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  1. Conrad, language, and narrative
    Autor*in: Greaney, Michael
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge

    In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English... mehr

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    In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English novel; tensions between speech and writing are the defining obsessions of his career. He sought very early on to develop a 'writing of the voice' based on oral or communal modes of storytelling. Greaney argues that the 'yarns' of his nautical raconteur Marlow are the most challenging expression of this voice-centred aesthetic. But Conrad's suspicion that words are fundamentally untrustworthy is present in everything he wrote. The political novels of his middle period represent a breakthrough from traditional storytelling into the writerly aesthetic of high modernism. Greaney offers an examination of a wide range of Conrad's work which combines recent critical approaches to language in post-structuralism with an impressive command of linguistic theory

     
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    Sprache: Englisch
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    Format: Online
    ISBN: 9780511485107
    Weitere Identifier:
    RVK Klassifikation: HM 2335
    Schlagworte: Geschichte; Fiction / Technique; Narration (Rhetoric) / History / 20th century; Erzähltechnik
    Weitere Schlagworte: Conrad, Joseph / 1857-1924 / Language; Conrad, Joseph / 1857-1924 / Technique; Conrad, Joseph (1857-1924)
    Umfang: 1 online resource (ix, 194 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    pt. I. Speech Communities. 1. 'The realm of living speech': Conrad and oral community. 2. 'Murder by language': 'Falk' and Victory. 3. 'Drawing-room voices': language and space in The Arrow of Gold -- pt. II. Marlow. 4. Modernist storytelling: 'Youth' and 'Heart of Darkness'. 5. The scandals of Lord Jim. 6. The gender of Chance -- pt. III. Political Communities. 7. Nostromo and anecdotal history. 8. Linguistic dystopia: The Secret Agent. 9. 'Gossip tales, suspicions': language and paranoia in Under Western Eyes
  2. Conrad, language, and narrative
    Autor*in: Greaney, Michael
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge, U.K.

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    ISBN: 0511018452; 0511119879; 0511485107; 9780511018459; 9780511119873; 9780511485107
    RVK Klassifikation: HM 2335
    Schlagworte: Roman / Technique; Narration; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Vertelkunst; Literaire taal; Sprache <Motiv>; Fiction / Technique; Language and languages; Narration (Rhetoric); Technique; Sprache; Fiction; Narration (Rhetoric); Erzähltechnik
    Weitere Schlagworte: Conrad, Joseph / 1857-1924 / Criticism and interpretation; Conrad, Joseph / 1857-1924 / Langue; Conrad, Joseph / 1857-1924 / Technique; Conrad, Joseph; Conrad, Joseph / 1857-1924; Conrad, Joseph (1857-1924); Conrad, Joseph (1857-1924); Conrad, Joseph (1857-1924)
    Umfang: 1 Online-Ressource (ix, 194 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 185-192) and index

    pt. I. Speech Communities. 1. 'The realm of living speech': Conrad and oral community. 2. 'Murder by language': 'Falk' and Victory. 3. 'Drawing-room voices': language and space in The Arrow of Gold -- pt. II. Marlow. 4. Modernist storytelling: 'Youth' and 'Heart of Darkness'. 5. The scandals of Lord Jim. 6. The gender of Chance -- pt. III. Political Communities. 7. Nostromo and anecdotal history. 8. Linguistic dystopia: The Secret Agent. 9. 'Gossip tales, suspicions': language and paranoia in Under Western Eyes

    "In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English novel; tensions between speech and writing are the defining obsessions of his career. He sought very early on to develop a 'writing of the voice' based on oral or communal modes of storytelling. Greaney argues that the 'yarns' of his nautical raconteur Marlow are the most challenging expression of this voice-centred aesthetic. But Conrad's suspicion that words are fundamentally untrustworthy is present in everything he wrote

    The political novels of his middle period represent a breakthrough from traditional storytelling into the writerly aesthetic of high modernism. Greaney offers an examination of a wide range of Conrad's work which combines recent critical approaches to language in post-structuralism with an impressive command of linguistic theory."--Jacket
  3. Conrad, language, and narrative
    Autor*in: Greaney, Michael
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge, U.K.

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0521807549
    Schlagworte: Fiction; Narration (Rhetoric); Erzähltechnik
    Weitere Schlagworte: Conrad, Joseph (1857-1924); Conrad, Joseph (1857-1924); Conrad, Joseph (1857-1924)
    Umfang: ix, 194 p
    Bemerkung(en):

    Includes bibliographical references (p. 185-192) and index
  4. Conrad, language, and narrative
    Autor*in: Greaney, Michael
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge

    In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English novel; tensions between speech and writing are the defining obsessions of his career. He sought very early on to develop a 'writing of the voice' based on oral or communal modes of storytelling. Greaney argues that the 'yarns' of his nautical raconteur Marlow are the most challenging expression of this voice-centred aesthetic. But Conrad's suspicion that words are fundamentally untrustworthy is present in everything he wrote. The political novels of his middle period represent a breakthrough from traditional storytelling into the writerly aesthetic of high modernism. Greaney offers an examination of a wide range of Conrad's work which combines recent critical approaches to language in post-structuralism with an impressive command of linguistic theory pt. I. Speech Communities. 1. 'The realm of living speech': Conrad and oral community. 2. 'Murder by language': 'Falk' and Victory. 3. 'Drawing-room voices': language and space in The Arrow of Gold -- pt. II. Marlow. 4. Modernist storytelling: 'Youth' and 'Heart of Darkness'. 5. The scandals of Lord Jim. 6. The gender of Chance -- pt. III. Political Communities. 7. Nostromo and anecdotal history. 8. Linguistic dystopia: The Secret Agent. 9. 'Gossip tales, suspicions': language and paranoia in Under Western Eyes

