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  1. The living death of antiquity
    neoclassical aesthetics
    Autor*in: Fitzgerald, William
    Erschienen: 2022
    Verlag:  Oxford University Press, Oxford

    The Living Death of Antiquity' examines the idealization of an antiquity that exhibits, in the words of Johann Joachim Winckelmann, 'a noble simplicity and quiet grandeur'. Fitzgerald discusses the aesthetics of this strain of neoclassicism as... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The Living Death of Antiquity' examines the idealization of an antiquity that exhibits, in the words of Johann Joachim Winckelmann, 'a noble simplicity and quiet grandeur'. Fitzgerald discusses the aesthetics of this strain of neoclassicism as manifested in a range of work in different media and periods, focusing on the late eighteenth and early nineteenth centuries. In the aftermath of Winckelmann's writing, John Flaxman's engraved scenes from the Iliad and the sculptors Antonio Canova and Bertel Thorvaldsen reinterpreted ancient prototypes or invented new ones. Earlier and later versions of this aesthetic in the ancient Greek Anacreontea, the French Parnassian poets and Erik Satie's Socrate, manifest its character in different media and periods. Looking with a sympathetic eye on the original aspirations of the neoclassical aesthetic and its forward-looking potential, Fitzgerald describes how it can tip over into the vacancy or kitsch through which a 'remaindered' antiquity lingers in our minds and environments. This book asks how the neoclassical value of simplicity serves to conjure up an epiphanic antiquity, and how whiteness, in both its literal and its metaphorical forms, acts as the 'logo' of neoclassical antiquity, and functions aesthetically in a variety of media. In the context of the waning of a neoclassically idealized antiquity, Fitzgerald describes the new contents produced by its asymptotic approach to meaninglessness, and how the antiquity that it imagined both is and is not with us

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780192893963; 0192893963
    Auflage/Ausgabe: First edition
    Schriftenreihe: Classical presences
    Schlagworte: Aesthetics; Neoclassicism (Art); Sculpture, Neoclassical; Aesthetics; Neoclassicism (Art); Sculpture, Neoclassical
    Umfang: xii, 272 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references (pages 253-266) and index
  2. The living death of antiquity
    neoclassical aesthetics
    Autor*in: Fitzgerald, William
    Erschienen: 2022
    Verlag:  Oxford University Press, Oxford

    The Living Death of Antiquity' examines the idealization of an antiquity that exhibits, in the words of Johann Joachim Winckelmann, 'a noble simplicity and quiet grandeur'. Fitzgerald discusses the aesthetics of this strain of neoclassicism as... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2022:1487:
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2022 C 909
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signatur:
    Bereich Klassische Archäologie
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Germanisches Nationalmuseum, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Herzog August Bibliothek Wolfenbüttel
    Signatur:
    73.951
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The Living Death of Antiquity' examines the idealization of an antiquity that exhibits, in the words of Johann Joachim Winckelmann, 'a noble simplicity and quiet grandeur'. Fitzgerald discusses the aesthetics of this strain of neoclassicism as manifested in a range of work in different media and periods, focusing on the late eighteenth and early nineteenth centuries. In the aftermath of Winckelmann's writing, John Flaxman's engraved scenes from the Iliad and the sculptors Antonio Canova and Bertel Thorvaldsen reinterpreted ancient prototypes or invented new ones. Earlier and later versions of this aesthetic in the ancient Greek Anacreontea, the French Parnassian poets and Erik Satie's Socrate, manifest its character in different media and periods. Looking with a sympathetic eye on the original aspirations of the neoclassical aesthetic and its forward-looking potential, Fitzgerald describes how it can tip over into the vacancy or kitsch through which a 'remaindered' antiquity lingers in our minds and environments. This book asks how the neoclassical value of simplicity serves to conjure up an epiphanic antiquity, and how whiteness, in both its literal and its metaphorical forms, acts as the 'logo' of neoclassical antiquity, and functions aesthetically in a variety of media. In the context of the waning of a neoclassically idealized antiquity, Fitzgerald describes the new contents produced by its asymptotic approach to meaninglessness, and how the antiquity that it imagined both is and is not with us

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780192893963; 0192893963
    Auflage/Ausgabe: First edition
    Schriftenreihe: Classical presences
    Schlagworte: Aesthetics; Neoclassicism (Art); Sculpture, Neoclassical; Aesthetics; Neoclassicism (Art); Sculpture, Neoclassical
    Umfang: xii, 272 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references (pages 253-266) and index
  3. The living death of antiquity
    neoclassical aesthetics
    Autor*in: Fitzgerald, William
    Erschienen: 2022
    Verlag:  Oxford University Press, Oxford

    'The Living Death of Antiquity' examines the historical development of a neoclassical aesthetic in visual art and sculpture centred on simplicity and grandeur. Fitzgerald describes its ideals and potential as well as its remaining significance in... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    'The Living Death of Antiquity' examines the historical development of a neoclassical aesthetic in visual art and sculpture centred on simplicity and grandeur. Fitzgerald describes its ideals and potential as well as its remaining significance in modern culture.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780191915109
    Weitere Identifier:
    RVK Klassifikation: LH 61040 ; LH 65780
    Auflage/Ausgabe: First edition
    Schriftenreihe: Classical presences
    Oxford scholarship online
    Schlagworte: Aesthetics; Neoclassicism (Art); Sculpture, Neoclassical; Ästhetik; Klassizismus; Antike; Rezeption
    Weitere Schlagworte: Thorvaldsen, Bertel (1770-1844); Satie, Erik (1866-1925): Socrate; Pope, Alexander (1688-1744); Flaxman, John (1755-1826); Canova, Antonio (1757-1822); Leconte de Lisle (1818-1894)
    Umfang: 1 Online-Ressource (xii, 272 Seiten), Illustrationen
    Bemerkung(en):

    This edition also issued in print: 2022. - Includes bibliographical references and index