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  1. Women's Experience of Modernity, 1875-1945
    Autor*in: Ardis, Ann L.
    Erschienen: 2002; ©2003
    Verlag:  The Johns Hopkins University Press, Baltimore

    Intro -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction -- Part I Negotiating the Literary Marketplace -- Writing a Public Self -- Towards a New "Colored" Consciousness -- The Authority of Experience -- "This Other Eden" -- The Heir Unapparent -- Part... mehr

    Standort:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Intro -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction -- Part I Negotiating the Literary Marketplace -- Writing a Public Self -- Towards a New "Colored" Consciousness -- The Authority of Experience -- "This Other Eden" -- The Heir Unapparent -- Part II Outside the Metropolis -- In-Between Modernity -- New Negro Modernity -- Olive Schreiner, South Africa, and the Costs of Modernity -- "Tropical Ovaries" -- Two Talks with Khun Fa -- "Stage Business" as Citizenship -- Phenomena in Flux -- Part III The Shifting Terrain of Public Life -- The New Woman's Appetite for "Riotous Living" -- Djuna Barnes Makes a Specialty of Crime -- In Pursuit of an Erogamic Life -- Shift Work -- Afterword -- NOTES ON CONTRIBUTORS -- INDEX.

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780801869358
    Schlagworte: Modernism (Literature); Modernism (Literature); Electronic books
    Umfang: Online-Ressource (328 p)
    Bemerkung(en):

    Description based upon print version of record

    ""CONTENTS""; ""ACKNOWLEDGMENTS""; ""Introduction""; ""Part I Negotiating the Literary Marketplace""; ""Writing a Public Self""; ""Towards a New “Colored� Consciousness""; ""The Authority of Experience""; ""“This Other Eden�""; ""The Heir Unapparent""; ""Part II Outside the Metropolis""; ""In-Between Modernity""; ""New Negro Modernity""; ""Olive Schreiner, South Africa, and the Costs of Modernity""; ""“Tropical Ovaries�""; ""Two Talks with Khun Fa""; ""“Stage Business� as Citizenship""; ""Phenomena in Flux""; ""Part III The Shifting Terrain of Public Life""

    ""The New Woman�s Appetite for “Riotous Living�""""Djuna Barnes Makes a Specialty of Crime""; ""In Pursuit of an Erogamic Life""; ""Shift Work""; ""Afterword""; ""NOTES ON CONTRIBUTORS""; ""INDEX""
  2. Modernism and cultural conflict, 1880-1922
    Autor*in: Ardis, Ann L.
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge, U.K.

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    ISBN: 0511064551; 0511073011; 051112032X; 0521812062; 9780511064555; 9780511073014; 9780511120329; 9780521812061
    Schlagworte: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Culture conflict; English literature; Culture conflict in literature; Modernism (Literature); Littérature anglaise; Conflit culturel; Thème littéraire; Modernisme (Littérature); 20e siècle; English literature; Modernism (Literature); Culture conflict; Culture conflict in literature; Literatur; Englisch; Moderne; Kulturkonflikt
    Umfang: 1 Online-Ressource (ix, 187 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 177-182) and index

    Introduction: Rethinking Modernism, remapping the turn of the twentieth century -- Beatrice Webb and the 'serious' artist -- Inventing literary tradition, ghosting Oscar Wilde and the Victorian Fin de Sic̈le -- The Lost Girl, Tarr, and the 'Moment' of Modernism -- Mapping the middlebrow in Edwardian England -- 'Life is not composed of watertight compartments': the New Age's Critique of Modernist Literary Specialization -- Conclusion: Modernism and English studies in history

    Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centered around Pound, Eliot, and Joyce as one among a number of groups in Britain intent on redefining the cultural work of literature at the turn of the twentieth century
  3. Modernism and cultural conflict, 1880-1922
    Autor*in: Ardis, Ann L.
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge

    In Modernism and Cultural Conflict, Ann Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centred around Pound, Eliot and Joyce as one among a number of groups in Britain intent on... mehr

