar to English so, is traditionally considered to be a sentence adverb with a consecutive meaning, i.e. it indicates that the propositional content of the clause containing it is some kind of consequence of what has previously been said. As a sentence adverb, also has its place within the core of the German sentence, since this is the proper place for an adverb to occur in German. The sentence core offers two proper positions for adverbs: the so-called front field and the middle field. In spoken German, however, also often occurs in sentence-initial position, outside the sentence itself. In this paper, I will use excerpts of German conversations to discuss and illustrate the importance of the sentence positions and the discourse positions for the functions of also on the basis of some German conversations.

     

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    DDC Klassifikation: Germanische Sprachen; Deutsch (430)
    Schlagworte: Diskursanalyse; also; Satzadverb; Konsekutivsatz; Wortstellung; Deutsch
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  25. How the left-periphery of a wh-relative clause determines its syntactic and semantic relationships
    Autor*in: Holler, Anke
    Erschienen: 14.11.2013

    This paper discusses a certain class of German relative clauses which are characterized by a wh-expression overtly realized at the left periphery of the clause. While investigating empirical and theoretical issues regarding this class of relatives,... mehr

     

    This paper discusses a certain class of German relative clauses which are characterized by a wh-expression overtly realized at the left periphery of the clause. While investigating empirical and theoretical issues regarding this class of relatives, it argues that a wh-relative clause relates syntactically to a functionally complete sentential projection and semantically to entities of various kinds that are abstracted from the matrix clause. What is shown is that this grammatical behaviour clearly can be attributed to the properties of the elements positioned at the left of a wh-relative clause. Finally, a lexically-based analysis couched in the framework of HPSG is given that accounts for the data presented.

     

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    DDC Klassifikation: Germanische Sprachen; Deutsch (430)
    Schlagworte: Phrasenstrukturgrammatik; Formale Semantik; Diskursrepräsentationstheorie; Relativsatz; Freier Relativsatz; Deutsch
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