     
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    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511485107
    Weitere Identifier:
    RVK Klassifikation: HM 2335
    Schlagworte: Fiction; Narration (Rhetoric); Conrad, Joseph ; 1857-1924 ; Language; Conrad, Joseph ; 1857-1924 ; Technique; Fiction ; Technique; Narration (Rhetoric) ; History ; 20th century
    Weitere Schlagworte: Conrad, Joseph (1857-1924); Conrad, Joseph (1857-1924)
    Umfang: 1 Online-Ressource (ix, 194 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  5. Conrad, language, and narrative
    Autor*in: Greaney, Michael
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge

    In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English... mehr

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    In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English novel; tensions between speech and writing are the defining obsessions of his career. He sought very early on to develop a 'writing of the voice' based on oral or communal modes of storytelling. Greaney argues that the 'yarns' of his nautical raconteur Marlow are the most challenging expression of this voice-centred aesthetic. But Conrad's suspicion that words are fundamentally untrustworthy is present in everything he wrote. The political novels of his middle period represent a breakthrough from traditional storytelling into the writerly aesthetic of high modernism. Greaney offers an examination of a wide range of Conrad's work which combines recent critical approaches to language in post-structuralism with an impressive command of linguistic theory.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511485107
    Umfang: 1 Online-Ressource (ix, 194 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  6. Conrad, language, and narrative
    Autor*in: Greaney, Michael
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge, U.K. [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    "In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
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    keine Fernleihe

     

    "In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English novel; tensions between speech and writing are the defining obsessions of his career. He sought very early on to develop a 'writing of the voice' based on oral or communal modes of storytelling. Greaney argues that the 'yarns' of his nautical raconteur Marlow are the most challenging expression of this voice-centred aesthetic. But Conrad's suspicion that words are fundamentally untrustworthy is present in everything he wrote. The political novels of his middle period represent a breakthrough from traditional storytelling into the writerly aesthetic of high modernism. Greaney offers an examination of a wide range of Conrad's work which combines recent critical approaches to language in post-structuralism with an impressive command of linguistic theory."--Jacket.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511018452; 9780511018459; 0511119879; 9780511119873; 9780521807548; 0521807549; 9780511485107; 0511485107; 9780511044489; 0511044488
    Umfang: 1 Online-Ressource (ix, 194 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 185-192) and index
  7. Conrad, language, and narrative
    Autor*in: Greaney, Michael
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge, U.K

    In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. Greaney offers an examination of a wide range of Conrad's work which combines recent critical approaches... mehr

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    In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. Greaney offers an examination of a wide range of Conrad's work which combines recent critical approaches to language in post-structuralism with an impressive command of linguistic theory

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0521807549
    Schlagworte: Narration (Rhetoric); Fiction; Conrad, Joseph ; 1857-1924 ; Language; Electronic books
    Weitere Schlagworte: Conrad, Joseph (1857-1924); Conrad, Joseph (1857-1924)
    Umfang: Online-Ressource (ix, 194 p), 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. 185-192) and index

    Electronic reproduction; Available via World Wide Web

    Cover; Half-title; Title; Copyright; Dedication; Contents; Acknowledgements; Introduction; PART I Speech communities; PART II Marlow; PART III Political communities; Conclusion; Notes; Bibliography; Index
  8. Conrad, language, and narrative
    Autor*in: Greaney, Michael
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge

    In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English... mehr

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    In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English novel; tensions between speech and writing are the defining obsessions of his career. He sought very early on to develop a 'writing of the voice' based on oral or communal modes of storytelling. Greaney argues that the 'yarns' of his nautical raconteur Marlow are the most challenging expression of this voice-centred aesthetic. But Conrad's suspicion that words are fundamentally untrustworthy is present in everything he wrote. The political novels of his middle period represent a breakthrough from traditional storytelling into the writerly aesthetic of high modernism. Greaney offers an examination of a wide range of Conrad's work which combines recent critical approaches to language in post-structuralism with an impressive command of linguistic theory pt. I. Speech Communities. 1. 'The realm of living speech': Conrad and oral community. 2. 'Murder by language': 'Falk' and Victory. 3. 'Drawing-room voices': language and space in The Arrow of Gold -- pt. II. Marlow. 4. Modernist storytelling: 'Youth' and 'Heart of Darkness'. 5. The scandals of Lord Jim. 6. The gender of Chance -- pt. III. Political Communities. 7. Nostromo and anecdotal history. 8. Linguistic dystopia: The Secret Agent. 9. 'Gossip tales, suspicions': language and paranoia in Under Western Eyes

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511485107
    Weitere Identifier:
    RVK Klassifikation: HM 2335
    Schlagworte: Fiction; Narration (Rhetoric); Conrad, Joseph ; 1857-1924 ; Language; Conrad, Joseph ; 1857-1924 ; Technique; Fiction ; Technique; Narration (Rhetoric) ; History ; 20th century
    Weitere Schlagworte: Conrad, Joseph (1857-1924); Conrad, Joseph (1857-1924)
    Umfang: 1 Online-Ressource (ix, 194 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)