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    Universitätsbibliothek Bamberg
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    In Modernism and Cultural Conflict, Ann Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centred around Pound, Eliot and Joyce as one among a number of groups in Britain intent on redefining the cultural work of literature at the turn of the twentieth century. Ardis emphasizes the ways in which modernists secured their cultural centrality, she documents their support of mainstream attitudes toward science, their retreat from a supposed valuing of scandalous sexuality in the wake of Oscar Wilde's trials in 1895, and the conservative cultural and sexual politics masked by their radical formalist poetics. She recovers key instances of opposition to modernist self-fashioning in British socialism and feminism of the period. Ardis goes on to consider how literary modernism's rise to aesthetic prominence paved the way for the institutionalization of English studies through the devaluation of other aesthetic practices

     
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    Format: Online
    ISBN: 9780511484971
    Weitere Identifier:
    RVK Klassifikation: HM 1071 ; HM 1132 ; HM 1139
    Schlagworte: English literature / 20th century / History and criticism; Modernism (Literature) / Great Britain; Culture conflict / Great Britain; Culture conflict in literature; Englisch; Literatur; Kulturkonflikt; Moderne
    Umfang: 1 online resource (ix, 187 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Introduction: Rethinking Modernism, remapping the turn of the twentieth century -- Beatrice Webb and the 'serious' artist -- Inventing literary tradition, ghosting Oscar Wilde and the Victorian Fin de Sic̈le -- The Lost Girl, Tarr, and the 'Moment' of Modernism -- Mapping the middlebrow in Edwardian England -- 'Life is not composed of watertight compartments': the New Age's Critique of Modernist Literary Specialization -- Conclusion: Modernism and English studies in history
  4. Modernism and cultural conflict, 1880-1922
    Autor*in: Ardis, Ann L.
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge, U.K.

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Sprache: Englisch
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    Format: Online
    ISBN: 0521812062
    Schlagworte: English literature; Modernism (Literature); Culture conflict; Culture conflict in literature; Moderne; Kulturkonflikt; Englisch; Literatur
    Umfang: ix, 187 p
    Bemerkung(en):

    Includes bibliographical references (p. 177-182) and index
  5. Modernism and cultural conflict, 1880-1922
    Autor*in: Ardis, Ann L.
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge

    In Modernism and Cultural Conflict, Ann Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centred around Pound, Eliot and Joyce as one among a number of groups in Britain intent on... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In Modernism and Cultural Conflict, Ann Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centred around Pound, Eliot and Joyce as one among a number of groups in Britain intent on redefining the cultural work of literature at the turn of the twentieth century. Ardis emphasizes the ways in which modernists secured their cultural centrality, she documents their support of mainstream attitudes toward science, their retreat from a supposed valuing of scandalous sexuality in the wake of Oscar Wilde's trials in 1895, and the conservative cultural and sexual politics masked by their radical formalist poetics. She recovers key instances of opposition to modernist self-fashioning in British socialism and feminism of the period. Ardis goes on to consider how literary modernism's rise to aesthetic prominence paved the way for the institutionalization of English studies through the devaluation of other aesthetic practices Introduction: Rethinking Modernism, remapping the turn of the twentieth century -- Beatrice Webb and the 'serious' artist -- Inventing literary tradition, ghosting Oscar Wilde and the Victorian Fin de Sic̈le -- The Lost Girl, Tarr, and the 'Moment' of Modernism -- Mapping the middlebrow in Edwardian England -- 'Life is not composed of watertight compartments': the New Age's Critique of Modernist Literary Specialization -- Conclusion: Modernism and English studies in history

     
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    Quelle: Staatsbibliothek zu Berlin
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    Format: Online
    ISBN: 9780511484971
    Weitere Identifier:
    RVK Klassifikation: HM 1071 ; HM 1132
    Schlagworte: Culture conflict; Culture conflict in literature; Modernism (Literature); English literature; English literature ; 20th century ; History and criticism; Modernism (Literature) ; Great Britain; Culture conflict ; Great Britain; Culture conflict in literature
    Umfang: 1 Online-Ressource (ix, 187 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  6. Modernism and Cultural Conflict, 1880–1922
    Autor*in: Ardis, Ann L.
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge ; ProQuest, Ann Arbor, Michigan

    Ardis questions commonly held views of the radical nature of literary modernism. mehr

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    Universität Frankfurt, Elektronische Ressourcen
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    Ardis questions commonly held views of the radical nature of literary modernism.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139148443
    RVK Klassifikation: HM 1071 ; HM 1132
    Umfang: 1 Online-Ressource (199 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  7. Modernism and cultural conflict, 1880-1922
    Autor*in: Ardis, Ann L.
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge

    In Modernism and Cultural Conflict, Ann Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centred around Pound, Eliot and Joyce as one among a number of groups in Britain intent on... mehr

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    In Modernism and Cultural Conflict, Ann Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centred around Pound, Eliot and Joyce as one among a number of groups in Britain intent on redefining the cultural work of literature at the turn of the twentieth century. Ardis emphasizes the ways in which modernists secured their cultural centrality, she documents their support of mainstream attitudes toward science, their retreat from a supposed valuing of scandalous sexuality in the wake of Oscar Wilde's trials in 1895, and the conservative cultural and sexual politics masked by their radical formalist poetics. She recovers key instances of opposition to modernist self-fashioning in British socialism and feminism of the period. Ardis goes on to consider how literary modernism's rise to aesthetic prominence paved the way for the institutionalization of English studies through the devaluation of other aesthetic practices.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511484971
    RVK Klassifikation: HM 1071 ; HM 1132
    Umfang: 1 Online-Ressource (ix, 187 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  8. Modernism and cultural conflict, 1880-1922
    Autor*in: Ardis, Ann L.
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge, U.K. [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centered around Pound, Eliot, and Joyce as one among a number of groups in Britain intent on redefining the cultural work of... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centered around Pound, Eliot, and Joyce as one among a number of groups in Britain intent on redefining the cultural work of literature at the turn of the twentieth century.

     
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    Sprache: Englisch
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    ISBN: 0511064551; 9780511064555; 0511073011; 9780511073014; 051112032X; 9780511120329; 9780521812061; 0521812062
    RVK Klassifikation: HM 1071 ; HM 1132
    Umfang: 1 Online-Ressource (ix, 187 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 177-182) and index
  9. Modernism and cultural conflict, 1880-1922
    Autor*in: Ardis, Ann L.
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge, U.K

    Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centered around Pound, Eliot, and Joyce as one among a number of groups in Britain intent on redefining the cultural work of... mehr

    Standort:
    Hochschulbibliothek Friedensau
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    Online-Ressource
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    Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centered around Pound, Eliot, and Joyce as one among a number of groups in Britain intent on redefining the cultural work of literature at the turn of the twentieth century

     
    Export in Literaturverwaltung   RIS-Format
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    Sprache: Englisch
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    ISBN: 0521812062
    Schlagworte: Culture conflict in literature; Culture conflict; Modernism (Literature); English literature
    Umfang: Online-Ressource (ix, 187 p), 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. 177-182) and index

    Electronic reproduction; Available via World Wide Web

    Cover; Half-title; Title; Copyright; Dedication; Contents; Acknowledgments; Introduction: rethinking modernism, remapping the turn of the twentieth century; CHAPTER 1 Beatrice Webb and the "serious"" artist; CHAPTER 2 Inventing literary tradition, ghosting Oscar Wilde and the Victorian fin de siècle; CHAPTER 3 The Lost Girl, Tarr, and the "moment"" of modernism; CHAPTER 4 Mapping the middlebrow in Edwardian England; CHAPTER 5 ""Life is not composed of watertight compartments"": the New Age's critique of modernist literary specialization; Conclusion: modernism and English studies in history

    Select bibliographyIndex
  10. Women's Experience of Modernity, 1875-1945
    Autor*in: Ardis, Ann L.
    Erschienen: 2002; ©2003
    Verlag:  The Johns Hopkins University Press, Baltimore

    Intro -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction -- Part I Negotiating the Literary Marketplace -- Writing a Public Self -- Towards a New "Colored" Consciousness -- The Authority of Experience -- "This Other Eden" -- The Heir Unapparent -- Part... mehr

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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Intro -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction -- Part I Negotiating the Literary Marketplace -- Writing a Public Self -- Towards a New "Colored" Consciousness -- The Authority of Experience -- "This Other Eden" -- The Heir Unapparent -- Part II Outside the Metropolis -- In-Between Modernity -- New Negro Modernity -- Olive Schreiner, South Africa, and the Costs of Modernity -- "Tropical Ovaries" -- Two Talks with Khun Fa -- "Stage Business" as Citizenship -- Phenomena in Flux -- Part III The Shifting Terrain of Public Life -- The New Woman's Appetite for "Riotous Living" -- Djuna Barnes Makes a Specialty of Crime -- In Pursuit of an Erogamic Life -- Shift Work -- Afterword -- NOTES ON CONTRIBUTORS -- INDEX.

     
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    Sprache: Englisch
    Medientyp: Ebook
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    ISBN: 9780801869358
    Schlagworte: Modernism (Literature); Modernism (Literature); Electronic books
    Umfang: Online-Ressource (328 p)
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    Description based upon print version of record

    ""CONTENTS""; ""ACKNOWLEDGMENTS""; ""Introduction""; ""Part I Negotiating the Literary Marketplace""; ""Writing a Public Self""; ""Towards a New “Colored� Consciousness""; ""The Authority of Experience""; ""“This Other Eden�""; ""The Heir Unapparent""; ""Part II Outside the Metropolis""; ""In-Between Modernity""; ""New Negro Modernity""; ""Olive Schreiner, South Africa, and the Costs of Modernity""; ""“Tropical Ovaries�""; ""Two Talks with Khun Fa""; ""“Stage Business� as Citizenship""; ""Phenomena in Flux""; ""Part III The Shifting Terrain of Public Life""

    ""The New Woman�s Appetite for “Riotous Living�""""Djuna Barnes Makes a Specialty of Crime""; ""In Pursuit of an Erogamic Life""; ""Shift Work""; ""Afterword""; ""NOTES ON CONTRIBUTORS""; ""INDEX""
  11. Modernism and cultural conflict, 1880-1922
    Autor*in: Ardis, Ann L.
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge

    In Modernism and Cultural Conflict, Ann Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centred around Pound, Eliot and Joyce as one among a number of groups in Britain intent on... mehr

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    In Modernism and Cultural Conflict, Ann Ardis questions commonly held views of the radical nature of literary modernism. She positions the coterie of writers centred around Pound, Eliot and Joyce as one among a number of groups in Britain intent on redefining the cultural work of literature at the turn of the twentieth century. Ardis emphasizes the ways in which modernists secured their cultural centrality, she documents their support of mainstream attitudes toward science, their retreat from a supposed valuing of scandalous sexuality in the wake of Oscar Wilde's trials in 1895, and the conservative cultural and sexual politics masked by their radical formalist poetics. She recovers key instances of opposition to modernist self-fashioning in British socialism and feminism of the period. Ardis goes on to consider how literary modernism's rise to aesthetic prominence paved the way for the institutionalization of English studies through the devaluation of other aesthetic practices Introduction: Rethinking Modernism, remapping the turn of the twentieth century -- Beatrice Webb and the 'serious' artist -- Inventing literary tradition, ghosting Oscar Wilde and the Victorian Fin de Sic̈le -- The Lost Girl, Tarr, and the 'Moment' of Modernism -- Mapping the middlebrow in Edwardian England -- 'Life is not composed of watertight compartments': the New Age's Critique of Modernist Literary Specialization -- Conclusion: Modernism and English studies in history

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
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    ISBN: 9780511484971
    Weitere Identifier:
    RVK Klassifikation: HM 1071 ; HM 1132
    Schlagworte: Culture conflict; Culture conflict in literature; Modernism (Literature); English literature; English literature ; 20th century ; History and criticism; Modernism (Literature) ; Great Britain; Culture conflict ; Great Britain; Culture conflict in literature
    Umfang: 1 Online-Ressource (ix, 187 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)